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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC98C it is the complementary color #C33673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC98C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC98C shade: #41C987, #52DB9A, #63EDAD, #74FFC0 and #85FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC98C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC98C shade: #3CC98C, #2BB779, #1AA566, #099353 and #008140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC98C shade: #3BC98C, #3BC965, #3BC93F, #5DC93B and #84C93B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC98C shade: #3BC98C, #3BC9B2, #3BBAC9, #3B94C9 and #3B6DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC98C shade matches the following richer shades: #3BC98C, #27DD8E and #12F291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC98C shade: #3BC98C, #4FB589, #63A186, #778D83 and #8C7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC98C shade: #3BC940, #3BC966, #3BC98C, #3BC9B2 and #3BBBC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC98C shade: #268B60, #2FAC76, #3BC98C, #5BD29F and #7CDBB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC98C shade: #3CC98C, #3B5CC9 and #C9533B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC98C shade: #3CC98C, #8C3BC9 and #C98C3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC98C shade: #3CC98C, #3B5CC9, #C93B79 and #C9A83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC98C shade: #3CC98C, #443BC9, #C93B79 and #C0C93B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

Complementary color

CMYK 0 / 72 / 41 / 24

HEX #C33673

RGB 195 54 115

HSL 334.04, 0.57%, 0.49%

LAB 46.28, 59.9, -1.95

 

CMYK 68 / 0 / 33 / 21

HEX #41C987

RGB 65 201 135

HSL 150.88, 0.56%, 0.52%

LAB 72.66, -51.69, 22.58

 

CMYK 63 / 0 / 30 / 14

HEX #52DB9A

RGB 82 219 154

HSL 151.53, 0.66%, 0.59%

LAB 78.92, -51.98, 21.23

 

CMYK 58 / 0 / 27 / 7

HEX #63EDAD

RGB 99 237 173

HSL 152.17, 0.79%, 0.66%

LAB 85.12, -52.1, 19.98

 

CMYK 55 / 0 / 25 / 0

HEX #74FFC0

RGB 116 255 192

HSL 152.81, 1%, 0.73%

LAB 91.25, -52.11, 18.83

 

CMYK 48 / 0 / 17 / 0

HEX #85FFD3

RGB 133 255 211

HSL 158.36, 1%, 0.76%

LAB 92.22, -44.37, 10.53

 

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

CMYK 77 / 0 / 34 / 28

HEX #2BB779

RGB 43 183 121

HSL 153.43, 0.62%, 0.44%

LAB 66.34, -50.81, 21.37

 

CMYK 84 / 0 / 38 / 35

HEX #1AA566

RGB 26 165 102

HSL 152.81, 0.73%, 0.37%

LAB 59.97, -49.78, 23

 

CMYK 94 / 0 / 44 / 42

HEX #099353

RGB 9 147 83

HSL 152.17, 0.88%, 0.31%

LAB 53.55, -48.19, 24.81

 

CMYK 100 / 0 / 50 / 49

HEX #008140

RGB 0 129 64

HSL 149.77, 1%, 0.25%

LAB 47.07, -45.85, 26.79

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 71 / 0 / 50 / 21

HEX #3BC965

RGB 59 201 101

HSL 137.75, 0.57%, 0.51%

LAB 71.99, -58.74, 39.13

 

CMYK 71 / 0 / 69 / 21

HEX #3BC93F

RGB 59 201 63

HSL 121.69, 0.57%, 0.51%

LAB 71.6, -63.36, 55.75

 

CMYK 54 / 0 / 71 / 21

HEX #5DC93B

RGB 93 201 59

HSL 105.63, 0.57%, 0.51%

LAB 72.51, -56.13, 58.52

 

CMYK 34 / 0 / 71 / 21

HEX #84C93B

RGB 132 201 59

HSL 89.15, 0.57%, 0.51%

LAB 74.19, -43.85, 60.78

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 71 / 0 / 11 / 21

HEX #3BC9B2

RGB 59 201 178

HSL 170.28, 0.57%, 0.51%

LAB 73.49, -42.58, 0.65

 

CMYK 71 / 7 / 0 / 21

HEX #3BBAC9

RGB 59 186 201

HSL 186.34, 0.57%, 0.51%

LAB 69.66, -29.14, -17.6

 

CMYK 71 / 26 / 0 / 21

HEX #3B94C9

RGB 59 148 201

HSL 202.39, 0.57%, 0.51%

LAB 58.35, -9.17, -34.99

 

CMYK 71 / 46 / 0 / 21

HEX #3B6DC9

RGB 59 109 201

HSL 218.87, 0.57%, 0.51%

LAB 47.08, 14.23, -52.82

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 82 / 0 / 36 / 13

HEX #27DD8E

RGB 39 221 142

HSL 153.96, 0.73%, 0.51%

LAB 78.52, -61.12, 26.79

 

CMYK 93 / 0 / 40 / 5

HEX #12F291

RGB 18 242 145

HSL 154.02, 0.9%, 0.51%

LAB 84.83, -69.17, 33.65

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 56 / 0 / 24 / 29

HEX #4FB589

RGB 79 181 137

HSL 154.12, 0.41%, 0.51%

LAB 66.91, -40.2, 13.63

 

CMYK 39 / 0 / 17 / 37

HEX #63A186

RGB 99 161 134

HSL 153.87, 0.25%, 0.51%

LAB 61.54, -26.32, 7.8

 

CMYK 16 / 0 / 7 / 45

HEX #778D83

RGB 119 141 131

HSL 152.73, 0.09%, 0.51%

LAB 56.69, -9.97, 2.7

 

CMYK 0 / 14 / 8 / 45

HEX #8C7881

RGB 140 120 129

HSL 333, 0.08%, 0.51%

LAB 52.5, 9.36, -2.05

 

CMYK 71 / 0 / 68 / 21

HEX #3BC940

RGB 59 201 64

HSL 122.11, 0.57%, 0.51%

LAB 71.6, -63.27, 55.37

 

CMYK 71 / 0 / 49 / 21

HEX #3BC966

RGB 59 201 102

HSL 138.17, 0.57%, 0.51%

LAB 72, -58.58, 38.66

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 71 / 0 / 11 / 21

HEX #3BC9B2

RGB 59 201 178

HSL 170.28, 0.57%, 0.51%

LAB 73.49, -42.58, 0.65

 

CMYK 71 / 7 / 0 / 21

HEX #3BBBC9

RGB 59 187 201

HSL 185.92, 0.57%, 0.51%

LAB 69.96, -29.63, -17.14

 

CMYK 73 / 0 / 31 / 45

HEX #268B60

RGB 38 139 96

HSL 154.46, 0.57%, 0.35%

LAB 51.52, -39.21, 14.91

 

CMYK 73 / 0 / 31 / 33

HEX #2FAC76

RGB 47 172 118

HSL 154.08, 0.57%, 0.43%

LAB 62.86, -46.56, 18.26

 

CMYK 71 / 0 / 30 / 21

HEX #3BC98C

RGB 59 201 140

HSL 154.23, 0.57%, 0.51%

LAB 72.63, -51.61, 19.87

 

CMYK 57 / 0 / 24 / 18

HEX #5BD29F

RGB 91 210 159

HSL 154.29, 0.57%, 0.59%

LAB 76.57, -45.4, 15.37

 

CMYK 43 / 0 / 19 / 14

HEX #7CDBB2

RGB 124 219 178

HSL 154.11, 0.57%, 0.67%

LAB 80.83, -37.5, 11.47

 

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

CMYK 71 / 54 / 0 / 21

HEX #3B5CC9

RGB 59 92 201

HSL 226.06, 0.57%, 0.51%

LAB 42.46, 25.08, -60.28

 

CMYK 0 / 59 / 71 / 21

HEX #C9533B

RGB 201 83 59

HSL 10.14, 0.57%, 0.51%

LAB 50.59, 45.53, 37.4

 

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

CMYK 30 / 71 / 0 / 21

HEX #8C3BC9

RGB 140 59 201

HSL 274.23, 0.57%, 0.51%

LAB 42.64, 58.45, -59.65

 

CMYK 0 / 30 / 71 / 21

HEX #C98C3B

RGB 201 140 59

HSL 34.23, 0.57%, 0.51%

LAB 62.92, 15.65, 50.89

 

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

CMYK 71 / 54 / 0 / 21

HEX #3B5CC9

RGB 59 92 201

HSL 226.06, 0.57%, 0.51%

LAB 42.46, 25.08, -60.28

 

CMYK 0 / 71 / 40 / 21

HEX #C93B79

RGB 201 59 121

HSL 333.8, 0.57%, 0.51%

LAB 48.17, 60.42, -2.72

 

CMYK 0 / 16 / 71 / 21

HEX #C9A83B

RGB 201 168 59

HSL 46.06, 0.57%, 0.51%

LAB 69.99, 0.51, 58.17

 

CMYK 70 / 0 / 30 / 21

HEX #3CC98C

RGB 60 201 140

HSL 154.04, 0.57%, 0.51%

LAB 72.65, -51.46, 19.9

 

CMYK 66 / 71 / 0 / 21

HEX #443BC9

RGB 68 59 201

HSL 243.8, 0.57%, 0.51%

LAB 35.15, 46.63, -72.19

 

CMYK 0 / 71 / 40 / 21

HEX #C93B79

RGB 201 59 121

HSL 333.8, 0.57%, 0.51%

LAB 48.17, 60.42, -2.72

 

CMYK 4 / 0 / 71 / 21

HEX #C0C93B

RGB 192 201 59

HSL 63.8, 0.57%, 0.51%

LAB 78.05, -20.32, 65.9

 

Description

Color code: HEX #3CC98C | qconv.com Color code: HEX #3CC98C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 201 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 201 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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