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Color name
HEX #3CCD3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCD3C it is the complementary color #C332C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCD3C shade: #41CD37, #52DF4A, #63F15D, #74FF70 and #85FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCD3C shade: #3CCD3C, #2BBB29, #1AA916, #099703 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCD3C shade: #3CCD3C, #63CD3C, #8ACD3C, #B1CD3C and #CDC13C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCD3C shade: #3CCD3C, #3CCD63, #3CCD8A, #3CCDB1 and #3CC1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCD3C shade matches the following richer shades: #3CCD3C, #29E129 and #15F415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCD3C shade: #3CCD3C, #50B950, #64A564, #789178 and #8C7E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCD3C shade: #89CD3C, #63CD3C, #3CCD3C, #3CCD63 and #3CCD89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCD3C shade: #259125, #2EB22E, #3CCD3C, #5DD55D and #7EDE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCD3C shade: #3CCD3C, #3CB0CD and #CD3C76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCD3C shade: #3CCD3C, #3C3CCD and #CD3C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCD3C shade: #3CCD3C, #3CB0CD, #CD3CCD and #CD593C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCD3C shade: #3CCD3C, #3C85CD, #CD3CCD and #CD853C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

Complementary color

CMYK 0 / 74 / 0 / 24

HEX #C332C3

RGB 195 50 195

HSL 300, 0.59%, 0.48%

LAB 49.28, 71.79, -45.07

 

CMYK 68 / 0 / 73 / 20

HEX #41CD37

RGB 65 205 55

HSL 116, 0.6%, 0.51%

LAB 72.93, -64.26, 60.15

 

CMYK 63 / 0 / 67 / 13

HEX #52DF4A

RGB 82 223 74

HSL 116.78, 0.7%, 0.58%

LAB 79.08, -65.26, 59.57

 

CMYK 59 / 0 / 61 / 5

HEX #63F15D

RGB 99 241 93

HSL 117.57, 0.84%, 0.65%

LAB 85.18, -65.91, 58.65

 

CMYK 55 / 0 / 56 / 0

HEX #74FF70

RGB 116 255 112

HSL 118.32, 1%, 0.72%

LAB 90.05, -64.85, 56.17

 

CMYK 48 / 0 / 49 / 0

HEX #85FF83

RGB 133 255 131

HSL 119.03, 1%, 0.76%

LAB 90.85, -58.19, 48.6

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 77 / 0 / 78 / 27

HEX #2BBB29

RGB 43 187 41

HSL 119.18, 0.64%, 0.45%

LAB 66.68, -63.19, 58.52

 

CMYK 85 / 0 / 87 / 34

HEX #1AA916

RGB 26 169 22

HSL 118.37, 0.77%, 0.37%

LAB 60.47, -60.89, 57.87

 

CMYK 94 / 0 / 98 / 41

HEX #099703

RGB 9 151 3

HSL 117.57, 0.96%, 0.3%

LAB 54.24, -57.64, 55.85

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 52 / 0 / 71 / 20

HEX #63CD3C

RGB 99 205 60

HSL 103.86, 0.59%, 0.52%

LAB 73.96, -55.89, 59.71

 

CMYK 33 / 0 / 71 / 20

HEX #8ACD3C

RGB 138 205 60

HSL 87.72, 0.59%, 0.52%

LAB 75.69, -43.36, 62.04

 

CMYK 14 / 0 / 71 / 20

HEX #B1CD3C

RGB 177 205 60

HSL 71.59, 0.59%, 0.52%

LAB 78.07, -28.38, 65.2

 

CMYK 0 / 6 / 71 / 20

HEX #CDC13C

RGB 205 193 60

HSL 55.03, 0.59%, 0.52%

LAB 76.95, -10.76, 64.82

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 0 / 52 / 20

HEX #3CCD63

RGB 60 205 99

HSL 136.14, 0.59%, 0.52%

LAB 73.24, -60.28, 41.66

 

CMYK 71 / 0 / 33 / 20

HEX #3CCD8A

RGB 60 205 138

HSL 152.28, 0.59%, 0.52%

LAB 73.84, -53.44, 22.59

 

CMYK 71 / 0 / 14 / 20

HEX #3CCDB1

RGB 60 205 177

HSL 168.41, 0.59%, 0.52%

LAB 74.7, -44.44, 2.95

 

CMYK 71 / 6 / 0 / 20

HEX #3CC1CD

RGB 60 193 205

HSL 184.97, 0.59%, 0.52%

LAB 71.9, -31.21, -16.4

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 82 / 0 / 82 / 12

HEX #29E129

RGB 41 225 41

HSL 120, 0.75%, 0.52%

LAB 78.74, -74.73, 69.85

 

CMYK 91 / 0 / 91 / 4

HEX #15F415

RGB 21 244 21

HSL 120, 0.91%, 0.52%

LAB 84.44, -82.24, 78.6

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 57 / 0 / 57 / 27

HEX #50B950

RGB 80 185 80

HSL 120, 0.43%, 0.52%

LAB 67.26, -51.41, 43.68

 

CMYK 39 / 0 / 39 / 35

HEX #64A564

RGB 100 165 100

HSL 120, 0.27%, 0.52%

LAB 62.12, -34.39, 27.32

 

CMYK 17 / 0 / 17 / 43

HEX #789178

RGB 120 145 120

HSL 120, 0.1%, 0.52%

LAB 57.66, -13.96, 10.37

 

CMYK 0 / 10 / 0 / 45

HEX #8C7E8C

RGB 140 126 140

HSL 300, 0.06%, 0.52%

LAB 54.44, 8.01, -5.62

 

CMYK 33 / 0 / 71 / 20

HEX #89CD3C

RGB 137 205 60

HSL 88.14, 0.59%, 0.52%

LAB 75.64, -43.72, 61.97

 

CMYK 52 / 0 / 71 / 20

HEX #63CD3C

RGB 99 205 60

HSL 103.86, 0.59%, 0.52%

LAB 73.96, -55.89, 59.71

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 0 / 52 / 20

HEX #3CCD63

RGB 60 205 99

HSL 136.14, 0.59%, 0.52%

LAB 73.24, -60.28, 41.66

 

CMYK 71 / 0 / 33 / 20

HEX #3CCD89

RGB 60 205 137

HSL 151.86, 0.59%, 0.52%

LAB 73.82, -53.65, 23.1

 

CMYK 74 / 0 / 74 / 43

HEX #259125

RGB 37 145 37

HSL 120, 0.59%, 0.36%

LAB 52.71, -50.85, 46.04

 

CMYK 74 / 0 / 74 / 30

HEX #2EB22E

RGB 46 178 46

HSL 120, 0.59%, 0.44%

LAB 63.85, -59.52, 54.06

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 56 / 0 / 56 / 16

HEX #5DD55D

RGB 93 213 93

HSL 120, 0.59%, 0.6%

LAB 76.5, -57.21, 48.62

 

CMYK 43 / 0 / 43 / 13

HEX #7EDE7E

RGB 126 222 126

HSL 120, 0.59%, 0.68%

LAB 80.84, -47.5, 38.38

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 14 / 0 / 20

HEX #3CB0CD

RGB 60 176 205

HSL 192, 0.59%, 0.52%

LAB 66.84, -22.76, -24.09

 

CMYK 0 / 71 / 42 / 20

HEX #CD3C76

RGB 205 60 118

HSL 336, 0.59%, 0.52%

LAB 48.91, 60.9, 0.27

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCD

RGB 60 60 205

HSL 240, 0.59%, 0.52%

LAB 35.2, 46.46, -74.45

 

CMYK 0 / 71 / 71 / 20

HEX #CD3C3C

RGB 205 60 60

HSL 0, 0.59%, 0.52%

LAB 47.67, 56.69, 33.62

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 14 / 0 / 20

HEX #3CB0CD

RGB 60 176 205

HSL 192, 0.59%, 0.52%

LAB 66.84, -22.76, -24.09

 

CMYK 0 / 71 / 0 / 20

HEX #CD3CCD

RGB 205 60 205

HSL 300, 0.59%, 0.52%

LAB 52.53, 72.35, -45.58

 

CMYK 0 / 57 / 71 / 20

HEX #CD593C

RGB 205 89 60

HSL 12, 0.59%, 0.52%

LAB 52.34, 44.2, 39.01

 

CMYK 71 / 0 / 71 / 20

HEX #3CCD3C

RGB 60 205 60

HSL 120, 0.59%, 0.52%

LAB 72.86, -64.76, 58.23

 

CMYK 71 / 35 / 0 / 20

HEX #3C85CD

RGB 60 133 205

HSL 209.79, 0.59%, 0.52%

LAB 54.18, 1.07, -43.8

 

CMYK 0 / 71 / 0 / 20

HEX #CD3CCD

RGB 205 60 205

HSL 300, 0.59%, 0.52%

LAB 52.53, 72.35, -45.58

 

CMYK 0 / 35 / 71 / 20

HEX #CD853C

RGB 205 133 60

HSL 30.21, 0.59%, 0.52%

LAB 61.72, 21.24, 49.31

 

Description

Color code: HEX #3CCD3C | qconv.com Color code: HEX #3CCD3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 205 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 205 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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