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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CDA34 it is the complementary color #C325CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CDA34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CDA34 shade: #41DA2F, #52EC42, #63FE55, #74FF68 and #85FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CDA34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CDA34 shade: #3CDA34, #2BC821, #1AB60E, #09A400 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CDA34 shade: #3CD934, #69D934, #95D934, #C2D934 and #D9C434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CDA34 shade: #3CD934, #34D959, #34D985, #34D9B2 and #34D4D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CDA34 shade matches the following richer shades: #3CD934 and #2AED21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CDA34 shade: #3CD934, #4DC647, #5FB35B, #709F6E and #828C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CDA34 shade: #94D934, #68D934, #3CD934, #34D958 and #34D984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CDA34 shade: #239E1D, #2BC123, #3CD934, #5DE057 and #7FE67A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CDA34 shade: #3CDA34, #34C1D9 and #D9347E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CDA34 shade: #3CDA34, #343CD9 and #D9343C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CDA34 shade: #3CDA34, #34C1D9, #D134D9 and #D94D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CDA34 shade: #3CDA34, #348FD9, #D134D9 and #D97E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

Complementary color

CMYK 4 / 82 / 0 / 20

HEX #C325CB

RGB 195 37 203

HSL 297.11, 0.69%, 0.47%

LAB 48.56, 76.49, -50.86

 

CMYK 70 / 0 / 78 / 15

HEX #41DA2F

RGB 65 218 47

HSL 113.68, 0.7%, 0.52%

LAB 76.96, -68.95, 66.68

 

CMYK 65 / 0 / 72 / 7

HEX #52EC42

RGB 82 236 66

HSL 114.35, 0.82%, 0.59%

LAB 83.01, -70.23, 66.64

 

CMYK 61 / 0 / 67 / 0

HEX #63FE55

RGB 99 254 85

HSL 115.03, 0.99%, 0.66%

LAB 89.01, -71.12, 66.08

 

CMYK 55 / 0 / 59 / 0

HEX #74FF68

RGB 116 255 104

HSL 115.23, 1%, 0.7%

LAB 89.97, -65.73, 59.56

 

CMYK 48 / 0 / 52 / 0

HEX #85FF7B

RGB 133 255 123

HSL 115.45, 1%, 0.74%

LAB 90.75, -59.19, 52.2

 

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

CMYK 79 / 0 / 84 / 22

HEX #2BC821

RGB 43 200 33

HSL 116.41, 0.72%, 0.46%

LAB 70.82, -67.6, 64.63

 

CMYK 86 / 0 / 92 / 29

HEX #1AB60E

RGB 26 182 14

HSL 115.71, 0.86%, 0.38%

LAB 64.73, -64.98, 63.03

 

CMYK 95 / 0 / 100 / 36

HEX #09A400

RGB 9 164 0

HSL 116.71, 1%, 0.32%

LAB 58.61, -61.44, 59.85

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 52 / 0 / 76 / 15

HEX #69D934

RGB 105 217 52

HSL 100.73, 0.68%, 0.53%

LAB 77.8, -59.19, 66.35

 

CMYK 31 / 0 / 76 / 15

HEX #95D934

RGB 149 217 52

HSL 84.73, 0.68%, 0.53%

LAB 79.76, -44.99, 68.91

 

CMYK 11 / 0 / 76 / 15

HEX #C2D934

RGB 194 217 52

HSL 68.36, 0.68%, 0.53%

LAB 82.56, -27.55, 72.54

 

CMYK 0 / 10 / 76 / 15

HEX #D9C434

RGB 217 196 52

HSL 52.36, 0.68%, 0.53%

LAB 78.74, -7.51, 69.68

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 76 / 0 / 59 / 15

HEX #34D959

RGB 52 217 89

HSL 133.45, 0.68%, 0.53%

LAB 76.73, -66.86, 50.45

 

CMYK 76 / 0 / 39 / 15

HEX #34D985

RGB 52 217 133

HSL 149.45, 0.68%, 0.53%

LAB 77.31, -60.03, 29.83

 

CMYK 76 / 0 / 18 / 15

HEX #34D9B2

RGB 52 217 178

HSL 165.82, 0.68%, 0.53%

LAB 78.21, -50.22, 7.46

 

CMYK 76 / 2 / 0 / 15

HEX #34D4D9

RGB 52 212 217

HSL 181.82, 0.68%, 0.53%

LAB 77.77, -37.52, -14.06

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 82 / 0 / 86 / 7

HEX #2AED21

RGB 42 237 33

HSL 117.35, 0.85%, 0.53%

LAB 82.47, -78.38, 75.01

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 61 / 0 / 64 / 22

HEX #4DC647

RGB 77 198 71

HSL 117.17, 0.53%, 0.53%

LAB 71.16, -57.95, 52.14

 

CMYK 47 / 0 / 49 / 30

HEX #5FB35B

RGB 95 179 91

HSL 117.27, 0.37%, 0.53%

LAB 66.08, -43.45, 37

 

CMYK 30 / 0 / 31 / 38

HEX #709F6E

RGB 112 159 110

HSL 117.55, 0.2%, 0.53%

LAB 61.1, -25.84, 20.66

 

CMYK 7 / 0 / 7 / 45

HEX #828C82

RGB 130 140 130

HSL 120, 0.04%, 0.53%

LAB 57.19, -5.64, 4.08

 

CMYK 32 / 0 / 76 / 15

HEX #94D934

RGB 148 217 52

HSL 85.09, 0.68%, 0.53%

LAB 79.71, -45.35, 68.85

 

CMYK 52 / 0 / 76 / 15

HEX #68D934

RGB 104 217 52

HSL 101.09, 0.68%, 0.53%

LAB 77.77, -59.47, 66.31

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 76 / 0 / 59 / 15

HEX #34D958

RGB 52 217 88

HSL 133.09, 0.68%, 0.53%

LAB 76.72, -66.98, 50.88

 

CMYK 76 / 0 / 39 / 15

HEX #34D984

RGB 52 217 132

HSL 149.09, 0.68%, 0.53%

LAB 77.29, -60.21, 30.32

 

CMYK 78 / 0 / 82 / 38

HEX #239E1D

RGB 35 158 29

HSL 117.21, 0.69%, 0.37%

LAB 56.98, -56.01, 52.91

 

CMYK 78 / 0 / 82 / 24

HEX #2BC123

RGB 43 193 35

HSL 116.96, 0.69%, 0.45%

LAB 68.59, -65.39, 62.07

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 58 / 0 / 61 / 12

HEX #5DE057

RGB 93 224 87

HSL 117.37, 0.69%, 0.61%

LAB 79.8, -61.9, 55.09

 

CMYK 45 / 0 / 47 / 10

HEX #7FE67A

RGB 127 230 122

HSL 117.22, 0.68%, 0.69%

LAB 83.18, -51.08, 43.31

 

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

CMYK 76 / 11 / 0 / 15

HEX #34C1D9

RGB 52 193 217

HSL 188.73, 0.68%, 0.53%

LAB 72.15, -28.49, -22.57

 

CMYK 0 / 76 / 42 / 15

HEX #D9347E

RGB 217 52 126

HSL 333.09, 0.68%, 0.53%

LAB 50.35, 67.58, -2.21

 

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

CMYK 76 / 72 / 0 / 15

HEX #343CD9

RGB 52 60 217

HSL 237.09, 0.68%, 0.53%

LAB 35.93, 49.67, -80.2

 

CMYK 0 / 76 / 72 / 15

HEX #D9343C

RGB 217 52 60

HSL 357.09, 0.68%, 0.53%

LAB 48.93, 63.05, 35.65

 

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

CMYK 76 / 11 / 0 / 15

HEX #34C1D9

RGB 52 193 217

HSL 188.73, 0.68%, 0.53%

LAB 72.15, -28.49, -22.57

 

CMYK 4 / 76 / 0 / 15

HEX #D134D9

RGB 209 52 217

HSL 297.09, 0.68%, 0.53%

LAB 52.97, 77.55, -51.69

 

CMYK 0 / 65 / 76 / 15

HEX #D94D34

RGB 217 77 52

HSL 9.09, 0.68%, 0.53%

LAB 52.18, 53.54, 43.68

 

CMYK 72 / 0 / 76 / 15

HEX #3CDA34

RGB 60 218 52

HSL 117.11, 0.69%, 0.53%

LAB 76.89, -69.47, 65.05

 

CMYK 76 / 34 / 0 / 15

HEX #348FD9

RGB 52 143 217

HSL 206.91, 0.68%, 0.53%

LAB 57.45, -1.6, -45.4

 

CMYK 4 / 76 / 0 / 15

HEX #D134D9

RGB 209 52 217

HSL 297.09, 0.68%, 0.53%

LAB 52.97, 77.55, -51.69

 

CMYK 0 / 42 / 76 / 15

HEX #D97E34

RGB 217 126 52

HSL 26.91, 0.68%, 0.53%

LAB 61.59, 29.66, 53.31

 

Description

Color code: HEX #3CDA34 | qconv.com Color code: HEX #3CDA34 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 218 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 218 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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