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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C9220 it is the complementary color #C36DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C9220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C9220 shade: #41921B, #52A42E, #63B641, #74C854 and #85DA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C9220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C9220 shade: #3C9220, #2B800D, #1A6E00, #095C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C9220 shade: #3C9220, #5B9220, #7A9220, #928C20 and #926D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C9220 shade: #3C9220, #209223, #209242, #209260 and #20927F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C9220 shade matches the following richer shades: #3C9220, #35A112 and #2EAF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C9220 shade: #3C9220, #44842F, #4B753D, #52674B and #5A595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C9220 shade: #7A9220, #5B9220, #3D9220, #209222 and #209240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C9220 shade: #204F11, #2E7119, #3C9220, #4AB428 and #5AD233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C9220 shade: #3C9220, #20928D and #92206A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C9220 shade: #3C9220, #203D92 and #92203D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C9220 shade: #3C9220, #20928D, #762092 and #922026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C9220 shade: #3C9220, #207692, #762092 and #923D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

Complementary color

CMYK 13 / 51 / 0 / 13

HEX #C36DDF

RGB 195 109 223

HSL 285.26, 0.64%, 0.65%

LAB 59.77, 52.1, -44.42

 

CMYK 55 / 0 / 82 / 43

HEX #41921B

RGB 65 146 27

HSL 100.84, 0.69%, 0.34%

LAB 53.77, -45.41, 50.79

 

CMYK 50 / 0 / 72 / 36

HEX #52A42E

RGB 82 164 46

HSL 101.69, 0.56%, 0.41%

LAB 60.38, -46.13, 50.86

 

CMYK 46 / 0 / 64 / 29

HEX #63B641

RGB 99 182 65

HSL 102.56, 0.47%, 0.48%

LAB 66.89, -46.5, 50.22

 

CMYK 42 / 0 / 58 / 22

HEX #74C854

RGB 116 200 84

HSL 103.45, 0.51%, 0.56%

LAB 73.33, -46.66, 49.25

 

CMYK 39 / 0 / 53 / 15

HEX #85DA67

RGB 133 218 103

HSL 104.35, 0.61%, 0.63%

LAB 79.68, -46.68, 48.13

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 66 / 0 / 90 / 50

HEX #2B800D

RGB 43 128 13

HSL 104.35, 0.82%, 0.28%

LAB 46.95, -45.24, 48.11

 

CMYK 76 / 0 / 100 / 57

HEX #1A6E00

RGB 26 110 0

HSL 105.82, 1%, 0.22%

LAB 40.2, -43.13, 45.22

 

CMYK 90 / 0 / 100 / 64

HEX #095C00

RGB 9 92 0

HSL 114.13, 1%, 0.18%

LAB 33.38, -39.79, 39.64

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 38 / 0 / 78 / 43

HEX #5B9220

RGB 91 146 32

HSL 88.95, 0.64%, 0.35%

LAB 54.95, -36.52, 50.71

 

CMYK 16 / 0 / 78 / 43

HEX #7A9220

RGB 122 146 32

HSL 72.63, 0.64%, 0.35%

LAB 56.88, -24.03, 53.21

 

CMYK 0 / 4 / 78 / 43

HEX #928C20

RGB 146 140 32

HSL 56.84, 0.64%, 0.35%

LAB 57.05, -10.24, 54.07

 

CMYK 0 / 25 / 78 / 43

HEX #926D20

RGB 146 109 32

HSL 40.53, 0.64%, 0.35%

LAB 48.45, 7.09, 46.05

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 78 / 0 / 76 / 43

HEX #209223

RGB 32 146 35

HSL 121.58, 0.64%, 0.35%

LAB 52.93, -52.16, 46.99

 

CMYK 78 / 0 / 55 / 43

HEX #209242

RGB 32 146 66

HSL 137.89, 0.64%, 0.35%

LAB 53.23, -48.57, 33.44

 

CMYK 78 / 0 / 34 / 43

HEX #209260

RGB 32 146 96

HSL 153.68, 0.64%, 0.35%

LAB 53.72, -42.98, 17.9

 

CMYK 78 / 0 / 13 / 43

HEX #20927F

RGB 32 146 127

HSL 170, 0.64%, 0.35%

LAB 54.45, -35.23, 1.28

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 67 / 0 / 89 / 37

HEX #35A112

RGB 53 161 18

HSL 105.31, 0.8%, 0.35%

LAB 58.31, -54.24, 57.02

 

CMYK 74 / 0 / 98 / 31

HEX #2EAF03

RGB 46 175 3

HSL 105, 0.97%, 0.35%

LAB 62.72, -60.52, 62.93

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 48 / 0 / 64 / 48

HEX #44842F

RGB 68 132 47

HSL 105.18, 0.47%, 0.35%

LAB 49.42, -37.23, 38.57

 

CMYK 36 / 0 / 48 / 54

HEX #4B753D

RGB 75 117 61

HSL 105, 0.31%, 0.35%

LAB 45.02, -26.15, 26.28

 

CMYK 20 / 0 / 27 / 60

HEX #52674B

RGB 82 103 75

HSL 105, 0.16%, 0.35%

LAB 41.22, -13.79, 13.29

 

CMYK 0 / 1 / 0 / 65

HEX #5A595A

RGB 90 89 90

HSL 300, 0.01%, 0.35%

LAB 37.94, 0.61, -0.44

 

CMYK 16 / 0 / 78 / 43

HEX #7A9220

RGB 122 146 32

HSL 72.63, 0.64%, 0.35%

LAB 56.88, -24.03, 53.21

 

CMYK 38 / 0 / 78 / 43

HEX #5B9220

RGB 91 146 32

HSL 88.95, 0.64%, 0.35%

LAB 54.95, -36.52, 50.71

 

CMYK 58 / 0 / 78 / 43

HEX #3D9220

RGB 61 146 32

HSL 104.74, 0.64%, 0.35%

LAB 53.66, -46.23, 49.01

 

CMYK 78 / 0 / 77 / 43

HEX #209222

RGB 32 146 34

HSL 121.05, 0.64%, 0.35%

LAB 52.93, -52.24, 47.34

 

CMYK 78 / 0 / 56 / 43

HEX #209240

RGB 32 146 64

HSL 136.84, 0.64%, 0.35%

LAB 53.21, -48.87, 34.43

 

CMYK 59 / 0 / 78 / 69

HEX #204F11

RGB 32 79 17

HSL 105.48, 0.65%, 0.19%

LAB 29.26, -28.85, 30.17

 

CMYK 59 / 0 / 78 / 56

HEX #2E7119

RGB 46 113 25

HSL 105.68, 0.64%, 0.27%

LAB 41.94, -38.11, 39.86

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 59 / 0 / 78 / 29

HEX #4AB428

RGB 74 180 40

HSL 105.43, 0.64%, 0.43%

LAB 65.16, -54.8, 57.63

 

CMYK 57 / 0 / 76 / 18

HEX #5AD233

RGB 90 210 51

HSL 105.28, 0.64%, 0.51%

LAB 75.14, -60.72, 63.92

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 78 / 0 / 3 / 43

HEX #20928D

RGB 32 146 141

HSL 177.37, 0.64%, 0.35%

LAB 54.85, -31.16, -6.18

 

CMYK 0 / 78 / 27 / 43

HEX #92206A

RGB 146 32 106

HSL 321.05, 0.64%, 0.35%

LAB 34.36, 52.95, -15.12

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 78 / 58 / 0 / 43

HEX #203D92

RGB 32 61 146

HSL 224.74, 0.64%, 0.35%

LAB 28.69, 21.36, -49.98

 

CMYK 0 / 78 / 58 / 43

HEX #92203D

RGB 146 32 61

HSL 344.74, 0.64%, 0.35%

LAB 32.88, 48.33, 11.88

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 78 / 0 / 3 / 43

HEX #20928D

RGB 32 146 141

HSL 177.37, 0.64%, 0.35%

LAB 54.85, -31.16, -6.18

 

CMYK 19 / 78 / 0 / 43

HEX #762092

RGB 118 32 146

HSL 285.26, 0.64%, 0.35%

LAB 31.72, 53.1, -44.68

 

CMYK 0 / 78 / 74 / 43

HEX #922026

RGB 146 32 38

HSL 356.84, 0.64%, 0.35%

LAB 32.44, 46.94, 26.16

 

CMYK 59 / 0 / 78 / 43

HEX #3C9220

RGB 60 146 32

HSL 105.26, 0.64%, 0.35%

LAB 53.62, -46.49, 48.97

 

CMYK 78 / 19 / 0 / 43

HEX #207692

RGB 32 118 146

HSL 194.74, 0.64%, 0.35%

LAB 46.1, -15, -22.37

 

CMYK 19 / 78 / 0 / 43

HEX #762092

RGB 118 32 146

HSL 285.26, 0.64%, 0.35%

LAB 31.72, 53.1, -44.68

 

CMYK 0 / 58 / 78 / 43

HEX #923D20

RGB 146 61 32

HSL 15.26, 0.64%, 0.35%

LAB 37.03, 34.12, 34.7

 

Description

Color code: HEX #3C9220 | qconv.com Color code: HEX #3C9220 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 146 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 146 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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