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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C93DF4C it is the complementary color #C36C204C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C93DF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C93DF4C shade: #4193DA4C, #52A5ED4C, #63B7FF4C, #74C9FF4C and #85DBFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C93DF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C93DF4C shade: #3C93DF4C, #2B81CC4C, #1A6FB94C, #095DA64C and #004B934C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C93DF4C shade: #3A92DF, #3A65DF, #3B3ADF, #673ADF and #943ADF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C93DF4C shade: #3A92DF, #3A65DF and #3A3ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C93DF4C shade matches the following richer shades: #3A92DF and #2793F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C93DF4C shade: #3A92DF, #4C91CC, #5F8FBA, #718EA7 and #848D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C93DF4C shade: #3ADFD1, #3AC1DF, #3A95DF, #3A68DF and #3A3CDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C93DF4C shade: #1C68AA, #217DCE, #3A92DF, #5DA5E5 and #81B9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C93DF4C shade: #3C93DF, #A53ADF and #D7DF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C93DF4C shade: #3C93DF, #DF3A95 and #95DF3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C93DF4C shade: #3C93DF, #A53ADF, #DF843A and #73DF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C93DF4C shade: #3C93DF, #D73ADF, #DF843A and #42DF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 10 / 0 / 4

HEX #3C93DF4C

RGBA 60 147 223 0.3

HSLA 207.98, 0.72%, 0.55%, 0.3

LABA 59.12, -0.81, -46.09, 0.3

 

Complementary color

CMYK 0 / 13 / 25 / 7

HEX #C36C204C

RGBA 195 108 32 0.3

HSLA 27.98, 0.72%, 0.45%, 0.3

LABA 54.48, 29.4, 53.87, 0.3

 

CMYK 21 / 10 / 0 / 4

HEX #4193DA4C

RGBA 65 147 218 0.3

HSLA 207.84, 0.67%, 0.55%, 0.3

LABA 59.02, -1.88, -43.44, 0.3

 

CMYK 20 / 9 / 0 / 2

HEX #52A5ED4C

RGBA 82 165 237 0.3

HSLA 207.87, 0.81%, 0.63%, 0.3

LABA 65.61, -3.12, -43.56, 0.3

 

CMYK 18 / 8 / 0 / 0

HEX #63B7FF4C

RGBA 99 183 255 0.3

HSLA 207.69, 1%, 0.69%, 0.3

LABA 72.05, -4.45, -43.19, 0.3

 

CMYK 16 / 6 / 0 / 0

HEX #74C9FF4C

RGBA 116 201 255 0.3

HSLA 203.31, 1%, 0.73%, 0.3

LABA 77.7, -10.93, -34.36, 0.3

 

CMYK 14 / 4 / 0 / 0

HEX #85DBFF4C

RGBA 133 219 255 0.3

HSLA 197.7, 1%, 0.76%, 0.3

LABA 83.37, -16.65, -25.6, 0.3

 

CMYK 22 / 10 / 0 / 4

HEX #3C93DF4C

RGBA 60 147 223 0.3

HSLA 207.98, 0.72%, 0.55%, 0.3

LABA 59.12, -0.81, -46.09, 0.3

 

CMYK 24 / 11 / 0 / 6

HEX #2B81CC4C

RGBA 43 129 204 0.3

HSLA 207.95, 0.65%, 0.48%, 0.3

LABA 52.48, 0.96, -45.95, 0.3

 

CMYK 26 / 12 / 0 / 8

HEX #1A6FB94C

RGBA 26 111 185 0.3

HSLA 207.92, 0.75%, 0.41%, 0.3

LABA 45.76, 3.2, -45.76, 0.3

 

CMYK 28 / 13 / 0 / 10

HEX #095DA64C

RGBA 9 93 166 0.3

HSLA 207.9, 0.9%, 0.34%, 0.3

LABA 38.97, 6.07, -45.49, 0.3

 

CMYK 30 / 15 / 0 / 13

HEX #004B934C

RGBA 0 75 147 0.3

HSLA 209.39, 1%, 0.29%, 0.3

LABA 32.12, 9.7, -45.08, 0.3

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 74 / 55 / 0 / 13

HEX #3A65DF

RGB 58 101 223

HSL 224.36, 0.72%, 0.55%

LAB 46.36, 27.21, -66.54

 

CMYK 74 / 74 / 0 / 13

HEX #3B3ADF

RGB 59 58 223

HSL 240.36, 0.72%, 0.55%

LAB 36.52, 53.29, -82.65

 

CMYK 54 / 74 / 0 / 13

HEX #673ADF

RGB 103 58 223

HSL 256.36, 0.72%, 0.55%

LAB 39.98, 58.21, -76.84

 

CMYK 34 / 74 / 0 / 13

HEX #943ADF

RGB 148 58 223

HSL 272.73, 0.72%, 0.55%

LAB 45.15, 65.29, -68.17

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 74 / 55 / 0 / 13

HEX #3A65DF

RGB 58 101 223

HSL 224.36, 0.72%, 0.55%

LAB 46.36, 27.21, -66.54

 

CMYK 74 / 74 / 0 / 13

HEX #3A3ADF

RGB 58 58 223

HSL 240, 0.72%, 0.55%

LAB 36.47, 53.2, -82.75

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 84 / 39 / 0 / 5

HEX #2793F1

RGB 39 147 241

HSL 207.92, 0.88%, 0.55%

LAB 59.57, 3.55, -55.38

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 63 / 29 / 0 / 20

HEX #4C91CC

RGB 76 145 204

HSL 207.66, 0.56%, 0.55%

LAB 58.18, -3.67, -36.9

 

CMYK 49 / 23 / 0 / 27

HEX #5F8FBA

RGB 95 143 186

HSL 208.35, 0.4%, 0.55%

LAB 57.68, -4.18, -27.44

 

CMYK 32 / 15 / 0 / 35

HEX #718EA7

RGB 113 142 167

HSL 207.78, 0.23%, 0.55%

LAB 57.7, -4.04, -16.5

 

CMYK 11 / 5 / 0 / 42

HEX #848D95

RGB 132 141 149

HSL 208.24, 0.07%, 0.55%

LAB 58.16, -1.58, -5.38

 

CMYK 74 / 0 / 6 / 13

HEX #3ADFD1

RGB 58 223 209

HSL 174.91, 0.72%, 0.55%

LAB 80.89, -44.07, -5.13

 

CMYK 74 / 13 / 0 / 13

HEX #3AC1DF

RGB 58 193 223

HSL 190.91, 0.72%, 0.55%

LAB 72.47, -25.95, -25.32

 

CMYK 74 / 33 / 0 / 13

HEX #3A95DF

RGB 58 149 223

HSL 206.91, 0.72%, 0.55%

LAB 59.64, -2.23, -45.28

 

CMYK 74 / 53 / 0 / 13

HEX #3A68DF

RGB 58 104 223

HSL 223.27, 0.72%, 0.55%

LAB 47.14, 25.3, -65.27

 

CMYK 74 / 73 / 0 / 13

HEX #3A3CDF

RGB 58 60 223

HSL 239.27, 0.72%, 0.55%

LAB 36.85, 52.12, -82.11

 

CMYK 84 / 39 / 0 / 33

HEX #1C68AA

RGB 28 104 170

HSL 207.89, 0.72%, 0.39%

LAB 42.84, 1.9, -41.65

 

CMYK 84 / 39 / 0 / 19

HEX #217DCE

RGB 33 125 206

HSL 208.09, 0.72%, 0.47%

LAB 51.21, 3.19, -49.13

 

CMYK 74 / 35 / 0 / 13

HEX #3A92DF

RGB 58 146 223

HSL 208, 0.72%, 0.55%

LAB 58.77, -0.49, -46.64

 

CMYK 59 / 28 / 0 / 10

HEX #5DA5E5

RGB 93 165 229

HSL 208.24, 0.72%, 0.63%

LAB 65.67, -3.77, -39.04

 

CMYK 45 / 21 / 0 / 8

HEX #81B9EA

RGB 129 185 234

HSL 208, 0.71%, 0.71%

LAB 73.09, -5.45, -30.12

 

CMYK 73 / 34 / 0 / 13

HEX #3C93DF

RGB 60 147 223

HSL 207.98, 0.72%, 0.55%

LAB 59.12, -0.81, -46.09

 

CMYK 26 / 74 / 0 / 13

HEX #A53ADF

RGB 165 58 223

HSL 278.91, 0.72%, 0.55%

LAB 47.43, 68.32, -64.36

 

CMYK 4 / 0 / 74 / 13

HEX #D7DF3A

RGB 215 223 58

HSL 62.91, 0.72%, 0.55%

LAB 85.77, -21.56, 74.21

 

CMYK 73 / 34 / 0 / 13

HEX #3C93DF

RGB 60 147 223

HSL 207.98, 0.72%, 0.55%

LAB 59.12, -0.81, -46.09

 

CMYK 0 / 74 / 33 / 13

HEX #DF3A95

RGB 223 58 149

HSL 326.91, 0.72%, 0.55%

LAB 52.82, 69.65, -12.19

 

CMYK 33 / 0 / 74 / 13

HEX #95DF3A

RGB 149 223 58

HSL 86.91, 0.72%, 0.55%

LAB 81.55, -47.2, 68.71

 

CMYK 73 / 34 / 0 / 13

HEX #3C93DF

RGB 60 147 223

HSL 207.98, 0.72%, 0.55%

LAB 59.12, -0.81, -46.09

 

CMYK 26 / 74 / 0 / 13

HEX #A53ADF

RGB 165 58 223

HSL 278.91, 0.72%, 0.55%

LAB 47.43, 68.32, -64.36

 

CMYK 0 / 41 / 74 / 13

HEX #DF843A

RGB 223 132 58

HSL 26.91, 0.72%, 0.55%

LAB 63.75, 29.2, 53.05

 

CMYK 48 / 0 / 74 / 13

HEX #73DF3A

RGB 115 223 58

HSL 99.27, 0.72%, 0.55%

LAB 80.03, -58.2, 66.7

 

CMYK 73 / 34 / 0 / 13

HEX #3C93DF

RGB 60 147 223

HSL 207.98, 0.72%, 0.55%

LAB 59.12, -0.81, -46.09

 

CMYK 4 / 74 / 0 / 13

HEX #D73ADF

RGB 215 58 223

HSL 297.09, 0.72%, 0.55%

LAB 54.87, 77.95, -52.02

 

CMYK 0 / 41 / 74 / 13

HEX #DF843A

RGB 223 132 58

HSL 26.91, 0.72%, 0.55%

LAB 63.75, 29.2, 53.05

 

CMYK 70 / 0 / 74 / 13

HEX #42DF3A

RGB 66 223 58

HSL 117.09, 0.72%, 0.55%

LAB 78.6, -69.62, 64.82

 

Description

Color code: HEX #3C93DF4C | qconv.com Color code: HEX #3C93DF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 147 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 147 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 10 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 10% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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