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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CE3A9 it is the complementary color #C31C56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CE3A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CE3A9 shade: #41E3A4, #52F5B7, #63FFCA, #74FFDD and #85FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CE3A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CE3A9 shade: #3CE3A9, #2BD196, #1ABF83, #09AD70 and #009B5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CE3A9 shade: #3BE3A8, #3BE37B, #3BE34E, #55E33B and #82E33B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CE3A9 shade: #3BE3A8, #3BE3D6, #3BC3E3, #3B95E3 and #3B68E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CE3A9 shade matches the following richer shades: #3BE3A8 and #28F5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CE3A9 shade: #3BE3A8, #4DD1A3, #5FBF9D, #71AC98 and #839A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CE3A9 shade: #3BE34E, #3BE37B, #3BE3A8, #3BE3D5 and #3BC4E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CE3A9 shade: #19B27D, #1FD696, #3BE3A8, #5FE8B8 and #83EDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CE3A9 shade: #3CE3A9, #3B54E3 and #E3653B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CE3A9 shade: #3CE3A9, #A83BE3 and #E3A83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CE3A9 shade: #3CE3A9, #3B54E3, #E33B76 and #E3CA3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CE3A9 shade: #3CE3A9, #543BE3, #E33B76 and #CAE33B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

Complementary color

CMYK 0 / 86 / 56 / 24

HEX #C31C56

RGB 195 28 86

HSL 339.16, 0.75%, 0.44%

LAB 42.92, 64.68, 11.24

 

CMYK 71 / 0 / 28 / 11

HEX #41E3A4

RGB 65 227 164

HSL 156.67, 0.74%, 0.57%

LAB 81.15, -55.82, 19.03

 

CMYK 67 / 0 / 25 / 4

HEX #52F5B7

RGB 82 245 183

HSL 157.18, 0.89%, 0.64%

LAB 87.25, -56.27, 17.72

 

CMYK 61 / 0 / 21 / 0

HEX #63FFCA

RGB 99 255 202

HSL 159.62, 1%, 0.69%

LAB 90.98, -53.32, 13.24

 

CMYK 55 / 0 / 13 / 0

HEX #74FFDD

RGB 116 255 221

HSL 165.32, 1%, 0.73%

LAB 91.89, -45.83, 4.81

 

CMYK 48 / 0 / 6 / 0

HEX #85FFF0

RGB 133 255 240

HSL 172.62, 1%, 0.76%

LAB 92.93, -37.84, -3.44

 

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

CMYK 79 / 0 / 28 / 18

HEX #2BD196

RGB 43 209 150

HSL 158.67, 0.66%, 0.49%

LAB 75.02, -54.57, 17.83

 

CMYK 86 / 0 / 31 / 25

HEX #1ABF83

RGB 26 191 131

HSL 158.18, 0.76%, 0.43%

LAB 68.84, -53.41, 19.39

 

CMYK 95 / 0 / 35 / 32

HEX #09AD70

RGB 9 173 112

HSL 157.68, 0.9%, 0.36%

LAB 62.6, -51.78, 21.11

 

CMYK 100 / 0 / 40 / 39

HEX #009B5D

RGB 0 155 93

HSL 156, 1%, 0.3%

LAB 56.32, -49.59, 23

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 74 / 0 / 46 / 11

HEX #3BE37B

RGB 59 227 123

HSL 142.86, 0.75%, 0.56%

LAB 80.35, -64.41, 38.83

 

CMYK 74 / 0 / 66 / 11

HEX #3BE34E

RGB 59 227 78

HSL 126.79, 0.75%, 0.56%

LAB 79.85, -70.29, 58.67

 

CMYK 63 / 0 / 74 / 11

HEX #55E33B

RGB 85 227 59

HSL 110.71, 0.75%, 0.56%

LAB 80.28, -67.16, 66.31

 

CMYK 43 / 0 / 74 / 11

HEX #82E33B

RGB 130 227 59

HSL 94.64, 0.75%, 0.56%

LAB 81.84, -55.11, 68.36

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 74 / 0 / 6 / 11

HEX #3BE3D6

RGB 59 227 214

HSL 175.36, 0.75%, 0.56%

LAB 82.23, -44.36, -5.81

 

CMYK 74 / 14 / 0 / 11

HEX #3BC3E3

RGB 59 195 227

HSL 191.43, 0.75%, 0.56%

LAB 73.22, -25.58, -26.34

 

CMYK 74 / 34 / 0 / 11

HEX #3B95E3

RGB 59 149 227

HSL 207.86, 0.75%, 0.56%

LAB 59.86, -0.69, -47.14

 

CMYK 74 / 54 / 0 / 11

HEX #3B68E3

RGB 59 104 227

HSL 223.93, 0.75%, 0.56%

LAB 47.46, 26.88, -67.01

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 84 / 0 / 29 / 4

HEX #28F5AE

RGB 40 245 174

HSL 159.22, 0.91%, 0.56%

LAB 86.41, -63.12, 21.09

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 63 / 0 / 22 / 18

HEX #4DD1A3

RGB 77 209 163

HSL 159.09, 0.59%, 0.56%

LAB 75.96, -46.84, 12.33

 

CMYK 50 / 0 / 18 / 25

HEX #5FBF9D

RGB 95 191 157

HSL 158.75, 0.43%, 0.56%

LAB 70.96, -36.54, 8.53

 

CMYK 34 / 0 / 12 / 33

HEX #71AC98

RGB 113 172 152

HSL 159.66, 0.26%, 0.56%

LAB 65.97, -23.7, 4.22

 

CMYK 15 / 0 / 5 / 40

HEX #839A92

RGB 131 154 146

HSL 159.13, 0.1%, 0.56%

LAB 61.66, -9.75, 1.47

 

CMYK 74 / 0 / 66 / 11

HEX #3BE34E

RGB 59 227 78

HSL 126.79, 0.75%, 0.56%

LAB 79.85, -70.29, 58.67

 

CMYK 74 / 0 / 46 / 11

HEX #3BE37B

RGB 59 227 123

HSL 142.86, 0.75%, 0.56%

LAB 80.35, -64.41, 38.83

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 74 / 0 / 6 / 11

HEX #3BE3D5

RGB 59 227 213

HSL 175, 0.75%, 0.56%

LAB 82.2, -44.63, -5.32

 

CMYK 74 / 14 / 0 / 11

HEX #3BC4E3

RGB 59 196 227

HSL 191.07, 0.75%, 0.56%

LAB 73.52, -26.08, -25.89

 

CMYK 86 / 0 / 30 / 30

HEX #19B27D

RGB 25 178 125

HSL 159.22, 0.75%, 0.4%

LAB 64.59, -49.85, 16.77

 

CMYK 86 / 0 / 30 / 16

HEX #1FD696

RGB 31 214 150

HSL 159.02, 0.75%, 0.48%

LAB 76.43, -57.52, 19.75

 

CMYK 74 / 0 / 26 / 11

HEX #3BE3A8

RGB 59 227 168

HSL 158.93, 0.75%, 0.56%

LAB 81.12, -55.74, 16.89

 

CMYK 59 / 0 / 21 / 9

HEX #5FE8B8

RGB 95 232 184

HSL 158.98, 0.75%, 0.64%

LAB 83.76, -48.48, 12.34

 

CMYK 45 / 0 / 16 / 7

HEX #83EDC8

RGB 131 237 200

HSL 159.06, 0.75%, 0.72%

LAB 86.78, -39.21, 8.44

 

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

CMYK 74 / 63 / 0 / 11

HEX #3B54E3

RGB 59 84 227

HSL 231.07, 0.75%, 0.56%

LAB 42.49, 39.43, -75.13

 

CMYK 0 / 56 / 74 / 11

HEX #E3653B

RGB 227 101 59

HSL 15, 0.75%, 0.56%

LAB 57.99, 46.55, 46.73

 

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

CMYK 26 / 74 / 0 / 11

HEX #A83BE3

RGB 168 59 227

HSL 278.93, 0.75%, 0.56%

LAB 48.26, 69.32, -65.28

 

CMYK 0 / 26 / 74 / 11

HEX #E3A83B

RGB 227 168 59

HSL 38.93, 0.75%, 0.56%

LAB 72.66, 11.73, 61.72

 

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

CMYK 74 / 63 / 0 / 11

HEX #3B54E3

RGB 59 84 227

HSL 231.07, 0.75%, 0.56%

LAB 42.49, 39.43, -75.13

 

CMYK 0 / 74 / 48 / 11

HEX #E33B76

RGB 227 59 118

HSL 338.93, 0.75%, 0.56%

LAB 52.69, 67.38, 6.24

 

CMYK 0 / 11 / 74 / 11

HEX #E3CA3B

RGB 227 202 59

HSL 51.07, 0.75%, 0.56%

LAB 81.23, -6.03, 69.97

 

CMYK 74 / 0 / 26 / 11

HEX #3CE3A9

RGB 60 227 169

HSL 159.16, 0.75%, 0.56%

LAB 81.16, -55.39, 16.42

 

CMYK 63 / 74 / 0 / 11

HEX #543BE3

RGB 84 59 227

HSL 248.93, 0.75%, 0.56%

LAB 38.83, 56.47, -81.08

 

CMYK 0 / 74 / 48 / 11

HEX #E33B76

RGB 227 59 118

HSL 338.93, 0.75%, 0.56%

LAB 52.69, 67.38, 6.24

 

CMYK 11 / 0 / 74 / 11

HEX #CAE33B

RGB 202 227 59

HSL 68.93, 0.75%, 0.56%

LAB 85.91, -28.73, 73.69

 

Description

Color code: HEX #3CE3A9 | qconv.com Color code: HEX #3CE3A9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 227 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 227 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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