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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCD5E it is the complementary color #C332A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCD5E shade: #41CD59, #52DF6C, #63F17F, #74FF92 and #85FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCD5E shade: #3CCD5E, #2BBB4B, #1AA938, #099725 and #008512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCD5E shade: #3CCD5E, #41CD3C, #68CD3C, #8FCD3C and #B6CD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCD5E shade: #3CCD5E, #3CCD85, #3CCDAC, #3CC7CD and #3CA0CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCD5E shade matches the following richer shades: #3CCD5E, #29E154 and #15F449

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCD5E shade: #3CCD5E, #50B969, #64A573, #78917E and #8C7E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCD5E shade: #68CD3C, #41CD3C, #3CCD5E, #3CCD85 and #3CCDAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCD5E shade: #25913F, #2EB24D, #3CCD5E, #5DD579 and #7EDE94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCD5E shade: #3CCD5E, #3C8ECD and #CD3C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCD5E shade: #3CCD5E, #5E3CCD and #CD5E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCD5E shade: #3CCD5E, #3C8ECD, #CD3CAB and #CD7B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCD5E shade: #3CCD5E, #3C63CD, #CD3CAB and #CDA63C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

Complementary color

CMYK 0 / 74 / 17 / 24

HEX #C332A1

RGB 195 50 161

HSL 314.07, 0.59%, 0.48%

LAB 47.57, 66.73, -27.81

 

CMYK 68 / 0 / 57 / 20

HEX #41CD59

RGB 65 205 89

HSL 130.29, 0.58%, 0.53%

LAB 73.22, -60.79, 46.41

 

CMYK 63 / 0 / 52 / 13

HEX #52DF6C

RGB 82 223 108

HSL 131.06, 0.69%, 0.6%

LAB 79.42, -61.37, 45.03

 

CMYK 59 / 0 / 47 / 5

HEX #63F17F

RGB 99 241 127

HSL 131.83, 0.84%, 0.67%

LAB 85.55, -61.69, 43.66

 

CMYK 55 / 0 / 43 / 0

HEX #74FF92

RGB 116 255 146

HSL 132.95, 1%, 0.73%

LAB 90.46, -60.31, 40.82

 

CMYK 48 / 0 / 35 / 0

HEX #85FFA5

RGB 133 255 165

HSL 135.74, 1%, 0.76%

LAB 91.34, -53.13, 32.7

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 77 / 0 / 60 / 27

HEX #2BBB4B

RGB 43 187 75

HSL 133.33, 0.63%, 0.45%

LAB 66.95, -59.96, 45.4

 

CMYK 85 / 0 / 67 / 34

HEX #1AA938

RGB 26 169 56

HSL 132.59, 0.73%, 0.38%

LAB 60.68, -58.35, 46.7

 

CMYK 94 / 0 / 75 / 41

HEX #099725

RGB 9 151 37

HSL 131.83, 0.89%, 0.31%

LAB 54.37, -55.93, 47.61

 

CMYK 100 / 0 / 86 / 48

HEX #008512

RGB 0 133 18

HSL 128.12, 1%, 0.26%

LAB 48.03, -52.43, 47.6

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 68 / 0 / 71 / 20

HEX #41CD3C

RGB 65 205 60

HSL 117.93, 0.59%, 0.52%

LAB 72.97, -63.86, 58.38

 

CMYK 49 / 0 / 71 / 20

HEX #68CD3C

RGB 104 205 60

HSL 101.79, 0.59%, 0.52%

LAB 74.15, -54.47, 59.97

 

CMYK 30 / 0 / 71 / 20

HEX #8FCD3C

RGB 143 205 60

HSL 85.66, 0.59%, 0.52%

LAB 75.96, -41.55, 62.4

 

CMYK 11 / 0 / 71 / 20

HEX #B6CD3C

RGB 182 205 60

HSL 69.52, 0.59%, 0.52%

LAB 78.42, -26.35, 65.66

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 71 / 0 / 35 / 20

HEX #3CCD85

RGB 60 205 133

HSL 150.21, 0.59%, 0.52%

LAB 73.75, -54.45, 25.1

 

CMYK 71 / 0 / 16 / 20

HEX #3CCDAC

RGB 60 205 172

HSL 166.34, 0.59%, 0.52%

LAB 74.57, -45.71, 5.47

 

CMYK 71 / 3 / 0 / 20

HEX #3CC7CD

RGB 60 199 205

HSL 182.48, 0.59%, 0.52%

LAB 73.69, -34.07, -13.71

 

CMYK 71 / 22 / 0 / 20

HEX #3CA0CD

RGB 60 160 205

HSL 198.62, 0.59%, 0.52%

LAB 62.09, -14.32, -31.4

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 82 / 0 / 63 / 12

HEX #29E154

RGB 41 225 84

HSL 134.02, 0.75%, 0.52%

LAB 79.02, -71.27, 55.2

 

CMYK 91 / 0 / 70 / 4

HEX #15F449

RGB 21 244 73

HSL 133.99, 0.91%, 0.52%

LAB 84.66, -79.42, 65.58

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 57 / 0 / 43 / 27

HEX #50B969

RGB 80 185 105

HSL 134.29, 0.43%, 0.52%

LAB 67.59, -47.81, 31.65

 

CMYK 39 / 0 / 30 / 35

HEX #64A573

RGB 100 165 115

HSL 133.85, 0.27%, 0.52%

LAB 62.39, -31.79, 19.55

 

CMYK 17 / 0 / 13 / 43

HEX #78917E

RGB 120 145 126

HSL 134.4, 0.1%, 0.52%

LAB 57.8, -12.8, 7.16

 

CMYK 0 / 10 / 3 / 45

HEX #8C7E88

RGB 140 126 136

HSL 317.14, 0.06%, 0.52%

LAB 54.32, 7.22, -3.47

 

CMYK 49 / 0 / 71 / 20

HEX #68CD3C

RGB 104 205 60

HSL 101.79, 0.59%, 0.52%

LAB 74.15, -54.47, 59.97

 

CMYK 68 / 0 / 71 / 20

HEX #41CD3C

RGB 65 205 60

HSL 117.93, 0.59%, 0.52%

LAB 72.97, -63.86, 58.38

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 71 / 0 / 35 / 20

HEX #3CCD85

RGB 60 205 133

HSL 150.21, 0.59%, 0.52%

LAB 73.75, -54.45, 25.1

 

CMYK 71 / 0 / 17 / 20

HEX #3CCDAB

RGB 60 205 171

HSL 165.93, 0.59%, 0.52%

LAB 74.55, -45.95, 5.97

 

CMYK 74 / 0 / 57 / 43

HEX #25913F

RGB 37 145 63

HSL 134.44, 0.59%, 0.36%

LAB 52.95, -47.88, 34.65

 

CMYK 74 / 0 / 57 / 30

HEX #2EB24D

RGB 46 178 77

HSL 134.09, 0.59%, 0.44%

LAB 64.13, -56.2, 41.17

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 56 / 0 / 43 / 16

HEX #5DD579

RGB 93 213 121

HSL 134, 0.59%, 0.6%

LAB 76.86, -53.29, 35.52

 

CMYK 43 / 0 / 33 / 13

HEX #7EDE94

RGB 126 222 148

HSL 133.75, 0.59%, 0.68%

LAB 81.19, -44.01, 27.68

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 71 / 31 / 0 / 20

HEX #3C8ECD

RGB 60 142 205

HSL 206.07, 0.59%, 0.52%

LAB 56.8, -4.22, -39.67

 

CMYK 0 / 71 / 59 / 20

HEX #CD3C54

RGB 205 60 84

HSL 350.07, 0.59%, 0.52%

LAB 48.07, 58.07, 19.8

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 54 / 71 / 0 / 20

HEX #5E3CCD

RGB 94 60 205

HSL 254.07, 0.59%, 0.52%

LAB 37.88, 50.87, -69.96

 

CMYK 0 / 54 / 71 / 20

HEX #CD5E3C

RGB 205 94 60

HSL 14.07, 0.59%, 0.52%

LAB 53.29, 41.76, 40.08

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 71 / 31 / 0 / 20

HEX #3C8ECD

RGB 60 142 205

HSL 206.07, 0.59%, 0.52%

LAB 56.8, -4.22, -39.67

 

CMYK 0 / 71 / 17 / 20

HEX #CD3CAB

RGB 205 60 171

HSL 314.07, 0.59%, 0.52%

LAB 50.86, 67.23, -28.46

 

CMYK 0 / 40 / 71 / 20

HEX #CD7B3C

RGB 205 123 60

HSL 26.07, 0.59%, 0.52%

LAB 59.41, 26.65, 46.83

 

CMYK 71 / 0 / 54 / 20

HEX #3CCD5E

RGB 60 205 94

HSL 134.07, 0.59%, 0.52%

LAB 73.18, -60.99, 43.98

 

CMYK 71 / 52 / 0 / 20

HEX #3C63CD

RGB 60 99 205

HSL 223.86, 0.59%, 0.52%

LAB 44.65, 22.19, -59.04

 

CMYK 0 / 71 / 17 / 20

HEX #CD3CAB

RGB 205 60 171

HSL 314.07, 0.59%, 0.52%

LAB 50.86, 67.23, -28.46

 

CMYK 0 / 19 / 71 / 20

HEX #CDA63C

RGB 205 166 60

HSL 43.86, 0.59%, 0.52%

LAB 69.88, 3.36, 57.78

 

Description

Color code: HEX #3CCD5E | qconv.com Color code: HEX #3CCD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 205 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 205 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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