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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CDF93 it is the complementary color #C3206C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CDF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CDF93 shade: #41DF8E, #52F1A1, #63FFB4, #74FFC7 and #85FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CDF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CDF93 shade: #3CDF93, #2BCD80, #1ABB6D, #09A95A and #009747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CDF93 shade: #3ADF92, #3ADF65, #3BDF3A, #67DF3A and #94DF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CDF93 shade: #3ADF92, #3ADFBE, #3AD3DF, #3AA6DF and #3A7ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CDF93 shade matches the following richer shades: #3ADF92 and #27F193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CDF93 shade: #3ADF92, #4CCC91, #5FBA8F, #71A78E and #84958D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CDF93 shade: #3ADF3A, #3ADF66, #3ADF92, #3ADFBE and #3AD4DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CDF93 shade: #1CAA68, #21CE7D, #3ADF92, #5DE5A5 and #81EAB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CDF93 shade: #3CDF93, #3A66DF and #DF503A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CDF93 shade: #3CDF93, #923ADF and #DF923A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CDF93 shade: #3CDF93, #3A66DF, #DF3A87 and #DFB33A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CDF93 shade: #3CDF93, #3F3ADF, #DF3A87 and #D9DF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

Complementary color

CMYK 0 / 84 / 45 / 24

HEX #C3206C

RGB 195 32 108

HSL 332.02, 0.72%, 0.45%

LAB 43.83, 65.57, -1.23

 

CMYK 71 / 0 / 36 / 13

HEX #41DF8E

RGB 65 223 142

HSL 149.24, 0.71%, 0.56%

LAB 79.53, -58.75, 28.21

 

CMYK 66 / 0 / 33 / 5

HEX #52F1A1

RGB 82 241 161

HSL 149.81, 0.85%, 0.63%

LAB 85.64, -59.2, 26.8

 

CMYK 61 / 0 / 29 / 0

HEX #63FFB4

RGB 99 255 180

HSL 151.15, 1%, 0.69%

LAB 90.54, -57.9, 23.88

 

CMYK 55 / 0 / 22 / 0

HEX #74FFC7

RGB 116 255 199

HSL 155.83, 1%, 0.73%

LAB 91.4, -50.67, 15.44

 

CMYK 48 / 0 / 15 / 0

HEX #85FFDA

RGB 133 255 218

HSL 161.8, 1%, 0.76%

LAB 92.38, -42.86, 7.14

 

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

CMYK 79 / 0 / 38 / 20

HEX #2BCD80

RGB 43 205 128

HSL 151.48, 0.65%, 0.49%

LAB 73.37, -57.67, 27.15

 

CMYK 86 / 0 / 42 / 27

HEX #1ABB6D

RGB 26 187 109

HSL 150.93, 0.76%, 0.42%

LAB 67.18, -56.45, 28.82

 

CMYK 95 / 0 / 47 / 34

HEX #09A95A

RGB 9 169 90

HSL 150.38, 0.9%, 0.35%

LAB 60.93, -54.69, 30.62

 

CMYK 100 / 0 / 53 / 41

HEX #009747

RGB 0 151 71

HSL 148.21, 1%, 0.3%

LAB 54.65, -52.26, 32.55

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 74 / 0 / 55 / 13

HEX #3ADF65

RGB 58 223 101

HSL 135.64, 0.72%, 0.55%

LAB 78.82, -66.46, 47.48

 

CMYK 74 / 0 / 74 / 13

HEX #3BDF3A

RGB 59 223 58

HSL 119.64, 0.72%, 0.55%

LAB 78.47, -70.76, 64.64

 

CMYK 54 / 0 / 74 / 13

HEX #67DF3A

RGB 103 223 58

HSL 103.64, 0.72%, 0.55%

LAB 79.59, -61.53, 66.13

 

CMYK 34 / 0 / 74 / 13

HEX #94DF3A

RGB 148 223 58

HSL 87.27, 0.72%, 0.55%

LAB 81.5, -47.55, 68.65

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 74 / 0 / 15 / 13

HEX #3ADFBE

RGB 58 223 190

HSL 168, 0.72%, 0.55%

LAB 80.4, -49.04, 4.25

 

CMYK 74 / 5 / 0 / 13

HEX #3AD3DF

RGB 58 211 223

HSL 184.36, 0.72%, 0.55%

LAB 77.77, -34.67, -17.28

 

CMYK 74 / 26 / 0 / 13

HEX #3AA6DF

RGB 58 166 223

HSL 200.73, 0.72%, 0.55%

LAB 64.56, -11.81, -37.54

 

CMYK 74 / 45 / 0 / 13

HEX #3A7ADF

RGB 58 122 223

HSL 216.73, 0.72%, 0.55%

LAB 52, 13.99, -57.43

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 84 / 0 / 39 / 5

HEX #27F193

RGB 39 241 147

HSL 152.08, 0.88%, 0.55%

LAB 84.71, -67.2, 32.52

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 63 / 0 / 29 / 20

HEX #4CCC91

RGB 76 204 145

HSL 152.34, 0.56%, 0.55%

LAB 74.04, -48.87, 19.22

 

CMYK 49 / 0 / 23 / 27

HEX #5FBA8F

RGB 95 186 143

HSL 151.65, 0.4%, 0.55%

LAB 69.14, -37.33, 13.56

 

CMYK 32 / 0 / 15 / 35

HEX #71A78E

RGB 113 167 142

HSL 152.22, 0.23%, 0.55%

LAB 64.24, -23.35, 7.29

 

CMYK 11 / 0 / 5 / 42

HEX #84958D

RGB 132 149 141

HSL 151.76, 0.07%, 0.55%

LAB 60.18, -7.7, 2.16

 

CMYK 74 / 0 / 74 / 13

HEX #3ADF3A

RGB 58 223 58

HSL 120, 0.72%, 0.55%

LAB 78.45, -70.91, 64.62

 

CMYK 74 / 0 / 54 / 13

HEX #3ADF66

RGB 58 223 102

HSL 136, 0.72%, 0.55%

LAB 78.83, -66.32, 47.02

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 74 / 0 / 15 / 13

HEX #3ADFBE

RGB 58 223 190

HSL 168, 0.72%, 0.55%

LAB 80.4, -49.04, 4.25

 

CMYK 74 / 5 / 0 / 13

HEX #3AD4DF

RGB 58 212 223

HSL 184, 0.72%, 0.55%

LAB 78.06, -35.14, -16.83

 

CMYK 84 / 0 / 39 / 33

HEX #1CAA68

RGB 28 170 104

HSL 152.11, 0.72%, 0.39%

LAB 61.65, -51.06, 24.17

 

CMYK 84 / 0 / 39 / 19

HEX #21CE7D

RGB 33 206 125

HSL 151.91, 0.72%, 0.47%

LAB 73.51, -59.59, 28.87

 

CMYK 74 / 0 / 35 / 13

HEX #3ADF92

RGB 58 223 146

HSL 152, 0.72%, 0.55%

LAB 79.47, -58.96, 26.06

 

CMYK 59 / 0 / 28 / 10

HEX #5DE5A5

RGB 93 229 165

HSL 151.76, 0.72%, 0.63%

LAB 82.42, -51.66, 20.37

 

CMYK 45 / 0 / 21 / 8

HEX #81EAB9

RGB 129 234 185

HSL 152, 0.71%, 0.71%

LAB 85.51, -41.51, 14.45

 

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DF

RGB 58 102 223

HSL 224, 0.72%, 0.55%

LAB 46.62, 26.57, -66.12

 

CMYK 0 / 64 / 74 / 13

HEX #DF503A

RGB 223 80 58

HSL 8, 0.72%, 0.55%

LAB 53.74, 54.55, 42.47

 

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

CMYK 35 / 74 / 0 / 13

HEX #923ADF

RGB 146 58 223

HSL 272, 0.72%, 0.55%

LAB 44.89, 64.94, -68.61

 

CMYK 0 / 35 / 74 / 13

HEX #DF923A

RGB 223 146 58

HSL 32, 0.72%, 0.55%

LAB 66.94, 21.75, 56.29

 

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

CMYK 74 / 54 / 0 / 13

HEX #3A66DF

RGB 58 102 223

HSL 224, 0.72%, 0.55%

LAB 46.62, 26.57, -66.12

 

CMYK 0 / 74 / 39 / 13

HEX #DF3A87

RGB 223 58 135

HSL 332, 0.72%, 0.55%

LAB 52.36, 68.18, -4.54

 

CMYK 0 / 20 / 74 / 13

HEX #DFB33A

RGB 223 179 58

HSL 44, 0.72%, 0.55%

LAB 74.97, 4.15, 64.21

 

CMYK 73 / 0 / 34 / 13

HEX #3CDF93

RGB 60 223 147

HSL 152.02, 0.72%, 0.55%

LAB 79.52, -58.49, 25.62

 

CMYK 72 / 74 / 0 / 13

HEX #3F3ADF

RGB 63 58 223

HSL 241.82, 0.72%, 0.55%

LAB 36.76, 53.63, -82.25

 

CMYK 0 / 74 / 39 / 13

HEX #DF3A87

RGB 223 58 135

HSL 332, 0.72%, 0.55%

LAB 52.36, 68.18, -4.54

 

CMYK 3 / 0 / 74 / 13

HEX #D9DF3A

RGB 217 223 58

HSL 62.18, 0.72%, 0.55%

LAB 85.92, -20.74, 74.41

 

Description

Color code: HEX #3CDF93 | qconv.com Color code: HEX #3CDF93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 223 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 223 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 34% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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