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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CAADE it is the complementary color #C35521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CAADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CAADE shade: #41AAD9, #52BCEC, #63CEFF, #74E0FF and #85F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CAADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CAADE shade: #3CAADE, #2B98CB, #1A86B8, #0974A5 and #006292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CAADE shade: #3BA9DE, #3B7DDE, #3B52DE, #503BDE and #7C3BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CAADE shade: #3BA9DE, #3B7DDE, #3B52DE and #3B3BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CAADE shade matches the following richer shades: #3BA9DE and #28B0F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CAADE shade: #3BA9DE, #4DA3CB, #609CB9, #7295A6 and #858F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CAADE shade: #3BDEBA, #3BD6DE, #3BAADE, #3B7FDE and #3B53DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CAADE shade: #1D7CA9, #2396CD, #3BA9DE, #5EB9E4 and #81C8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CAADE shade: #3CAADE, #8F3BDE and #DED03B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CAADE shade: #3CAADE, #DE3BAA and #AADE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CAADE shade: #3CAADE, #8F3BDE, #DE6E3B and #8ADE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CAADE shade: #3CAADE, #C03BDE, #DE6E3B and #59DE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

Complementary color

CMYK 0 / 56 / 83 / 24

HEX #C35521

RGB 195 85 33

HSL 19.26, 0.71%, 0.45%

LAB 49.75, 41.3, 49.28

 

CMYK 70 / 22 / 0 / 15

HEX #41AAD9

RGB 65 170 217

HSL 198.55, 0.67%, 0.55%

LAB 65.66, -15.06, -32.52

 

CMYK 65 / 20 / 0 / 7

HEX #52BCEC

RGB 82 188 236

HSL 198.7, 0.8%, 0.62%

LAB 72.11, -15.99, -32.89

 

CMYK 61 / 19 / 0 / 0

HEX #63CEFF

RGB 99 206 255

HSL 198.85, 1%, 0.69%

LAB 78.47, -16.73, -33.23

 

CMYK 55 / 12 / 0 / 0

HEX #74E0FF

RGB 116 224 255

HSL 193.38, 1%, 0.73%

LAB 84.09, -22.74, -24.56

 

CMYK 48 / 5 / 0 / 0

HEX #85F2FF

RGB 133 242 255

HSL 186.39, 1%, 0.76%

LAB 89.72, -28.05, -15.99

 

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

CMYK 79 / 25 / 0 / 20

HEX #2B98CB

RGB 43 152 203

HSL 199.13, 0.65%, 0.48%

LAB 59.23, -12.69, -34.76

 

CMYK 86 / 27 / 0 / 28

HEX #1A86B8

RGB 26 134 184

HSL 198.99, 0.75%, 0.41%

LAB 52.65, -10.92, -34.29

 

CMYK 95 / 30 / 0 / 35

HEX #0974A5

RGB 9 116 165

HSL 198.85, 0.9%, 0.34%

LAB 46, -8.62, -33.74

 

CMYK 100 / 33 / 0 / 43

HEX #006292

RGB 0 98 146

HSL 199.73, 1%, 0.29%

LAB 39.26, -5.69, -33.07

 

CMYK 73 / 24 / 0 / 13

HEX #3BA9DE

RGB 59 169 222

HSL 199.51, 0.71%, 0.55%

LAB 65.42, -13.66, -35.65

 

CMYK 73 / 44 / 0 / 13

HEX #3B7DDE

RGB 59 125 222

HSL 215.71, 0.71%, 0.55%

LAB 52.81, 11.9, -55.58

 

CMYK 73 / 63 / 0 / 13

HEX #3B52DE

RGB 59 82 222

HSL 231.53, 0.71%, 0.55%

LAB 41.59, 38.92, -73.74

 

CMYK 64 / 73 / 0 / 13

HEX #503BDE

RGB 80 59 222

HSL 247.73, 0.71%, 0.55%

LAB 38.03, 54.53, -79.54

 

CMYK 44 / 73 / 0 / 13

HEX #7C3BDE

RGB 124 59 222

HSL 263.93, 0.71%, 0.55%

LAB 42.29, 60.61, -72.4

 

CMYK 73 / 24 / 0 / 13

HEX #3BA9DE

RGB 59 169 222

HSL 199.51, 0.71%, 0.55%

LAB 65.42, -13.66, -35.65

 

CMYK 73 / 44 / 0 / 13

HEX #3B7DDE

RGB 59 125 222

HSL 215.71, 0.71%, 0.55%

LAB 52.81, 11.9, -55.58

 

CMYK 73 / 63 / 0 / 13

HEX #3B52DE

RGB 59 82 222

HSL 231.53, 0.71%, 0.55%

LAB 41.59, 38.92, -73.74

 

CMYK 73 / 73 / 0 / 13

HEX #3B3BDE

RGB 59 59 222

HSL 240, 0.71%, 0.55%

LAB 36.62, 52.43, -81.93

 

CMYK 73 / 24 / 0 / 13

HEX #3BA9DE

RGB 59 169 222

HSL 199.51, 0.71%, 0.55%

LAB 65.42, -13.66, -35.65

 

CMYK 83 / 27 / 0 / 6

HEX #28B0F0

RGB 40 176 240

HSL 199.2, 0.87%, 0.55%

LAB 67.87, -13.2, -41.72

 

CMYK 73 / 24 / 0 / 13

HEX #3BA9DE

RGB 59 169 222

HSL 199.51, 0.71%, 0.55%

LAB 65.42, -13.66, -35.65

 

CMYK 62 / 20 / 0 / 20

HEX #4DA3CB

RGB 77 163 203

HSL 199.05, 0.55%, 0.55%

LAB 63.41, -13.86, -28.2

 

CMYK 48 / 16 / 0 / 27

HEX #609CB9

RGB 96 156 185

HSL 199.55, 0.39%, 0.55%

LAB 61.45, -11.49, -21.07

 

CMYK 31 / 10 / 0 / 35

HEX #7295A6

RGB 114 149 166

HSL 199.62, 0.23%, 0.55%

LAB 59.73, -7.91, -12.85

 

CMYK 10 / 3 / 0 / 42

HEX #858F93

RGB 133 143 147

HSL 197.14, 0.06%, 0.55%

LAB 58.73, -2.78, -3.37

 

CMYK 73 / 0 / 16 / 13

HEX #3BDEBA

RGB 59 222 186

HSL 166.75, 0.71%, 0.55%

LAB 80.02, -49.5, 5.83

 

CMYK 73 / 4 / 0 / 13

HEX #3BD6DE

RGB 59 214 222

HSL 182.94, 0.71%, 0.55%

LAB 78.63, -36.25, -15.43

 

CMYK 73 / 23 / 0 / 13

HEX #3BAADE

RGB 59 170 222

HSL 199.14, 0.71%, 0.55%

LAB 65.71, -14.2, -35.2

 

CMYK 73 / 43 / 0 / 13

HEX #3B7FDE

RGB 59 127 222

HSL 214.97, 0.71%, 0.55%

LAB 53.37, 10.67, -54.68

 

CMYK 73 / 63 / 0 / 13

HEX #3B53DE

RGB 59 83 222

HSL 231.17, 0.71%, 0.55%

LAB 41.83, 38.3, -73.35

 

CMYK 83 / 27 / 0 / 34

HEX #1D7CA9

RGB 29 124 169

HSL 199.29, 0.71%, 0.39%

LAB 48.93, -10.44, -31.45

 

CMYK 83 / 27 / 0 / 20

HEX #2396CD

RGB 35 150 205

HSL 199.41, 0.71%, 0.47%

LAB 58.58, -11.62, -36.91

 

CMYK 73 / 24 / 0 / 13

HEX #3BA9DE

RGB 59 169 222

HSL 199.51, 0.71%, 0.55%

LAB 65.42, -13.66, -35.65

 

CMYK 59 / 19 / 0 / 11

HEX #5EB9E4

RGB 94 185 228

HSL 199.25, 0.71%, 0.63%

LAB 71.34, -14.79, -29.7

 

CMYK 45 / 15 / 0 / 8

HEX #81C8EA

RGB 129 200 234

HSL 199.43, 0.71%, 0.71%

LAB 77.23, -13.44, -23.78

 

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

CMYK 36 / 73 / 0 / 13

HEX #8F3BDE

RGB 143 59 222

HSL 270.92, 0.71%, 0.55%

LAB 44.58, 63.78, -68.57

 

CMYK 0 / 6 / 73 / 13

HEX #DED03B

RGB 222 208 59

HSL 54.85, 0.71%, 0.55%

LAB 82.36, -11.19, 70.88

 

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

CMYK 0 / 73 / 23 / 13

HEX #DE3BAA

RGB 222 59 170

HSL 319.14, 0.71%, 0.55%

LAB 53.56, 71.55, -23.48

 

CMYK 23 / 0 / 73 / 13

HEX #AADE3B

RGB 170 222 59

HSL 79.14, 0.71%, 0.55%

LAB 82.43, -39, 69.64

 

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

CMYK 36 / 73 / 0 / 13

HEX #8F3BDE

RGB 143 59 222

HSL 270.92, 0.71%, 0.55%

LAB 44.58, 63.78, -68.57

 

CMYK 0 / 50 / 73 / 13

HEX #DE6E3B

RGB 222 110 59

HSL 18.77, 0.71%, 0.55%

LAB 58.97, 40.24, 47.55

 

CMYK 38 / 0 / 73 / 13

HEX #8ADE3B

RGB 138 222 59

HSL 90.92, 0.71%, 0.55%

LAB 80.72, -50.52, 67.38

 

CMYK 73 / 23 / 0 / 13

HEX #3CAADE

RGB 60 170 222

HSL 199.26, 0.71%, 0.55%

LAB 65.74, -14.08, -35.16

 

CMYK 14 / 73 / 0 / 13

HEX #C03BDE

RGB 192 59 222

HSL 288.96, 0.71%, 0.55%

LAB 51.39, 72.91, -57.21

 

CMYK 0 / 50 / 73 / 13

HEX #DE6E3B

RGB 222 110 59

HSL 18.77, 0.71%, 0.55%

LAB 58.97, 40.24, 47.55

 

CMYK 60 / 0 / 73 / 13

HEX #59DE3B

RGB 89 222 59

HSL 108.96, 0.71%, 0.55%

LAB 78.86, -64.58, 64.92

 

Description

Color code: HEX #3CAADE | qconv.com Color code: HEX #3CAADE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 170 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 170 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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