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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CAABD it is the complementary color #C35542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CAABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CAABD shade: #41AAB8, #52BCCB, #63CEDE, #74E0F1 and #85F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CAABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CAABD shade: #3CAABD, #2B98AA, #1A8697, #097484 and #006271

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CAABD shade: #3CABBE, #3C88BE, #3C65BE, #3C42BE and #593CBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CAABD shade: #3CABBE, #3C88BE, #3C65BE, #3C42BE and #3C3CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CAABD shade matches the following richer shades: #3CABBE, #28B9D2 and #14C7E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CAABD shade: #3CABBE, #509DAA, #648E95, #798081 and #8D726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CAABD shade: #3CBE8A, #3CBEAD, #3CADBE, #3C8ABE and #3C67BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CAABD shade: #28727F, #328F9F, #3CABBE, #59BACA and #78C7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CAABD shade: #3CAABD, #673CBE and #BE9B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CAABD shade: #3CAABD, #BE3CAD and #ADBE3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CAABD shade: #3CAABD, #673CBE, #BE4D3C and #93BE3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CAABD shade: #3CAABD, #8E3CBE, #BE4D3C and #6CBE3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

Complementary color

CMYK 0 / 56 / 66 / 24

HEX #C35542

RGB 195 85 66

HSL 8.84, 0.52%, 0.51%

LAB 50.09, 42.75, 32.64

 

CMYK 65 / 8 / 0 / 28

HEX #41AAB8

RGB 65 170 184

HSL 187.06, 0.48%, 0.49%

LAB 64.43, -25.44, -16.09

 

CMYK 60 / 7 / 0 / 20

HEX #52BCCB

RGB 82 188 203

HSL 187.44, 0.54%, 0.56%

LAB 70.92, -25.95, -16.72

 

CMYK 55 / 7 / 0 / 13

HEX #63CEDE

RGB 99 206 222

HSL 187.8, 0.65%, 0.63%

LAB 77.32, -26.31, -17.31

 

CMYK 52 / 7 / 0 / 5

HEX #74E0F1

RGB 116 224 241

HSL 188.16, 0.82%, 0.7%

LAB 83.64, -26.57, -17.85

 

CMYK 48 / 5 / 0 / 0

HEX #85F2FF

RGB 133 242 255

HSL 186.39, 1%, 0.76%

LAB 89.72, -28.05, -15.99

 

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

CMYK 75 / 11 / 0 / 33

HEX #2B98AA

RGB 43 152 170

HSL 188.5, 0.6%, 0.42%

LAB 57.92, -23.81, -18.14

 

CMYK 83 / 11 / 0 / 41

HEX #1A8697

RGB 26 134 151

HSL 188.16, 0.71%, 0.35%

LAB 51.27, -22.57, -17.37

 

CMYK 93 / 12 / 0 / 48

HEX #097484

RGB 9 116 132

HSL 187.8, 0.87%, 0.28%

LAB 44.54, -20.86, -16.47

 

CMYK 100 / 13 / 0 / 56

HEX #006271

RGB 0 98 113

HSL 187.96, 1%, 0.22%

LAB 37.71, -18.51, -15.41

 

CMYK 68 / 10 / 0 / 25

HEX #3CABBE

RGB 60 171 190

HSL 188.77, 0.52%, 0.49%

LAB 64.81, -24.9, -18.87

 

CMYK 68 / 28 / 0 / 25

HEX #3C88BE

RGB 60 136 190

HSL 204.92, 0.52%, 0.49%

LAB 54.33, -5.94, -35.04

 

CMYK 68 / 47 / 0 / 25

HEX #3C65BE

RGB 60 101 190

HSL 221.08, 0.52%, 0.49%

LAB 44.21, 15.45, -51.08

 

CMYK 68 / 65 / 0 / 25

HEX #3C42BE

RGB 60 66 190

HSL 237.23, 0.52%, 0.49%

LAB 35.15, 37.83, -65.78

 

CMYK 53 / 68 / 0 / 25

HEX #593CBE

RGB 89 60 190

HSL 253.38, 0.52%, 0.49%

LAB 36.12, 45.7, -64.09

 

CMYK 68 / 10 / 0 / 25

HEX #3CABBE

RGB 60 171 190

HSL 188.77, 0.52%, 0.49%

LAB 64.81, -24.9, -18.87

 

CMYK 68 / 28 / 0 / 25

HEX #3C88BE

RGB 60 136 190

HSL 204.92, 0.52%, 0.49%

LAB 54.33, -5.94, -35.04

 

CMYK 68 / 47 / 0 / 25

HEX #3C65BE

RGB 60 101 190

HSL 221.08, 0.52%, 0.49%

LAB 44.21, 15.45, -51.08

 

CMYK 68 / 65 / 0 / 25

HEX #3C42BE

RGB 60 66 190

HSL 237.23, 0.52%, 0.49%

LAB 35.15, 37.83, -65.78

 

CMYK 68 / 68 / 0 / 25

HEX #3C3CBE

RGB 60 60 190

HSL 240, 0.52%, 0.49%

LAB 33.79, 41.48, -68

 

CMYK 68 / 10 / 0 / 25

HEX #3CABBE

RGB 60 171 190

HSL 188.77, 0.52%, 0.49%

LAB 64.81, -24.9, -18.87

 

CMYK 81 / 12 / 0 / 18

HEX #28B9D2

RGB 40 185 210

HSL 188.82, 0.68%, 0.49%

LAB 69.33, -27.9, -23.06

 

CMYK 91 / 13 / 0 / 10

HEX #14C7E6

RGB 20 199 230

HSL 188.86, 0.84%, 0.49%

LAB 74, -29.58, -26.81

 

CMYK 68 / 10 / 0 / 25

HEX #3CABBE

RGB 60 171 190

HSL 188.77, 0.52%, 0.49%

LAB 64.81, -24.9, -18.87

 

CMYK 53 / 8 / 0 / 33

HEX #509DAA

RGB 80 157 170

HSL 188.67, 0.36%, 0.49%

LAB 60.54, -20.04, -14.07

 

CMYK 33 / 5 / 0 / 42

HEX #648E95

RGB 100 142 149

HSL 188.57, 0.2%, 0.49%

LAB 56.31, -12.56, -8.35

 

CMYK 6 / 1 / 0 / 49

HEX #798081

RGB 121 128 129

HSL 187.5, 0.03%, 0.49%

LAB 53.05, -2.38, -1.45

 

CMYK 0 / 19 / 23 / 45

HEX #8D726D

RGB 141 114 109

HSL 9.38, 0.13%, 0.49%

LAB 50.45, 9.77, 6.76

 

CMYK 68 / 0 / 27 / 25

HEX #3CBE8A

RGB 60 190 138

HSL 156, 0.52%, 0.49%

LAB 69.2, -47.46, 16.2

 

CMYK 68 / 0 / 9 / 25

HEX #3CBEAD

RGB 60 190 173

HSL 172.15, 0.52%, 0.49%

LAB 70.04, -38.88, -1.67

 

CMYK 68 / 9 / 0 / 25

HEX #3CADBE

RGB 60 173 190

HSL 187.85, 0.52%, 0.49%

LAB 65.41, -25.9, -17.96

 

CMYK 68 / 27 / 0 / 25

HEX #3C8ABE

RGB 60 138 190

HSL 204, 0.52%, 0.49%

LAB 54.92, -7.09, -34.11

 

CMYK 68 / 46 / 0 / 25

HEX #3C67BE

RGB 60 103 190

HSL 220.15, 0.52%, 0.49%

LAB 44.77, 14.18, -50.18

 

CMYK 69 / 10 / 0 / 50

HEX #28727F

RGB 40 114 127

HSL 188.97, 0.52%, 0.33%

LAB 44.26, -18.14, -13.85

 

CMYK 69 / 10 / 0 / 38

HEX #328F9F

RGB 50 143 159

HSL 188.81, 0.52%, 0.41%

LAB 54.89, -21.69, -16.44

 

CMYK 68 / 10 / 0 / 25

HEX #3CABBE

RGB 60 171 190

HSL 188.77, 0.52%, 0.49%

LAB 64.81, -24.9, -18.87

 

CMYK 56 / 8 / 0 / 21

HEX #59BACA

RGB 89 186 202

HSL 188.5, 0.52%, 0.57%

LAB 70.53, -23.91, -16.75

 

CMYK 43 / 6 / 0 / 17

HEX #78C7D4

RGB 120 199 212

HSL 188.48, 0.52%, 0.65%

LAB 75.82, -20.91, -14.1

 

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

CMYK 46 / 68 / 0 / 25

HEX #673CBE

RGB 103 60 190

HSL 259.85, 0.52%, 0.49%

LAB 37.54, 48.16, -61.72

 

CMYK 0 / 18 / 68 / 25

HEX #BE9B3C

RGB 190 155 60

HSL 43.85, 0.52%, 0.49%

LAB 65.53, 2.73, 52.82

 

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

CMYK 0 / 68 / 9 / 25

HEX #BE3CAD

RGB 190 60 173

HSL 307.85, 0.52%, 0.49%

LAB 48.51, 63.87, -33.5

 

CMYK 9 / 0 / 68 / 25

HEX #ADBE3C

RGB 173 190 60

HSL 67.85, 0.52%, 0.49%

LAB 73.57, -22.77, 60.61

 

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

CMYK 46 / 68 / 0 / 25

HEX #673CBE

RGB 103 60 190

HSL 259.85, 0.52%, 0.49%

LAB 37.54, 48.16, -61.72

 

CMYK 0 / 59 / 68 / 25

HEX #BE4D3C

RGB 190 77 60

HSL 7.85, 0.52%, 0.49%

LAB 47.73, 44.4, 33.04

 

CMYK 23 / 0 / 68 / 25

HEX #93BE3C

RGB 147 190 60

HSL 79.85, 0.52%, 0.49%

LAB 71.8, -33.29, 58.24

 

CMYK 68 / 10 / 0 / 26

HEX #3CAABD

RGB 60 170 189

HSL 188.84, 0.52%, 0.49%

LAB 64.47, -24.7, -18.83

 

CMYK 25 / 68 / 0 / 25

HEX #8E3CBE

RGB 142 60 190

HSL 277.85, 0.52%, 0.49%

LAB 42.31, 55.97, -53.77

 

CMYK 0 / 59 / 68 / 25

HEX #BE4D3C

RGB 190 77 60

HSL 7.85, 0.52%, 0.49%

LAB 47.73, 44.4, 33.04

 

CMYK 43 / 0 / 68 / 25

HEX #6CBE3C

RGB 108 190 60

HSL 97.85, 0.52%, 0.49%

LAB 69.71, -47.33, 55.42

 

Description

Color code: HEX #3CAABD | qconv.com Color code: HEX #3CAABD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 170 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 170 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 10 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 10% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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