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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C99CE it is the complementary color #C36631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C99CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C99CE shade: #4199C9, #52ABDC, #63BDEF, #74CFFF and #85E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C99CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C99CE shade: #3C99CE, #2B87BB, #1A75A8, #096395 and #005182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C99CE shade: #3B99CE, #3B71CE, #3B4ACE, #543BCE and #7C3BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C99CE shade: #3B99CE, #3B71CE, #3B4ACE and #3B3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C99CE shade matches the following richer shades: #3B99CE, #279EE2 and #14A4F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C99CE shade: #3B99CE, #4F93BA, #638EA6, #778893 and #8A837F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C99CE shade: #3BCEB3, #3BC2CE, #3B9BCE, #3B73CE and #3B4CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C99CE shade: #256A92, #2D82B3, #3B99CE, #5CAAD6 and #7DBBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C99CE shade: #3C99CE, #8C3BCE and #CEC73B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C99CE shade: #3C99CE, #CE3B9B and #9BCE3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C99CE shade: #3C99CE, #8C3BCE, #CE6F3B and #7DCE3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C99CE shade: #3C99CE, #B83BCE, #CE6F3B and #51CE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

Complementary color

CMYK 0 / 48 / 75 / 24

HEX #C36631

RGB 195 102 49

HSL 21.78, 0.6%, 0.48%

LAB 53.31, 33.22, 45.31

 

CMYK 68 / 24 / 0 / 21

HEX #4199C9

RGB 65 153 201

HSL 201.18, 0.56%, 0.52%

LAB 60, -11.06, -32.4

 

CMYK 63 / 22 / 0 / 14

HEX #52ABDC

RGB 82 171 220

HSL 201.3, 0.66%, 0.59%

LAB 66.59, -11.95, -32.69

 

CMYK 59 / 21 / 0 / 6

HEX #63BDEF

RGB 99 189 239

HSL 201.43, 0.81%, 0.66%

LAB 73.08, -12.65, -32.96

 

CMYK 55 / 19 / 0 / 0

HEX #74CFFF

RGB 116 207 255

HSL 200.72, 1%, 0.73%

LAB 79.36, -14.08, -31.8

 

CMYK 48 / 12 / 0 / 0

HEX #85E1FF

RGB 133 225 255

HSL 194.75, 1%, 0.76%

LAB 85.03, -19.69, -23.08

 

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

CMYK 77 / 28 / 0 / 27

HEX #2B87BB

RGB 43 135 187

HSL 201.67, 0.63%, 0.45%

LAB 53.42, -8.77, -34.79

 

CMYK 85 / 30 / 0 / 34

HEX #1A75A8

RGB 26 117 168

HSL 201.55, 0.73%, 0.38%

LAB 46.67, -6.99, -34.42

 

CMYK 94 / 34 / 0 / 42

HEX #096395

RGB 9 99 149

HSL 201.43, 0.89%, 0.31%

LAB 39.83, -4.63, -33.96

 

CMYK 100 / 38 / 0 / 49

HEX #005182

RGB 0 81 130

HSL 202.62, 1%, 0.25%

LAB 32.91, -1.53, -33.38

HEX #005182

CMYK 71 / 26 / 0 / 19

HEX #3B99CE

RGB 59 153 206

HSL 201.63, 0.6%, 0.52%

LAB 60.04, -10.27, -35.15

 

CMYK 71 / 45 / 0 / 19

HEX #3B71CE

RGB 59 113 206

HSL 217.96, 0.6%, 0.52%

LAB 48.51, 13.53, -53.4

 

CMYK 71 / 64 / 0 / 19

HEX #3B4ACE

RGB 59 74 206

HSL 233.88, 0.6%, 0.52%

LAB 38.35, 38.29, -69.87

 

CMYK 59 / 71 / 0 / 19

HEX #543BCE

RGB 84 59 206

HSL 250.2, 0.6%, 0.52%

LAB 36.87, 50.24, -72.22

 

CMYK 40 / 71 / 0 / 19

HEX #7C3BCE

RGB 124 59 206

HSL 266.53, 0.6%, 0.52%

LAB 41.01, 56.63, -65.29

 

CMYK 71 / 26 / 0 / 19

HEX #3B99CE

RGB 59 153 206

HSL 201.63, 0.6%, 0.52%

LAB 60.04, -10.27, -35.15

 

CMYK 71 / 45 / 0 / 19

HEX #3B71CE

RGB 59 113 206

HSL 217.96, 0.6%, 0.52%

LAB 48.51, 13.53, -53.4

 

CMYK 71 / 64 / 0 / 19

HEX #3B4ACE

RGB 59 74 206

HSL 233.88, 0.6%, 0.52%

LAB 38.35, 38.29, -69.87

 

CMYK 71 / 71 / 0 / 19

HEX #3B3BCE

RGB 59 59 206

HSL 240, 0.6%, 0.52%

LAB 35.03, 47.25, -75.32

 

CMYK 71 / 26 / 0 / 19

HEX #3B99CE

RGB 59 153 206

HSL 201.63, 0.6%, 0.52%

LAB 60.04, -10.27, -35.15

 

CMYK 83 / 30 / 0 / 11

HEX #279EE2

RGB 39 158 226

HSL 201.82, 0.76%, 0.52%

LAB 61.98, -8.28, -43.28

 

CMYK 92 / 33 / 0 / 4

HEX #14A4F6

RGB 20 164 246

HSL 201.77, 0.93%, 0.52%

LAB 64.45, -5.57, -50.4

 

CMYK 71 / 26 / 0 / 19

HEX #3B99CE

RGB 59 153 206

HSL 201.63, 0.6%, 0.52%

LAB 60.04, -10.27, -35.15

 

CMYK 58 / 21 / 0 / 27

HEX #4F93BA

RGB 79 147 186

HSL 201.87, 0.44%, 0.52%

LAB 58.11, -10.03, -26.84

 

CMYK 40 / 14 / 0 / 35

HEX #638EA6

RGB 99 142 166

HSL 201.49, 0.27%, 0.52%

LAB 56.83, -8.33, -17.32

 

CMYK 19 / 7 / 0 / 42

HEX #778893

RGB 119 136 147

HSL 203.57, 0.11%, 0.52%

LAB 55.72, -3.66, -7.95

 

CMYK 0 / 5 / 8 / 46

HEX #8A837F

RGB 138 131 127

HSL 21.82, 0.04%, 0.52%

LAB 55.25, 1.88, 3.09

 

CMYK 71 / 0 / 13 / 19

HEX #3BCEB3

RGB 59 206 179

HSL 168.98, 0.6%, 0.52%

LAB 75.03, -44.5, 2.35

 

CMYK 71 / 6 / 0 / 19

HEX #3BC2CE

RGB 59 194 206

HSL 184.9, 0.6%, 0.52%

LAB 72.21, -31.52, -16.47

 

CMYK 71 / 25 / 0 / 19

HEX #3B9BCE

RGB 59 155 206

HSL 200.82, 0.6%, 0.52%

LAB 60.63, -11.38, -34.23

 

CMYK 71 / 44 / 0 / 19

HEX #3B73CE

RGB 59 115 206

HSL 217.14, 0.6%, 0.52%

LAB 49.07, 12.28, -52.51

 

CMYK 71 / 63 / 0 / 19

HEX #3B4CCE

RGB 59 76 206

HSL 233.06, 0.6%, 0.52%

LAB 38.82, 37.04, -69.1

 

CMYK 75 / 27 / 0 / 43

HEX #256A92

RGB 37 106 146

HSL 202.02, 0.6%, 0.36%

LAB 42.42, -7.39, -28.06

 

CMYK 75 / 27 / 0 / 30

HEX #2D82B3

RGB 45 130 179

HSL 201.94, 0.6%, 0.44%

LAB 51.59, -8.49, -33.06

 

CMYK 71 / 26 / 0 / 19

HEX #3B99CE

RGB 59 153 206

HSL 201.63, 0.6%, 0.52%

LAB 60.04, -10.27, -35.15

 

CMYK 57 / 21 / 0 / 16

HEX #5CAAD6

RGB 92 170 214

HSL 201.64, 0.6%, 0.6%

LAB 66.43, -11.39, -29.6

 

CMYK 44 / 16 / 0 / 13

HEX #7DBBDF

RGB 125 187 223

HSL 202.04, 0.6%, 0.68%

LAB 73.04, -10.53, -24.25

 

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

CMYK 32 / 71 / 0 / 19

HEX #8C3BCE

RGB 140 59 206

HSL 273.06, 0.6%, 0.52%

LAB 43, 59.59, -61.96

 

CMYK 0 / 3 / 71 / 19

HEX #CEC73B

RGB 206 199 59

HSL 57.14, 0.6%, 0.52%

LAB 78.63, -13.43, 66.85

 

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9B

RGB 206 59 155

HSL 320.82, 0.6%, 0.52%

LAB 50.24, 65.69, -19.96

 

CMYK 25 / 0 / 71 / 19

HEX #9BCE3B

RGB 155 206 59

HSL 80.82, 0.6%, 0.52%

LAB 76.94, -37.56, 63.96

 

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

CMYK 32 / 71 / 0 / 19

HEX #8C3BCE

RGB 140 59 206

HSL 273.06, 0.6%, 0.52%

LAB 43, 59.59, -61.96

 

CMYK 0 / 46 / 71 / 19

HEX #CE6F3B

RGB 206 111 59

HSL 21.22, 0.6%, 0.52%

LAB 56.89, 33.41, 44.63

 

CMYK 39 / 0 / 71 / 19

HEX #7DCE3B

RGB 125 206 59

HSL 93.06, 0.6%, 0.52%

LAB 75.34, -48.35, 61.83

 

CMYK 71 / 26 / 0 / 19

HEX #3C99CE

RGB 60 153 206

HSL 201.78, 0.6%, 0.52%

LAB 60.07, -10.13, -35.11

 

CMYK 11 / 71 / 0 / 19

HEX #B83BCE

RGB 184 59 206

HSL 291.02, 0.6%, 0.52%

LAB 49.22, 68.41, -51.62

 

CMYK 0 / 46 / 71 / 19

HEX #CE6F3B

RGB 206 111 59

HSL 21.22, 0.6%, 0.52%

LAB 56.89, 33.41, 44.63

 

CMYK 61 / 0 / 71 / 19

HEX #51CE3B

RGB 81 206 59

HSL 111.02, 0.6%, 0.52%

LAB 73.68, -60.92, 59.61

 

Description

Color code: HEX #3C99CE | qconv.com Color code: HEX #3C99CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 153 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 153 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 26 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 26% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - 杭州浩浪智能科技有限公司
Link: http://www.howlang.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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