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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CBC80 it is the complementary color #C3437F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CBC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CBC80 shade: #41BC7B, #52CE8E, #63E0A1, #74F2B4 and #85FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CBC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CBC80 shade: #3CBC80, #2BAA6D, #1A985A, #098647 and #007434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CBC80 shade: #3CBE81, #3CBE5E, #3DBE3C, #60BE3C and #83BE3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CBC80 shade: #3CBE81, #3CBEA4, #3CB5BE, #3C92BE and #3C6FBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CBC80 shade matches the following richer shades: #3CBE81, #28D282 and #14E684

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CBC80 shade: #3CBE81, #50AA80, #64957E, #79817D and #8D6D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CBC80 shade: #3EBE3C, #3CBE5C, #3CBE7F, #3CBEA2 and #3CB7BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CBC80 shade: #287F56, #329F6C, #3CBE81, #59CA95 and #78D4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CBC80 shade: #3CBC80, #3C61BE and #BE4B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CBC80 shade: #3CBC80, #7F3CBE and #BE7F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CBC80 shade: #3CBC80, #3C61BE, #BE3C7B and #BE993C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CBC80 shade: #3CBC80, #3E3CBE, #BE3C7B and #BCBE3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

Complementary color

CMYK 0 / 66 / 35 / 24

HEX #C3437F

RGB 195 67 127

HSL 331.88, 0.52%, 0.51%

LAB 48.45, 56.26, -6.06

 

CMYK 65 / 0 / 35 / 26

HEX #41BC7B

RGB 65 188 123

HSL 148.29, 0.49%, 0.5%

LAB 68.4, -48.93, 23.18

 

CMYK 60 / 0 / 31 / 19

HEX #52CE8E

RGB 82 206 142

HSL 149.03, 0.56%, 0.56%

LAB 74.76, -49.12, 21.82

 

CMYK 56 / 0 / 28 / 12

HEX #63E0A1

RGB 99 224 161

HSL 149.76, 0.67%, 0.63%

LAB 81.04, -49.16, 20.57

 

CMYK 52 / 0 / 26 / 5

HEX #74F2B4

RGB 116 242 180

HSL 150.48, 0.83%, 0.7%

LAB 87.25, -49.11, 19.41

 

CMYK 48 / 0 / 22 / 0

HEX #85FFC7

RGB 133 255 199

HSL 152.46, 1%, 0.76%

LAB 91.97, -46.85, 16.33

 

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

CMYK 75 / 0 / 36 / 33

HEX #2BAA6D

RGB 43 170 109

HSL 151.18, 0.6%, 0.42%

LAB 61.97, -48.25, 21.94

 

CMYK 83 / 0 / 41 / 40

HEX #1A985A

RGB 26 152 90

HSL 150.48, 0.71%, 0.35%

LAB 55.5, -47.3, 23.59

 

CMYK 93 / 0 / 47 / 47

HEX #098647

RGB 9 134 71

HSL 149.76, 0.87%, 0.28%

LAB 48.96, -45.75, 25.41

 

CMYK 100 / 0 / 55 / 55

HEX #007434

RGB 0 116 52

HSL 146.9, 1%, 0.23%

LAB 42.37, -43.35, 27.4

 

CMYK 68 / 0 / 32 / 25

HEX #3CBE81

RGB 60 190 129

HSL 151.85, 0.52%, 0.49%

LAB 69.02, -49.39, 20.8

 

CMYK 68 / 0 / 51 / 25

HEX #3CBE5E

RGB 60 190 94

HSL 135.69, 0.52%, 0.49%

LAB 68.46, -55.67, 38.21

 

CMYK 68 / 0 / 68 / 25

HEX #3DBE3C

RGB 61 190 60

HSL 119.54, 0.52%, 0.49%

LAB 68.13, -59.61, 53.27

 

CMYK 49 / 0 / 68 / 25

HEX #60BE3C

RGB 96 190 60

HSL 103.38, 0.52%, 0.49%

LAB 69.21, -51.03, 54.74

 

CMYK 31 / 0 / 68 / 25

HEX #83BE3C

RGB 131 190 60

HSL 87.23, 0.52%, 0.49%

LAB 70.86, -39.37, 56.97

 

CMYK 68 / 0 / 32 / 25

HEX #3CBE81

RGB 60 190 129

HSL 151.85, 0.52%, 0.49%

LAB 69.02, -49.39, 20.8

 

CMYK 68 / 0 / 14 / 25

HEX #3CBEA4

RGB 60 190 164

HSL 168, 0.52%, 0.49%

LAB 69.8, -41.24, 2.91

 

CMYK 68 / 5 / 0 / 25

HEX #3CB5BE

RGB 60 181 190

HSL 184.15, 0.52%, 0.49%

LAB 67.82, -29.86, -14.32

 

CMYK 68 / 23 / 0 / 25

HEX #3C92BE

RGB 60 146 190

HSL 200.31, 0.52%, 0.49%

LAB 57.3, -11.62, -30.4

 

CMYK 68 / 42 / 0 / 25

HEX #3C6FBE

RGB 60 111 190

HSL 216.46, 0.52%, 0.49%

LAB 47.04, 9.13, -46.56

 

CMYK 68 / 0 / 32 / 25

HEX #3CBE81

RGB 60 190 129

HSL 151.85, 0.52%, 0.49%

LAB 69.02, -49.39, 20.8

 

CMYK 81 / 0 / 38 / 18

HEX #28D282

RGB 40 210 130

HSL 151.76, 0.68%, 0.49%

LAB 74.92, -59.41, 28.17

 

CMYK 91 / 0 / 43 / 10

HEX #14E684

RGB 20 230 132

HSL 152, 0.84%, 0.49%

LAB 80.97, -67.42, 35.08

 

CMYK 68 / 0 / 32 / 25

HEX #3CBE81

RGB 60 190 129

HSL 151.85, 0.52%, 0.49%

LAB 69.02, -49.39, 20.8

 

CMYK 53 / 0 / 25 / 33

HEX #50AA80

RGB 80 170 128

HSL 152, 0.36%, 0.49%

LAB 63.35, -37.02, 13.6

 

CMYK 33 / 0 / 15 / 42

HEX #64957E

RGB 100 149 126

HSL 151.84, 0.2%, 0.49%

LAB 57.76, -21.69, 6.94

 

CMYK 6 / 0 / 3 / 49

HEX #79817D

RGB 121 129 125

HSL 150, 0.03%, 0.49%

LAB 53.22, -3.77, 1.14

 

CMYK 0 / 23 / 12 / 45

HEX #8D6D7C

RGB 141 109 124

HSL 331.88, 0.13%, 0.49%

LAB 49.56, 15.25, -3.41

 

CMYK 67 / 0 / 68 / 25

HEX #3EBE3C

RGB 62 190 60

HSL 119.08, 0.52%, 0.49%

LAB 68.15, -59.42, 53.3

 

CMYK 68 / 0 / 52 / 25

HEX #3CBE5C

RGB 60 190 92

HSL 134.77, 0.52%, 0.49%

LAB 68.43, -55.97, 39.16

 

CMYK 68 / 0 / 33 / 25

HEX #3CBE7F

RGB 60 190 127

HSL 150.92, 0.52%, 0.49%

LAB 68.98, -49.8, 21.81

 

CMYK 68 / 0 / 15 / 25

HEX #3CBEA2

RGB 60 190 162

HSL 167.08, 0.52%, 0.49%

LAB 69.75, -41.75, 3.93

 

CMYK 68 / 4 / 0 / 25

HEX #3CB7BE

RGB 60 183 190

HSL 183.23, 0.52%, 0.49%

LAB 68.42, -30.83, -13.41

 

CMYK 69 / 0 / 32 / 50

HEX #287F56

RGB 40 127 86

HSL 151.72, 0.52%, 0.33%

LAB 47.37, -35.97, 14.95

 

CMYK 69 / 0 / 32 / 38

HEX #329F6C

RGB 50 159 108

HSL 151.93, 0.52%, 0.41%

LAB 58.56, -42.91, 17.89

 

CMYK 68 / 0 / 32 / 25

HEX #3CBE81

RGB 60 190 129

HSL 151.85, 0.52%, 0.49%

LAB 69.02, -49.39, 20.8

 

CMYK 56 / 0 / 26 / 21

HEX #59CA95

RGB 89 202 149

HSL 151.86, 0.52%, 0.57%

LAB 73.89, -44.53, 16.95

 

CMYK 43 / 0 / 20 / 17

HEX #78D4A9

RGB 120 212 169

HSL 151.96, 0.52%, 0.65%

LAB 78.43, -37.23, 12.82

 

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

CMYK 68 / 49 / 0 / 25

HEX #3C61BE

RGB 60 97 190

HSL 222.92, 0.52%, 0.49%

LAB 43.1, 18.01, -52.86

 

CMYK 0 / 61 / 68 / 25

HEX #BE4B3C

RGB 190 75 60

HSL 6.92, 0.52%, 0.49%

LAB 47.37, 45.34, 32.62

 

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

CMYK 33 / 68 / 0 / 25

HEX #7F3CBE

RGB 127 60 190

HSL 270.92, 0.52%, 0.49%

LAB 40.35, 52.84, -57.04

 

CMYK 0 / 33 / 68 / 25

HEX #BE7F3C

RGB 190 127 60

HSL 30.92, 0.52%, 0.49%

LAB 58.46, 18.1, 45.26

 

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

CMYK 68 / 49 / 0 / 25

HEX #3C61BE

RGB 60 97 190

HSL 222.92, 0.52%, 0.49%

LAB 43.1, 18.01, -52.86

 

CMYK 0 / 68 / 35 / 25

HEX #BE3C7B

RGB 190 60 123

HSL 330.92, 0.52%, 0.49%

LAB 46.46, 57.13, -6.68

 

CMYK 0 / 19 / 68 / 25

HEX #BE993C

RGB 190 153 60

HSL 42.92, 0.52%, 0.49%

LAB 65.01, 3.82, 52.27

 

CMYK 68 / 0 / 32 / 26

HEX #3CBC80

RGB 60 188 128

HSL 151.88, 0.52%, 0.49%

LAB 68.38, -48.8, 20.45

 

CMYK 67 / 68 / 0 / 25

HEX #3E3CBE

RGB 62 60 190

HSL 240.92, 0.52%, 0.49%

LAB 33.93, 41.73, -67.78

 

CMYK 0 / 68 / 35 / 25

HEX #BE3C7B

RGB 190 60 123

HSL 330.92, 0.52%, 0.49%

LAB 46.46, 57.13, -6.68

 

CMYK 1 / 0 / 68 / 25

HEX #BCBE3C

RGB 188 190 60

HSL 60.92, 0.52%, 0.49%

LAB 74.73, -16.47, 62.15

 

Description

Color code: HEX #3CBC80 | qconv.com Color code: HEX #3CBC80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 188 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 188 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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