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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CA31B it is the complementary color #C35CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CA31B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CA31B shade: #41A316, #52B529, #63C73C, #74D94F and #85EB62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CA31B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CA31B shade: #3CA31B, #2B9108, #1A7F00, #096D00 and #005B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CA31B shade: #3BA21A, #60A21A, #85A21A, #A29B1A and #A2771A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CA31B shade: #3BA21A, #1AA21E, #1AA243, #1AA267 and #1AA28C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CA31B shade matches the following richer shades: #3BA21A and #34B20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CA31B shade: #3BA21A, #43932A, #4B8439, #537448 and #5B6557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CA31B shade: #85A21A, #61A21A, #3CA21A, #1AA21D and #1AA241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CA31B shade: #215B0F, #2E7F15, #3BA21A, #48C620 and #5BDE32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CA31B shade: #3CA31B, #1AA29B and #A21A73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CA31B shade: #3CA31B, #1A3CA2 and #A21A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CA31B shade: #3CA31B, #1AA29B, #801AA2 and #A21A21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CA31B shade: #3CA31B, #1A80A2, #801AA2 and #A23C1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

Complementary color

CMYK 14 / 60 / 0 / 11

HEX #C35CE4

RGB 195 92 228

HSL 285.44, 0.72%, 0.63%

LAB 56.94, 61.36, -51.71

 

CMYK 60 / 0 / 87 / 36

HEX #41A316

RGB 65 163 22

HSL 101.7, 0.76%, 0.36%

LAB 59.32, -51.95, 57.16

 

CMYK 55 / 0 / 77 / 29

HEX #52B529

RGB 82 181 41

HSL 102.43, 0.63%, 0.44%

LAB 65.75, -52.99, 57.96

 

CMYK 50 / 0 / 70 / 22

HEX #63C73C

RGB 99 199 60

HSL 103.17, 0.55%, 0.51%

LAB 72.11, -53.62, 57.81

 

CMYK 47 / 0 / 64 / 15

HEX #74D94F

RGB 116 217 79

HSL 103.91, 0.64%, 0.58%

LAB 78.41, -53.99, 57.14

 

CMYK 43 / 0 / 58 / 8

HEX #85EB62

RGB 133 235 98

HSL 104.67, 0.77%, 0.65%

LAB 84.63, -54.17, 56.2

 

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

CMYK 70 / 0 / 94 / 43

HEX #2B9108

RGB 43 145 8

HSL 104.67, 0.9%, 0.3%

LAB 52.71, -51.29, 53.96

 

CMYK 80 / 0 / 100 / 50

HEX #1A7F00

RGB 26 127 0

HSL 107.72, 1%, 0.25%

LAB 46.18, -48.73, 49.98

 

CMYK 92 / 0 / 100 / 57

HEX #096D00

RGB 9 109 0

HSL 115.05, 1%, 0.21%

LAB 39.57, -45.19, 44.6

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 64 / 0 / 84 / 36

HEX #3BA21A

RGB 59 162 26

HSL 105.44, 0.72%, 0.37%

LAB 58.83, -52.88, 55.66

 

CMYK 41 / 0 / 84 / 36

HEX #60A21A

RGB 96 162 26

HSL 89.12, 0.72%, 0.37%

LAB 60.25, -41.9, 57.47

 

CMYK 18 / 0 / 84 / 36

HEX #85A21A

RGB 133 162 26

HSL 72.79, 0.72%, 0.37%

LAB 62.42, -27.46, 60.22

 

CMYK 0 / 4 / 84 / 36

HEX #A29B1A

RGB 162 155 26

HSL 56.91, 0.72%, 0.37%

LAB 62.67, -11.21, 61.33

 

CMYK 0 / 27 / 84 / 36

HEX #A2771A

RGB 162 119 26

HSL 41.03, 0.72%, 0.37%

LAB 52.89, 8.56, 52.98

 

CMYK 64 / 0 / 84 / 36

HEX #3BA21A

RGB 59 162 26

HSL 105.44, 0.72%, 0.37%

LAB 58.83, -52.88, 55.66

 

CMYK 84 / 0 / 81 / 36

HEX #1AA21E

RGB 26 162 30

HSL 121.76, 0.72%, 0.37%

LAB 58.18, -58.36, 53.7

 

CMYK 84 / 0 / 59 / 36

HEX #1AA243

RGB 26 162 67

HSL 138.09, 0.72%, 0.37%

LAB 58.48, -54.72, 39.2

 

CMYK 84 / 0 / 36 / 36

HEX #1AA267

RGB 26 162 103

HSL 153.97, 0.72%, 0.37%

LAB 59.01, -48.43, 21.18

 

CMYK 84 / 0 / 14 / 36

HEX #1AA28C

RGB 26 162 140

HSL 170.29, 0.72%, 0.37%

LAB 59.85, -39.37, 1.72

 

CMYK 64 / 0 / 84 / 36

HEX #3BA21A

RGB 59 162 26

HSL 105.44, 0.72%, 0.37%

LAB 58.83, -52.88, 55.66

 

CMYK 71 / 0 / 94 / 30

HEX #34B20B

RGB 52 178 11

HSL 105.27, 0.88%, 0.37%

LAB 63.83, -60.21, 62.86

 

CMYK 64 / 0 / 84 / 36

HEX #3BA21A

RGB 59 162 26

HSL 105.44, 0.72%, 0.37%

LAB 58.83, -52.88, 55.66

 

CMYK 54 / 0 / 71 / 42

HEX #43932A

RGB 67 147 42

HSL 105.71, 0.56%, 0.37%

LAB 54.27, -44.17, 45.96

 

CMYK 43 / 0 / 57 / 48

HEX #4B8439

RGB 75 132 57

HSL 105.6, 0.4%, 0.37%

LAB 49.85, -33.76, 34.28

 

CMYK 28 / 0 / 38 / 55

HEX #537448

RGB 83 116 72

HSL 105, 0.23%, 0.37%

LAB 45.36, -20.93, 20.62

 

CMYK 10 / 0 / 14 / 60

HEX #5B6557

RGB 91 101 87

HSL 102.86, 0.07%, 0.37%

LAB 41.56, -6.78, 6.63

 

CMYK 18 / 0 / 84 / 36

HEX #85A21A

RGB 133 162 26

HSL 72.79, 0.72%, 0.37%

LAB 62.42, -27.46, 60.22

 

CMYK 40 / 0 / 84 / 36

HEX #61A21A

RGB 97 162 26

HSL 88.68, 0.72%, 0.37%

LAB 60.3, -41.55, 57.53

 

CMYK 63 / 0 / 84 / 36

HEX #3CA21A

RGB 60 162 26

HSL 105, 0.72%, 0.37%

LAB 58.86, -52.65, 55.7

 

CMYK 84 / 0 / 82 / 36

HEX #1AA21D

RGB 26 162 29

HSL 121.32, 0.72%, 0.37%

LAB 58.18, -58.42, 53.99

 

CMYK 84 / 0 / 60 / 36

HEX #1AA241

RGB 26 162 65

HSL 137.21, 0.72%, 0.37%

LAB 58.45, -54.99, 40.13

 

CMYK 64 / 0 / 84 / 64

HEX #215B0F

RGB 33 91 15

HSL 105.79, 0.72%, 0.21%

LAB 33.65, -33.73, 35.32

 

CMYK 64 / 0 / 83 / 50

HEX #2E7F15

RGB 46 127 21

HSL 105.85, 0.72%, 0.29%

LAB 46.73, -43.75, 45.83

 

CMYK 64 / 0 / 84 / 36

HEX #3BA21A

RGB 59 162 26

HSL 105.44, 0.72%, 0.37%

LAB 58.83, -52.88, 55.66

 

CMYK 64 / 0 / 84 / 22

HEX #48C620

RGB 72 198 32

HSL 105.54, 0.72%, 0.45%

LAB 70.78, -61.91, 65.06

 

CMYK 59 / 0 / 77 / 13

HEX #5BDE32

RGB 91 222 50

HSL 105.7, 0.72%, 0.53%

LAB 78.87, -64.69, 67.83

 

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

CMYK 84 / 0 / 4 / 36

HEX #1AA29B

RGB 26 162 155

HSL 176.91, 0.72%, 0.37%

LAB 60.27, -35.07, -6.13

 

CMYK 0 / 84 / 29 / 36

HEX #A21A73

RGB 162 26 115

HSL 320.74, 0.72%, 0.37%

LAB 37.22, 59.65, -16.18

 

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

CMYK 84 / 63 / 0 / 36

HEX #1A3CA2

RGB 26 60 162

HSL 225, 0.72%, 0.37%

LAB 29.56, 27.76, -58.32

 

CMYK 0 / 84 / 63 / 36

HEX #A21A3C

RGB 162 26 60

HSL 345, 0.72%, 0.37%

LAB 35.49, 54.62, 16.61

 

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

CMYK 84 / 0 / 4 / 36

HEX #1AA29B

RGB 26 162 155

HSL 176.91, 0.72%, 0.37%

LAB 60.27, -35.07, -6.13

 

CMYK 21 / 84 / 0 / 36

HEX #801AA2

RGB 128 26 162

HSL 285, 0.72%, 0.37%

LAB 33.85, 60.01, -50.9

 

CMYK 0 / 84 / 80 / 36

HEX #A21A21

RGB 162 26 33

HSL 356.91, 0.72%, 0.37%

LAB 35.06, 53.33, 33.03

 

CMYK 63 / 0 / 83 / 36

HEX #3CA31B

RGB 60 163 27

HSL 105.44, 0.72%, 0.37%

LAB 59.19, -52.95, 55.73

 

CMYK 84 / 21 / 0 / 36

HEX #1A80A2

RGB 26 128 162

HSL 195, 0.72%, 0.37%

LAB 49.82, -15.51, -26

 

CMYK 21 / 84 / 0 / 36

HEX #801AA2

RGB 128 26 162

HSL 285, 0.72%, 0.37%

LAB 33.85, 60.01, -50.9

 

CMYK 0 / 63 / 84 / 36

HEX #A23C1A

RGB 162 60 26

HSL 15, 0.72%, 0.37%

LAB 39.56, 40.58, 41.17

 

Description

Color code: HEX #3CA31B | qconv.com Color code: HEX #3CA31B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 163 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 163 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 83 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 83% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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