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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CAB46 it is the complementary color #C354B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CAB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CAB46 shade: #41AB41, #52BD54, #63CF67, #74E17A and #85F38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CAB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CAB46 shade: #3CAB46, #2B9933, #1A8720, #09750D and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CAB46 shade: #3CAA46, #4FAA3C, #6DAA3C, #8BAA3C and #A9AA3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CAB46 shade: #3CAA46, #3CAA63, #3CAA81, #3CAA9F and #3C97AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CAB46 shade matches the following richer shades: #3CAA46, #29BC36, #17CF27 and #04E218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CAB46 shade: #3CAA46, #4E9755, #618564, #737273 and #866082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CAB46 shade: #6DAA3C, #50AA3C, #3CAA45, #3CAA62 and #3CAA80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CAB46 shade: #266D2D, #318B39, #3CAA46, #4EC158 and #6CCC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CAB46 shade: #3CAB46, #3C8BAA and #AA3C5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CAB46 shade: #3CAB46, #453CAA and #AA453C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CAB46 shade: #3CAB46, #3C8BAA, #AA3CA1 and #AA5B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CAB46 shade: #3CAB46, #3C6AAA, #AA3CA1 and #AA7C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

Complementary color

CMYK 0 / 57 / 5 / 24

HEX #C354B9

RGB 195 84 185

HSL 305.41, 0.48%, 0.55%

LAB 53.43, 57.15, -32.74

 

CMYK 62 / 0 / 62 / 33

HEX #41AB41

RGB 65 171 65

HSL 120, 0.45%, 0.46%

LAB 62.2, -51.54, 44.64

 

CMYK 57 / 0 / 56 / 26

HEX #52BD54

RGB 82 189 84

HSL 121.12, 0.45%, 0.53%

LAB 68.63, -51.95, 43.41

 

CMYK 52 / 0 / 50 / 19

HEX #63CF67

RGB 99 207 103

HSL 122.22, 0.53%, 0.6%

LAB 74.99, -52.11, 42.11

 

CMYK 48 / 0 / 46 / 12

HEX #74E17A

RGB 116 225 122

HSL 123.3, 0.64%, 0.67%

LAB 81.27, -52.11, 40.82

 

CMYK 45 / 0 / 42 / 5

HEX #85F38D

RGB 133 243 141

HSL 124.36, 0.82%, 0.74%

LAB 87.49, -52.01, 39.56

 

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

CMYK 72 / 0 / 67 / 40

HEX #2B9933

RGB 43 153 51

HSL 124.36, 0.56%, 0.38%

LAB 55.62, -51.19, 43.4

 

CMYK 81 / 0 / 76 / 47

HEX #1A8720

RGB 26 135 32

HSL 123.3, 0.68%, 0.32%

LAB 49.07, -49.66, 44.18

 

CMYK 92 / 0 / 89 / 54

HEX #09750D

RGB 9 117 13

HSL 122.22, 0.86%, 0.25%

LAB 42.48, -47.09, 43.91

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA46

RGB 60 170 70

HSL 125.45, 0.48%, 0.45%

LAB 61.79, -51.68, 41.82

 

CMYK 54 / 0 / 65 / 33

HEX #4FAA3C

RGB 79 170 60

HSL 109.64, 0.48%, 0.45%

LAB 62.29, -48.12, 47.09

 

CMYK 36 / 0 / 65 / 33

HEX #6DAA3C

RGB 109 170 60

HSL 93.27, 0.48%, 0.45%

LAB 63.61, -38.52, 48.93

 

CMYK 18 / 0 / 65 / 33

HEX #8BAA3C

RGB 139 170 60

HSL 76.91, 0.48%, 0.45%

LAB 65.41, -27, 51.39

 

CMYK 1 / 0 / 65 / 33

HEX #A9AA3C

RGB 169 170 60

HSL 60.55, 0.48%, 0.45%

LAB 67.66, -14.39, 54.45

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA46

RGB 60 170 70

HSL 125.45, 0.48%, 0.45%

LAB 61.79, -51.68, 41.82

 

CMYK 65 / 0 / 42 / 33

HEX #3CAA63

RGB 60 170 99

HSL 141.27, 0.48%, 0.45%

LAB 62.18, -47.26, 27.65

 

CMYK 65 / 0 / 24 / 33

HEX #3CAA81

RGB 60 170 129

HSL 157.64, 0.48%, 0.45%

LAB 62.76, -41.08, 12.11

 

CMYK 65 / 0 / 6 / 33

HEX #3CAA9F

RGB 60 170 159

HSL 174, 0.48%, 0.45%

LAB 63.52, -33.47, -3.5

 

CMYK 65 / 11 / 0 / 33

HEX #3C97AA

RGB 60 151 170

HSL 190.36, 0.48%, 0.45%

LAB 58.03, -20.8, -17.93

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA46

RGB 60 170 70

HSL 125.45, 0.48%, 0.45%

LAB 61.79, -51.68, 41.82

 

CMYK 78 / 0 / 71 / 26

HEX #29BC36

RGB 41 188 54

HSL 125.31, 0.64%, 0.45%

LAB 67.05, -62.78, 54.36

 

CMYK 89 / 0 / 81 / 19

HEX #17CF27

RGB 23 207 39

HSL 125.22, 0.8%, 0.45%

LAB 72.86, -71.3, 64.87

 

CMYK 98 / 0 / 89 / 11

HEX #04E218

RGB 4 226 24

HSL 125.41, 0.97%, 0.45%

LAB 78.74, -78.03, 73.31

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA46

RGB 60 170 70

HSL 125.45, 0.48%, 0.45%

LAB 61.79, -51.68, 41.82

 

CMYK 48 / 0 / 44 / 41

HEX #4E9755

RGB 78 151 85

HSL 125.75, 0.32%, 0.45%

LAB 56.49, -37.28, 27.86

 

CMYK 27 / 0 / 25 / 48

HEX #618564

RGB 97 133 100

HSL 125, 0.16%, 0.45%

LAB 52.1, -19.69, 13.81

 

CMYK 0 / 1 / 0 / 55

HEX #737273

RGB 115 114 115

HSL 300, 0%, 0.45%

LAB 48.16, 0.59, -0.42

 

CMYK 0 / 28 / 3 / 47

HEX #866082

RGB 134 96 130

HSL 306.32, 0.17%, 0.45%

LAB 45.7, 21.43, -12.86

 

CMYK 36 / 0 / 65 / 33

HEX #6DAA3C

RGB 109 170 60

HSL 93.27, 0.48%, 0.45%

LAB 63.61, -38.52, 48.93

 

CMYK 53 / 0 / 65 / 33

HEX #50AA3C

RGB 80 170 60

HSL 109.09, 0.48%, 0.45%

LAB 62.32, -47.84, 47.15

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA45

RGB 60 170 69

HSL 124.91, 0.48%, 0.45%

LAB 61.77, -51.81, 42.28

 

CMYK 65 / 0 / 42 / 33

HEX #3CAA62

RGB 60 170 98

HSL 140.73, 0.48%, 0.45%

LAB 62.16, -47.44, 28.16

 

CMYK 65 / 0 / 25 / 33

HEX #3CAA80

RGB 60 170 128

HSL 157.09, 0.48%, 0.45%

LAB 62.73, -41.31, 12.64

 

CMYK 65 / 0 / 59 / 57

HEX #266D2D

RGB 38 109 45

HSL 125.92, 0.48%, 0.29%

LAB 40.47, -36.45, 28.97

 

CMYK 65 / 0 / 59 / 45

HEX #318B39

RGB 49 139 57

HSL 125.33, 0.48%, 0.37%

LAB 51.17, -44.11, 35.59

 

CMYK 65 / 0 / 59 / 33

HEX #3CAA46

RGB 60 170 70

HSL 125.45, 0.48%, 0.45%

LAB 61.79, -51.68, 41.82

 

CMYK 60 / 0 / 54 / 24

HEX #4EC158

RGB 78 193 88

HSL 125.22, 0.48%, 0.53%

LAB 69.8, -53.91, 42.88

 

CMYK 47 / 0 / 43 / 20

HEX #6CCC75

RGB 108 204 117

HSL 125.63, 0.48%, 0.61%

LAB 74.61, -46.43, 34.75

 

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

CMYK 65 / 18 / 0 / 33

HEX #3C8BAA

RGB 60 139 170

HSL 196.91, 0.48%, 0.45%

LAB 54.37, -14.34, -23.53

 

CMYK 0 / 65 / 44 / 33

HEX #AA3C5F

RGB 170 60 95

HSL 340.91, 0.48%, 0.45%

LAB 42.16, 47.98, 3.88

 

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

CMYK 59 / 65 / 0 / 33

HEX #453CAA

RGB 69 60 170

HSL 244.91, 0.48%, 0.45%

LAB 32.7, 36.14, -57.9

 

CMYK 0 / 59 / 65 / 33

HEX #AA453C

RGB 170 69 60

HSL 4.91, 0.48%, 0.45%

LAB 42.96, 40.88, 26.48

 

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

CMYK 65 / 18 / 0 / 33

HEX #3C8BAA

RGB 60 139 170

HSL 196.91, 0.48%, 0.45%

LAB 54.37, -14.34, -23.53

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 46 / 65 / 33

HEX #AA5B3C

RGB 170 91 60

HSL 16.91, 0.48%, 0.45%

LAB 47.44, 29.48, 31.94

 

CMYK 65 / 0 / 59 / 33

HEX #3CAB46

RGB 60 171 70

HSL 125.41, 0.48%, 0.45%

LAB 62.11, -52.05, 42.19

 

CMYK 65 / 38 / 0 / 33

HEX #3C6AAA

RGB 60 106 170

HSL 214.91, 0.48%, 0.45%

LAB 44.48, 5.09, -38.98

 

CMYK 0 / 65 / 5 / 33

HEX #AA3CA1

RGB 170 60 161

HSL 304.91, 0.48%, 0.45%

LAB 44.73, 56.98, -32.54

 

CMYK 0 / 27 / 65 / 33

HEX #AA7C3C

RGB 170 124 60

HSL 34.91, 0.48%, 0.45%

LAB 55.37, 11.03, 41.16

 

Description

Color code: HEX #3CAB46 | qconv.com Color code: HEX #3CAB46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 171 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 171 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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