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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9DA5 it is the complementary color #C3625A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9DA5 shade: #419DA0, #52AFB3, #63C1C6, #74D3D9 and #85E5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9DA5 shade: #3C9DA5, #2B8B92, #1A797F, #09676C and #005559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9DA5 shade: #3B9CA4, #3B80A4, #3B64A4, #3B47A4 and #4B3BA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9DA5 shade: #3B9CA4, #3B80A4, #3B64A4, #3B47A4 and #3B3BA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9DA5 shade matches the following richer shades: #3B9CA4, #29ACB7, #17BBC9 and #05CBDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9DA5 shade: #3B9CA4, #4D8D92, #5F7E80, #716E6E and #845F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9DA5 shade: #3BA473, #3BA48F, #3B9DA4, #3B81A4 and #3B65A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9DA5 shade: #256368, #308086, #3B9CA4, #4BB5BE and #69C1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9DA5 shade: #3C9DA5, #573BA4 and #A4813B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9DA5 shade: #3C9DA5, #A43B9D and #9DA43B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9DA5 shade: #3C9DA5, #573BA4, #A4423B and #88A43B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9DA5 shade: #3C9DA5, #773BA4, #A4423B and #69A43B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

Complementary color

CMYK 0 / 50 / 54 / 24

HEX #C3625A

RGB 195 98 90

HSL 4.57, 0.47%, 0.56%

LAB 53.03, 37.96, 22.53

 

CMYK 59 / 2 / 0 / 37

HEX #419DA0

RGB 65 157 160

HSL 181.89, 0.42%, 0.44%

LAB 59.69, -25.98, -9.74

 

CMYK 54 / 2 / 0 / 30

HEX #52AFB3

RGB 82 175 179

HSL 182.47, 0.39%, 0.51%

LAB 66.3, -26.26, -10.45

 

CMYK 50 / 3 / 0 / 22

HEX #63C1C6

RGB 99 193 198

HSL 183.03, 0.46%, 0.58%

LAB 72.81, -26.43, -11.1

 

CMYK 47 / 3 / 0 / 15

HEX #74D3D9

RGB 116 211 217

HSL 183.56, 0.57%, 0.65%

LAB 79.22, -26.53, -11.71

 

CMYK 44 / 3 / 0 / 7

HEX #85E5EC

RGB 133 229 236

HSL 184.08, 0.73%, 0.72%

LAB 85.54, -26.58, -12.29

 

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

CMYK 71 / 5 / 0 / 43

HEX #2B8B92

RGB 43 139 146

HSL 184.08, 0.54%, 0.37%

LAB 53.01, -24.77, -11.8

 

CMYK 80 / 5 / 0 / 50

HEX #1A797F

RGB 26 121 127

HSL 183.56, 0.66%, 0.3%

LAB 46.21, -23.8, -10.93

 

CMYK 92 / 5 / 0 / 58

HEX #09676C

RGB 9 103 108

HSL 183.03, 0.85%, 0.23%

LAB 39.31, -22.35, -9.9

 

CMYK 100 / 4 / 0 / 65

HEX #005559

RGB 0 85 89

HSL 182.7, 1%, 0.17%

LAB 32.3, -20.19, -8.67

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 64 / 22 / 0 / 36

HEX #3B80A4

RGB 59 128 164

HSL 200.57, 0.47%, 0.44%

LAB 50.74, -10.33, -25.67

 

CMYK 64 / 39 / 0 / 36

HEX #3B64A4

RGB 59 100 164

HSL 216.57, 0.47%, 0.44%

LAB 42.35, 6.53, -38.83

 

CMYK 64 / 57 / 0 / 36

HEX #3B47A4

RGB 59 71 164

HSL 233.14, 0.47%, 0.44%

LAB 34.22, 25.37, -51.86

 

CMYK 54 / 64 / 0 / 36

HEX #4B3BA4

RGB 75 59 164

HSL 249.14, 0.47%, 0.44%

LAB 32.49, 35.88, -54.62

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 64 / 22 / 0 / 36

HEX #3B80A4

RGB 59 128 164

HSL 200.57, 0.47%, 0.44%

LAB 50.74, -10.33, -25.67

 

CMYK 64 / 39 / 0 / 36

HEX #3B64A4

RGB 59 100 164

HSL 216.57, 0.47%, 0.44%

LAB 42.35, 6.53, -38.83

 

CMYK 64 / 57 / 0 / 36

HEX #3B47A4

RGB 59 71 164

HSL 233.14, 0.47%, 0.44%

LAB 34.22, 25.37, -51.86

 

CMYK 64 / 64 / 0 / 36

HEX #3B3BA4

RGB 59 59 164

HSL 240, 0.47%, 0.44%

LAB 31.2, 33.12, -56.77

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 78 / 6 / 0 / 28

HEX #29ACB7

RGB 41 172 183

HSL 184.65, 0.63%, 0.44%

LAB 64.48, -29.93, -15.51

 

CMYK 89 / 7 / 0 / 21

HEX #17BBC9

RGB 23 187 201

HSL 184.72, 0.79%, 0.44%

LAB 69.43, -32.91, -18

 

CMYK 98 / 7 / 0 / 14

HEX #05CBDB

RGB 5 203 219

HSL 184.49, 0.96%, 0.44%

LAB 74.74, -35.45, -19.76

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 47 / 3 / 0 / 43

HEX #4D8D92

RGB 77 141 146

HSL 184.35, 0.31%, 0.44%

LAB 54.76, -19.1, -9.05

 

CMYK 26 / 2 / 0 / 50

HEX #5F7E80

RGB 95 126 128

HSL 183.64, 0.15%, 0.44%

LAB 50.59, -10.49, -4.7

 

CMYK 0 / 3 / 3 / 56

HEX #716E6E

RGB 113 110 110

HSL 0, 0.01%, 0.44%

LAB 46.7, 1.16, 0.41

 

CMYK 0 / 28 / 30 / 48

HEX #845F5C

RGB 132 95 92

HSL 4.5, 0.18%, 0.44%

LAB 44.04, 14.63, 7.67

 

CMYK 64 / 0 / 30 / 36

HEX #3BA473

RGB 59 164 115

HSL 152, 0.47%, 0.44%

LAB 60.53, -41.83, 16.76

 

CMYK 64 / 0 / 13 / 36

HEX #3BA48F

RGB 59 164 143

HSL 168, 0.47%, 0.44%

LAB 61.19, -35.13, 2.06

 

CMYK 64 / 4 / 0 / 36

HEX #3B9DA4

RGB 59 157 164

HSL 184, 0.47%, 0.44%

LAB 59.64, -25.88, -12.1

 

CMYK 64 / 21 / 0 / 36

HEX #3B81A4

RGB 59 129 164

HSL 200, 0.47%, 0.44%

LAB 51.05, -10.9, -25.19

 

CMYK 64 / 38 / 0 / 36

HEX #3B65A4

RGB 59 101 164

HSL 216, 0.47%, 0.44%

LAB 42.64, 5.9, -38.37

 

CMYK 64 / 5 / 0 / 59

HEX #256368

RGB 37 99 104

HSL 184.48, 0.48%, 0.28%

LAB 38.4, -17.93, -8.76

 

CMYK 64 / 4 / 0 / 47

HEX #308086

RGB 48 128 134

HSL 184.19, 0.47%, 0.36%

LAB 49.24, -22, -10.46

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 61 / 5 / 0 / 25

HEX #4BB5BE

RGB 75 181 190

HSL 184.7, 0.47%, 0.52%

LAB 68.21, -27.47, -13.69

 

CMYK 48 / 4 / 0 / 21

HEX #69C1C9

RGB 105 193 201

HSL 185, 0.47%, 0.6%

LAB 73.13, -24.3, -12.23

 

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

CMYK 47 / 64 / 0 / 36

HEX #573BA4

RGB 87 59 164

HSL 256, 0.47%, 0.44%

LAB 33.64, 38.24, -52.71

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164 129 59

HSL 40, 0.47%, 0.44%

LAB 56, 5.48, 42.18

 

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

CMYK 0 / 64 / 4 / 36

HEX #A43B9D

RGB 164 59 157

HSL 304, 0.47%, 0.44%

LAB 43.44, 55.19, -32.24

 

CMYK 4 / 0 / 64 / 36

HEX #9DA43B

RGB 157 164 59

HSL 64, 0.47%, 0.44%

LAB 64.99, -16.52, 51.77

 

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

CMYK 47 / 64 / 0 / 36

HEX #573BA4

RGB 87 59 164

HSL 256, 0.47%, 0.44%

LAB 33.64, 38.24, -52.71

 

CMYK 0 / 60 / 64 / 36

HEX #A4423B

RGB 164 66 59

HSL 4, 0.47%, 0.44%

LAB 41.38, 40.05, 24.9

 

CMYK 17 / 0 / 64 / 36

HEX #88A43B

RGB 136 164 59

HSL 76, 0.47%, 0.44%

LAB 63.43, -25.37, 49.64

 

CMYK 64 / 5 / 0 / 35

HEX #3C9DA5

RGB 60 157 165

HSL 184.57, 0.47%, 0.44%

LAB 59.7, -25.41, -12.57

 

CMYK 27 / 64 / 0 / 36

HEX #773BA4

RGB 119 59 164

HSL 274.29, 0.47%, 0.44%

LAB 37.35, 45.37, -46.52

 

CMYK 0 / 60 / 64 / 36

HEX #A4423B

RGB 164 66 59

HSL 4, 0.47%, 0.44%

LAB 41.38, 40.05, 24.9

 

CMYK 36 / 0 / 64 / 36

HEX #69A43B

RGB 105 164 59

HSL 93.71, 0.47%, 0.44%

LAB 61.54, -37.38, 47.04

 

Description

Color code: HEX #3C9DA5 | qconv.com Color code: HEX #3C9DA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 157 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 157 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 5 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 5% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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