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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB010 it is the complementary color #C34FEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CB010 shade: #41B00B, #52C21E, #63D431, #74E644 and #85F857

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CB010 shade: #3CB010, #2B9E00, #1A8C00, #097A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CB010 shade: #3DB110, #68B110, #93B110, #B1A410 and #B17810

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CB010 shade: #3DB110, #11B110, #10B13B, #10B166 and #10B192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CB010 shade matches the following richer shades: #3DB110 and #36C101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CB010 shade: #3DB110, #44A220, #4B9230, #528240 and #59734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CB010 shade: #94B110, #69B110, #3EB110, #13B110 and #10B139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CB010 shade: #236609, #308C0D, #3DB110, #4AD714 and #5FEB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CB010 shade: #3CB010, #10B1A4 and #B1107E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CB010 shade: #3CB010, #103EB1 and #B1103E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CB010 shade: #3CB010, #10B1A4, #8410B1 and #B1101E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CB010 shade: #3CB010, #108EB1, #8410B1 and #B13310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

Complementary color

CMYK 18 / 67 / 0 / 6

HEX #C34FEF

RGB 195 79 239

HSL 283.5, 0.83%, 0.62%

LAB 55.51, 69.2, -60.16

 

CMYK 63 / 0 / 94 / 31

HEX #41B00B

RGB 65 176 11

HSL 100.36, 0.88%, 0.37%

LAB 63.51, -56.82, 62.72

 

CMYK 58 / 0 / 85 / 24

HEX #52C21E

RGB 82 194 30

HSL 100.98, 0.73%, 0.44%

LAB 69.8, -58.24, 64.78

 

CMYK 53 / 0 / 77 / 17

HEX #63D431

RGB 99 212 49

HSL 101.6, 0.65%, 0.51%

LAB 76.05, -59.2, 65.53

 

CMYK 50 / 0 / 70 / 10

HEX #74E644

RGB 116 230 68

HSL 102.22, 0.76%, 0.58%

LAB 82.23, -59.83, 65.47

 

CMYK 46 / 0 / 65 / 3

HEX #85F857

RGB 133 248 87

HSL 102.86, 0.92%, 0.66%

LAB 88.36, -60.23, 64.92

 

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

CMYK 73 / 0 / 100 / 38

HEX #2B9E00

RGB 43 158 0

HSL 103.67, 1%, 0.31%

LAB 57.04, -55.76, 58.78

 

CMYK 81 / 0 / 100 / 45

HEX #1A8C00

RGB 26 140 0

HSL 108.86, 1%, 0.27%

LAB 50.66, -52.83, 53.56

 

CMYK 93 / 0 / 100 / 52

HEX #097A00

RGB 9 122 0

HSL 115.57, 1%, 0.24%

LAB 44.2, -49.18, 48.31

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 66 / 0 / 91 / 31

HEX #3DB110

RGB 61 177 16

HSL 103.23, 0.83%, 0.38%

LAB 63.73, -57.93, 62.12

 

CMYK 41 / 0 / 91 / 31

HEX #68B110

RGB 104 177 16

HSL 87.2, 0.83%, 0.38%

LAB 65.3, -45.66, 64.06

 

CMYK 17 / 0 / 91 / 31

HEX #93B110

RGB 147 177 16

HSL 71.18, 0.83%, 0.38%

LAB 67.79, -29.06, 67.12

 

CMYK 0 / 7 / 91 / 31

HEX #B1A410

RGB 177 164 16

HSL 55.16, 0.83%, 0.38%

LAB 66.47, -9.46, 67.08

 

CMYK 0 / 32 / 91 / 31

HEX #B17810

RGB 177 120 16

HSL 38.76, 0.83%, 0.38%

LAB 54.88, 14.58, 58.14

 

CMYK 66 / 0 / 91 / 31

HEX #3DB110

RGB 61 177 16

HSL 103.23, 0.83%, 0.38%

LAB 63.73, -57.93, 62.12

 

CMYK 90 / 0 / 91 / 31

HEX #11B110

RGB 17 177 16

HSL 119.63, 0.83%, 0.38%

LAB 63.01, -64.22, 61.22

 

CMYK 91 / 0 / 67 / 31

HEX #10B13B

RGB 16 177 59

HSL 136.02, 0.83%, 0.38%

LAB 63.24, -61.35, 48.2

 

CMYK 91 / 0 / 42 / 31

HEX #10B166

RGB 16 177 102

HSL 152.05, 0.83%, 0.38%

LAB 63.77, -54.92, 28.01

 

CMYK 91 / 0 / 18 / 31

HEX #10B192

RGB 16 177 146

HSL 168.45, 0.83%, 0.38%

LAB 64.67, -44.84, 5.32

 

CMYK 66 / 0 / 91 / 31

HEX #3DB110

RGB 61 177 16

HSL 103.23, 0.83%, 0.38%

LAB 63.73, -57.93, 62.12

 

CMYK 72 / 0 / 99 / 24

HEX #36C101

RGB 54 193 1

HSL 103.44, 0.99%, 0.38%

LAB 68.7, -64.75, 68.04

 

CMYK 66 / 0 / 91 / 31

HEX #3DB110

RGB 61 177 16

HSL 103.23, 0.83%, 0.38%

LAB 63.73, -57.93, 62.12

 

CMYK 58 / 0 / 80 / 36

HEX #44A220

RGB 68 162 32

HSL 103.38, 0.67%, 0.38%

LAB 59.13, -50.31, 54.33

 

CMYK 49 / 0 / 67 / 43

HEX #4B9230

RGB 75 146 48

HSL 103.47, 0.51%, 0.38%

LAB 54.31, -40.81, 43.58

 

CMYK 37 / 0 / 51 / 49

HEX #528240

RGB 82 130 64

HSL 103.64, 0.34%, 0.38%

LAB 49.65, -29.48, 30.5

 

CMYK 23 / 0 / 31 / 55

HEX #59734F

RGB 89 115 79

HSL 103.33, 0.19%, 0.38%

LAB 45.57, -16.91, 16.92

 

CMYK 16 / 0 / 91 / 31

HEX #94B110

RGB 148 177 16

HSL 70.81, 0.83%, 0.38%

LAB 67.86, -28.64, 67.21

 

CMYK 41 / 0 / 91 / 31

HEX #69B110

RGB 105 177 16

HSL 86.83, 0.83%, 0.38%

LAB 65.35, -45.31, 64.12

 

CMYK 65 / 0 / 91 / 31

HEX #3EB110

RGB 62 177 16

HSL 102.86, 0.83%, 0.38%

LAB 63.76, -57.71, 62.15

 

CMYK 89 / 0 / 91 / 31

HEX #13B110

RGB 19 177 16

HSL 118.88, 0.83%, 0.38%

LAB 63.03, -64.08, 61.24

 

CMYK 91 / 0 / 68 / 31

HEX #10B139

RGB 16 177 57

HSL 135.28, 0.83%, 0.38%

LAB 63.22, -61.56, 49.01

 

CMYK 66 / 0 / 91 / 60

HEX #236609

RGB 35 102 9

HSL 103.23, 0.84%, 0.22%

LAB 37.63, -37.82, 40.8

 

CMYK 66 / 0 / 91 / 45

HEX #308C0D

RGB 48 140 13

HSL 103.46, 0.83%, 0.3%

LAB 51.17, -48.32, 51.82

 

CMYK 66 / 0 / 91 / 31

HEX #3DB110

RGB 61 177 16

HSL 103.23, 0.83%, 0.38%

LAB 63.73, -57.93, 62.12

 

CMYK 66 / 0 / 91 / 16

HEX #4AD714

RGB 74 215 20

HSL 103.38, 0.83%, 0.46%

LAB 76.14, -67.44, 72.07

 

CMYK 60 / 0 / 83 / 8

HEX #5FEB29

RGB 95 235 41

HSL 103.3, 0.83%, 0.54%

LAB 82.92, -68.58, 74.05

 

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

CMYK 91 / 0 / 7 / 31

HEX #10B1A4

RGB 16 177 164

HSL 175.16, 0.83%, 0.38%

LAB 65.15, -39.85, -3.97

 

CMYK 0 / 91 / 29 / 31

HEX #B1107E

RGB 177 16 126

HSL 319.01, 0.83%, 0.38%

LAB 39.96, 66.19, -18.6

 

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

CMYK 91 / 65 / 0 / 31

HEX #103EB1

RGB 16 62 177

HSL 222.86, 0.83%, 0.38%

LAB 31.18, 31.65, -64.67

 

CMYK 0 / 91 / 65 / 31

HEX #B1103E

RGB 177 16 62

HSL 342.86, 0.83%, 0.38%

LAB 37.96, 60.72, 19.15

 

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

CMYK 91 / 0 / 7 / 31

HEX #10B1A4

RGB 16 177 164

HSL 175.16, 0.83%, 0.38%

LAB 65.15, -39.85, -3.97

 

CMYK 25 / 91 / 0 / 31

HEX #8410B1

RGB 132 16 177

HSL 283.23, 0.83%, 0.38%

LAB 34.9, 65.77, -58.16

 

CMYK 0 / 91 / 83 / 31

HEX #B1101E

RGB 177 16 30

HSL 354.78, 0.83%, 0.38%

LAB 37.5, 59.42, 38.23

 

CMYK 66 / 0 / 91 / 31

HEX #3CB010

RGB 60 176 16

HSL 103.5, 0.83%, 0.38%

LAB 63.38, -57.82, 61.81

 

CMYK 91 / 20 / 0 / 31

HEX #108EB1

RGB 16 142 177

HSL 193.04, 0.83%, 0.38%

LAB 54.69, -18.51, -27.12

 

CMYK 25 / 91 / 0 / 31

HEX #8410B1

RGB 132 16 177

HSL 283.23, 0.83%, 0.38%

LAB 34.9, 65.77, -58.16

 

CMYK 0 / 71 / 91 / 31

HEX #B13310

RGB 177 51 16

HSL 13.04, 0.83%, 0.38%

LAB 40.82, 49.52, 47.63

 

Description

Color code: HEX #3CB010 | qconv.com Color code: HEX #3CB010 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 176 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 176 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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