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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CC0B5 it is the complementary color #C33F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CC0B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CC0B5 shade: #41C0B0, #52D2C3, #63E4D6, #74F6E9 and #85FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CC0B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CC0B5 shade: #3CC0B5, #2BAEA2, #1A9C8F, #098A7C and #007869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CC0B5 shade: #3CBEB3, #3CBE90, #3CBE6D, #3CBE4A and #51BE3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CC0B5 shade: #3CBEB3, #3CA6BE, #3C83BE, #3C60BE and #3C3DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CC0B5 shade matches the following richer shades: #3CBEB3, #28D2C4 and #14E6D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CC0B5 shade: #3CBEB3, #50AAA2, #649591, #798181 and #8D6D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CC0B5 shade: #3CBE6E, #3CBE90, #3CBEB3, #3CA6BE and #3C83BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CC0B5 shade: #287F78, #329F96, #3CBEB3, #59CAC1 and #78D4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CC0B5 shade: #3CC0B5, #4B3CBE and #BE7F3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CC0B5 shade: #3CC0B5, #B33CBE and #BEB33C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CC0B5 shade: #3CC0B5, #4B3CBE, #BE3C47 and #AFBE3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CC0B5 shade: #3CC0B5, #723CBE, #BE3C47 and #88BE3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

Complementary color

CMYK 0 / 68 / 62 / 24

HEX #C33F4A

RGB 195 63 74

HSL 355, 0.52%, 0.51%

LAB 46.51, 53.11, 23.48

 

CMYK 66 / 0 / 8 / 25

HEX #41C0B0

RGB 65 192 176

HSL 172.44, 0.5%, 0.5%

LAB 70.84, -38.23, -2.12

 

CMYK 61 / 0 / 7 / 18

HEX #52D2C3

RGB 82 210 195

HSL 172.97, 0.59%, 0.57%

LAB 77.18, -38.61, -3.06

 

CMYK 57 / 0 / 6 / 11

HEX #63E4D6

RGB 99 228 214

HSL 173.49, 0.7%, 0.64%

LAB 83.44, -38.84, -3.92

 

CMYK 53 / 0 / 5 / 4

HEX #74F6E9

RGB 116 246 233

HSL 174, 0.88%, 0.71%

LAB 89.63, -38.98, -4.72

 

CMYK 48 / 0 / 1 / 0

HEX #85FFFC

RGB 133 255 252

HSL 178.52, 1%, 0.76%

LAB 93.25, -34.94, -9.17

 

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

CMYK 75 / 0 / 7 / 32

HEX #2BAEA2

RGB 43 174 162

HSL 174.5, 0.6%, 0.43%

LAB 64.48, -36.88, -3.8

 

CMYK 83 / 0 / 8 / 39

HEX #1A9C8F

RGB 26 156 143

HSL 174, 0.71%, 0.36%

LAB 58.02, -35.83, -2.66

 

CMYK 93 / 0 / 10 / 46

HEX #098A7C

RGB 9 138 124

HSL 173.49, 0.88%, 0.29%

LAB 51.49, -34.34, -1.35

 

CMYK 100 / 0 / 13 / 53

HEX #007869

RGB 0 120 105

HSL 172.5, 1%, 0.24%

LAB 44.88, -32.27, 0.16

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 68 / 0 / 24 / 25

HEX #3CBE90

RGB 60 190 144

HSL 158.77, 0.52%, 0.49%

LAB 69.33, -46.11, 13.14

 

CMYK 68 / 0 / 43 / 25

HEX #3CBE6D

RGB 60 190 109

HSL 142.62, 0.52%, 0.49%

LAB 68.67, -53.22, 30.87

 

CMYK 68 / 0 / 61 / 25

HEX #3CBE4A

RGB 60 190 74

HSL 126.46, 0.52%, 0.49%

LAB 68.23, -58.34, 47.42

 

CMYK 57 / 0 / 68 / 25

HEX #51BE3C

RGB 81 190 60

HSL 110.31, 0.52%, 0.49%

LAB 68.68, -55.14, 54.02

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 68 / 13 / 0 / 25

HEX #3CA6BE

RGB 60 166 190

HSL 191.08, 0.52%, 0.49%

LAB 63.3, -22.34, -21.17

 

CMYK 68 / 31 / 0 / 25

HEX #3C83BE

RGB 60 131 190

HSL 207.23, 0.52%, 0.49%

LAB 52.85, -3.02, -37.36

 

CMYK 68 / 49 / 0 / 25

HEX #3C60BE

RGB 60 96 190

HSL 223.38, 0.52%, 0.49%

LAB 42.83, 18.66, -53.31

 

CMYK 68 / 68 / 0 / 25

HEX #3C3DBE

RGB 60 61 190

HSL 239.54, 0.52%, 0.49%

LAB 34.02, 40.88, -67.64

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 81 / 0 / 7 / 18

HEX #28D2C4

RGB 40 210 196

HSL 175.06, 0.68%, 0.49%

LAB 76.39, -43.71, -4.84

 

CMYK 91 / 0 / 7 / 10

HEX #14E6D5

RGB 20 230 213

HSL 175.14, 0.84%, 0.49%

LAB 82.67, -48.76, -4.67

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 53 / 0 / 5 / 33

HEX #50AAA2

RGB 80 170 162

HSL 174.67, 0.36%, 0.49%

LAB 64.21, -28.82, -4.09

 

CMYK 33 / 0 / 3 / 42

HEX #649591

RGB 100 149 145

HSL 175.1, 0.2%, 0.49%

LAB 58.27, -17.32, -3.15

 

CMYK 6 / 0 / 0 / 49

HEX #798181

RGB 121 129 129

HSL 180, 0.03%, 0.49%

LAB 53.33, -2.95, -1.03

 

CMYK 0 / 23 / 21 / 45

HEX #8D6D70

RGB 141 109 112

HSL 354.38, 0.13%, 0.49%

LAB 49.22, 13.18, 3.21

 

CMYK 68 / 0 / 42 / 25

HEX #3CBE6E

RGB 60 190 110

HSL 143.08, 0.52%, 0.49%

LAB 68.69, -53.05, 30.38

 

CMYK 68 / 0 / 24 / 25

HEX #3CBE90

RGB 60 190 144

HSL 158.77, 0.52%, 0.49%

LAB 69.33, -46.11, 13.14

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 68 / 13 / 0 / 25

HEX #3CA6BE

RGB 60 166 190

HSL 191.08, 0.52%, 0.49%

LAB 63.3, -22.34, -21.17

 

CMYK 68 / 31 / 0 / 25

HEX #3C83BE

RGB 60 131 190

HSL 207.23, 0.52%, 0.49%

LAB 52.85, -3.02, -37.36

 

CMYK 69 / 0 / 6 / 50

HEX #287F78

RGB 40 127 120

HSL 175.17, 0.52%, 0.33%

LAB 48.24, -27.09, -3.72

 

CMYK 69 / 0 / 6 / 38

HEX #329F96

RGB 50 159 150

HSL 175.05, 0.52%, 0.41%

LAB 59.6, -32.37, -4.25

 

CMYK 68 / 0 / 6 / 25

HEX #3CBEB3

RGB 60 190 179

HSL 174.92, 0.52%, 0.49%

LAB 70.21, -37.25, -4.71

 

CMYK 56 / 0 / 4 / 21

HEX #59CAC1

RGB 89 202 193

HSL 175.22, 0.52%, 0.57%

LAB 74.96, -34.15, -5.22

 

CMYK 43 / 0 / 3 / 17

HEX #78D4CD

RGB 120 212 205

HSL 175.43, 0.52%, 0.65%

LAB 79.32, -29.1, -5.12

 

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

CMYK 61 / 68 / 0 / 25

HEX #4B3CBE

RGB 75 60 190

HSL 246.92, 0.52%, 0.49%

LAB 34.89, 43.5, -66.16

 

CMYK 0 / 33 / 68 / 25

HEX #BE7F3C

RGB 190 127 60

HSL 30.92, 0.52%, 0.49%

LAB 58.46, 18.1, 45.26

 

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

CMYK 6 / 68 / 0 / 25

HEX #B33CBE

RGB 179 60 190

HSL 294.92, 0.52%, 0.49%

LAB 47.67, 64.11, -44.89

 

CMYK 0 / 6 / 68 / 25

HEX #BEB33C

RGB 190 179 60

HSL 54.92, 0.52%, 0.49%

LAB 71.9, -9.99, 59.37

 

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

CMYK 61 / 68 / 0 / 25

HEX #4B3CBE

RGB 75 60 190

HSL 246.92, 0.52%, 0.49%

LAB 34.89, 43.5, -66.16

 

CMYK 0 / 68 / 63 / 25

HEX #BE3C47

RGB 190 60 71

HSL 354.92, 0.52%, 0.49%

LAB 45.13, 52.49, 23.33

 

CMYK 8 / 0 / 68 / 25

HEX #AFBE3C

RGB 175 190 60

HSL 66.92, 0.52%, 0.49%

LAB 73.72, -21.94, 60.81

 

CMYK 69 / 0 / 6 / 25

HEX #3CC0B5

RGB 60 192 181

HSL 175, 0.52%, 0.49%

LAB 70.87, -37.62, -4.83

 

CMYK 40 / 68 / 0 / 25

HEX #723CBE

RGB 114 60 190

HSL 264.92, 0.52%, 0.49%

LAB 38.77, 50.24, -59.67

 

CMYK 0 / 68 / 63 / 25

HEX #BE3C47

RGB 190 60 71

HSL 354.92, 0.52%, 0.49%

LAB 45.13, 52.49, 23.33

 

CMYK 28 / 0 / 68 / 25

HEX #88BE3C

RGB 136 190 60

HSL 84.92, 0.52%, 0.49%

LAB 71.14, -37.51, 57.35

 

Description

Color code: HEX #3CC0B5 | qconv.com Color code: HEX #3CC0B5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 192 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 192 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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