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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCC99 it is the complementary color #C33366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCC99 shade: #41CC94, #52DEA7, #63F0BA, #74FFCD and #85FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCC99 shade: #3CCC99, #2BBA86, #1AA873, #099660 and #00844D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCC99 shade: #3CCD9A, #3CCD73, #3CCD4C, #54CD3C and #7BCD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCC99 shade: #3CCD9A, #3CCDC1, #3CB2CD, #3C8BCD and #3C64CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCC99 shade matches the following richer shades: #3CCD9A, #29E19F and #15F4A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCC99 shade: #3CCD9A, #50B994, #64A58E, #789188 and #8C7E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCC99 shade: #3CCD4B, #3CCD71, #3CCD98, #3CCDBE and #3CB5CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCC99 shade: #25916B, #2EB283, #3CCD9A, #5DD5AB and #7EDEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCC99 shade: #3CCC99, #3C54CD and #CD5E3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCC99 shade: #3CCC99, #983CCD and #CD983C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCC99 shade: #3CCC99, #3C54CD, #CD3C71 and #CDB53C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCC99 shade: #3CCC99, #503CCD, #CD3C71 and #BACD3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

Complementary color

CMYK 0 / 74 / 48 / 24

HEX #C33366

RGB 195 51 102

HSL 338.75, 0.59%, 0.48%

LAB 45.54, 59.69, 4.97

 

CMYK 68 / 0 / 27 / 20

HEX #41CC94

RGB 65 204 148

HSL 155.83, 0.58%, 0.53%

LAB 73.84, -50.16, 17.3

 

CMYK 63 / 0 / 25 / 13

HEX #52DEA7

RGB 82 222 167

HSL 156.43, 0.68%, 0.6%

LAB 80.08, -50.46, 16.02

 

CMYK 59 / 0 / 23 / 6

HEX #63F0BA

RGB 99 240 186

HSL 157.02, 0.82%, 0.66%

LAB 86.26, -50.61, 14.85

 

CMYK 55 / 0 / 20 / 0

HEX #74FFCD

RGB 116 255 205

HSL 158.42, 1%, 0.73%

LAB 91.52, -49.39, 12.54

 

CMYK 48 / 0 / 12 / 0

HEX #85FFE0

RGB 133 255 224

HSL 164.75, 1%, 0.76%

LAB 92.53, -41.53, 4.25

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

CMYK 77 / 0 / 28 / 27

HEX #2BBA86

RGB 43 186 134

HSL 158.18, 0.62%, 0.45%

LAB 67.54, -49.15, 16.01

 

CMYK 85 / 0 / 32 / 34

HEX #1AA873

RGB 26 168 115

HSL 157.61, 0.73%, 0.38%

LAB 61.19, -48.13, 17.56

 

CMYK 94 / 0 / 36 / 41

HEX #099660

RGB 9 150 96

HSL 157.02, 0.89%, 0.31%

LAB 54.78, -46.6, 19.29

 

CMYK 100 / 0 / 42 / 48

HEX #00844D

RGB 0 132 77

HSL 155, 1%, 0.26%

LAB 48.31, -44.41, 21.23

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 71 / 0 / 44 / 20

HEX #3CCD73

RGB 60 205 115

HSL 142.76, 0.59%, 0.52%

LAB 73.46, -57.76, 33.99

 

CMYK 71 / 0 / 63 / 20

HEX #3CCD4C

RGB 60 205 76

HSL 126.62, 0.59%, 0.52%

LAB 72.99, -63.21, 51.92

 

CMYK 59 / 0 / 71 / 20

HEX #54CD3C

RGB 84 205 60

HSL 110.07, 0.59%, 0.52%

LAB 73.46, -59.79, 59.05

 

CMYK 40 / 0 / 71 / 20

HEX #7BCD3C

RGB 123 205 60

HSL 93.93, 0.59%, 0.52%

LAB 74.95, -48.54, 61.04

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 71 / 0 / 6 / 20

HEX #3CCDC1

RGB 60 205 193

HSL 175.03, 0.59%, 0.52%

LAB 75.12, -40.21, -5.07

 

CMYK 71 / 13 / 0 / 20

HEX #3CB2CD

RGB 60 178 205

HSL 191.17, 0.59%, 0.52%

LAB 67.43, -23.78, -23.18

 

CMYK 71 / 32 / 0 / 20

HEX #3C8BCD

RGB 60 139 205

HSL 207.31, 0.59%, 0.52%

LAB 55.92, -2.47, -41.05

 

CMYK 71 / 51 / 0 / 20

HEX #3C64CD

RGB 60 100 205

HSL 223.45, 0.59%, 0.52%

LAB 44.92, 21.55, -58.6

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 82 / 0 / 29 / 12

HEX #29E19F

RGB 41 225 159

HSL 158.48, 0.75%, 0.52%

LAB 80.08, -58.87, 20.1

 

CMYK 91 / 0 / 32 / 4

HEX #15F4A5

RGB 21 244 165

HSL 158.74, 0.91%, 0.52%

LAB 85.79, -65.8, 24.83

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 57 / 0 / 20 / 27

HEX #50B994

RGB 80 185 148

HSL 158.86, 0.43%, 0.52%

LAB 68.42, -39.28, 9.75

 

CMYK 39 / 0 / 14 / 35

HEX #64A58E

RGB 100 165 142

HSL 158.77, 0.27%, 0.52%

LAB 62.99, -26.23, 5.41

 

CMYK 17 / 0 / 6 / 43

HEX #789188

RGB 120 145 136

HSL 158.4, 0.1%, 0.52%

LAB 58.06, -10.76, 1.82

 

CMYK 0 / 10 / 6 / 45

HEX #8C7E83

RGB 140 126 131

HSL 338.57, 0.06%, 0.52%

LAB 54.17, 6.26, -0.77

 

CMYK 71 / 0 / 63 / 20

HEX #3CCD4B

RGB 60 205 75

HSL 126.21, 0.59%, 0.52%

LAB 72.98, -63.32, 52.34

 

CMYK 71 / 0 / 45 / 20

HEX #3CCD71

RGB 60 205 113

HSL 141.93, 0.59%, 0.52%

LAB 73.43, -58.09, 34.97

 

CMYK 71 / 0 / 26 / 20

HEX #3CCD98

RGB 60 205 152

HSL 158.07, 0.59%, 0.52%

LAB 74.12, -50.44, 15.55

 

CMYK 71 / 0 / 7 / 20

HEX #3CCDBE

RGB 60 205 190

HSL 173.79, 0.59%, 0.52%

LAB 75.04, -41.03, -3.57

 

CMYK 71 / 12 / 0 / 20

HEX #3CB5CD

RGB 60 181 205

HSL 189.93, 0.59%, 0.52%

LAB 68.33, -25.3, -21.81

 

CMYK 74 / 0 / 26 / 43

HEX #25916B

RGB 37 145 107

HSL 158.89, 0.59%, 0.36%

LAB 53.71, -39.34, 11.69

 

CMYK 74 / 0 / 26 / 30

HEX #2EB283

RGB 46 178 131

HSL 158.64, 0.59%, 0.44%

LAB 65.01, -46.22, 14.13

 

CMYK 71 / 0 / 25 / 20

HEX #3CCD9A

RGB 60 205 154

HSL 158.9, 0.59%, 0.52%

LAB 74.16, -49.99, 14.54

 

CMYK 56 / 0 / 20 / 16

HEX #5DD5AB

RGB 93 213 171

HSL 159, 0.59%, 0.6%

LAB 77.79, -43.65, 10.72

 

CMYK 43 / 0 / 15 / 13

HEX #7EDEBC

RGB 126 222 188

HSL 158.75, 0.59%, 0.68%

LAB 82.01, -36.23, 7.87

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

CMYK 71 / 59 / 0 / 20

HEX #3C54CD

RGB 60 84 205

HSL 230.07, 0.59%, 0.52%

LAB 40.75, 31.77, -65.37

 

CMYK 0 / 54 / 71 / 20

HEX #CD5E3C

RGB 205 94 60

HSL 14.07, 0.59%, 0.52%

LAB 53.29, 41.76, 40.08

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

CMYK 26 / 71 / 0 / 20

HEX #983CCD

RGB 152 60 205

HSL 278.07, 0.59%, 0.52%

LAB 44.68, 61.28, -58.59

 

CMYK 0 / 26 / 71 / 20

HEX #CD983C

RGB 205 152 60

HSL 38.07, 0.59%, 0.52%

LAB 66.34, 10.9, 54.15

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

CMYK 71 / 59 / 0 / 20

HEX #3C54CD

RGB 60 84 205

HSL 230.07, 0.59%, 0.52%

LAB 40.75, 31.77, -65.37

 

CMYK 0 / 71 / 45 / 20

HEX #CD3C71

RGB 205 60 113

HSL 338.07, 0.59%, 0.52%

LAB 48.76, 60.42, 3.1

 

CMYK 0 / 12 / 71 / 20

HEX #CDB53C

RGB 205 181 60

HSL 50.07, 0.59%, 0.52%

LAB 73.77, -4.57, 61.69

 

CMYK 71 / 0 / 25 / 20

HEX #3CCC99

RGB 60 204 153

HSL 158.75, 0.59%, 0.52%

LAB 73.83, -49.81, 14.62

 

CMYK 61 / 71 / 0 / 20

HEX #503CCD

RGB 80 60 205

HSL 248.28, 0.59%, 0.52%

LAB 36.64, 48.85, -72.04

 

CMYK 0 / 71 / 45 / 20

HEX #CD3C71

RGB 205 60 113

HSL 338.07, 0.59%, 0.52%

LAB 48.76, 60.42, 3.1

 

CMYK 9 / 0 / 71 / 20

HEX #BACD3C

RGB 186 205 60

HSL 67.86, 0.59%, 0.52%

LAB 78.71, -24.71, 66.04

 

Description

Color code: HEX #3CCC99 | qconv.com Color code: HEX #3CCC99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 204 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 204 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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