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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CE8AA it is the complementary color #C31755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CE8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CE8AA shade: #41E8A5, #52FAB8, #63FFCB, #74FFDE and #85FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CE8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CE8AA shade: #3CE8AA, #2BD697, #1AC484, #09B271 and #00A05E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CE8AA shade: #3BE8AA, #3BE87B, #3BE84C, #58E83B and #87E83B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CE8AA shade: #3BE8AA, #3BE8D8, #3BC9E8, #3B9AE8 and #3B6CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CE8AA shade matches the following richer shades: #3BE8AA and #29FAAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CE8AA shade: #3BE8AA, #4CD6A5, #5EC4A0, #70B39B and #82A196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CE8AA shade: #3BE84C, #3BE87A, #3BE8A8, #3BE8D7 and #3BCBE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CE8AA shade: #16BA7F, #1ADF98, #3BE8AA, #60ECBA and #85F1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CE8AA shade: #3CE8AA, #3B58E8 and #E8633B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CE8AA shade: #3CE8AA, #A83BE8 and #E8A83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CE8AA shade: #3CE8AA, #3B58E8, #E83B7A and #E8CB3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CE8AA shade: #3CE8AA, #523BE8, #E83B7A and #D1E83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

Complementary color

CMYK 0 / 88 / 56 / 24

HEX #C31755

RGB 195 23 85

HSL 338.37, 0.79%, 0.43%

LAB 42.57, 65.55, 11.38

 

CMYK 72 / 0 / 29 / 9

HEX #41E8A5

RGB 65 232 165

HSL 155.93, 0.78%, 0.58%

LAB 82.68, -57.54, 20.62

 

CMYK 67 / 0 / 26 / 2

HEX #52FAB8

RGB 82 250 184

HSL 156.43, 0.94%, 0.65%

LAB 88.75, -58.03, 19.3

 

CMYK 61 / 0 / 20 / 0

HEX #63FFCB

RGB 99 255 203

HSL 160, 1%, 0.69%

LAB 91, -53.1, 12.76

 

CMYK 55 / 0 / 13 / 0

HEX #74FFDE

RGB 116 255 222

HSL 165.76, 1%, 0.73%

LAB 91.91, -45.6, 4.32

 

CMYK 48 / 0 / 5 / 0

HEX #85FFF1

RGB 133 255 241

HSL 173.11, 1%, 0.76%

LAB 92.95, -37.6, -3.92

 

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

CMYK 80 / 0 / 29 / 16

HEX #2BD697

RGB 43 214 151

HSL 157.89, 0.68%, 0.5%

LAB 76.58, -56.27, 19.46

 

CMYK 87 / 0 / 33 / 23

HEX #1AC484

RGB 26 196 132

HSL 157.41, 0.77%, 0.44%

LAB 70.43, -55.07, 21.04

 

CMYK 95 / 0 / 37 / 30

HEX #09B271

RGB 9 178 113

HSL 156.92, 0.9%, 0.37%

LAB 64.23, -53.42, 22.77

 

CMYK 100 / 0 / 41 / 37

HEX #00A05E

RGB 0 160 94

HSL 155.25, 1%, 0.31%

LAB 57.99, -51.2, 24.67

 

CMYK 75 / 0 / 27 / 9

HEX #3BE8AA

RGB 59 232 170

HSL 158.5, 0.79%, 0.57%

LAB 82.67, -57.24, 18

 

CMYK 75 / 0 / 47 / 9

HEX #3BE87B

RGB 59 232 123

HSL 142.2, 0.79%, 0.57%

LAB 81.88, -66.13, 40.77

 

CMYK 75 / 0 / 67 / 9

HEX #3BE84C

RGB 59 232 76

HSL 125.9, 0.79%, 0.57%

LAB 81.38, -72.04, 61.12

 

CMYK 62 / 0 / 75 / 9

HEX #58E83B

RGB 88 232 59

HSL 109.94, 0.79%, 0.57%

LAB 81.89, -68.17, 67.92

 

CMYK 42 / 0 / 75 / 9

HEX #87E83B

RGB 135 232 59

HSL 93.64, 0.79%, 0.57%

LAB 83.54, -55.48, 70.09

 

CMYK 75 / 0 / 27 / 9

HEX #3BE8AA

RGB 59 232 170

HSL 158.5, 0.79%, 0.57%

LAB 82.67, -57.24, 18

 

CMYK 75 / 0 / 7 / 9

HEX #3BE8D8

RGB 59 232 216

HSL 174.45, 0.79%, 0.57%

LAB 83.76, -45.99, -4.61

 

CMYK 75 / 13 / 0 / 9

HEX #3BC9E8

RGB 59 201 232

HSL 190.75, 0.79%, 0.57%

LAB 75.16, -27, -26.08

 

CMYK 75 / 34 / 0 / 9

HEX #3B9AE8

RGB 59 154 232

HSL 207.05, 0.79%, 0.57%

LAB 61.54, -1.83, -47.26

 

CMYK 75 / 53 / 0 / 9

HEX #3B6CE8

RGB 59 108 232

HSL 223.01, 0.79%, 0.57%

LAB 48.86, 26.17, -67.56

 

CMYK 75 / 0 / 27 / 9

HEX #3BE8AA

RGB 59 232 170

HSL 158.5, 0.79%, 0.57%

LAB 82.67, -57.24, 18

 

CMYK 84 / 0 / 30 / 2

HEX #29FAAE

RGB 41 250 174

HSL 158.18, 0.95%, 0.57%

LAB 87.92, -64.87, 23.17

 

CMYK 75 / 0 / 27 / 9

HEX #3BE8AA

RGB 59 232 170

HSL 158.5, 0.79%, 0.57%

LAB 82.67, -57.24, 18

 

CMYK 64 / 0 / 23 / 16

HEX #4CD6A5

RGB 76 214 165

HSL 158.7, 0.63%, 0.57%

LAB 77.49, -48.66, 13.41

 

CMYK 52 / 0 / 18 / 23

HEX #5EC4A0

RGB 94 196 160

HSL 158.82, 0.46%, 0.57%

LAB 72.49, -38.37, 9.09

 

CMYK 37 / 0 / 13 / 30

HEX #70B39B

RGB 112 179 155

HSL 158.51, 0.31%, 0.57%

LAB 68.06, -26.81, 5.56

 

CMYK 19 / 0 / 7 / 37

HEX #82A196

RGB 130 161 150

HSL 158.71, 0.14%, 0.57%

LAB 63.7, -13.02, 2.18

 

CMYK 75 / 0 / 67 / 9

HEX #3BE84C

RGB 59 232 76

HSL 125.9, 0.79%, 0.57%

LAB 81.38, -72.04, 61.12

 

CMYK 75 / 0 / 47 / 9

HEX #3BE87A

RGB 59 232 122

HSL 141.85, 0.79%, 0.57%

LAB 81.86, -66.29, 41.24

 

CMYK 75 / 0 / 28 / 9

HEX #3BE8A8

RGB 59 232 168

HSL 157.8, 0.79%, 0.57%

LAB 82.63, -57.67, 18.99

 

CMYK 75 / 0 / 7 / 9

HEX #3BE8D7

RGB 59 232 215

HSL 174.1, 0.79%, 0.57%

LAB 83.73, -46.26, -4.12

 

CMYK 75 / 13 / 0 / 9

HEX #3BCBE8

RGB 59 203 232

HSL 190.06, 0.79%, 0.57%

LAB 75.74, -27.99, -25.18

 

CMYK 88 / 0 / 32 / 27

HEX #16BA7F

RGB 22 186 127

HSL 158.41, 0.79%, 0.41%

LAB 67.14, -52.68, 19.2

 

CMYK 88 / 0 / 32 / 13

HEX #1ADF98

RGB 26 223 152

HSL 158.38, 0.79%, 0.49%

LAB 79.19, -60.74, 22.5

 

CMYK 75 / 0 / 27 / 9

HEX #3BE8AA

RGB 59 232 170

HSL 158.5, 0.79%, 0.57%

LAB 82.67, -57.24, 18

 

CMYK 59 / 0 / 21 / 7

HEX #60ECBA

RGB 96 236 186

HSL 158.57, 0.79%, 0.65%

LAB 85.01, -49.52, 13.06

 

CMYK 45 / 0 / 16 / 5

HEX #85F1CA

RGB 133 241 202

HSL 158.33, 0.79%, 0.73%

LAB 88.05, -40.09, 9.21

 

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

CMYK 75 / 62 / 0 / 9

HEX #3B58E8

RGB 59 88 232

HSL 229.94, 0.79%, 0.57%

LAB 43.85, 38.71, -75.72

 

CMYK 0 / 57 / 75 / 9

HEX #E8633B

RGB 232 99 59

HSL 13.87, 0.79%, 0.57%

LAB 58.41, 49.31, 47.41

 

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

CMYK 28 / 75 / 0 / 9

HEX #A83BE8

RGB 168 59 232

HSL 277.8, 0.79%, 0.57%

LAB 48.61, 70.35, -67.54

 

CMYK 0 / 28 / 75 / 9

HEX #E8A83B

RGB 232 168 59

HSL 37.8, 0.79%, 0.57%

LAB 73.2, 13.86, 62.43

 

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

CMYK 75 / 62 / 0 / 9

HEX #3B58E8

RGB 59 88 232

HSL 229.94, 0.79%, 0.57%

LAB 43.85, 38.71, -75.72

 

CMYK 0 / 75 / 47 / 9

HEX #E83B7A

RGB 232 59 122

HSL 338.15, 0.79%, 0.57%

LAB 53.7, 69.08, 5.39

 

CMYK 0 / 13 / 75 / 9

HEX #E8CB3B

RGB 232 203 59

HSL 49.94, 0.79%, 0.57%

LAB 81.94, -4.42, 70.8

 

CMYK 74 / 0 / 27 / 9

HEX #3CE8AA

RGB 60 232 170

HSL 158.37, 0.79%, 0.57%

LAB 82.69, -57.11, 18.03

 

CMYK 65 / 75 / 0 / 9

HEX #523BE8

RGB 82 59 232

HSL 247.98, 0.79%, 0.57%

LAB 39.15, 57.72, -83.39

 

CMYK 0 / 75 / 47 / 9

HEX #E83B7A

RGB 232 59 122

HSL 338.15, 0.79%, 0.57%

LAB 53.7, 69.08, 5.39

 

CMYK 10 / 0 / 75 / 9

HEX #D1E83B

RGB 209 232 59

HSL 67.98, 0.79%, 0.57%

LAB 87.77, -28.26, 75.6

 

Description

Color code: HEX #3CE8AA | qconv.com Color code: HEX #3CE8AA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 232 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 232 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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