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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CD55D it is the complementary color #C32AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CD55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CD55D shade: #41D558, #52E76B, #63F97E, #74FF91 and #85FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CD55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CD55D shade: #3CD55D, #2BC34A, #1AB137, #099F24 and #008D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CD55D shade: #3DD65E, #46D63D, #6FD63D, #98D63D and #C1D63D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CD55D shade: #3DD65E, #3DD687, #3DD6B1, #3DD2D6 and #3DA9D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CD55D shade matches the following richer shades: #3DD65E, #2AE954 and #17FC49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CD55D shade: #3DD65E, #50C369, #63B074, #769D7F and #898A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CD55D shade: #70D63D, #48D63D, #3DD65C, #3DD685 and #3DD6AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CD55D shade: #229F3D, #29C14A, #3DD65E, #5FDD7B and #82E497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CD55D shade: #3CD55D, #3D99D6 and #D63D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CD55D shade: #3CD55D, #5C3DD6 and #D65C3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CD55D shade: #3CD55D, #3D99D6, #D63DB7 and #D67A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CD55D shade: #3CD55D, #3D6BD6, #D63DB7 and #D6A83D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

Complementary color

CMYK 0 / 78 / 17 / 24

HEX #C32AA2

RGB 195 42 162

HSL 312.94, 0.65%, 0.46%

LAB 46.8, 69.2, -29.6

 

CMYK 69 / 0 / 59 / 16

HEX #41D558

RGB 65 213 88

HSL 129.32, 0.64%, 0.55%

LAB 75.71, -63.66, 49.78

 

CMYK 65 / 0 / 54 / 9

HEX #52E76B

RGB 82 231 107

HSL 130.07, 0.76%, 0.61%

LAB 81.84, -64.35, 48.45

 

CMYK 60 / 0 / 49 / 2

HEX #63F97E

RGB 99 249 126

HSL 130.8, 0.93%, 0.68%

LAB 87.93, -64.75, 47.1

 

CMYK 55 / 0 / 43 / 0

HEX #74FF91

RGB 116 255 145

HSL 132.52, 1%, 0.73%

LAB 90.45, -60.46, 41.29

 

CMYK 48 / 0 / 36 / 0

HEX #85FFA4

RGB 133 255 164

HSL 135.25, 1%, 0.76%

LAB 91.32, -53.29, 33.18

 

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

CMYK 78 / 0 / 62 / 24

HEX #2BC34A

RGB 43 195 74

HSL 132.24, 0.64%, 0.47%

LAB 69.5, -62.7, 48.77

 

CMYK 85 / 0 / 69 / 31

HEX #1AB137

RGB 26 177 55

HSL 131.52, 0.74%, 0.4%

LAB 63.29, -60.97, 49.94

 

CMYK 94 / 0 / 77 / 38

HEX #099F24

RGB 9 159 36

HSL 130.8, 0.89%, 0.33%

LAB 57.06, -58.42, 50.65

 

CMYK 100 / 0 / 88 / 45

HEX #008D11

RGB 0 141 17

HSL 127.23, 1%, 0.28%

LAB 50.79, -54.84, 50.33

 

CMYK 71 / 0 / 56 / 16

HEX #3DD65E

RGB 61 214 94

HSL 132.94, 0.65%, 0.54%

LAB 76, -63.91, 47.37

 

CMYK 67 / 0 / 71 / 16

HEX #46D63D

RGB 70 214 61

HSL 116.47, 0.65%, 0.54%

LAB 75.9, -65.78, 61.07

 

CMYK 48 / 0 / 71 / 16

HEX #6FD63D

RGB 111 214 61

HSL 100.39, 0.65%, 0.54%

LAB 77.17, -55.77, 62.77

 

CMYK 29 / 0 / 71 / 16

HEX #98D63D

RGB 152 214 61

HSL 84.31, 0.65%, 0.54%

LAB 79.1, -42.1, 65.34

 

CMYK 10 / 0 / 71 / 16

HEX #C1D63D

RGB 193 214 61

HSL 68.24, 0.65%, 0.54%

LAB 81.71, -26.12, 68.79

 

CMYK 71 / 0 / 56 / 16

HEX #3DD65E

RGB 61 214 94

HSL 132.94, 0.65%, 0.54%

LAB 76, -63.91, 47.37

 

CMYK 71 / 0 / 37 / 16

HEX #3DD687

RGB 61 214 135

HSL 149.02, 0.65%, 0.54%

LAB 76.58, -57.32, 27.86

 

CMYK 71 / 0 / 17 / 16

HEX #3DD6B1

RGB 61 214 177

HSL 165.49, 0.65%, 0.54%

LAB 77.44, -48.13, 6.9

 

CMYK 71 / 2 / 0 / 16

HEX #3DD2D6

RGB 61 210 214

HSL 181.57, 0.65%, 0.54%

LAB 77.25, -36.48, -13.22

 

CMYK 71 / 21 / 0 / 16

HEX #3DA9D6

RGB 61 169 214

HSL 197.65, 0.65%, 0.54%

LAB 65.14, -16.06, -31.67

 

CMYK 71 / 0 / 56 / 16

HEX #3DD65E

RGB 61 214 94

HSL 132.94, 0.65%, 0.54%

LAB 76, -63.91, 47.37

 

CMYK 82 / 0 / 64 / 9

HEX #2AE954

RGB 42 233 84

HSL 133.19, 0.81%, 0.54%

LAB 81.52, -73.61, 57.99

 

CMYK 91 / 0 / 71 / 1

HEX #17FC49

RGB 23 252 73

HSL 133.1, 0.97%, 0.54%

LAB 87.14, -81.57, 68.15

 

CMYK 71 / 0 / 56 / 16

HEX #3DD65E

RGB 61 214 94

HSL 132.94, 0.65%, 0.54%

LAB 76, -63.91, 47.37

 

CMYK 59 / 0 / 46 / 24

HEX #50C369

RGB 80 195 105

HSL 133.04, 0.49%, 0.54%

LAB 70.7, -51.77, 35.63

 

CMYK 44 / 0 / 34 / 31

HEX #63B074

RGB 99 176 116

HSL 133.25, 0.33%, 0.54%

LAB 65.72, -36.99, 23.51

 

CMYK 25 / 0 / 19 / 38

HEX #769D7F

RGB 118 157 127

HSL 133.85, 0.17%, 0.54%

LAB 61.22, -19.65, 11.42

 

CMYK 1 / 0 / 0 / 46

HEX #898A8A

RGB 137 138 138

HSL 180, 0%, 0.54%

LAB 57.4, -0.37, -0.14

 

CMYK 48 / 0 / 71 / 16

HEX #70D63D

RGB 112 214 61

HSL 100, 0.65%, 0.54%

LAB 77.21, -55.48, 62.82

 

CMYK 66 / 0 / 71 / 16

HEX #48D63D

RGB 72 214 61

HSL 115.69, 0.65%, 0.54%

LAB 75.95, -65.39, 61.14

 

CMYK 71 / 0 / 57 / 16

HEX #3DD65C

RGB 61 214 92

HSL 132.16, 0.65%, 0.54%

LAB 75.98, -64.17, 48.26

 

CMYK 71 / 0 / 38 / 16

HEX #3DD685

RGB 61 214 133

HSL 148.24, 0.65%, 0.54%

LAB 76.54, -57.69, 28.84

 

CMYK 71 / 0 / 19 / 16

HEX #3DD6AD

RGB 61 214 173

HSL 163.92, 0.65%, 0.54%

LAB 77.34, -49.1, 8.9

 

CMYK 79 / 0 / 62 / 38

HEX #229F3D

RGB 34 159 61

HSL 132.96, 0.65%, 0.38%

LAB 57.53, -53.53, 40.97

 

CMYK 79 / 0 / 62 / 24

HEX #29C14A

RGB 41 193 74

HSL 133.03, 0.65%, 0.46%

LAB 68.83, -62.31, 48

 

CMYK 71 / 0 / 56 / 16

HEX #3DD65E

RGB 61 214 94

HSL 132.94, 0.65%, 0.54%

LAB 76, -63.91, 47.37

 

CMYK 57 / 0 / 44 / 13

HEX #5FDD7B

RGB 95 221 123

HSL 133.33, 0.65%, 0.62%

LAB 79.37, -55.62, 37.76

 

CMYK 43 / 0 / 34 / 11

HEX #82E497

RGB 130 228 151

HSL 132.86, 0.64%, 0.7%

LAB 83.16, -44.97, 28.82

 

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

CMYK 71 / 29 / 0 / 16

HEX #3D99D6

RGB 61 153 214

HSL 203.92, 0.65%, 0.54%

LAB 60.45, -7.26, -38.97

 

CMYK 0 / 71 / 57 / 16

HEX #D63D5C

RGB 214 61 92

HSL 347.84, 0.65%, 0.54%

LAB 49.99, 60.98, 17.81

 

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

CMYK 57 / 71 / 0 / 16

HEX #5C3DD6

RGB 92 61 214

HSL 252.16, 0.65%, 0.54%

LAB 38.67, 52.65, -73.87

 

CMYK 0 / 57 / 71 / 16

HEX #D65C3D

RGB 214 92 61

HSL 12.16, 0.65%, 0.54%

LAB 54.33, 46.13, 41.1

 

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

CMYK 71 / 29 / 0 / 16

HEX #3D99D6

RGB 61 153 214

HSL 203.92, 0.65%, 0.54%

LAB 60.45, -7.26, -38.97

 

CMYK 0 / 71 / 14 / 16

HEX #D63DB7

RGB 214 61 183

HSL 312.16, 0.65%, 0.54%

LAB 53.01, 70.73, -32.03

 

CMYK 0 / 43 / 71 / 16

HEX #D67A3D

RGB 214 122 61

HSL 23.92, 0.65%, 0.54%

LAB 60.38, 30.95, 47.74

 

CMYK 72 / 0 / 56 / 16

HEX #3CD55D

RGB 60 213 93

HSL 132.94, 0.65%, 0.54%

LAB 75.66, -63.86, 47.42

 

CMYK 71 / 50 / 0 / 16

HEX #3D6BD6

RGB 61 107 214

HSL 221.96, 0.65%, 0.54%

LAB 47.45, 20.51, -59.66

 

CMYK 0 / 71 / 14 / 16

HEX #D63DB7

RGB 214 61 183

HSL 312.16, 0.65%, 0.54%

LAB 53.01, 70.73, -32.03

 

CMYK 0 / 21 / 71 / 16

HEX #D6A83D

RGB 214 168 61

HSL 41.96, 0.65%, 0.54%

LAB 71.31, 6.24, 59.11

 

Description

Color code: HEX #3CD55D | qconv.com Color code: HEX #3CD55D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 213 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 213 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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