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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CBE7E it is the complementary color #C34181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CBE7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3CBE7E: #41BE79, #52D08C, #63E29F, #74F4B2 and #85FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CBE7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3CBE7E: #3CBE7E, #2BAC6B, #1A9A58, #098845 and #007632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

Complementary color

CMYK 0 / 67 / 34 / 24

HEX #C34181

RGB 195 65 129

HSL 330.46, 0.52%, 0.51%

LAB 48.22, 57.3, -7.61

 

CMYK 66 / 0 / 36 / 25

HEX #41BE79

RGB 65 190 121

HSL 146.88, 0.49%, 0.5%

LAB 68.99, -50.11, 25.03

 

CMYK 61 / 0 / 33 / 18

HEX #52D08C

RGB 82 208 140

HSL 147.62, 0.57%, 0.57%

LAB 75.33, -50.33, 23.65

 

CMYK 56 / 0 / 30 / 11

HEX #63E29F

RGB 99 226 159

HSL 148.35, 0.69%, 0.64%

LAB 81.59, -50.39, 22.37

 

CMYK 52 / 0 / 27 / 4

HEX #74F4B2

RGB 116 244 178

HSL 149.06, 0.85%, 0.71%

LAB 87.79, -50.34, 21.19

 

CMYK 48 / 0 / 23 / 0

HEX #85FFC5

RGB 133 255 197

HSL 151.48, 1%, 0.76%

LAB 91.93, -47.25, 17.29

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 75 / 0 / 38 / 33

HEX #2BAC6B

RGB 43 172 107

HSL 149.77, 0.6%, 0.42%

LAB 62.58, -49.43, 23.83

 

CMYK 83 / 0 / 43 / 40

HEX #1A9A58

RGB 26 154 88

HSL 149.06, 0.71%, 0.35%

LAB 56.12, -48.44, 25.5

 

CMYK 93 / 0 / 49 / 47

HEX #098845

RGB 9 136 69

HSL 148.35, 0.88%, 0.28%

LAB 49.61, -46.84, 27.33

 

CMYK 100 / 0 / 58 / 54

HEX #007632

RGB 0 118 50

HSL 145.42, 1%, 0.23%

LAB 43.04, -44.38, 29.28

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD92

RGB 59 189 146

HSL 160.15, 0.52%, 0.49%

LAB 69.04, -45.39, 11.64

 

CMYK 69 / 0 / 11 / 26

HEX #3BBDA8

RGB 59 189 168

HSL 170.31, 0.52%, 0.49%

LAB 69.58, -39.91, 0.39

 

CMYK 69 / 0 / 0 / 26

HEX #3BBDBD

RGB 59 189 189

HSL 180, 0.52%, 0.49%

LAB 70.18, -34.12, -10.24

 

CMYK 69 / 11 / 0 / 26

HEX #3BA8BD

RGB 59 168 189

HSL 189.69, 0.52%, 0.49%

LAB 63.84, -23.83, -19.79

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 68 / 0 / 34 / 5

HEX #4CF1A0

RGB 76 241 160

HSL 150.55, 0.85%, 0.62%

LAB 85.5, -60.37, 27.09

 

CMYK 68 / 0 / 32 / 85

HEX #0C2519

RGB 12 37 25

HSL 151.2, 0.51%, 0.1%

LAB 12.43, -13.38, 5.11

 

CMYK 68 / 0 / 34 / 65

HEX #1C583A

RGB 28 88 58

HSL 150, 0.52%, 0.23%

LAB 32.99, -27.21, 11.87

 

CMYK 68 / 0 / 34 / 45

HEX #2C8B5C

RGB 44 139 92

HSL 150.32, 0.52%, 0.36%

LAB 51.58, -39.05, 17.29

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 69 / 48 / 0 / 26

HEX #3B62BD

RGB 59 98 189

HSL 222, 0.52%, 0.49%

LAB 43.27, 16.85, -52.02

 

CMYK 0 / 62 / 69 / 26

HEX #BD483B

RGB 189 72 59

HSL 6, 0.52%, 0.49%

LAB 46.67, 46.31, 32.32

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 34 / 69 / 0 / 26

HEX #7C3BBD

RGB 124 59 189

HSL 270, 0.52%, 0.49%

LAB 39.73, 52.47, -57.47

 

CMYK 0 / 34 / 69 / 26

HEX #BD7C3B

RGB 189 124 59

HSL 30, 0.52%, 0.49%

LAB 57.61, 19.27, 44.77

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 69 / 48 / 0 / 26

HEX #3B62BD

RGB 59 98 189

HSL 222, 0.52%, 0.49%

LAB 43.27, 16.85, -52.02

 

CMYK 0 / 69 / 34 / 26

HEX #BD3B7C

RGB 189 59 124

HSL 330, 0.52%, 0.49%

LAB 46.18, 57.34, -7.72

 

CMYK 0 / 21 / 69 / 26

HEX #BD963B

RGB 189 150 59

HSL 42, 0.52%, 0.49%

LAB 64.12, 4.95, 51.75

 

CMYK 68 / 0 / 34 / 25

HEX #3CBE7E

RGB 60 190 126

HSL 150.46, 0.52%, 0.49%

LAB 68.96, -50.01, 22.32

 

CMYK 69 / 69 / 0 / 26

HEX #3B3BBD

RGB 59 59 189

HSL 240, 0.52%, 0.49%

LAB 33.42, 41.62, -68.03

 

CMYK 0 / 69 / 34 / 26

HEX #BD3B7C

RGB 189 59 124

HSL 330, 0.52%, 0.49%

LAB 46.18, 57.34, -7.72

 

CMYK 0 / 0 / 69 / 26

HEX #BDBD3B

RGB 189 189 59

HSL 60, 0.52%, 0.49%

LAB 74.53, -15.59, 62.36

 

Description

Color code: HEX #3CBE7E | qconv.com Color code: HEX #3CBE7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 190 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 190 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 34 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 34% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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