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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CEB8C it is the complementary color #C31473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CEB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CEB8C shade: #41EB87, #52FD9A, #63FFAD, #74FFC0 and #85FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CEB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CEB8C shade: #3CEB8C, #2BD979, #1AC766, #09B553 and #00A340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CEB8C shade: #3DEA8C, #3DEA5D, #4BEA3D, #7AEA3D and #A8EA3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CEB8C shade: #3DEA8C, #3DEABB, #3DEAEA, #3DBCEA and #3D8DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CEB8C shade matches the following richer shades: #3DEA8C and #2BFB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CEB8C shade: #3DEA8C, #4ED98D, #5FC78F, #71B690 and #82A592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CEB8C shade: #4BEA3D, #3DEA5C, #3DEA8B, #3DEAB9 and #3DEAE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CEB8C shade: #14C163, #18E676, #3DEA8C, #62EEA2 and #87F2B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CEB8C shade: #3CEB8C, #3D79EA and #EA453D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CEB8C shade: #3CEB8C, #8B3DEA and #EA8B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CEB8C shade: #3CEB8C, #3D79EA, #EA3D9C and #EAAD3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CEB8C shade: #3CEB8C, #3D45EA, #EA3D9C and #EAE13D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

Complementary color

CMYK 0 / 90 / 41 / 24

HEX #C31473

RGB 195 20 115

HSL 327.43, 0.81%, 0.42%

LAB 43.27, 68.47, -6.41

 

CMYK 72 / 0 / 43 / 8

HEX #41EB87

RGB 65 235 135

HSL 144.71, 0.81%, 0.59%

LAB 83.07, -64.38, 36.42

 

CMYK 68 / 0 / 39 / 1

HEX #52FD9A

RGB 82 253 154

HSL 145.26, 0.98%, 0.66%

LAB 89.1, -64.95, 34.95

 

CMYK 61 / 0 / 32 / 0

HEX #63FFAD

RGB 99 255 173

HSL 148.46, 1%, 0.69%

LAB 90.41, -59.25, 27.25

 

CMYK 55 / 0 / 25 / 0

HEX #74FFC0

RGB 116 255 192

HSL 152.81, 1%, 0.73%

LAB 91.25, -52.11, 18.83

 

CMYK 48 / 0 / 17 / 0

HEX #85FFD3

RGB 133 255 211

HSL 158.36, 1%, 0.76%

LAB 92.22, -44.37, 10.53

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

CMYK 80 / 0 / 44 / 15

HEX #2BD979

RGB 43 217 121

HSL 146.9, 0.7%, 0.51%

LAB 76.99, -63.22, 35.48

 

CMYK 87 / 0 / 49 / 22

HEX #1AC766

RGB 26 199 102

HSL 146.36, 0.77%, 0.44%

LAB 70.89, -61.83, 37.16

 

CMYK 95 / 0 / 54 / 29

HEX #09B553

RGB 9 181 83

HSL 145.81, 0.91%, 0.37%

LAB 64.75, -59.87, 38.92

 

CMYK 100 / 0 / 61 / 36

HEX #00A340

RGB 0 163 64

HSL 143.56, 1%, 0.32%

LAB 58.57, -57.22, 40.68

 

CMYK 74 / 0 / 40 / 8

HEX #3DEA8C

RGB 61 234 140

HSL 147.4, 0.8%, 0.58%

LAB 82.77, -63.7, 33.52

 

CMYK 74 / 0 / 60 / 8

HEX #3DEA5D

RGB 61 234 93

HSL 131.1, 0.8%, 0.58%

LAB 82.18, -70.62, 55.01

 

CMYK 68 / 0 / 74 / 8

HEX #4BEA3D

RGB 75 234 61

HSL 115.14, 0.8%, 0.58%

LAB 82.21, -71.29, 67.47

 

CMYK 48 / 0 / 74 / 8

HEX #7AEA3D

RGB 122 234 61

HSL 98.84, 0.8%, 0.58%

LAB 83.61, -60.07, 69.33

 

CMYK 28 / 0 / 74 / 8

HEX #A8EA3D

RGB 168 234 61

HSL 82.89, 0.8%, 0.58%

LAB 85.76, -44.88, 72.16

 

CMYK 74 / 0 / 40 / 8

HEX #3DEA8C

RGB 61 234 140

HSL 147.4, 0.8%, 0.58%

LAB 82.77, -63.7, 33.52

 

CMYK 74 / 0 / 20 / 8

HEX #3DEABB

RGB 61 234 187

HSL 163.7, 0.8%, 0.58%

LAB 83.67, -53.91, 10.53

 

CMYK 74 / 0 / 0 / 8

HEX #3DEAEA

RGB 61 234 234

HSL 180, 0.8%, 0.58%

LAB 84.88, -41.71, -12.43

 

CMYK 74 / 20 / 0 / 8

HEX #3DBCEA

RGB 61 188 234

HSL 195.95, 0.8%, 0.58%

LAB 71.49, -19.54, -32.8

 

CMYK 74 / 40 / 0 / 8

HEX #3D8DEA

RGB 61 141 234

HSL 212.25, 0.8%, 0.58%

LAB 58.02, 6.77, -53.95

 

CMYK 74 / 0 / 40 / 8

HEX #3DEA8C

RGB 61 234 140

HSL 147.4, 0.8%, 0.58%

LAB 82.77, -63.7, 33.52

 

CMYK 83 / 0 / 45 / 2

HEX #2BFB8A

RGB 43 251 138

HSL 147.4, 0.96%, 0.58%

LAB 87.65, -71.83, 40.79

 

CMYK 74 / 0 / 40 / 8

HEX #3DEA8C

RGB 61 234 140

HSL 147.4, 0.8%, 0.58%

LAB 82.77, -63.7, 33.52

 

CMYK 64 / 0 / 35 / 15

HEX #4ED98D

RGB 78 217 141

HSL 147.19, 0.65%, 0.58%

LAB 77.97, -54.49, 26.69

 

CMYK 52 / 0 / 28 / 22

HEX #5FC78F

RGB 95 199 143

HSL 147.69, 0.48%, 0.58%

LAB 73.06, -43.09, 19.03

 

CMYK 38 / 0 / 21 / 29

HEX #71B690

RGB 113 182 144

HSL 146.96, 0.32%, 0.58%

LAB 68.74, -30.3, 12.57

 

CMYK 21 / 0 / 12 / 35

HEX #82A592

RGB 130 165 146

HSL 147.43, 0.16%, 0.58%

LAB 64.75, -15.96, 5.92

 

CMYK 68 / 0 / 74 / 8

HEX #4BEA3D

RGB 75 234 61

HSL 115.14, 0.8%, 0.58%

LAB 82.21, -71.29, 67.47

 

CMYK 74 / 0 / 61 / 8

HEX #3DEA5C

RGB 61 234 92

HSL 130.75, 0.8%, 0.58%

LAB 82.17, -70.73, 55.43

 

CMYK 74 / 0 / 41 / 8

HEX #3DEA8B

RGB 61 234 139

HSL 147.05, 0.8%, 0.58%

LAB 82.75, -63.88, 34

 

CMYK 74 / 0 / 21 / 8

HEX #3DEAB9

RGB 61 234 185

HSL 163.01, 0.8%, 0.58%

LAB 83.62, -54.38, 11.51

 

CMYK 74 / 0 / 1 / 8

HEX #3DEAE7

RGB 61 234 231

HSL 178.96, 0.8%, 0.58%

LAB 84.8, -42.55, -10.98

 

CMYK 90 / 0 / 49 / 24

HEX #14C163

RGB 20 193 99

HSL 147.4, 0.81%, 0.42%

LAB 68.89, -60.72, 36.13

 

CMYK 90 / 0 / 49 / 10

HEX #18E676

RGB 24 230 118

HSL 147.38, 0.81%, 0.5%

LAB 80.79, -69.58, 41.75

 

CMYK 74 / 0 / 40 / 8

HEX #3DEA8C

RGB 61 234 140

HSL 147.4, 0.8%, 0.58%

LAB 82.77, -63.7, 33.52

 

CMYK 59 / 0 / 32 / 7

HEX #62EEA2

RGB 98 238 162

HSL 147.43, 0.8%, 0.66%

LAB 85.18, -54.87, 25.72

 

CMYK 44 / 0 / 24 / 5

HEX #87F2B8

RGB 135 242 184

HSL 147.48, 0.8%, 0.74%

LAB 88.02, -43.69, 18.53

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

CMYK 74 / 48 / 0 / 8

HEX #3D79EA

RGB 61 121 234

HSL 219.19, 0.8%, 0.58%

LAB 52.52, 18.99, -62.77

 

CMYK 0 / 71 / 74 / 8

HEX #EA453D

RGB 234 69 61

HSL 2.77, 0.8%, 0.58%

LAB 54.12, 62.53, 41.8

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

CMYK 41 / 74 / 0 / 8

HEX #8B3DEA

RGB 139 61 234

HSL 267.05, 0.8%, 0.58%

LAB 45.31, 65.08, -74.2

 

CMYK 0 / 41 / 74 / 8

HEX #EA8B3D

RGB 234 139 61

HSL 27.05, 0.8%, 0.58%

LAB 66.74, 30.15, 55.22

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

CMYK 74 / 48 / 0 / 8

HEX #3D79EA

RGB 61 121 234

HSL 219.19, 0.8%, 0.58%

LAB 52.52, 18.99, -62.77

 

CMYK 0 / 74 / 33 / 8

HEX #EA3D9C

RGB 234 61 156

HSL 327.05, 0.8%, 0.58%

LAB 55.31, 72.26, -12.4

 

CMYK 0 / 26 / 74 / 8

HEX #EAAD3D

RGB 234 173 61

HSL 38.84, 0.8%, 0.58%

LAB 74.65, 12.15, 63.12

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8C

RGB 60 235 140

HSL 147.43, 0.81%, 0.58%

LAB 83.06, -64.19, 33.89

 

CMYK 74 / 71 / 0 / 8

HEX #3D45EA

RGB 61 69 234

HSL 237.23, 0.8%, 0.58%

LAB 39.9, 50.93, -83.35

 

CMYK 0 / 74 / 33 / 8

HEX #EA3D9C

RGB 234 61 156

HSL 327.05, 0.8%, 0.58%

LAB 55.31, 72.26, -12.4

 

CMYK 0 / 4 / 74 / 8

HEX #EAE13D

RGB 234 225 61

HSL 56.88, 0.8%, 0.58%

LAB 87.81, -14.55, 75.7

 

Description

Color code: HEX #3CEB8C | qconv.com Color code: HEX #3CEB8C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 235 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 235 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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