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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C908E it is the complementary color #C36F71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C908E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C908E shade: #419089, #52A29C, #63B4AF, #74C6C2 and #85D8D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C908E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C908E shade: #3C908E, #2B7E7B, #1A6C68, #095A55 and #004842

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C908E shade: #3C908E, #3C9077, #3C9061, #3C904A and #45903C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C908E shade: #3C908E, #3C7B90, #3C6590, #3C4E90 and #3C3C90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C908E shade matches the following richer shades: #3C908E, #2CA09E, #1BB1AD and #0BC1BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C908E shade: #3C908E, #4D7F7E, #5D6F6E, #6E5E5F and #7E4E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C908E shade: #3C9060, #3C9077, #3C908D, #3C7C90 and #3C6690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C908E shade: #245654, #307371, #3C908E, #48ADAB and #61BDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C908E shade: #3C908E, #4A3C90 and #906C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C908E shade: #3C908E, #8D3C90 and #908D3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C908E shade: #3C908E, #4A3C90, #903C3F and #82903C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C908E shade: #3C908E, #633C90, #903C3F and #69903C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

Complementary color

CMYK 0 / 43 / 42 / 24

HEX #C36F71

RGB 195 111 113

HSL 358.57, 0.41%, 0.6%

LAB 56.25, 33.38, 13.51

 

CMYK 55 / 0 / 5 / 44

HEX #419089

RGB 65 144 137

HSL 174.68, 0.38%, 0.41%

LAB 54.94, -25.93, -3.65

 

CMYK 49 / 0 / 4 / 36

HEX #52A29C

RGB 82 162 156

HSL 175.5, 0.33%, 0.48%

LAB 61.68, -26, -4.45

 

CMYK 45 / 0 / 3 / 29

HEX #63B4AF

RGB 99 180 175

HSL 176.3, 0.35%, 0.55%

LAB 68.31, -26, -5.18

 

CMYK 41 / 0 / 2 / 22

HEX #74C6C2

RGB 116 198 194

HSL 177.07, 0.42%, 0.62%

LAB 74.82, -25.95, -5.86

 

CMYK 38 / 0 / 1 / 15

HEX #85D8D5

RGB 133 216 213

HSL 177.83, 0.52%, 0.68%

LAB 81.24, -25.89, -6.5

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 66 / 0 / 2 / 51

HEX #2B7E7B

RGB 43 126 123

HSL 177.83, 0.49%, 0.33%

LAB 48.09, -25.19, -5.71

 

CMYK 76 / 0 / 4 / 58

HEX #1A6C68

RGB 26 108 104

HSL 177.07, 0.61%, 0.26%

LAB 41.13, -24.52, -4.72

 

CMYK 90 / 0 / 6 / 65

HEX #095A55

RGB 9 90 85

HSL 176.3, 0.82%, 0.19%

LAB 34.04, -23.36, -3.54

 

CMYK 100 / 0 / 8 / 72

HEX #004842

RGB 0 72 66

HSL 175, 1%, 0.14%

LAB 26.81, -21.42, -2.08

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 58 / 0 / 17 / 44

HEX #3C9077

RGB 60 144 119

HSL 162.14, 0.41%, 0.4%

LAB 54.28, -31.73, 5.72

 

CMYK 58 / 0 / 33 / 44

HEX #3C9061

RGB 60 144 97

HSL 146.43, 0.41%, 0.4%

LAB 53.78, -36.76, 17.54

 

CMYK 58 / 0 / 49 / 44

HEX #3C904A

RGB 60 144 74

HSL 130, 0.41%, 0.4%

LAB 53.39, -40.98, 29.64

 

CMYK 52 / 0 / 58 / 44

HEX #45903C

RGB 69 144 60

HSL 113.57, 0.41%, 0.4%

LAB 53.53, -40.5, 37.06

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 58 / 15 / 0 / 44

HEX #3C7B90

RGB 60 123 144

HSL 195, 0.41%, 0.4%

LAB 48.44, -13.81, -17.52

 

CMYK 58 / 30 / 0 / 44

HEX #3C6590

RGB 60 101 144

HSL 210.71, 0.41%, 0.4%

LAB 41.66, -0.87, -27.99

 

CMYK 58 / 46 / 0 / 44

HEX #3C4E90

RGB 60 78 144

HSL 227.14, 0.41%, 0.4%

LAB 34.85, 13.85, -38.76

 

CMYK 58 / 58 / 0 / 44

HEX #3C3C90

RGB 60 60 144

HSL 240, 0.41%, 0.4%

LAB 29.93, 25.75, -46.68

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 73 / 0 / 1 / 37

HEX #2CA09E

RGB 44 160 158

HSL 178.97, 0.57%, 0.4%

LAB 60.02, -31.37, -8.17

 

CMYK 85 / 0 / 2 / 31

HEX #1BB1AD

RGB 27 177 173

HSL 178.4, 0.74%, 0.4%

LAB 65.51, -36.55, -8.42

 

CMYK 94 / 0 / 2 / 24

HEX #0BC1BD

RGB 11 193 189

HSL 178.68, 0.89%, 0.4%

LAB 70.79, -39.86, -9.38

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 39 / 0 / 1 / 50

HEX #4D7F7E

RGB 77 127 126

HSL 178.8, 0.25%, 0.4%

LAB 49.81, -17.03, -4.78

 

CMYK 16 / 0 / 1 / 56

HEX #5D6F6E

RGB 93 111 110

HSL 176.67, 0.09%, 0.4%

LAB 45.39, -6.91, -1.7

 

CMYK 0 / 15 / 14 / 57

HEX #6E5E5F

RGB 110 94 95

HSL 356.25, 0.08%, 0.4%

LAB 41.45, 6.64, 1.81

 

CMYK 0 / 38 / 37 / 51

HEX #7E4E4F

RGB 126 78 79

HSL 358.75, 0.24%, 0.4%

LAB 38.64, 20.38, 7.92

 

CMYK 58 / 0 / 33 / 44

HEX #3C9060

RGB 60 144 96

HSL 145.71, 0.41%, 0.4%

LAB 53.76, -36.97, 18.08

 

CMYK 58 / 0 / 17 / 44

HEX #3C9077

RGB 60 144 119

HSL 162.14, 0.41%, 0.4%

LAB 54.28, -31.73, 5.72

 

CMYK 58 / 0 / 2 / 44

HEX #3C908D

RGB 60 144 141

HSL 177.86, 0.41%, 0.4%

LAB 54.9, -25.86, -6.04

 

CMYK 58 / 14 / 0 / 44

HEX #3C7C90

RGB 60 124 144

HSL 194.29, 0.41%, 0.4%

LAB 48.75, -14.36, -17.04

 

CMYK 58 / 29 / 0 / 44

HEX #3C6690

RGB 60 102 144

HSL 210, 0.41%, 0.4%

LAB 41.96, -1.48, -27.52

 

CMYK 58 / 0 / 2 / 66

HEX #245654

RGB 36 86 84

HSL 177.6, 0.41%, 0.24%

LAB 33.29, -17.24, -3.94

 

CMYK 58 / 0 / 2 / 55

HEX #307371

RGB 48 115 113

HSL 178.21, 0.41%, 0.32%

LAB 44.35, -21.52, -5.3

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 58 / 0 / 1 / 32

HEX #48ADAB

RGB 72 173 171

HSL 178.81, 0.41%, 0.48%

LAB 65.13, -29.46, -7.78

 

CMYK 49 / 0 / 1 / 26

HEX #61BDBB

RGB 97 189 187

HSL 178.7, 0.41%, 0.56%

LAB 71.23, -27.81, -7.45

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 49 / 58 / 0 / 44

HEX #4A3C90

RGB 74 60 144

HSL 250, 0.41%, 0.4%

LAB 31.12, 28.74, -44.69

 

CMYK 0 / 25 / 58 / 44

HEX #906C3C

RGB 144 108 60

HSL 34.29, 0.41%, 0.4%

LAB 48.24, 8.54, 32.1

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 2 / 58 / 0 / 44

HEX #8D3C90

RGB 141 60 144

HSL 297.86, 0.41%, 0.4%

LAB 39.43, 46.27, -30.96

 

CMYK 0 / 2 / 58 / 44

HEX #908D3C

RGB 144 141 60

HSL 57.86, 0.41%, 0.4%

LAB 57.37, -10, 42.71

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 49 / 58 / 0 / 44

HEX #4A3C90

RGB 74 60 144

HSL 250, 0.41%, 0.4%

LAB 31.12, 28.74, -44.69

 

CMYK 0 / 58 / 56 / 44

HEX #903C3F

RGB 144 60 63

HSL 357.86, 0.41%, 0.4%

LAB 36.97, 35.85, 16.06

 

CMYK 10 / 0 / 58 / 44

HEX #82903C

RGB 130 144 60

HSL 70, 0.41%, 0.4%

LAB 57.09, -17.69, 42.08

 

CMYK 58 / 0 / 1 / 44

HEX #3C908E

RGB 60 144 142

HSL 178.57, 0.41%, 0.4%

LAB 54.93, -25.57, -6.57

 

CMYK 31 / 58 / 0 / 44

HEX #633C90

RGB 99 60 144

HSL 267.86, 0.41%, 0.4%

LAB 33.77, 34.88, -40.29

 

CMYK 0 / 58 / 56 / 44

HEX #903C3F

RGB 144 60 63

HSL 357.86, 0.41%, 0.4%

LAB 36.97, 35.85, 16.06

 

CMYK 27 / 0 / 58 / 44

HEX #69903C

RGB 105 144 60

HSL 87.86, 0.41%, 0.4%

LAB 55.36, -28, 39.64

 

Description

Color code: HEX #3C908E | qconv.com Color code: HEX #3C908E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 144 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 144 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 1 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 1% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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