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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB5A5 it is the complementary color #C34A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB5A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3CB5A5: #41B5A0, #52C7B3, #63D9C6, #74EBD9 and #85FDEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB5A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3CB5A5: #3CB5A5, #2BA392, #1A917F, #097F6C and #006D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

Complementary color

CMYK 0 / 62 / 54 / 24

HEX #C34A5A

RGB 195 74 90

HSL 352.07, 0.5%, 0.53%

LAB 48.56, 49.6, 16.53

 

CMYK 64 / 0 / 12 / 29

HEX #41B5A0

RGB 65 181 160

HSL 169.14, 0.47%, 0.48%

LAB 67.06, -37.44, 1.14

 

CMYK 59 / 0 / 10 / 22

HEX #52C7B3

RGB 82 199 179

HSL 169.74, 0.51%, 0.55%

LAB 73.48, -37.7, 0.16

 

CMYK 54 / 0 / 9 / 15

HEX #63D9C6

RGB 99 217 198

HSL 170.34, 0.61%, 0.62%

LAB 79.82, -37.83, -0.74

 

CMYK 51 / 0 / 8 / 8

HEX #74EBD9

RGB 116 235 217

HSL 170.92, 0.75%, 0.69%

LAB 86.08, -37.88, -1.57

 

CMYK 47 / 0 / 7 / 1

HEX #85FDEC

RGB 133 253 236

HSL 171.5, 0.97%, 0.76%

LAB 92.26, -37.88, -2.34

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 74 / 0 / 10 / 36

HEX #2BA392

RGB 43 163 146

HSL 171.5, 0.58%, 0.4%

LAB 60.59, -36.34, -0.55

 

CMYK 82 / 0 / 12 / 43

HEX #1A917F

RGB 26 145 127

HSL 170.92, 0.7%, 0.34%

LAB 54.03, -35.41, 0.66

 

CMYK 93 / 0 / 15 / 50

HEX #097F6C

RGB 9 127 108

HSL 170.34, 0.87%, 0.27%

LAB 47.39, -34.02, 2.05

 

CMYK 100 / 0 / 18 / 57

HEX #006D59

RGB 0 109 89

HSL 168.99, 1%, 0.21%

LAB 40.67, -32, 3.67

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 67 / 2 / 0 / 30

HEX #3BAFB3

RGB 59 175 179

HSL 182, 0.5%, 0.47%

LAB 65.63, -30.33, -11.52

 

CMYK 67 / 13 / 0 / 30

HEX #3B9BB3

RGB 59 155 179

HSL 192, 0.5%, 0.47%

LAB 59.55, -20.24, -20.72

 

CMYK 67 / 25 / 0 / 30

HEX #3B87B3

RGB 59 135 179

HSL 202, 0.5%, 0.47%

LAB 53.51, -9.28, -30.04

 

CMYK 67 / 36 / 0 / 30

HEX #3B73B3

RGB 59 115 179

HSL 212, 0.5%, 0.47%

LAB 47.55, 2.54, -39.37

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 67 / 0 / 9 / 9

HEX #4DE8D3

RGB 77 232 211

HSL 171.87, 0.77%, 0.61%

LAB 83.96, -45.04, -1.63

 

CMYK 68 / 0 / 7 / 89

HEX #091C1A

RGB 9 28 26

HSL 173.68, 0.51%, 0.07%

LAB 8.68, -8.15, -1.01

 

CMYK 67 / 0 / 9 / 69

HEX #1A4F48

RGB 26 79 72

HSL 172.08, 0.5%, 0.21%

LAB 30.11, -19.32, -1.05

 

CMYK 67 / 0 / 8 / 49

HEX #2B8277

RGB 43 130 119

HSL 172.41, 0.5%, 0.34%

LAB 49.27, -28.35, -1.62

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 63 / 67 / 0 / 30

HEX #433BB3

RGB 67 59 179

HSL 244, 0.5%, 0.47%

LAB 33.08, 39.37, -62.65

 

CMYK 0 / 36 / 67 / 30

HEX #B3733B

RGB 179 115 59

HSL 28, 0.5%, 0.47%

LAB 54.2, 19.95, 40.64

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 9 / 67 / 0 / 30

HEX #A33BB3

RGB 163 59 179

HSL 292, 0.5%, 0.47%

LAB 44.47, 58.86, -43.68

 

CMYK 0 / 9 / 67 / 30

HEX #B3A33B

RGB 179 163 59

HSL 52, 0.5%, 0.47%

LAB 66.59, -6.44, 54.03

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 63 / 67 / 0 / 30

HEX #433BB3

RGB 67 59 179

HSL 244, 0.5%, 0.47%

LAB 33.08, 39.37, -62.65

 

CMYK 0 / 67 / 58 / 30

HEX #B33B4B

RGB 179 59 75

HSL 352, 0.5%, 0.47%

LAB 43.09, 49.59, 17.84

 

CMYK 4 / 0 / 67 / 30

HEX #ABB33B

RGB 171 179 59

HSL 64, 0.5%, 0.47%

LAB 70.33, -18.19, 57.66

 

CMYK 67 / 0 / 9 / 29

HEX #3CB5A5

RGB 60 181 165

HSL 172.07, 0.5%, 0.47%

LAB 67.07, -36.94, -1.62

 

CMYK 42 / 67 / 0 / 30

HEX #673BB3

RGB 103 59 179

HSL 262, 0.5%, 0.47%

LAB 36.49, 45.7, -56.95

 

CMYK 0 / 67 / 58 / 30

HEX #B33B4B

RGB 179 59 75

HSL 352, 0.5%, 0.47%

LAB 43.09, 49.59, 17.84

 

CMYK 25 / 0 / 67 / 30

HEX #87B33B

RGB 135 179 59

HSL 82, 0.5%, 0.47%

LAB 67.8, -32.94, 54.26

 

Description

Color code: HEX #3CB5A5 | qconv.com Color code: HEX #3CB5A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 181 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 181 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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