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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C987E it is the complementary color #C36781. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C987E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C987E shade: #419879, #52AA8C, #63BC9F, #74CEB2 and #85E0C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C987E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C987E shade: #3C987E, #2B866B, #1A7458, #096245 and #005032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C987E shade: #3D997F, #3D9966, #3D994D, #45993D and #5E993D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C987E shade: #3D997F, #3D9998, #3D8299, #3D6999 and #3D5099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C987E shade matches the following richer shades: #3D997F, #2CAA87, #1ABC8E and #09CD96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C987E shade: #3D997F, #4E8878, #607670, #716569 and #825461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C987E shade: #3D994E, #3D9966, #3D997F, #3D9998 and #3D8299

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C987E shade: #265E4E, #317C67, #3D997F, #49B698 and #67C2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C987E shade: #3C987E, #3D4599 and #995A3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C987E shade: #3C987E, #7F3D99 and #997F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C987E shade: #3C987E, #3D4599, #993D57 and #99913D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C987E shade: #3C987E, #513D99, #993D57 and #85993D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

Complementary color

CMYK 0 / 47 / 34 / 24

HEX #C36781

RGB 195 103 129

HSL 343.04, 0.43%, 0.58%

LAB 54.96, 39.5, 2.31

 

CMYK 57 / 0 / 20 / 40

HEX #419879

RGB 65 152 121

HSL 158.62, 0.4%, 0.43%

LAB 57.04, -33.88, 8.53

 

CMYK 52 / 0 / 18 / 33

HEX #52AA8C

RGB 82 170 140

HSL 159.55, 0.35%, 0.49%

LAB 63.7, -33.84, 7.45

 

CMYK 47 / 0 / 15 / 26

HEX #63BC9F

RGB 99 188 159

HSL 160.45, 0.4%, 0.56%

LAB 70.26, -33.72, 6.46

 

CMYK 44 / 0 / 14 / 19

HEX #74CEB2

RGB 116 206 178

HSL 161.33, 0.48%, 0.63%

LAB 76.72, -33.56, 5.55

 

CMYK 41 / 0 / 12 / 12

HEX #85E0C5

RGB 133 224 197

HSL 162.2, 0.59%, 0.7%

LAB 83.09, -33.39, 4.71

 

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

CMYK 68 / 0 / 20 / 47

HEX #2B866B

RGB 43 134 107

HSL 162.2, 0.51%, 0.35%

LAB 50.25, -33.5, 6.81

 

CMYK 78 / 0 / 24 / 55

HEX #1A7458

RGB 26 116 88

HSL 161.33, 0.63%, 0.28%

LAB 43.38, -32.95, 8.18

 

CMYK 91 / 0 / 30 / 62

HEX #096245

RGB 9 98 69

HSL 160.45, 0.83%, 0.21%

LAB 36.41, -31.88, 9.8

 

CMYK 100 / 0 / 38 / 69

HEX #005032

RGB 0 80 50

HSL 157.5, 1%, 0.16%

LAB 29.33, -29.93, 11.74

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 60 / 0 / 33 / 40

HEX #3D9966

RGB 61 153 102

HSL 146.74, 0.43%, 0.42%

LAB 56.82, -39.44, 18.88

 

CMYK 60 / 0 / 50 / 40

HEX #3D994D

RGB 61 153 77

HSL 130.43, 0.43%, 0.42%

LAB 56.4, -43.94, 31.84

 

CMYK 55 / 0 / 60 / 40

HEX #45993D

RGB 69 153 61

HSL 114.78, 0.43%, 0.42%

LAB 56.47, -44.06, 39.99

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 60 / 0 / 1 / 40

HEX #3D9998

RGB 61 153 152

HSL 179.35, 0.43%, 0.42%

LAB 58.08, -27.03, -7.61

 

CMYK 60 / 15 / 0 / 40

HEX #3D8299

RGB 61 130 153

HSL 195, 0.43%, 0.42%

LAB 50.99, -14.65, -18.89

 

CMYK 60 / 31 / 0 / 40

HEX #3D6999

RGB 61 105 153

HSL 211.3, 0.43%, 0.42%

LAB 43.35, -0.04, -30.71

 

CMYK 60 / 48 / 0 / 40

HEX #3D5099

RGB 61 80 153

HSL 227.61, 0.43%, 0.42%

LAB 36.04, 15.93, -42.3

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA87

RGB 44 170 135

HSL 163.33, 0.59%, 0.42%

LAB 62.54, -42.19, 8.42

 

CMYK 86 / 0 / 24 / 26

HEX #1ABC8E

RGB 26 188 142

HSL 162.96, 0.76%, 0.42%

LAB 68.12, -49.71, 12.45

 

CMYK 96 / 0 / 27 / 20

HEX #09CD96

RGB 9 205 150

HSL 163.16, 0.92%, 0.42%

LAB 73.5, -55.26, 15.66

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 43 / 0 / 12 / 47

HEX #4E8878

RGB 78 136 120

HSL 163.45, 0.27%, 0.42%

LAB 52.49, -23.02, 2.66

 

CMYK 19 / 0 / 5 / 54

HEX #607670

RGB 96 118 112

HSL 163.64, 0.1%, 0.42%

LAB 47.77, -9.39, 0.62

 

CMYK 0 / 11 / 7 / 56

HEX #716569

RGB 113 101 105

HSL 340, 0.06%, 0.42%

LAB 44, 5.52, -0.52

 

CMYK 0 / 35 / 25 / 49

HEX #825461

RGB 130 84 97

HSL 343.04, 0.21%, 0.42%

LAB 41.14, 21.1, 0.41

 

CMYK 60 / 0 / 49 / 40

HEX #3D994E

RGB 61 153 78

HSL 131.09, 0.43%, 0.42%

LAB 56.41, -43.79, 31.34

 

CMYK 60 / 0 / 33 / 40

HEX #3D9966

RGB 61 153 102

HSL 146.74, 0.43%, 0.42%

LAB 56.82, -39.44, 18.88

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 60 / 0 / 1 / 40

HEX #3D9998

RGB 61 153 152

HSL 179.35, 0.43%, 0.42%

LAB 58.08, -27.03, -7.61

 

CMYK 60 / 15 / 0 / 40

HEX #3D8299

RGB 61 130 153

HSL 195, 0.43%, 0.42%

LAB 50.99, -14.65, -18.89

 

CMYK 60 / 0 / 17 / 63

HEX #265E4E

RGB 38 94 78

HSL 162.86, 0.42%, 0.26%

LAB 35.92, -22.77, 3.67

 

CMYK 60 / 0 / 17 / 51

HEX #317C67

RGB 49 124 103

HSL 163.2, 0.43%, 0.34%

LAB 47.04, -28.62, 4.58

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 60 / 0 / 16 / 29

HEX #49B698

RGB 73 182 152

HSL 163.49, 0.43%, 0.5%

LAB 67.38, -38.43, 6.04

 

CMYK 47 / 0 / 13 / 24

HEX #67C2A8

RGB 103 194 168

HSL 162.86, 0.43%, 0.58%

LAB 72.42, -33.48, 4.69

 

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

CMYK 60 / 55 / 0 / 40

HEX #3D4599

RGB 61 69 153

HSL 234.78, 0.43%, 0.42%

LAB 33.02, 23.17, -47.16

 

CMYK 0 / 41 / 60 / 40

HEX #995A3D

RGB 153 90 61

HSL 18.91, 0.43%, 0.42%

LAB 44.83, 22.97, 27.65

 

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

CMYK 17 / 60 / 0 / 40

HEX #7F3D99

RGB 127 61 153

HSL 283.04, 0.43%, 0.42%

LAB 38.11, 43.83, -38.62

 

CMYK 0 / 17 / 60 / 40

HEX #997F3D

RGB 153 127 61

HSL 43.04, 0.43%, 0.42%

LAB 54.33, 1.82, 38.99

 

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

CMYK 60 / 55 / 0 / 40

HEX #3D4599

RGB 61 69 153

HSL 234.78, 0.43%, 0.42%

LAB 33.02, 23.17, -47.16

 

CMYK 0 / 60 / 43 / 40

HEX #993D57

RGB 153 61 87

HSL 343.04, 0.43%, 0.42%

LAB 39.24, 40.97, 4.32

 

CMYK 0 / 5 / 60 / 40

HEX #99913D

RGB 153 145 61

HSL 54.78, 0.43%, 0.42%

LAB 59.31, -8.11, 44.61

 

CMYK 61 / 0 / 17 / 40

HEX #3C987E

RGB 60 152 126

HSL 163.04, 0.43%, 0.42%

LAB 57, -33.73, 5.62

 

CMYK 47 / 60 / 0 / 40

HEX #513D99

RGB 81 61 153

HSL 253.04, 0.43%, 0.42%

LAB 32.67, 32.47, -47.65

 

CMYK 0 / 60 / 43 / 40

HEX #993D57

RGB 153 61 87

HSL 343.04, 0.43%, 0.42%

LAB 39.24, 40.97, 4.32

 

CMYK 13 / 0 / 60 / 40

HEX #85993D

RGB 133 153 61

HSL 73.04, 0.43%, 0.42%

LAB 59.98, -20.96, 44.91

 

Description

Color code: HEX #3C987E | qconv.com Color code: HEX #3C987E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 152 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 152 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 17 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 17% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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