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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CEF80 it is the complementary color #C3107F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CEF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CEF80 shade: #41EF7B, #52FF8E, #63FFA1, #74FFB4 and #85FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CEF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CEF80 shade: #3CEF80, #2BDD6D, #1ACB5A, #09B947 and #00A734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CEF80 shade: #3EEF81, #3EEF51, #5AEF3E, #8AEF3E and #BAEF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CEF80 shade: #3EEF81, #3EEFB1, #3EEFE1, #3ECEEF and #3E9EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CEF80 shade matches the following richer shades: #3EEF81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CEF80 shade: #3EEF81, #4EDE85, #5FCD89, #70BD8D and #81AC91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CEF80 shade: #5BEF3E, #3EEF4F, #3EEF7F, #3EEFAE and #3EEFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CEF80 shade: #10CA57, #17EC68, #3EEF81, #64F29A and #8AF6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CEF80 shade: #3CEF80, #3E8BEF and #EF3E44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CEF80 shade: #3CEF80, #7F3EEF and #EF7F3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CEF80 shade: #3CEF80, #3E8BEF, #EF3EAE and #EFA23E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CEF80 shade: #3CEF80, #3E55EF, #EF3EAE and #EFD83E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

Complementary color

CMYK 0 / 92 / 35 / 24

HEX #C3107F

RGB 195 16 127

HSL 322.79, 0.85%, 0.41%

LAB 43.51, 70.2, -13.47

 

CMYK 73 / 0 / 49 / 6

HEX #41EF7B

RGB 65 239 123

HSL 140, 0.84%, 0.6%

LAB 84.11, -67.7, 43.61

 

CMYK 68 / 0 / 44 / 0

HEX #52FF8E

RGB 82 255 142

HSL 140.81, 1%, 0.66%

LAB 89.52, -67.67, 41.37

 

CMYK 61 / 0 / 37 / 0

HEX #63FFA1

RGB 99 255 161

HSL 143.85, 1%, 0.69%

LAB 90.2, -61.44, 33

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB4

RGB 116 255 180

HSL 147.63, 1%, 0.73%

LAB 91.02, -54.46, 24.62

 

CMYK 48 / 0 / 22 / 0

HEX #85FFC7

RGB 133 255 199

HSL 152.46, 1%, 0.76%

LAB 91.97, -46.85, 16.33

 

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

CMYK 81 / 0 / 51 / 13

HEX #2BDD6D

RGB 43 221 109

HSL 142.25, 0.72%, 0.52%

LAB 78.07, -66.51, 42.73

 

CMYK 87 / 0 / 56 / 20

HEX #1ACB5A

RGB 26 203 90

HSL 141.69, 0.77%, 0.45%

LAB 72.01, -64.96, 44.35

 

CMYK 95 / 0 / 62 / 27

HEX #09B947

RGB 9 185 71

HSL 141.14, 0.91%, 0.38%

LAB 65.91, -62.79, 45.94

 

CMYK 100 / 0 / 69 / 35

HEX #00A734

RGB 0 167 52

HSL 138.68, 1%, 0.33%

LAB 59.79, -59.87, 47.35

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF81

RGB 62 239 129

HSL 142.71, 0.85%, 0.59%

LAB 84.14, -67.18, 40.74

 

CMYK 74 / 0 / 66 / 6

HEX #3EEF51

RGB 62 239 81

HSL 126.44, 0.85%, 0.59%

LAB 83.63, -73.32, 61.59

 

CMYK 62 / 0 / 74 / 6

HEX #5AEF3E

RGB 90 239 62

HSL 110.51, 0.85%, 0.59%

LAB 84.1, -69.85, 69.14

 

CMYK 42 / 0 / 74 / 6

HEX #8AEF3E

RGB 138 239 62

HSL 94.24, 0.85%, 0.59%

LAB 85.75, -57.07, 71.32

 

CMYK 22 / 0 / 74 / 6

HEX #BAEF3E

RGB 186 239 62

HSL 77.97, 0.85%, 0.59%

LAB 88.22, -40.32, 74.55

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF81

RGB 62 239 129

HSL 142.71, 0.85%, 0.59%

LAB 84.14, -67.18, 40.74

 

CMYK 74 / 0 / 26 / 6

HEX #3EEFB1

RGB 62 239 177

HSL 158.98, 0.85%, 0.59%

LAB 84.96, -58.04, 17.57

 

CMYK 74 / 0 / 6 / 6

HEX #3EEFE1

RGB 62 239 225

HSL 175.25, 0.85%, 0.59%

LAB 86.1, -46.28, -5.88

 

CMYK 74 / 14 / 0 / 6

HEX #3ECEEF

RGB 62 206 239

HSL 191.19, 0.85%, 0.59%

LAB 76.92, -26.96, -27.14

 

CMYK 74 / 34 / 0 / 6

HEX #3E9EEF

RGB 62 158 239

HSL 207.46, 0.85%, 0.59%

LAB 63.1, -1.31, -48.64

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF81

RGB 62 239 129

HSL 142.71, 0.85%, 0.59%

LAB 84.14, -67.18, 40.74

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF81

RGB 62 239 129

HSL 142.71, 0.85%, 0.59%

LAB 84.14, -67.18, 40.74

 

CMYK 65 / 0 / 40 / 13

HEX #4EDE85

RGB 78 222 133

HSL 142.92, 0.69%, 0.59%

LAB 79.36, -57.86, 32.63

 

CMYK 54 / 0 / 33 / 20

HEX #5FCD89

RGB 95 205 137

HSL 142.91, 0.52%, 0.59%

LAB 74.76, -46.8, 24.53

 

CMYK 41 / 0 / 25 / 26

HEX #70BD8D

RGB 112 189 141

HSL 142.6, 0.37%, 0.59%

LAB 70.71, -34.49, 16.95

 

CMYK 25 / 0 / 16 / 33

HEX #81AC91

RGB 129 172 145

HSL 142.33, 0.21%, 0.59%

LAB 66.69, -20.12, 9.24

 

CMYK 62 / 0 / 74 / 6

HEX #5BEF3E

RGB 91 239 62

HSL 110.17, 0.85%, 0.59%

LAB 84.12, -69.64, 69.18

 

CMYK 74 / 0 / 67 / 6

HEX #3EEF4F

RGB 62 239 79

HSL 125.76, 0.85%, 0.59%

LAB 83.61, -73.51, 62.36

 

CMYK 74 / 0 / 47 / 6

HEX #3EEF7F

RGB 62 239 127

HSL 142.03, 0.85%, 0.59%

LAB 84.12, -67.5, 41.68

 

CMYK 74 / 0 / 27 / 6

HEX #3EEFAE

RGB 62 239 174

HSL 157.97, 0.85%, 0.59%

LAB 84.9, -58.69, 19.04

 

CMYK 74 / 0 / 7 / 6

HEX #3EEFDE

RGB 62 239 222

HSL 174.24, 0.85%, 0.59%

LAB 86.02, -47.08, -4.43

 

CMYK 92 / 0 / 57 / 21

HEX #10CA57

RGB 16 202 87

HSL 142.9, 0.85%, 0.43%

LAB 71.58, -65.68, 45.22

 

CMYK 90 / 0 / 56 / 7

HEX #17EC68

RGB 23 236 104

HSL 142.82, 0.85%, 0.51%

LAB 82.47, -73.57, 50.37

 

CMYK 74 / 0 / 46 / 6

HEX #3EEF81

RGB 62 239 129

HSL 142.71, 0.85%, 0.59%

LAB 84.14, -67.18, 40.74

 

CMYK 59 / 0 / 36 / 5

HEX #64F29A

RGB 100 242 154

HSL 142.82, 0.85%, 0.67%

LAB 86.28, -57.5, 31.28

 

CMYK 44 / 0 / 27 / 4

HEX #8AF6B3

RGB 138 246 179

HSL 142.78, 0.86%, 0.75%

LAB 89.19, -45.59, 22.74

 

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

CMYK 74 / 42 / 0 / 6

HEX #3E8BEF

RGB 62 139 239

HSL 213.9, 0.85%, 0.59%

LAB 57.77, 9.89, -57.12

 

CMYK 0 / 74 / 72 / 6

HEX #EF3E44

RGB 239 62 68

HSL 357.97, 0.85%, 0.59%

LAB 54.25, 66.7, 38.3

 

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

CMYK 47 / 74 / 0 / 6

HEX #7F3EEF

RGB 127 62 239

HSL 262.03, 0.85%, 0.59%

LAB 44.5, 64.01, -78.4

 

CMYK 0 / 47 / 74 / 6

HEX #EF7F3E

RGB 239 127 62

HSL 22.03, 0.85%, 0.59%

LAB 64.87, 38.4, 53.04

 

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

CMYK 74 / 42 / 0 / 6

HEX #3E8BEF

RGB 62 139 239

HSL 213.9, 0.85%, 0.59%

LAB 57.77, 9.89, -57.12

 

CMYK 0 / 74 / 27 / 6

HEX #EF3EAE

RGB 239 62 174

HSL 322.03, 0.85%, 0.59%

LAB 56.93, 75.22, -20.39

 

CMYK 0 / 32 / 74 / 6

HEX #EFA23E

RGB 239 162 62

HSL 33.9, 0.85%, 0.59%

LAB 72.59, 20.13, 60.87

 

CMYK 75 / 0 / 46 / 6

HEX #3CEF80

RGB 60 239 128

HSL 142.79, 0.85%, 0.59%

LAB 84.1, -67.6, 41.16

 

CMYK 74 / 64 / 0 / 6

HEX #3E55EF

RGB 62 85 239

HSL 232.2, 0.85%, 0.59%

LAB 43.88, 43.29, -79.62

 

CMYK 0 / 74 / 27 / 6

HEX #EF3EAE

RGB 239 62 174

HSL 322.03, 0.85%, 0.59%

LAB 56.93, 75.22, -20.39

 

CMYK 0 / 10 / 74 / 6

HEX #EFD83E

RGB 239 216 62

HSL 52.2, 0.85%, 0.59%

LAB 85.91, -7.93, 73.74

 

Description

Color code: HEX #3CEF80 | qconv.com Color code: HEX #3CEF80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 239 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 239 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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