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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CEDC0 it is the complementary color #C3123F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CEDC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CEDC0 shade: #41EDBB, #52FFCE, #63FFE1, #74FFF4 and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CEDC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CEDC0 shade: #3CEDC0, #2BDBAD, #1AC99A, #09B787 and #00A574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CEDC0 shade: #3BEDC0, #3BED90, #3BED60, #46ED3B and #76ED3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CEDC0 shade: #3BEDC0, #3BEAED, #3BBAED, #3B8AED and #3B5AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CEDC0 shade matches the following richer shades: #3BEDC0 and #2AFEC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CEDC0 shade: #3BEDC0, #4CDBB7, #5ECAAF, #6FB9A6 and #80A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CEDC0 shade: #3BED5F, #3BED8E, #3BEDBD, #3BEDED and #3BBDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CEDC0 shade: #12C396, #16E9B3, #3BEDC0, #61F0CC and #87F4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CEDC0 shade: #3CEDC0, #3B47ED and #ED763B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CEDC0 shade: #3CEDC0, #BD3BED and #EDBD3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CEDC0 shade: #3CEDC0, #3B47ED, #ED3B6A and #EDE13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CEDC0 shade: #3CEDC0, #643BED, #ED3B6A and #C3ED3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

Complementary color

CMYK 0 / 91 / 68 / 24

HEX #C3123F

RGB 195 18 63

HSL 344.75, 0.83%, 0.42%

LAB 41.83, 65.06, 24.25

 

CMYK 73 / 0 / 21 / 7

HEX #41EDBB

RGB 65 237 187

HSL 162.56, 0.83%, 0.59%

LAB 84.63, -54.62, 11.9

 

CMYK 68 / 0 / 19 / 0

HEX #52FFCE

RGB 82 255 206

HSL 163.01, 1%, 0.66%

LAB 90.67, -55.16, 10.7

 

CMYK 61 / 0 / 12 / 0

HEX #63FFE1

RGB 99 255 225

HSL 168.46, 1%, 0.69%

LAB 91.51, -48.02, 2.13

 

CMYK 55 / 0 / 4 / 0

HEX #74FFF4

RGB 116 255 244

HSL 175.25, 1%, 0.73%

LAB 92.47, -40.32, -6.24

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

CMYK 80 / 0 / 21 / 14

HEX #2BDBAD

RGB 43 219 173

HSL 164.32, 0.71%, 0.51%

LAB 78.57, -53.16, 10.62

 

CMYK 87 / 0 / 23 / 21

HEX #1AC99A

RGB 26 201 154

HSL 163.89, 0.77%, 0.45%

LAB 72.45, -51.96, 12.06

 

CMYK 95 / 0 / 26 / 28

HEX #09B787

RGB 9 183 135

HSL 163.45, 0.91%, 0.38%

LAB 66.27, -50.34, 13.64

 

CMYK 100 / 0 / 30 / 35

HEX #00A574

RGB 0 165 116

HSL 162.18, 1%, 0.32%

LAB 60.04, -48.24, 15.4

 

CMYK 75 / 0 / 19 / 7

HEX #3BEDC0

RGB 59 237 192

HSL 164.83, 0.83%, 0.58%

LAB 84.64, -54.16, 9.29

 

CMYK 75 / 0 / 39 / 7

HEX #3BED90

RGB 59 237 144

HSL 148.65, 0.83%, 0.58%

LAB 83.71, -64.31, 32.74

 

CMYK 75 / 0 / 59 / 7

HEX #3BED60

RGB 59 237 96

HSL 132.47, 0.83%, 0.58%

LAB 83.1, -71.51, 54.76

 

CMYK 70 / 0 / 75 / 7

HEX #46ED3B

RGB 70 237 59

HSL 116.29, 0.83%, 0.58%

LAB 83.01, -73.24, 68.88

 

CMYK 50 / 0 / 75 / 7

HEX #76ED3B

RGB 118 237 59

HSL 100.11, 0.83%, 0.58%

LAB 84.35, -62.44, 70.64

 

CMYK 75 / 0 / 19 / 7

HEX #3BEDC0

RGB 59 237 192

HSL 164.83, 0.83%, 0.58%

LAB 84.64, -54.16, 9.29

 

CMYK 75 / 1 / 0 / 7

HEX #3BEAED

RGB 59 234 237

HSL 181.01, 0.83%, 0.58%

LAB 84.94, -41.07, -13.93

 

CMYK 75 / 22 / 0 / 7

HEX #3BBAED

RGB 59 186 237

HSL 197.19, 0.83%, 0.58%

LAB 70.98, -17.75, -35.21

 

CMYK 75 / 42 / 0 / 7

HEX #3B8AED

RGB 59 138 237

HSL 213.37, 0.83%, 0.58%

LAB 57.29, 9.41, -56.78

 

CMYK 75 / 62 / 0 / 7

HEX #3B5AED

RGB 59 90 237

HSL 229.55, 0.83%, 0.58%

LAB 44.74, 39.24, -77.09

 

CMYK 75 / 0 / 19 / 7

HEX #3BEDC0

RGB 59 237 192

HSL 164.83, 0.83%, 0.58%

LAB 84.64, -54.16, 9.29

 

CMYK 83 / 0 / 21 / 0

HEX #2AFEC8

RGB 42 254 200

HSL 164.72, 0.99%, 0.58%

LAB 89.65, -60.49, 12.25

 

CMYK 75 / 0 / 19 / 7

HEX #3BEDC0

RGB 59 237 192

HSL 164.83, 0.83%, 0.58%

LAB 84.64, -54.16, 9.29

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB7

RGB 76 219 183

HSL 164.9, 0.67%, 0.58%

LAB 79.4, -46.57, 6.57

 

CMYK 53 / 0 / 13 / 21

HEX #5ECAAF

RGB 94 202 175

HSL 165, 0.5%, 0.58%

LAB 74.65, -37.61, 4.07

 

CMYK 40 / 0 / 10 / 27

HEX #6FB9A6

RGB 111 185 166

HSL 164.59, 0.35%, 0.58%

LAB 70.06, -27.55, 2.4

 

CMYK 23 / 0 / 5 / 35

HEX #80A79E

RGB 128 167 158

HSL 166.15, 0.18%, 0.58%

LAB 65.51, -15.15, 0.32

 

CMYK 75 / 0 / 60 / 7

HEX #3BED5F

RGB 59 237 95

HSL 132.13, 0.83%, 0.58%

LAB 83.09, -71.62, 55.18

 

CMYK 75 / 0 / 40 / 7

HEX #3BED8E

RGB 59 237 142

HSL 147.98, 0.83%, 0.58%

LAB 83.68, -64.67, 33.71

 

CMYK 75 / 0 / 20 / 7

HEX #3BEDBD

RGB 59 237 189

HSL 163.82, 0.83%, 0.58%

LAB 84.57, -54.87, 10.77

 

CMYK 75 / 0 / 0 / 7

HEX #3BEDED

RGB 59 237 237

HSL 180, 0.83%, 0.58%

LAB 85.81, -42.41, -12.63

 

CMYK 75 / 20 / 0 / 7

HEX #3BBDED

RGB 59 189 237

HSL 196.18, 0.83%, 0.58%

LAB 71.85, -19.31, -33.87

 

CMYK 91 / 0 / 23 / 24

HEX #12C396

RGB 18 195 150

HSL 164.75, 0.83%, 0.42%

LAB 70.43, -51.03, 11.35

 

CMYK 91 / 0 / 23 / 9

HEX #16E9B3

RGB 22 233 179

HSL 164.64, 0.83%, 0.5%

LAB 82.76, -58.6, 13.36

 

CMYK 75 / 0 / 19 / 7

HEX #3BEDC0

RGB 59 237 192

HSL 164.83, 0.83%, 0.58%

LAB 84.64, -54.16, 9.29

 

CMYK 60 / 0 / 15 / 6

HEX #61F0CC

RGB 97 240 204

HSL 164.9, 0.83%, 0.66%

LAB 86.61, -46.94, 5.96

 

CMYK 45 / 0 / 11 / 4

HEX #87F4D8

RGB 135 244 216

HSL 164.59, 0.83%, 0.74%

LAB 89.3, -37.91, 3.74

 

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

CMYK 75 / 70 / 0 / 7

HEX #3B47ED

RGB 59 71 237

HSL 235.96, 0.83%, 0.58%

LAB 40.49, 50.6, -84.06

 

CMYK 0 / 50 / 75 / 7

HEX #ED763B

RGB 237 118 59

HSL 19.89, 0.83%, 0.58%

LAB 62.74, 42.02, 52.16

 

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

CMYK 20 / 75 / 0 / 7

HEX #BD3BED

RGB 189 59 237

HSL 283.82, 0.83%, 0.58%

LAB 51.91, 75.11, -64.88

 

CMYK 0 / 20 / 75 / 7

HEX #EDBD3B

RGB 237 189 59

HSL 43.82, 0.83%, 0.58%

LAB 78.88, 4.94, 68.07

 

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

CMYK 75 / 70 / 0 / 7

HEX #3B47ED

RGB 59 71 237

HSL 235.96, 0.83%, 0.58%

LAB 40.49, 50.6, -84.06

 

CMYK 0 / 75 / 55 / 7

HEX #ED3B6A

RGB 237 59 106

HSL 344.16, 0.83%, 0.58%

LAB 54.21, 69.2, 15.83

 

CMYK 0 / 5 / 75 / 7

HEX #EDE13B

RGB 237 225 59

HSL 55.96, 0.83%, 0.58%

LAB 88.05, -13.38, 76.64

 

CMYK 75 / 0 / 19 / 7

HEX #3CEDC0

RGB 60 237 192

HSL 164.75, 0.83%, 0.58%

LAB 84.66, -54.05, 9.32

 

CMYK 58 / 75 / 0 / 7

HEX #643BED

RGB 100 59 237

HSL 253.82, 0.83%, 0.58%

LAB 41.14, 61.2, -82.9

 

CMYK 0 / 75 / 55 / 7

HEX #ED3B6A

RGB 237 59 106

HSL 344.16, 0.83%, 0.58%

LAB 54.21, 69.2, 15.83

 

CMYK 18 / 0 / 75 / 7

HEX #C3ED3B

RGB 195 237 59

HSL 74.16, 0.83%, 0.58%

LAB 88.2, -36.11, 75.67

 

Description

Color code: HEX #3CEDC0 | qconv.com Color code: HEX #3CEDC0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 237 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 237 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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