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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC795 it is the complementary color #C3386A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC795. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC795 shade: #41C790, #52D9A3, #63EBB6, #74FDC9 and #85FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC795. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC795 shade: #3CC795, #2BB582, #1AA36F, #09915C and #007F49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC795 shade: #3DC795, #3DC770, #3DC74B, #55C73D and #7AC73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC795 shade: #3DC795, #3DC7BA, #3DAEC7, #3D89C7 and #3D64C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC795 shade matches the following richer shades: #3DC795, #29DB9B and #15EFA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC795 shade: #3DC795, #52B390, #669E8A, #7A8A84 and #8E767F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC795 shade: #3DC74B, #3DC770, #3DC794, #3DC7B9 and #3DB0C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC795 shade: #288A66, #31AA7E, #3DC795, #5DD0A7 and #7DD9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC795 shade: #3CC795, #3D54C7 and #C75D3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC795 shade: #3CC795, #943DC7 and #C7943D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC795 shade: #3CC795, #3D54C7, #C73D70 and #C7B03D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC795 shade: #3CC795, #503DC7, #C73D70 and #B4C73D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

Complementary color

CMYK 0 / 71 / 46 / 24

HEX #C3386A

RGB 195 56 106

HSL 338.42, 0.55%, 0.49%

LAB 46.27, 58.31, 3.56

 

CMYK 67 / 0 / 28 / 22

HEX #41C790

RGB 65 199 144

HSL 155.37, 0.54%, 0.52%

LAB 72.22, -49, 17.19

 

CMYK 62 / 0 / 25 / 15

HEX #52D9A3

RGB 82 217 163

HSL 156, 0.64%, 0.59%

LAB 78.5, -49.27, 15.92

 

CMYK 58 / 0 / 23 / 8

HEX #63EBB6

RGB 99 235 182

HSL 156.62, 0.77%, 0.65%

LAB 84.71, -49.39, 14.74

 

CMYK 54 / 0 / 21 / 1

HEX #74FDC9

RGB 116 253 201

HSL 157.23, 0.97%, 0.72%

LAB 90.86, -49.41, 13.66

 

CMYK 48 / 0 / 14 / 0

HEX #85FFDC

RGB 133 255 220

HSL 162.79, 1%, 0.76%

LAB 92.43, -42.42, 6.18

 

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

CMYK 76 / 0 / 28 / 29

HEX #2BB582

RGB 43 181 130

HSL 157.83, 0.62%, 0.44%

LAB 65.88, -48.06, 15.88

 

CMYK 84 / 0 / 32 / 36

HEX #1AA36F

RGB 26 163 111

HSL 157.23, 0.72%, 0.37%

LAB 59.49, -47.07, 17.43

 

CMYK 94 / 0 / 37 / 43

HEX #09915C

RGB 9 145 92

HSL 156.62, 0.88%, 0.3%

LAB 53.04, -45.57, 19.17

 

CMYK 100 / 0 / 43 / 50

HEX #007F49

RGB 0 127 73

HSL 154.49, 1%, 0.25%

LAB 46.52, -43.38, 21.13

 

CMYK 69 / 0 / 25 / 22

HEX #3DC795

RGB 61 199 149

HSL 158.26, 0.55%, 0.51%

LAB 72.23, -48.53, 14.52

 

CMYK 69 / 0 / 44 / 22

HEX #3DC770

RGB 61 199 112

HSL 142.17, 0.55%, 0.51%

LAB 71.56, -55.9, 33.08

 

CMYK 69 / 0 / 62 / 22

HEX #3DC74B

RGB 61 199 75

HSL 126.09, 0.55%, 0.51%

LAB 71.11, -61.13, 50.25

 

CMYK 57 / 0 / 69 / 22

HEX #55C73D

RGB 85 199 61

HSL 109.57, 0.55%, 0.51%

LAB 71.63, -57.32, 56.78

 

CMYK 39 / 0 / 69 / 22

HEX #7AC73D

RGB 122 199 61

HSL 93.48, 0.55%, 0.51%

LAB 73.1, -46.33, 58.76

 

CMYK 69 / 0 / 25 / 22

HEX #3DC795

RGB 61 199 149

HSL 158.26, 0.55%, 0.51%

LAB 72.23, -48.53, 14.52

 

CMYK 69 / 0 / 7 / 22

HEX #3DC7BA

RGB 61 199 186

HSL 174.35, 0.55%, 0.51%

LAB 73.14, -39.29, -4.19

 

CMYK 69 / 13 / 0 / 22

HEX #3DAEC7

RGB 61 174 199

HSL 190.87, 0.55%, 0.51%

LAB 66.05, -23.49, -21.97

 

CMYK 69 / 31 / 0 / 22

HEX #3D89C7

RGB 61 137 199

HSL 206.96, 0.55%, 0.51%

LAB 55.08, -3.25, -38.97

 

CMYK 69 / 50 / 0 / 22

HEX #3D64C7

RGB 61 100 199

HSL 223.04, 0.55%, 0.51%

LAB 44.56, 19.51, -55.72

 

CMYK 69 / 0 / 25 / 22

HEX #3DC795

RGB 61 199 149

HSL 158.26, 0.55%, 0.51%

LAB 72.23, -48.53, 14.52

 

CMYK 81 / 0 / 29 / 14

HEX #29DB9B

RGB 41 219 155

HSL 158.43, 0.71%, 0.51%

LAB 78.17, -57.48, 19.55

 

CMYK 91 / 0 / 33 / 6

HEX #15EFA1

RGB 21 239 161

HSL 158.53, 0.87%, 0.51%

LAB 84.21, -64.86, 24.71

 

CMYK 69 / 0 / 25 / 22

HEX #3DC795

RGB 61 199 149

HSL 158.26, 0.55%, 0.51%

LAB 72.23, -48.53, 14.52

 

CMYK 54 / 0 / 20 / 30

HEX #52B390

RGB 82 179 144

HSL 158.35, 0.39%, 0.51%

LAB 66.56, -37.06, 9.3

 

CMYK 35 / 0 / 13 / 38

HEX #669E8A

RGB 102 158 138

HSL 158.57, 0.22%, 0.51%

LAB 60.88, -23.03, 4.64

 

CMYK 12 / 0 / 4 / 46

HEX #7A8A84

RGB 122 138 132

HSL 157.5, 0.06%, 0.51%

LAB 56.07, -7.03, 1.24

 

CMYK 0 / 17 / 11 / 44

HEX #8E767F

RGB 142 118 127

HSL 337.5, 0.1%, 0.51%

LAB 52.11, 10.92, -1.43

 

CMYK 69 / 0 / 62 / 22

HEX #3DC74B

RGB 61 199 75

HSL 126.09, 0.55%, 0.51%

LAB 71.11, -61.13, 50.25

 

CMYK 69 / 0 / 44 / 22

HEX #3DC770

RGB 61 199 112

HSL 142.17, 0.55%, 0.51%

LAB 71.56, -55.9, 33.08

 

CMYK 69 / 0 / 26 / 22

HEX #3DC794

RGB 61 199 148

HSL 157.83, 0.55%, 0.51%

LAB 72.21, -48.76, 15.03

 

CMYK 69 / 0 / 7 / 22

HEX #3DC7B9

RGB 61 199 185

HSL 173.91, 0.55%, 0.51%

LAB 73.12, -39.56, -3.69

 

CMYK 69 / 12 / 0 / 22

HEX #3DB0C7

RGB 61 176 199

HSL 190, 0.55%, 0.51%

LAB 66.65, -24.5, -21.06

 

CMYK 71 / 0 / 26 / 46

HEX #288A66

RGB 40 138 102

HSL 157.96, 0.55%, 0.35%

LAB 51.37, -37.05, 11.28

 

CMYK 71 / 0 / 26 / 33

HEX #31AA7E

RGB 49 170 126

HSL 158.18, 0.55%, 0.43%

LAB 62.43, -43.64, 13.28

 

CMYK 69 / 0 / 25 / 22

HEX #3DC795

RGB 61 199 149

HSL 158.26, 0.55%, 0.51%

LAB 72.23, -48.53, 14.52

 

CMYK 55 / 0 / 20 / 18

HEX #5DD0A7

RGB 93 208 167

HSL 158.61, 0.55%, 0.59%

LAB 76.21, -42.36, 10.61

 

CMYK 42 / 0 / 15 / 15

HEX #7DD9B8

RGB 125 217 184

HSL 158.48, 0.55%, 0.67%

LAB 80.43, -35.04, 7.73

 

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

CMYK 69 / 58 / 0 / 22

HEX #3D54C7

RGB 61 84 199

HSL 230, 0.55%, 0.51%

LAB 40.34, 29.76, -62.56

 

CMYK 0 / 53 / 69 / 22

HEX #C75D3D

RGB 199 93 61

HSL 13.91, 0.55%, 0.51%

LAB 52.18, 40.02, 38.04

 

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

CMYK 26 / 69 / 0 / 22

HEX #943DC7

RGB 148 61 199

HSL 277.83, 0.55%, 0.51%

LAB 43.88, 58.75, -56.43

 

CMYK 0 / 26 / 69 / 22

HEX #C7943D

RGB 199 148 61

HSL 37.83, 0.55%, 0.51%

LAB 64.69, 10.53, 51.78

 

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

CMYK 69 / 58 / 0 / 22

HEX #3D54C7

RGB 61 84 199

HSL 230, 0.55%, 0.51%

LAB 40.34, 29.76, -62.56

 

CMYK 0 / 69 / 44 / 22

HEX #C73D70

RGB 199 61 112

HSL 337.83, 0.55%, 0.51%

LAB 47.82, 58.21, 2.21

 

CMYK 0 / 12 / 69 / 22

HEX #C7B03D

RGB 199 176 61

HSL 50, 0.55%, 0.51%

LAB 71.91, -4.49, 59.24

 

CMYK 70 / 0 / 25 / 22

HEX #3CC795

RGB 60 199 149

HSL 158.42, 0.55%, 0.51%

LAB 72.21, -48.68, 14.49

 

CMYK 60 / 69 / 0 / 22

HEX #503DC7

RGB 80 61 199

HSL 248.26, 0.55%, 0.51%

LAB 36.3, 46.46, -69.1

 

CMYK 0 / 69 / 44 / 22

HEX #C73D70

RGB 199 61 112

HSL 337.83, 0.55%, 0.51%

LAB 47.82, 58.21, 2.21

 

CMYK 10 / 0 / 69 / 22

HEX #B4C73D

RGB 180 199 61

HSL 68.26, 0.55%, 0.51%

LAB 76.61, -24.21, 63.45

 

Description

Color code: HEX #3CC795 | qconv.com Color code: HEX #3CC795 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 199 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 199 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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