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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCF31 it is the complementary color #C330CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCF31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCF31 shade: #41CF2C, #52E13F, #63F352, #74FF65 and #85FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCF31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCF31 shade: #3CCF31, #2BBD1E, #1AAB0B, #099900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCF31 shade: #3BCF30, #66CF30, #91CF30, #BBCF30 and #CFB730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCF31 shade: #3BCF30, #30CF50, #30CF7B, #30CFA5 and #30CDCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCF31 shade matches the following richer shades: #3BCF30, #2AE31C and #18F807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCF31 shade: #3BCF30, #4DBA45, #5FA55A, #71916E and #827C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCF31 shade: #92CF30, #68CF30, #3ECF30, #30CF4D and #30CF78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCF31 shade: #288C21, #32AD29, #3BCF30, #5BD652 and #7BDE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCF31 shade: #3CCF31, #30BCCF and #CF307D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCF31 shade: #3CCF31, #303ECF and #CF303E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCF31 shade: #3CCF31, #30BCCF, #C130CF and #CF4330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCF31 shade: #3CCF31, #308DCF, #C130CF and #CF7230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

Complementary color

CMYK 5 / 77 / 0 / 19

HEX #C330CE

RGB 195 48 206

HSL 295.82, 0.62%, 0.5%

LAB 49.7, 74.16, -50.75

 

CMYK 69 / 0 / 79 / 19

HEX #41CF2C

RGB 65 207 44

HSL 112.27, 0.65%, 0.49%

LAB 73.5, -65.65, 64.28

 

CMYK 64 / 0 / 72 / 12

HEX #52E13F

RGB 82 225 63

HSL 112.96, 0.73%, 0.56%

LAB 79.62, -66.85, 64.24

 

CMYK 59 / 0 / 66 / 5

HEX #63F352

RGB 99 243 82

HSL 113.66, 0.87%, 0.64%

LAB 85.69, -67.65, 63.67

 

CMYK 55 / 0 / 60 / 0

HEX #74FF65

RGB 116 255 101

HSL 114.16, 1%, 0.7%

LAB 89.94, -66.04, 60.8

 

CMYK 48 / 0 / 53 / 0

HEX #85FF78

RGB 133 255 120

HSL 114.22, 1%, 0.74%

LAB 90.72, -59.55, 53.53

 

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

CMYK 77 / 0 / 84 / 26

HEX #2BBD1E

RGB 43 189 30

HSL 115.09, 0.73%, 0.43%

LAB 67.28, -64.43, 62.16

 

CMYK 85 / 0 / 94 / 33

HEX #1AAB0B

RGB 26 171 11

HSL 114.38, 0.88%, 0.36%

LAB 61.11, -61.86, 60.42

 

CMYK 94 / 0 / 100 / 40

HEX #099900

RGB 9 153 0

HSL 116.47, 1%, 0.3%

LAB 54.91, -58.31, 56.88

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 51 / 0 / 77 / 19

HEX #66CF30

RGB 102 207 48

HSL 99.62, 0.62%, 0.5%

LAB 74.61, -56.59, 64.5

 

CMYK 30 / 0 / 77 / 19

HEX #91CF30

RGB 145 207 48

HSL 83.4, 0.62%, 0.5%

LAB 76.59, -42.36, 67.08

 

CMYK 10 / 0 / 77 / 19

HEX #BBCF30

RGB 187 207 48

HSL 67.55, 0.62%, 0.5%

LAB 79.27, -25.82, 70.54

 

CMYK 0 / 12 / 77 / 19

HEX #CFB730

RGB 207 183 48

HSL 50.94, 0.62%, 0.5%

LAB 74.41, -5.27, 66.68

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 77 / 0 / 61 / 19

HEX #30CF50

RGB 48 207 80

HSL 132.08, 0.62%, 0.5%

LAB 73.44, -65.23, 50.63

 

CMYK 77 / 0 / 41 / 19

HEX #30CF7B

RGB 48 207 123

HSL 148.3, 0.62%, 0.5%

LAB 73.99, -58.76, 30.56

 

CMYK 77 / 0 / 20 / 19

HEX #30CFA5

RGB 48 207 165

HSL 164.15, 0.62%, 0.5%

LAB 74.81, -49.76, 9.53

 

CMYK 77 / 1 / 0 / 19

HEX #30CDCF

RGB 48 205 207

HSL 180.75, 0.62%, 0.5%

LAB 75.32, -37.62, -12.35

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 81 / 0 / 88 / 11

HEX #2AE31C

RGB 42 227 28

HSL 115.78, 0.78%, 0.5%

LAB 79.34, -75.75, 73.23

 

CMYK 90 / 0 / 97 / 3

HEX #18F807

RGB 24 248 7

HSL 115.77, 0.95%, 0.5%

LAB 85.68, -83.39, 81.02

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 59 / 0 / 63 / 27

HEX #4DBA45

RGB 77 186 69

HSL 115.9, 0.46%, 0.5%

LAB 67.37, -53.79, 48.79

 

CMYK 42 / 0 / 45 / 35

HEX #5FA55A

RGB 95 165 90

HSL 116, 0.29%, 0.5%

LAB 61.72, -37.52, 32.05

 

CMYK 22 / 0 / 24 / 43

HEX #71916E

RGB 113 145 110

HSL 114.86, 0.14%, 0.5%

LAB 56.97, -18.36, 15

 

CMYK 1 / 5 / 0 / 49

HEX #827C83

RGB 130 124 131

HSL 291.43, 0.03%, 0.5%

LAB 52.73, 3.65, -2.99

 

CMYK 29 / 0 / 77 / 19

HEX #92CF30

RGB 146 207 48

HSL 83.02, 0.62%, 0.5%

LAB 76.65, -41.99, 67.15

 

CMYK 50 / 0 / 77 / 19

HEX #68CF30

RGB 104 207 48

HSL 98.87, 0.62%, 0.5%

LAB 74.69, -56.02, 64.6

 

CMYK 70 / 0 / 77 / 19

HEX #3ECF30

RGB 62 207 48

HSL 114.72, 0.62%, 0.5%

LAB 73.46, -65.95, 62.99

 

CMYK 77 / 0 / 63 / 19

HEX #30CF4D

RGB 48 207 77

HSL 130.94, 0.62%, 0.5%

LAB 73.41, -65.57, 51.91

 

CMYK 77 / 0 / 42 / 19

HEX #30CF78

RGB 48 207 120

HSL 147.17, 0.62%, 0.5%

LAB 73.94, -59.3, 32.04

 

CMYK 71 / 0 / 76 / 45

HEX #288C21

RGB 40 140 33

HSL 116.07, 0.62%, 0.34%

LAB 51.06, -48.91, 45.89

 

CMYK 71 / 0 / 76 / 32

HEX #32AD29

RGB 50 173 41

HSL 115.91, 0.62%, 0.42%

LAB 62.28, -57.57, 54.27

 

CMYK 71 / 0 / 77 / 19

HEX #3BCF30

RGB 59 207 48

HSL 115.85, 0.62%, 0.5%

LAB 73.4, -66.47, 62.91

 

CMYK 57 / 0 / 62 / 16

HEX #5BD652

RGB 91 214 82

HSL 115.91, 0.62%, 0.58%

LAB 76.63, -59.29, 53.66

 

CMYK 45 / 0 / 48 / 13

HEX #7BDE73

RGB 123 222 115

HSL 115.51, 0.62%, 0.66%

LAB 80.57, -49.89, 43.4

 

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

CMYK 77 / 9 / 0 / 19

HEX #30BCCF

RGB 48 188 207

HSL 187.17, 0.62%, 0.5%

LAB 70.25, -29.57, -20.01

 

CMYK 0 / 77 / 40 / 19

HEX #CF307D

RGB 207 48 125

HSL 330.94, 0.62%, 0.5%

LAB 48.08, 66.06, -5.16

 

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

CMYK 77 / 70 / 0 / 19

HEX #303ECF

RGB 48 62 207

HSL 234.72, 0.62%, 0.5%

LAB 35.16, 44.82, -75.71

 

CMYK 0 / 77 / 70 / 19

HEX #CF303E

RGB 207 48 62

HSL 354.72, 0.62%, 0.5%

LAB 46.61, 61.45, 31.28

 

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

CMYK 77 / 9 / 0 / 19

HEX #30BCCF

RGB 48 188 207

HSL 187.17, 0.62%, 0.5%

LAB 70.25, -29.57, -20.01

 

CMYK 7 / 77 / 0 / 19

HEX #C130CF

RGB 193 48 207

HSL 294.72, 0.62%, 0.5%

LAB 49.44, 73.94, -51.76

 

CMYK 0 / 68 / 77 / 19

HEX #CF4330

RGB 207 67 48

HSL 7.17, 0.62%, 0.5%

LAB 48.88, 54.13, 41.78

 

CMYK 71 / 0 / 76 / 19

HEX #3CCF31

RGB 60 207 49

HSL 115.82, 0.62%, 0.5%

LAB 73.42, -66.23, 62.62

 

CMYK 77 / 32 / 0 / 19

HEX #308DCF

RGB 48 141 207

HSL 204.91, 0.62%, 0.5%

LAB 56.27, -4.49, -41.65

 

CMYK 7 / 77 / 0 / 19

HEX #C130CF

RGB 193 48 207

HSL 294.72, 0.62%, 0.5%

LAB 49.44, 73.94, -51.76

 

CMYK 0 / 45 / 77 / 19

HEX #CF7230

RGB 207 114 48

HSL 24.91, 0.62%, 0.5%

LAB 57.57, 31.74, 50.66

 

Description

Color code: HEX #3CCF31 | qconv.com Color code: HEX #3CCF31 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 207 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 207 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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