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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CBECF it is the complementary color #C34130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CBECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CBECF shade: #41BECA, #52D0DD, #63E2F0, #74F4FF and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CBECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CBECF shade: #3CBECF, #2BACBC, #1A9AA9, #098896 and #007683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CBECF shade: #3BBDCE, #3B95CE, #3B6ECE, #3B46CE and #583BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CBECF shade: #3BBDCE, #3B95CE, #3B6ECE, #3B46CE and #3B3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CBECF shade matches the following richer shades: #3BBDCE, #27CCE2 and #14DBF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CBECF shade: #3BBDCE, #4FAEBA, #639FA6, #778F93 and #8A807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CBECF shade: #3BCE8E, #3BCEB6, #3BBFCE, #3B98CE and #3B71CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CBECF shade: #258592, #2DA4B3, #3BBDCE, #5CC8D6 and #7DD3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CBECF shade: #3CBECF, #673BCE and #CEA23B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CBECF shade: #3CBECF, #CE3BBF and #BFCE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CBECF shade: #3CBECF, #673BCE, #CE4A3B and #A2CE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CBECF shade: #3CBECF, #933BCE, #CE4A3B and #76CE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

Complementary color

CMYK 0 / 67 / 75 / 24

HEX #C34130

RGB 195 65 48

HSL 6.94, 0.6%, 0.48%

LAB 46.44, 50.92, 38.54

 

CMYK 68 / 6 / 0 / 21

HEX #41BECA

RGB 65 190 202

HSL 185.26, 0.56%, 0.52%

LAB 71.02, -29.97, -16.07

 

CMYK 63 / 6 / 0 / 13

HEX #52D0DD

RGB 82 208 221

HSL 185.61, 0.67%, 0.59%

LAB 77.36, -30.58, -16.77

 

CMYK 59 / 6 / 0 / 6

HEX #63E2F0

RGB 99 226 240

HSL 185.96, 0.82%, 0.66%

LAB 83.62, -31.03, -17.41

 

CMYK 55 / 4 / 0 / 0

HEX #74F4FF

RGB 116 244 255

HSL 184.75, 1%, 0.73%

LAB 89.69, -32.43, -16.1

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

CMYK 77 / 9 / 0 / 26

HEX #2BACBC

RGB 43 172 188

HSL 186.62, 0.63%, 0.45%

LAB 64.68, -28.16, -17.98

 

CMYK 85 / 9 / 0 / 34

HEX #1A9AA9

RGB 26 154 169

HSL 186.29, 0.73%, 0.38%

LAB 58.22, -26.84, -17.14

 

CMYK 94 / 9 / 0 / 41

HEX #098896

RGB 9 136 150

HSL 185.96, 0.89%, 0.31%

LAB 51.69, -25.07, -16.17

 

CMYK 100 / 10 / 0 / 49

HEX #007683

RGB 0 118 131

HSL 185.95, 1%, 0.26%

LAB 45.08, -22.77, -15.06

 

CMYK 71 / 8 / 0 / 19

HEX #3BBDCE

RGB 59 189 206

HSL 186.94, 0.6%, 0.52%

LAB 70.72, -29.09, -18.73

 

CMYK 71 / 28 / 0 / 19

HEX #3B95CE

RGB 59 149 206

HSL 203.27, 0.6%, 0.52%

LAB 58.86, -8.02, -36.99

 

CMYK 71 / 47 / 0 / 19

HEX #3B6ECE

RGB 59 110 206

HSL 219.18, 0.6%, 0.52%

LAB 47.67, 15.42, -54.74

 

CMYK 71 / 66 / 0 / 19

HEX #3B46CE

RGB 59 70 206

HSL 235.51, 0.6%, 0.52%

LAB 37.42, 40.75, -71.39

 

CMYK 57 / 71 / 0 / 19

HEX #583BCE

RGB 88 59 206

HSL 251.84, 0.6%, 0.52%

LAB 37.22, 50.8, -71.63

 

CMYK 71 / 8 / 0 / 19

HEX #3BBDCE

RGB 59 189 206

HSL 186.94, 0.6%, 0.52%

LAB 70.72, -29.09, -18.73

 

CMYK 71 / 28 / 0 / 19

HEX #3B95CE

RGB 59 149 206

HSL 203.27, 0.6%, 0.52%

LAB 58.86, -8.02, -36.99

 

CMYK 71 / 47 / 0 / 19

HEX #3B6ECE

RGB 59 110 206

HSL 219.18, 0.6%, 0.52%

LAB 47.67, 15.42, -54.74

 

CMYK 71 / 66 / 0 / 19

HEX #3B46CE

RGB 59 70 206

HSL 235.51, 0.6%, 0.52%

LAB 37.42, 40.75, -71.39

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 71 / 8 / 0 / 19

HEX #3BBDCE

RGB 59 189 206

HSL 186.94, 0.6%, 0.52%

LAB 70.72, -29.09, -18.73

 

CMYK 83 / 10 / 0 / 11

HEX #27CCE2

RGB 39 204 226

HSL 187.06, 0.76%, 0.52%

LAB 75.52, -32.19, -22.32

 

CMYK 92 / 11 / 0 / 4

HEX #14DBF6

RGB 20 219 246

HSL 187.17, 0.93%, 0.52%

LAB 80.44, -34.09, -25.54

 

CMYK 71 / 8 / 0 / 19

HEX #3BBDCE

RGB 59 189 206

HSL 186.94, 0.6%, 0.52%

LAB 70.72, -29.09, -18.73

 

CMYK 58 / 6 / 0 / 27

HEX #4FAEBA

RGB 79 174 186

HSL 186.73, 0.44%, 0.52%

LAB 66.12, -24.38, -14.61

 

CMYK 40 / 4 / 0 / 35

HEX #639FA6

RGB 99 159 166

HSL 186.27, 0.27%, 0.52%

LAB 61.83, -17.58, -9.79

 

CMYK 19 / 3 / 0 / 42

HEX #778F93

RGB 119 143 147

HSL 188.57, 0.11%, 0.52%

LAB 57.73, -7.58, -4.97

 

CMYK 0 / 7 / 8 / 46

HEX #8A807F

RGB 138 128 127

HSL 5.45, 0.04%, 0.52%

LAB 54.42, 3.6, 1.9

 

CMYK 71 / 0 / 31 / 19

HEX #3BCE8E

RGB 59 206 142

HSL 153.88, 0.6%, 0.52%

LAB 74.21, -53.15, 20.98

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB6

RGB 59 206 182

HSL 170.2, 0.6%, 0.52%

LAB 75.11, -43.72, 0.85

 

CMYK 71 / 7 / 0 / 19

HEX #3BBFCE

RGB 59 191 206

HSL 186.12, 0.6%, 0.52%

LAB 71.32, -30.07, -17.82

 

CMYK 71 / 26 / 0 / 19

HEX #3B98CE

RGB 59 152 206

HSL 202.04, 0.6%, 0.52%

LAB 59.75, -9.71, -35.61

 

CMYK 71 / 45 / 0 / 19

HEX #3B71CE

RGB 59 113 206

HSL 217.96, 0.6%, 0.52%

LAB 48.51, 13.53, -53.4

 

CMYK 75 / 9 / 0 / 43

HEX #258592

RGB 37 133 146

HSL 187.16, 0.6%, 0.36%

LAB 50.97, -22.5, -14.9

 

CMYK 75 / 8 / 0 / 30

HEX #2DA4B3

RGB 45 164 179

HSL 186.72, 0.6%, 0.44%

LAB 61.97, -26.79, -17.07

 

CMYK 71 / 8 / 0 / 19

HEX #3BBDCE

RGB 59 189 206

HSL 186.94, 0.6%, 0.52%

LAB 70.72, -29.09, -18.73

 

CMYK 57 / 7 / 0 / 16

HEX #5CC8D6

RGB 92 200 214

HSL 186.89, 0.6%, 0.6%

LAB 75.1, -26.92, -16.37

 

CMYK 44 / 5 / 0 / 13

HEX #7DD3DF

RGB 125 211 223

HSL 187.35, 0.6%, 0.68%

LAB 79.77, -22.9, -14.06

 

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

CMYK 50 / 71 / 0 / 19

HEX #673BCE

RGB 103 59 206

HSL 257.96, 0.6%, 0.52%

LAB 38.67, 53.07, -69.21

 

CMYK 0 / 21 / 71 / 19

HEX #CEA23B

RGB 206 162 59

HSL 42.04, 0.6%, 0.52%

LAB 68.95, 5.89, 57.28

 

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

CMYK 0 / 71 / 7 / 19

HEX #CE3BBF

RGB 206 59 191

HSL 306.12, 0.6%, 0.52%

LAB 51.85, 70.71, -38.58

 

CMYK 7 / 0 / 71 / 19

HEX #BFCE3B

RGB 191 206 59

HSL 66.12, 0.6%, 0.52%

LAB 79.35, -23.18, 67.14

 

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

CMYK 50 / 71 / 0 / 19

HEX #673BCE

RGB 103 59 206

HSL 257.96, 0.6%, 0.52%

LAB 38.67, 53.07, -69.21

 

CMYK 0 / 64 / 71 / 19

HEX #CE4A3B

RGB 206 74 59

HSL 6.12, 0.6%, 0.52%

LAB 49.9, 51.36, 36.82

 

CMYK 21 / 0 / 71 / 19

HEX #A2CE3B

RGB 162 206 59

HSL 77.96, 0.6%, 0.52%

LAB 77.36, -34.86, 64.52

 

CMYK 71 / 8 / 0 / 19

HEX #3CBECF

RGB 60 190 207

HSL 186.94, 0.6%, 0.52%

LAB 71.07, -29.15, -18.74

 

CMYK 29 / 71 / 0 / 19

HEX #933BCE

RGB 147 59 206

HSL 275.92, 0.6%, 0.52%

LAB 43.93, 60.93, -60.42

 

CMYK 0 / 64 / 71 / 19

HEX #CE4A3B

RGB 206 74 59

HSL 6.12, 0.6%, 0.52%

LAB 49.9, 51.36, 36.82

 

CMYK 43 / 0 / 71 / 19

HEX #76CE3B

RGB 118 206 59

HSL 95.92, 0.6%, 0.52%

LAB 75.02, -50.64, 61.41

 

Description

Color code: HEX #3CBECF | qconv.com Color code: HEX #3CBECF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 190 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 190 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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