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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CEB2B it is the complementary color #C314D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CEB2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CEB2B shade: #41EB26, #52FD39, #63FF4C, #74FF5F and #85FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CEB2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CEB2B shade: #3CEB2B, #2BD918, #1AC705, #09B500 and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CEB2B shade: #3DEB2D, #71EB2D, #A4EB2D, #D7EB2D and #EBCB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CEB2B shade: #3DEB2D, #2DEB4F, #2DEB82, #2DEBB6 and #2DEBE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CEB2B shade matches the following richer shades: #3DEB2D and #2EFE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CEB2B shade: #3DEB2D, #4DD83F, #5CC652, #6BB364 and #7AA177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CEB2B shade: #A5EB2D, #72EB2D, #40EB2D, #2DEB4C and #2DEB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CEB2B shade: #1FB510, #25DA14, #3DEB2D, #60EE52 and #83F278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CEB2B shade: #3CEB2B, #2DD8EB and #EB2D8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CEB2B shade: #3CEB2B, #2D40EB and #EB2D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CEB2B shade: #3CEB2B, #2DD8EB, #D82DEB and #EB402D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CEB2B shade: #3CEB2B, #2D9FEB, #D82DEB and #EB792D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

Complementary color

CMYK 8 / 91 / 0 / 17

HEX #C314D4

RGB 195 20 212

HSL 294.69, 0.83%, 0.45%

LAB 48.08, 80.95, -56.81

 

CMYK 72 / 0 / 84 / 8

HEX #41EB26

RGB 65 235 38

HSL 111.78, 0.83%, 0.54%

LAB 82.21, -74.61, 73.84

 

CMYK 68 / 0 / 77 / 1

HEX #52FD39

RGB 82 253 57

HSL 112.35, 0.98%, 0.61%

LAB 88.13, -76.21, 74.53

 

CMYK 61 / 0 / 70 / 0

HEX #63FF4C

RGB 99 255 76

HSL 112.29, 1%, 0.65%

LAB 89.25, -72.19, 69.64

 

CMYK 55 / 0 / 63 / 0

HEX #74FF5F

RGB 116 255 95

HSL 112.13, 1%, 0.69%

LAB 89.89, -66.63, 63.22

 

CMYK 48 / 0 / 55 / 0

HEX #85FF72

RGB 133 255 114

HSL 111.91, 1%, 0.72%

LAB 90.65, -60.24, 56.15

 

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

CMYK 80 / 0 / 89 / 15

HEX #2BD918

RGB 43 217 24

HSL 114.09, 0.8%, 0.47%

LAB 76.2, -72.93, 71.24

 

CMYK 87 / 0 / 97 / 22

HEX #1AC705

RGB 26 199 5

HSL 113.51, 0.95%, 0.4%

LAB 70.23, -70, 68.66

 

CMYK 95 / 0 / 100 / 29

HEX #09B500

RGB 9 181 0

HSL 117.02, 1%, 0.35%

LAB 64.25, -66.2, 64.37

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 52 / 0 / 81 / 8

HEX #71EB2D

RGB 113 235 45

HSL 98.53, 0.83%, 0.55%

LAB 83.5, -63.84, 73.8

 

CMYK 30 / 0 / 81 / 8

HEX #A4EB2D

RGB 164 235 45

HSL 82.42, 0.83%, 0.55%

LAB 85.76, -47.49, 76.67

 

CMYK 9 / 0 / 81 / 8

HEX #D7EB2D

RGB 215 235 45

HSL 66.32, 0.83%, 0.55%

LAB 88.95, -27.76, 80.7

 

CMYK 0 / 14 / 81 / 8

HEX #EBCB2D

RGB 235 203 45

HSL 49.89, 0.83%, 0.55%

LAB 82.14, -3.64, 75.46

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 81 / 0 / 66 / 8

HEX #2DEB4F

RGB 45 235 79

HSL 130.74, 0.83%, 0.55%

LAB 82.13, -74.41, 60.69

 

CMYK 81 / 0 / 45 / 8

HEX #2DEB82

RGB 45 235 130

HSL 146.84, 0.83%, 0.55%

LAB 82.69, -67.63, 38.35

 

CMYK 81 / 0 / 23 / 8

HEX #2DEBB6

RGB 45 235 182

HSL 163.26, 0.83%, 0.55%

LAB 83.63, -57.14, 13.06

 

CMYK 81 / 0 / 1 / 8

HEX #2DEBE9

RGB 45 235 233

HSL 179.37, 0.83%, 0.55%

LAB 84.92, -43.88, -11.87

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 82 / 0 / 90 / 0

HEX #2EFE1A

RGB 46 254 26

HSL 114.74, 0.99%, 0.55%

LAB 87.75, -82.91, 80.77

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 64 / 0 / 71 / 15

HEX #4DD83F

RGB 77 216 63

HSL 114.51, 0.66%, 0.55%

LAB 76.71, -64.89, 61.23

 

CMYK 54 / 0 / 59 / 22

HEX #5CC652

RGB 92 198 82

HSL 114.83, 0.5%, 0.55%

LAB 71.74, -53.07, 48.08

 

CMYK 40 / 0 / 44 / 30

HEX #6BB364

RGB 107 179 100

HSL 114.68, 0.34%, 0.55%

LAB 66.74, -38.49, 33.36

 

CMYK 24 / 0 / 26 / 37

HEX #7AA177

RGB 122 161 119

HSL 115.71, 0.18%, 0.55%

LAB 62.47, -21.78, 17.66

 

CMYK 30 / 0 / 81 / 8

HEX #A5EB2D

RGB 165 235 45

HSL 82.11, 0.83%, 0.55%

LAB 85.81, -47.13, 76.74

 

CMYK 51 / 0 / 81 / 8

HEX #72EB2D

RGB 114 235 45

HSL 98.21, 0.83%, 0.55%

LAB 83.54, -63.57, 73.84

 

CMYK 73 / 0 / 81 / 8

HEX #40EB2D

RGB 64 235 45

HSL 114, 0.83%, 0.55%

LAB 82.22, -74.44, 72.14

 

CMYK 81 / 0 / 68 / 8

HEX #2DEB4C

RGB 45 235 76

HSL 129.79, 0.83%, 0.55%

LAB 82.11, -74.7, 61.83

 

CMYK 81 / 0 / 46 / 8

HEX #2DEB7F

RGB 45 235 127

HSL 145.89, 0.83%, 0.55%

LAB 82.65, -68.13, 39.76

 

CMYK 83 / 0 / 91 / 29

HEX #1FB510

RGB 31 181 16

HSL 114.55, 0.84%, 0.39%

LAB 64.46, -64.11, 62.51

 

CMYK 83 / 0 / 91 / 15

HEX #25DA14

RGB 37 218 20

HSL 114.85, 0.83%, 0.47%

LAB 76.43, -73.99, 72.05

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 60 / 0 / 66 / 7

HEX #60EE52

RGB 96 238 82

HSL 114.62, 0.82%, 0.63%

LAB 84.09, -66.61, 61.93

 

CMYK 46 / 0 / 50 / 5

HEX #83F278

RGB 131 242 120

HSL 114.59, 0.82%, 0.71%

LAB 86.84, -55.03, 48.82

 

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

CMYK 81 / 8 / 0 / 8

HEX #2DD8EB

RGB 45 216 235

HSL 186, 0.83%, 0.55%

LAB 79.42, -34.65, -21.21

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

CMYK 81 / 73 / 0 / 8

HEX #2D40EB

RGB 45 64 235

HSL 234, 0.83%, 0.55%

LAB 38.24, 52.87, -86.67

 

CMYK 0 / 81 / 73 / 8

HEX #EB2D40

RGB 235 45 64

HSL 354, 0.83%, 0.55%

LAB 51.73, 70.22, 37.47

 

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

CMYK 81 / 8 / 0 / 8

HEX #2DD8EB

RGB 45 216 235

HSL 186, 0.83%, 0.55%

LAB 79.42, -34.65, -21.21

 

CMYK 8 / 81 / 0 / 8

HEX #D82DEB

RGB 216 45 235

HSL 294, 0.83%, 0.55%

LAB 54.53, 83.54, -59.33

 

CMYK 0 / 73 / 81 / 8

HEX #EB402D

RGB 235 64 45

HSL 6, 0.83%, 0.55%

LAB 53.51, 64.03, 49.65

 

CMYK 74 / 0 / 82 / 8

HEX #3CEB2B

RGB 60 235 43

HSL 114.69, 0.83%, 0.55%

LAB 82.14, -75.14, 72.56

 

CMYK 81 / 32 / 0 / 8

HEX #2D9FEB

RGB 45 159 235

HSL 204, 0.83%, 0.55%

LAB 62.8, -5.11, -46.94

 

CMYK 8 / 81 / 0 / 8

HEX #D82DEB

RGB 216 45 235

HSL 294, 0.83%, 0.55%

LAB 54.53, 83.54, -59.33

 

CMYK 0 / 49 / 81 / 8

HEX #EB792D

RGB 235 121 45

HSL 24, 0.83%, 0.55%

LAB 62.95, 39.24, 58.45

 

Description

Color code: HEX #3CEB2B | qconv.com Color code: HEX #3CEB2B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 235 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 235 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 82 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 82% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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