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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB2CF it is the complementary color #C34D30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB2CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CB2CF shade: #41B2CA, #52C4DD, #63D6F0, #74E8FF and #85FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB2CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CB2CF shade: #3CB2CF, #2BA0BC, #1A8EA9, #097C96 and #006A83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CB2CF shade: #3BB1CE, #3B89CE, #3B62CE, #3C3BCE and #643BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CB2CF shade: #3BB1CE, #3B89CE, #3B62CE and #3B3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CB2CF shade matches the following richer shades: #3BB1CE, #27BDE2 and #14C9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CB2CF shade: #3BB1CE, #4FA5BA, #6399A6, #778D93 and #8A817F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CB2CF shade: #3BCE9B, #3BCEC2, #3BB3CE, #3B8CCE and #3B65CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CB2CF shade: #257D92, #2D99B3, #3BB1CE, #5CBED6 and #7DCBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CB2CF shade: #3CB2CF, #733BCE and #CEAE3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CB2CF shade: #3CB2CF, #CE3BB3 and #B3CE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CB2CF shade: #3CB2CF, #733BCE, #CE563B and #96CE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CB2CF shade: #3CB2CF, #A03BCE, #CE563B and #6ACE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

Complementary color

CMYK 0 / 61 / 75 / 24

HEX #C34D30

RGB 195 77 48

HSL 11.84, 0.6%, 0.48%

LAB 48.41, 45.64, 40.67

 

CMYK 68 / 12 / 0 / 21

HEX #41B2CA

RGB 65 178 202

HSL 190.51, 0.56%, 0.52%

LAB 67.45, -24.01, -21.49

 

CMYK 63 / 11 / 0 / 13

HEX #52C4DD

RGB 82 196 221

HSL 190.79, 0.67%, 0.59%

LAB 73.87, -24.68, -22.06

 

CMYK 59 / 11 / 0 / 6

HEX #63D6F0

RGB 99 214 240

HSL 191.06, 0.82%, 0.66%

LAB 80.2, -25.19, -22.58

 

CMYK 55 / 9 / 0 / 0

HEX #74E8FF

RGB 116 232 255

HSL 189.93, 1%, 0.73%

LAB 86.33, -26.68, -21.17

 

CMYK 48 / 2 / 0 / 0

HEX #85FAFF

RGB 133 250 255

HSL 182.46, 1%, 0.76%

LAB 91.94, -31.86, -12.67

 

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

CMYK 77 / 15 / 0 / 26

HEX #2BA0BC

RGB 43 160 188

HSL 191.59, 0.63%, 0.45%

LAB 61.03, -22.08, -23.55

 

CMYK 85 / 16 / 0 / 34

HEX #1A8EA9

RGB 26 142 169

HSL 191.33, 0.73%, 0.38%

LAB 54.48, -20.65, -22.85

 

CMYK 94 / 17 / 0 / 41

HEX #097C96

RGB 9 124 150

HSL 191.06, 0.89%, 0.31%

LAB 47.85, -18.75, -22.05

 

CMYK 100 / 19 / 0 / 49

HEX #006A83

RGB 0 106 131

HSL 191.45, 1%, 0.26%

LAB 41.13, -16.26, -21.11

 

CMYK 71 / 14 / 0 / 19

HEX #3BB1CE

RGB 59 177 206

HSL 191.84, 0.6%, 0.52%

LAB 67.15, -23.09, -24.16

 

CMYK 71 / 33 / 0 / 19

HEX #3B89CE

RGB 59 137 206

HSL 208.16, 0.6%, 0.52%

LAB 55.36, -1.09, -42.5

 

CMYK 71 / 52 / 0 / 19

HEX #3B62CE

RGB 59 98 206

HSL 224.08, 0.6%, 0.52%

LAB 44.41, 23.05, -60.01

 

CMYK 71 / 71 / 0 / 19

HEX #3C3BCE

RGB 60 59 206

HSL 240.41, 0.6%, 0.52%

LAB 35.09, 47.36, -75.21

 

CMYK 51 / 71 / 0 / 19

HEX #643BCE

RGB 100 59 206

HSL 256.73, 0.6%, 0.52%

LAB 38.36, 52.59, -69.72

 

CMYK 71 / 14 / 0 / 19

HEX #3BB1CE

RGB 59 177 206

HSL 191.84, 0.6%, 0.52%

LAB 67.15, -23.09, -24.16

 

CMYK 71 / 33 / 0 / 19

HEX #3B89CE

RGB 59 137 206

HSL 208.16, 0.6%, 0.52%

LAB 55.36, -1.09, -42.5

 

CMYK 71 / 52 / 0 / 19

HEX #3B62CE

RGB 59 98 206

HSL 224.08, 0.6%, 0.52%

LAB 44.41, 23.05, -60.01

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 71 / 14 / 0 / 19

HEX #3BB1CE

RGB 59 177 206

HSL 191.84, 0.6%, 0.52%

LAB 67.15, -23.09, -24.16

 

CMYK 83 / 16 / 0 / 11

HEX #27BDE2

RGB 39 189 226

HSL 191.87, 0.76%, 0.52%

LAB 71.09, -24.81, -29.1

 

CMYK 92 / 18 / 0 / 4

HEX #14C9F6

RGB 20 201 246

HSL 191.95, 0.93%, 0.52%

LAB 75.19, -25.32, -33.6

 

CMYK 71 / 14 / 0 / 19

HEX #3BB1CE

RGB 59 177 206

HSL 191.84, 0.6%, 0.52%

LAB 67.15, -23.09, -24.16

 

CMYK 58 / 11 / 0 / 27

HEX #4FA5BA

RGB 79 165 186

HSL 191.78, 0.44%, 0.52%

LAB 63.44, -19.75, -18.67

 

CMYK 40 / 8 / 0 / 35

HEX #6399A6

RGB 99 153 166

HSL 191.64, 0.27%, 0.52%

LAB 60.06, -14.38, -12.44

 

CMYK 19 / 4 / 0 / 42

HEX #778D93

RGB 119 141 147

HSL 192.86, 0.11%, 0.52%

LAB 57.15, -6.47, -5.82

 

CMYK 0 / 7 / 8 / 46

HEX #8A817F

RGB 138 129 127

HSL 10.91, 0.04%, 0.52%

LAB 54.7, 3.03, 2.3

 

CMYK 71 / 0 / 25 / 19

HEX #3BCE9B

RGB 59 206 155

HSL 159.18, 0.6%, 0.52%

LAB 74.47, -50.31, 14.44

 

CMYK 71 / 0 / 6 / 19

HEX #3BCEC2

RGB 59 206 194

HSL 175.1, 0.6%, 0.52%

LAB 75.43, -40.52, -5.15

 

CMYK 71 / 13 / 0 / 19

HEX #3BB3CE

RGB 59 179 206

HSL 191.02, 0.6%, 0.52%

LAB 67.74, -24.11, -23.26

 

CMYK 71 / 32 / 0 / 19

HEX #3B8CCE

RGB 59 140 206

HSL 206.94, 0.6%, 0.52%

LAB 56.23, -2.85, -41.13

 

CMYK 71 / 51 / 0 / 19

HEX #3B65CE

RGB 59 101 206

HSL 222.86, 0.6%, 0.52%

LAB 45.21, 21.14, -58.71

 

CMYK 75 / 14 / 0 / 43

HEX #257D92

RGB 37 125 146

HSL 191.56, 0.6%, 0.36%

LAB 48.43, -18.24, -18.77

 

CMYK 75 / 15 / 0 / 30

HEX #2D99B3

RGB 45 153 179

HSL 191.64, 0.6%, 0.44%

LAB 58.6, -21.15, -22.21

 

CMYK 71 / 14 / 0 / 19

HEX #3BB1CE

RGB 59 177 206

HSL 191.84, 0.6%, 0.52%

LAB 67.15, -23.09, -24.16

 

CMYK 57 / 11 / 0 / 16

HEX #5CBED6

RGB 92 190 214

HSL 191.8, 0.6%, 0.6%

LAB 72.2, -21.91, -20.76

 

CMYK 44 / 9 / 0 / 13

HEX #7DCBDF

RGB 125 203 223

HSL 192.24, 0.6%, 0.68%

LAB 77.52, -18.87, -17.45

 

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 16 / 71 / 19

HEX #CEAE3B

RGB 206 174 59

HSL 46.94, 0.6%, 0.52%

LAB 72.03, -0.51, 60.38

 

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

CMYK 0 / 71 / 13 / 19

HEX #CE3BB3

RGB 206 59 179

HSL 311.02, 0.6%, 0.52%

LAB 51.27, 68.94, -32.5

 

CMYK 13 / 0 / 71 / 19

HEX #B3CE3B

RGB 179 206 59

HSL 71.02, 0.6%, 0.52%

LAB 78.49, -28.1, 66.01

 

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 58 / 71 / 19

HEX #CE563B

RGB 206 86 59

HSL 11.02, 0.6%, 0.52%

LAB 51.94, 45.95, 39.15

 

CMYK 27 / 0 / 71 / 19

HEX #96CE3B

RGB 150 206 59

HSL 82.86, 0.6%, 0.52%

LAB 76.64, -39.46, 63.57

 

CMYK 71 / 14 / 0 / 19

HEX #3CB2CF

RGB 60 178 207

HSL 191.84, 0.6%, 0.52%

LAB 67.51, -23.15, -24.17

 

CMYK 22 / 71 / 0 / 19

HEX #A03BCE

RGB 160 59 206

HSL 281.22, 0.6%, 0.52%

LAB 45.71, 63.5, -57.44

 

CMYK 0 / 58 / 71 / 19

HEX #CE563B

RGB 206 86 59

HSL 11.02, 0.6%, 0.52%

LAB 51.94, 45.95, 39.15

 

CMYK 49 / 0 / 71 / 19

HEX #6ACE3B

RGB 106 206 59

HSL 100.82, 0.6%, 0.52%

LAB 74.52, -54.34, 60.74

 

Description

Color code: HEX #3CB2CF | qconv.com Color code: HEX #3CB2CF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 178 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 178 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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