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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB23D it is the complementary color #C34DC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB23D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CB23D shade: #41B238, #52C44B, #63D65E, #74E871 and #85FA84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB23D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CB23D shade: #3CB23D, #2BA02A, #1A8E17, #097C04 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CB23D shade: #3CB43D, #5BB43C, #7CB43C, #9CB43C and #B4AB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CB23D shade: #3CB43D, #3CB45D, #3CB47E, #3CB49E and #3CA9B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CB23D shade matches the following richer shades: #3CB43D, #29C72A, #15DB17 and #02EE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CB23D shade: #3CB43D, #4FA050, #638D63, #767A76 and #896689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CB23D shade: #7CB43C, #5CB43C, #3CB43C, #3CB45C and #3CB47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CB23D shade: #277628, #329532, #3CB43D, #53C654 and #72D073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CB23D shade: #3CB23D, #3C9CB4 and #B43C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CB23D shade: #3CB23D, #3C3CB4 and #B43C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CB23D shade: #3CB23D, #3C9CB4, #B43CB4 and #B4543C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CB23D shade: #3CB23D, #3C78B4, #B43CB4 and #B4783C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

Complementary color

CMYK 0 / 61 / 1 / 24

HEX #C34DC2

RGB 195 77 194

HSL 300.51, 0.5%, 0.53%

LAB 52.74, 61.76, -39.03

 

CMYK 63 / 0 / 69 / 30

HEX #41B238

RGB 65 178 56

HSL 115.57, 0.52%, 0.46%

LAB 64.36, -54.99, 50.9

 

CMYK 58 / 0 / 62 / 23

HEX #52C44B

RGB 82 196 75

HSL 116.53, 0.51%, 0.53%

LAB 70.72, -55.63, 49.96

 

CMYK 54 / 0 / 56 / 16

HEX #63D65E

RGB 99 214 94

HSL 117.5, 0.59%, 0.6%

LAB 77.01, -55.96, 48.81

 

CMYK 50 / 0 / 51 / 9

HEX #74E871

RGB 116 232 113

HSL 118.49, 0.72%, 0.68%

LAB 83.24, -56.09, 47.58

 

CMYK 47 / 0 / 47 / 2

HEX #85FA84

RGB 133 250 132

HSL 119.49, 0.92%, 0.75%

LAB 89.4, -56.09, 46.34

 

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

CMYK 73 / 0 / 74 / 37

HEX #2BA02A

RGB 43 160 42

HSL 119.49, 0.58%, 0.4%

LAB 57.87, -54.43, 49.44

 

CMYK 82 / 0 / 84 / 44

HEX #1A8E17

RGB 26 142 23

HSL 118.49, 0.72%, 0.32%

LAB 51.41, -52.55, 49.42

 

CMYK 93 / 0 / 97 / 51

HEX #097C04

RGB 9 124 4

HSL 117.5, 0.94%, 0.25%

LAB 44.92, -49.63, 48.01

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43D

RGB 60 180 61

HSL 120.5, 0.5%, 0.47%

LAB 64.91, -56.28, 49.38

 

CMYK 49 / 0 / 67 / 29

HEX #5BB43C

RGB 91 180 60

HSL 104.5, 0.5%, 0.47%

LAB 65.9, -48.59, 51.16

 

CMYK 31 / 0 / 67 / 29

HEX #7CB43C

RGB 124 180 60

HSL 88, 0.5%, 0.47%

LAB 67.47, -37.51, 53.3

 

CMYK 13 / 0 / 67 / 29

HEX #9CB43C

RGB 156 180 60

HSL 72, 0.5%, 0.47%

LAB 69.5, -24.91, 56.05

 

CMYK 0 / 5 / 67 / 29

HEX #B4AB3C

RGB 180 171 60

HSL 55.5, 0.5%, 0.47%

LAB 68.86, -10.16, 55.99

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43D

RGB 60 180 61

HSL 120.5, 0.5%, 0.47%

LAB 64.91, -56.28, 49.38

 

CMYK 67 / 0 / 48 / 29

HEX #3CB45D

RGB 60 180 93

HSL 136.5, 0.5%, 0.47%

LAB 65.27, -52.13, 34.74

 

CMYK 67 / 0 / 30 / 29

HEX #3CB47E

RGB 60 180 126

HSL 153, 0.5%, 0.47%

LAB 65.83, -45.97, 18.04

 

CMYK 67 / 0 / 12 / 29

HEX #3CB49E

RGB 60 180 158

HSL 169, 0.5%, 0.47%

LAB 66.57, -38.34, 1.53

 

CMYK 67 / 6 / 0 / 29

HEX #3CA9B4

RGB 60 169 180

HSL 185.5, 0.5%, 0.47%

LAB 63.86, -26.94, -14.73

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43D

RGB 60 180 61

HSL 120.5, 0.5%, 0.47%

LAB 64.91, -56.28, 49.38

 

CMYK 79 / 0 / 79 / 22

HEX #29C72A

RGB 41 199 42

HSL 120.38, 0.66%, 0.47%

LAB 70.51, -67.05, 61.88

 

CMYK 90 / 0 / 89 / 14

HEX #15DB17

RGB 21 219 23

HSL 120.61, 0.83%, 0.47%

LAB 76.61, -75.45, 71.68

 

CMYK 99 / 0 / 98 / 7

HEX #02EE04

RGB 2 238 4

HSL 120.51, 0.98%, 0.47%

LAB 82.47, -81.67, 78.62

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43D

RGB 60 180 61

HSL 120.5, 0.5%, 0.47%

LAB 64.91, -56.28, 49.38

 

CMYK 51 / 0 / 50 / 37

HEX #4FA050

RGB 79 160 80

HSL 120.74, 0.34%, 0.47%

LAB 59.33, -41.64, 34.08

 

CMYK 30 / 0 / 30 / 45

HEX #638D63

RGB 99 141 99

HSL 120, 0.18%, 0.47%

LAB 54.66, -23.29, 17.91

 

CMYK 3 / 0 / 3 / 52

HEX #767A76

RGB 118 122 118

HSL 120, 0.02%, 0.47%

LAB 50.78, -2.31, 1.66

 

CMYK 0 / 26 / 0 / 46

HEX #896689

RGB 137 102 137

HSL 300, 0.15%, 0.47%

LAB 47.79, 20.37, -13.85

 

CMYK 31 / 0 / 67 / 29

HEX #7CB43C

RGB 124 180 60

HSL 88, 0.5%, 0.47%

LAB 67.47, -37.51, 53.3

 

CMYK 49 / 0 / 67 / 29

HEX #5CB43C

RGB 92 180 60

HSL 104, 0.5%, 0.47%

LAB 65.94, -48.29, 51.21

 

CMYK 67 / 0 / 67 / 29

HEX #3CB43C

RGB 60 180 60

HSL 120, 0.5%, 0.47%

LAB 64.91, -56.38, 49.8

 

CMYK 67 / 0 / 49 / 29

HEX #3CB45C

RGB 60 180 92

HSL 136, 0.5%, 0.47%

LAB 65.26, -52.29, 35.23

 

CMYK 67 / 0 / 31 / 29

HEX #3CB47C

RGB 60 180 124

HSL 152, 0.5%, 0.47%

LAB 65.79, -46.39, 19.07

 

CMYK 67 / 0 / 66 / 54

HEX #277628

RGB 39 118 40

HSL 120.76, 0.5%, 0.31%

LAB 43.57, -40.43, 35.04

 

CMYK 66 / 0 / 66 / 42

HEX #329532

RGB 50 149 50

HSL 120, 0.5%, 0.39%

LAB 54.45, -48.47, 42.61

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43D

RGB 60 180 61

HSL 120.5, 0.5%, 0.47%

LAB 64.91, -56.28, 49.38

 

CMYK 58 / 0 / 58 / 22

HEX #53C654

RGB 83 198 84

HSL 120.52, 0.5%, 0.55%

LAB 71.46, -55.11, 46.77

 

CMYK 45 / 0 / 45 / 18

HEX #72D073

RGB 114 208 115

HSL 120.64, 0.5%, 0.63%

LAB 76.02, -46.7, 37.62

 

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

CMYK 67 / 13 / 0 / 29

HEX #3C9CB4

RGB 60 156 180

HSL 192, 0.5%, 0.47%

LAB 59.92, -20.29, -20.72

 

CMYK 0 / 67 / 40 / 29

HEX #B43C6C

RGB 180 60 108

HSL 336, 0.5%, 0.47%

LAB 44.26, 52.5, -0.92

 

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

CMYK 67 / 67 / 0 / 29

HEX #3C3CB4

RGB 60 60 180

HSL 240, 0.5%, 0.47%

LAB 32.89, 38.11, -63.58

 

CMYK 0 / 67 / 67 / 29

HEX #B43C3C

RGB 180 60 60

HSL 0, 0.5%, 0.47%

LAB 43.15, 48.51, 27.11

 

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

CMYK 67 / 13 / 0 / 29

HEX #3C9CB4

RGB 60 156 180

HSL 192, 0.5%, 0.47%

LAB 59.92, -20.29, -20.72

 

CMYK 0 / 67 / 0 / 29

HEX #B43CB4

RGB 180 60 180

HSL 300, 0.5%, 0.47%

LAB 47.28, 62.61, -39.66

 

CMYK 0 / 53 / 67 / 29

HEX #B4543C

RGB 180 84 60

HSL 12, 0.5%, 0.47%

LAB 47.46, 37.19, 32.33

 

CMYK 66 / 0 / 66 / 30

HEX #3CB23D

RGB 60 178 61

HSL 120.51, 0.5%, 0.47%

LAB 64.27, -55.58, 48.68

 

CMYK 67 / 33 / 0 / 29

HEX #3C78B4

RGB 60 120 180

HSL 210, 0.5%, 0.47%

LAB 49.12, 0.03, -37.48

 

CMYK 0 / 67 / 0 / 29

HEX #B43CB4

RGB 180 60 180

HSL 300, 0.5%, 0.47%

LAB 47.28, 62.61, -39.66

 

CMYK 0 / 33 / 67 / 29

HEX #B4783C

RGB 180 120 60

HSL 30, 0.5%, 0.47%

LAB 55.55, 17.66, 41.68

 

Description

Color code: HEX #3CB23D | qconv.com Color code: HEX #3CB23D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 178 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 178 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 66 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 66% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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