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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CACE0 it is the complementary color #C3531F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CACE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CACE0 shade: #41ACDB, #52BEEE, #63D0FF, #74E2FF and #85F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CACE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CACE0 shade: #3CACE0, #2B9ACD, #1A88BA, #0976A7 and #006494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CACE0 shade: #3CACE0, #3C80E0, #3C54E0, #513CE0 and #7D3CE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CACE0 shade: #3CACE0, #3C80E0, #3C54E0 and #3C3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CACE0 shade matches the following richer shades: #3CACE0 and #2AB3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CACE0 shade: #3CACE0, #4FA6CE, #619FBC, #7398AA and #859298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CACE0 shade: #3CE0BD, #3CD8E0, #3CACE0, #3C81E0 and #3C55E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CACE0 shade: #1B80AF, #209AD3, #3CACE0, #60BBE6 and #84CBEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CACE0 shade: #3CACE0, #913CE0 and #E0D33C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CACE0 shade: #3CACE0, #E03CAC and #ACE03C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CACE0 shade: #3CACE0, #913CE0, #E0703C and #8CE03C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CACE0 shade: #3CACE0, #C23CE0, #E0703C and #5AE03C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

Complementary color

CMYK 0 / 57 / 84 / 24

HEX #C3531F

RGB 195 83 31

HSL 19.02, 0.73%, 0.44%

LAB 49.36, 42.21, 49.79

 

CMYK 70 / 21 / 0 / 14

HEX #41ACDB

RGB 65 172 219

HSL 198.31, 0.68%, 0.56%

LAB 66.32, -15.48, -32.59

 

CMYK 66 / 20 / 0 / 7

HEX #52BEEE

RGB 82 190 238

HSL 198.46, 0.82%, 0.63%

LAB 72.76, -16.42, -32.96

 

CMYK 61 / 18 / 0 / 0

HEX #63D0FF

RGB 99 208 255

HSL 198.08, 1%, 0.69%

LAB 79.03, -17.77, -32.36

 

CMYK 55 / 11 / 0 / 0

HEX #74E2FF

RGB 116 226 255

HSL 192.52, 1%, 0.73%

LAB 84.65, -23.73, -23.71

 

CMYK 48 / 4 / 0 / 0

HEX #85F4FF

RGB 133 244 255

HSL 185.41, 1%, 0.76%

LAB 90.28, -29.01, -15.16

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 79 / 25 / 0 / 20

HEX #2B9ACD

RGB 43 154 205

HSL 198.89, 0.65%, 0.49%

LAB 59.92, -13.1, -34.81

 

CMYK 86 / 27 / 0 / 27

HEX #1A88BA

RGB 26 136 186

HSL 198.75, 0.75%, 0.42%

LAB 53.36, -11.32, -34.34

 

CMYK 95 / 29 / 0 / 35

HEX #0976A7

RGB 9 118 167

HSL 198.61, 0.9%, 0.35%

LAB 46.72, -9.03, -33.77

 

CMYK 100 / 32 / 0 / 42

HEX #006494

RGB 0 100 148

HSL 199.46, 1%, 0.29%

LAB 40, -6.12, -33.1

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 73 / 43 / 0 / 12

HEX #3C80E0

RGB 60 128 224

HSL 215.12, 0.73%, 0.56%

LAB 53.79, 10.91, -55.12

 

CMYK 73 / 63 / 0 / 12

HEX #3C54E0

RGB 60 84 224

HSL 231.22, 0.73%, 0.56%

LAB 42.28, 38.49, -73.75

 

CMYK 64 / 73 / 0 / 12

HEX #513CE0

RGB 81 60 224

HSL 247.68, 0.73%, 0.56%

LAB 38.49, 54.72, -79.94

 

CMYK 44 / 73 / 0 / 12

HEX #7D3CE0

RGB 125 60 224

HSL 263.78, 0.73%, 0.56%

LAB 42.72, 60.83, -72.82

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 73 / 43 / 0 / 12

HEX #3C80E0

RGB 60 128 224

HSL 215.12, 0.73%, 0.56%

LAB 53.79, 10.91, -55.12

 

CMYK 73 / 63 / 0 / 12

HEX #3C54E0

RGB 60 84 224

HSL 231.22, 0.73%, 0.56%

LAB 42.28, 38.49, -73.75

 

CMYK 73 / 73 / 0 / 12

HEX #3C3CE0

RGB 60 60 224

HSL 240, 0.73%, 0.56%

LAB 37.07, 52.61, -82.32

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 83 / 26 / 0 / 5

HEX #2AB3F2

RGB 42 179 242

HSL 198.9, 0.88%, 0.56%

LAB 68.85, -13.97, -41.27

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 62 / 19 / 0 / 19

HEX #4FA6CE

RGB 79 166 206

HSL 198.9, 0.56%, 0.56%

LAB 64.48, -14.18, -28.22

 

CMYK 48 / 15 / 0 / 26

HEX #619FBC

RGB 97 159 188

HSL 199.12, 0.4%, 0.56%

LAB 62.48, -12.03, -21.18

 

CMYK 32 / 11 / 0 / 33

HEX #7398AA

RGB 115 152 170

HSL 199.64, 0.24%, 0.56%

LAB 60.78, -8.26, -13.53

 

CMYK 13 / 4 / 0 / 40

HEX #859298

RGB 133 146 152

HSL 198.95, 0.08%, 0.56%

LAB 59.72, -3.39, -4.77

 

CMYK 73 / 0 / 16 / 12

HEX #3CE0BD

RGB 60 224 189

HSL 167.2, 0.73%, 0.56%

LAB 80.71, -49.46, 5.23

 

CMYK 73 / 4 / 0 / 12

HEX #3CD8E0

RGB 60 216 224

HSL 182.93, 0.73%, 0.56%

LAB 79.3, -36.49, -15.49

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 73 / 42 / 0 / 12

HEX #3C81E0

RGB 60 129 224

HSL 214.76, 0.73%, 0.56%

LAB 54.07, 10.3, -54.67

 

CMYK 73 / 62 / 0 / 12

HEX #3C55E0

RGB 60 85 224

HSL 230.85, 0.73%, 0.56%

LAB 42.52, 37.87, -73.36

 

CMYK 85 / 27 / 0 / 31

HEX #1B80AF

RGB 27 128 175

HSL 199.05, 0.73%, 0.4%

LAB 50.41, -10.71, -32.62

 

CMYK 85 / 27 / 0 / 17

HEX #209AD3

RGB 32 154 211

HSL 199.11, 0.74%, 0.48%

LAB 60, -11.95, -38.06

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 58 / 19 / 0 / 10

HEX #60BBE6

RGB 96 187 230

HSL 199.25, 0.73%, 0.64%

LAB 72.05, -14.87, -29.67

 

CMYK 44 / 14 / 0 / 8

HEX #84CBEB

RGB 132 203 235

HSL 198.64, 0.72%, 0.72%

LAB 78.24, -14.01, -22.77

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 35 / 73 / 0 / 12

HEX #913CE0

RGB 145 60 224

HSL 271.1, 0.73%, 0.56%

LAB 45.13, 64.17, -68.8

 

CMYK 0 / 6 / 73 / 12

HEX #E0D33C

RGB 224 211 60

HSL 55.24, 0.73%, 0.56%

LAB 83.32, -11.81, 71.51

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 0 / 73 / 23 / 12

HEX #E03CAC

RGB 224 60 172

HSL 319.02, 0.73%, 0.56%

LAB 54.09, 71.97, -23.8

 

CMYK 23 / 0 / 73 / 12

HEX #ACE03C

RGB 172 224 60

HSL 79.02, 0.73%, 0.56%

LAB 83.13, -39.08, 70.03

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 35 / 73 / 0 / 12

HEX #913CE0

RGB 145 60 224

HSL 271.1, 0.73%, 0.56%

LAB 45.13, 64.17, -68.8

 

CMYK 0 / 50 / 73 / 12

HEX #E0703C

RGB 224 112 60

HSL 19.02, 0.73%, 0.56%

LAB 59.67, 40.05, 47.89

 

CMYK 38 / 0 / 73 / 12

HEX #8CE03C

RGB 140 224 60

HSL 90.73, 0.73%, 0.56%

LAB 81.41, -50.6, 67.76

 

CMYK 73 / 23 / 0 / 12

HEX #3CACE0

RGB 60 172 224

HSL 199.02, 0.73%, 0.56%

LAB 66.4, -14.49, -35.22

 

CMYK 13 / 73 / 0 / 12

HEX #C23CE0

RGB 194 60 224

HSL 289.02, 0.73%, 0.56%

LAB 51.93, 73.32, -57.47

 

CMYK 0 / 50 / 73 / 12

HEX #E0703C

RGB 224 112 60

HSL 19.02, 0.73%, 0.56%

LAB 59.67, 40.05, 47.89

 

CMYK 60 / 0 / 73 / 12

HEX #5AE03C

RGB 90 224 60

HSL 109.02, 0.73%, 0.56%

LAB 79.51, -64.96, 65.24

 

Description

Color code: HEX #3CACE0 | qconv.com Color code: HEX #3CACE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 172 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 172 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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