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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC630 it is the complementary color #C339CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC630 shade: #41C62B, #52D83E, #63EA51, #74FC64 and #85FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC630 shade: #3CC630, #2BB41D, #1AA20A, #099000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC630 shade: #3CC530, #64C530, #8CC530, #B4C530 and #C5AD30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC630 shade: #3CC530, #30C54C, #30C574, #30C59D and #30C5C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC630 shade matches the following richer shades: #3CC530, #2BD91C and #1AED08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC630 shade: #3CC530, #4CB144, #5D9D57, #6E8A6B and #7E767F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC630 shade: #8CC530, #64C530, #3CC530, #30C54B and #30C573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC630 shade: #288320, #32A428, #3CC530, #56D34B and #75DB6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC630 shade: #3CC630, #30B4C5 and #C53078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC630 shade: #3CC630, #303CC5 and #C5303C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC630 shade: #3CC630, #30B4C5, #B930C5 and #C54130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC630 shade: #3CC630, #3087C5, #B930C5 and #C56E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

Complementary color

CMYK 6 / 72 / 0 / 19

HEX #C339CF

RGB 195 57 207

HSL 295.2, 0.61%, 0.52%

LAB 50.73, 71.56, -49.69

 

CMYK 67 / 0 / 78 / 22

HEX #41C62B

RGB 65 198 43

HSL 111.48, 0.64%, 0.47%

LAB 70.65, -62.79, 61.87

 

CMYK 62 / 0 / 71 / 15

HEX #52D83E

RGB 82 216 62

HSL 112.21, 0.66%, 0.55%

LAB 76.83, -63.9, 61.76

 

CMYK 58 / 0 / 65 / 8

HEX #63EA51

RGB 99 234 81

HSL 112.94, 0.78%, 0.62%

LAB 82.96, -64.62, 61.13

 

CMYK 54 / 0 / 60 / 1

HEX #74FC64

RGB 116 252 100

HSL 113.68, 0.96%, 0.69%

LAB 89.04, -65.06, 60.2

 

CMYK 48 / 0 / 53 / 0

HEX #85FF77

RGB 133 255 119

HSL 113.82, 1%, 0.73%

LAB 90.71, -59.67, 53.97

 

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

CMYK 76 / 0 / 84 / 29

HEX #2BB41D

RGB 43 180 29

HSL 114.44, 0.72%, 0.41%

LAB 64.36, -61.71, 59.77

 

CMYK 84 / 0 / 94 / 36

HEX #1AA20A

RGB 26 162 10

HSL 113.68, 0.88%, 0.34%

LAB 58.11, -59.22, 58.05

 

CMYK 94 / 0 / 100 / 44

HEX #099000

RGB 9 144 0

HSL 116.25, 1%, 0.28%

LAB 51.84, -55.71, 54.43

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 49 / 0 / 76 / 23

HEX #64C530

RGB 100 197 48

HSL 99.06, 0.61%, 0.48%

LAB 71.46, -53.41, 61.43

 

CMYK 29 / 0 / 76 / 23

HEX #8CC530

RGB 140 197 48

HSL 82.95, 0.61%, 0.48%

LAB 73.36, -39.86, 63.93

 

CMYK 9 / 0 / 76 / 23

HEX #B4C530

RGB 180 197 48

HSL 66.85, 0.61%, 0.48%

LAB 75.98, -23.89, 67.32

 

CMYK 0 / 12 / 76 / 23

HEX #C5AD30

RGB 197 173 48

HSL 50.34, 0.61%, 0.48%

LAB 70.85, -4.4, 63.05

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 76 / 0 / 61 / 23

HEX #30C54C

RGB 48 197 76

HSL 131.28, 0.61%, 0.48%

LAB 70.23, -62.44, 48.75

 

CMYK 76 / 0 / 41 / 23

HEX #30C574

RGB 48 197 116

HSL 147.38, 0.61%, 0.48%

LAB 70.75, -56.41, 29.92

 

CMYK 76 / 0 / 20 / 23

HEX #30C59D

RGB 48 197 157

HSL 163.89, 0.61%, 0.48%

LAB 71.55, -47.6, 9.21

 

CMYK 76 / 0 / 0 / 23

HEX #30C5C5

RGB 48 197 197

HSL 180, 0.61%, 0.48%

LAB 72.62, -36.85, -10.97

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 80 / 0 / 87 / 15

HEX #2BD91C

RGB 43 217 28

HSL 115.24, 0.77%, 0.48%

LAB 76.21, -72.79, 70.52

 

CMYK 89 / 0 / 97 / 7

HEX #1AED08

RGB 26 237 8

HSL 115.28, 0.93%, 0.48%

LAB 82.27, -80.33, 78.18

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 57 / 0 / 62 / 31

HEX #4CB144

RGB 76 177 68

HSL 115.6, 0.44%, 0.48%

LAB 64.48, -50.77, 45.97

 

CMYK 41 / 0 / 45 / 38

HEX #5D9D57

RGB 93 157 87

HSL 114.86, 0.29%, 0.48%

LAB 59.09, -35.01, 30.26

 

CMYK 20 / 0 / 22 / 46

HEX #6E8A6B

RGB 110 138 107

HSL 114.19, 0.13%, 0.48%

LAB 54.61, -16.3, 13.4

 

CMYK 1 / 7 / 0 / 50

HEX #7E767F

RGB 126 118 127

HSL 293.33, 0.04%, 0.48%

LAB 50.6, 4.84, -3.83

 

CMYK 29 / 0 / 76 / 23

HEX #8CC530

RGB 140 197 48

HSL 82.95, 0.61%, 0.48%

LAB 73.36, -39.86, 63.93

 

CMYK 49 / 0 / 76 / 23

HEX #64C530

RGB 100 197 48

HSL 99.06, 0.61%, 0.48%

LAB 71.46, -53.41, 61.43

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 76 / 0 / 62 / 23

HEX #30C54B

RGB 48 197 75

HSL 130.87, 0.61%, 0.48%

LAB 70.22, -62.56, 49.18

 

CMYK 76 / 0 / 42 / 23

HEX #30C573

RGB 48 197 115

HSL 146.98, 0.61%, 0.48%

LAB 70.73, -56.59, 30.41

 

CMYK 69 / 0 / 76 / 49

HEX #288320

RGB 40 131 32

HSL 115.15, 0.61%, 0.32%

LAB 47.99, -45.82, 43.19

 

CMYK 70 / 0 / 76 / 36

HEX #32A428

RGB 50 164 40

HSL 115.16, 0.61%, 0.4%

LAB 59.33, -54.64, 51.69

 

CMYK 70 / 0 / 76 / 23

HEX #3CC530

RGB 60 197 48

HSL 115.17, 0.61%, 0.48%

LAB 70.25, -63.09, 59.84

 

CMYK 59 / 0 / 64 / 17

HEX #56D34B

RGB 86 211 75

HSL 115.15, 0.61%, 0.56%

LAB 75.5, -60.11, 55.31

 

CMYK 47 / 0 / 51 / 14

HEX #75DB6C

RGB 117 219 108

HSL 115.14, 0.61%, 0.64%

LAB 79.34, -51.31, 45.2

 

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

CMYK 76 / 9 / 0 / 23

HEX #30B4C5

RGB 48 180 197

HSL 186.85, 0.61%, 0.48%

LAB 67.5, -28.75, -18.68

 

CMYK 0 / 76 / 39 / 23

HEX #C53078

RGB 197 48 120

HSL 331.01, 0.61%, 0.48%

LAB 46.1, 62.93, -5.25

 

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

CMYK 76 / 70 / 0 / 23

HEX #303CC5

RGB 48 60 197

HSL 235.17, 0.61%, 0.48%

LAB 33.76, 42.57, -72.2

 

CMYK 0 / 76 / 70 / 23

HEX #C5303C

RGB 197 48 60

HSL 355.17, 0.61%, 0.48%

LAB 44.67, 58.4, 29.69

 

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

CMYK 76 / 9 / 0 / 23

HEX #30B4C5

RGB 48 180 197

HSL 186.85, 0.61%, 0.48%

LAB 67.5, -28.75, -18.68

 

CMYK 6 / 76 / 0 / 23

HEX #B930C5

RGB 185 48 197

HSL 295.17, 0.61%, 0.48%

LAB 47.57, 70.69, -49.05

 

CMYK 0 / 67 / 76 / 23

HEX #C54130

RGB 197 65 48

HSL 6.85, 0.61%, 0.48%

LAB 46.8, 51.6, 39.03

 

CMYK 70 / 0 / 76 / 22

HEX #3CC630

RGB 60 198 48

HSL 115.2, 0.61%, 0.48%

LAB 70.57, -63.42, 60.15

 

CMYK 76 / 31 / 0 / 23

HEX #3087C5

RGB 48 135 197

HSL 204.97, 0.61%, 0.48%

LAB 54.01, -4.58, -39.54

 

CMYK 6 / 76 / 0 / 23

HEX #B930C5

RGB 185 48 197

HSL 295.17, 0.61%, 0.48%

LAB 47.57, 70.69, -49.05

 

CMYK 0 / 44 / 76 / 23

HEX #C56E30

RGB 197 110 48

HSL 24.97, 0.61%, 0.48%

LAB 55.31, 29.74, 47.94

 

Description

Color code: HEX #3CC630 | qconv.com Color code: HEX #3CC630 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 198 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 198 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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