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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8CF4 it is the complementary color #C3730B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8CF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8CF4 shade: #418CEF, #529EFF, #63B0FF, #74C2FF and #85D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8CF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8CF4 shade: #3C8CF4, #2B7AE1, #1A68CE, #0956BB and #0044A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8CF4 shade: #3E8DF3, #3E5CF3, #513EF3, #823EF3 and #B33EF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8CF4 shade: #3E8DF3, #3E5CF3 and #3E3EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8CF4 shade matches the following richer shades: #3E8DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8CF4 shade: #3E8DF3, #4E8FE3, #5F91D2, #6F93C2 and #8095B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8CF4 shade: #3EF0F3, #3EC0F3, #3E8FF3, #3E5FF3 and #4D3EF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8CF4 shade: #0C62D3, #1776F1, #3E8DF3, #65A4F6 and #8CBBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8CF4 shade: #3C8CF4, #C63EF3 and #D8F33E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8CF4 shade: #3C8CF4, #F33E8F and #8FF33E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8CF4 shade: #3C8CF4, #C63EF3, #F3A23E and #6BF33E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8CF4 shade: #3C8CF4, #F33EEA, #F3A23E and #3EF347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

Complementary color

CMYK 0 / 41 / 94 / 24

HEX #C3730B

RGB 195 115 11

HSL 33.91, 0.89%, 0.4%

LAB 55.98, 25.19, 61.02

 

CMYK 73 / 41 / 0 / 6

HEX #418CEF

RGB 65 140 239

HSL 214.14, 0.84%, 0.6%

LAB 58.14, 9.66, -56.52

 

CMYK 68 / 38 / 0 / 0

HEX #529EFF

RGB 82 158 255

HSL 213.64, 1%, 0.66%

LAB 64.54, 6.94, -55.09

 

CMYK 61 / 31 / 0 / 0

HEX #63B0FF

RGB 99 176 255

HSL 210.38, 1%, 0.69%

LAB 70.12, -0.56, -46.22

 

CMYK 55 / 24 / 0 / 0

HEX #74C2FF

RGB 116 194 255

HSL 206.33, 1%, 0.73%

LAB 75.77, -7.19, -37.35

 

CMYK 48 / 17 / 0 / 0

HEX #85D4FF

RGB 133 212 255

HSL 201.15, 1%, 0.76%

LAB 81.45, -13.05, -28.53

 

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

CMYK 81 / 46 / 0 / 12

HEX #2B7AE1

RGB 43 122 225

HSL 213.96, 0.75%, 0.53%

LAB 51.69, 13.11, -59.08

 

CMYK 87 / 50 / 0 / 19

HEX #1A68CE

RGB 26 104 206

HSL 214, 0.78%, 0.45%

LAB 45.05, 15.88, -59.02

 

CMYK 95 / 54 / 0 / 27

HEX #0956BB

RGB 9 86 187

HSL 214.04, 0.91%, 0.38%

LAB 38.38, 19.27, -58.83

 

CMYK 100 / 60 / 0 / 34

HEX #0044A8

RGB 0 68 168

HSL 215.71, 1%, 0.33%

LAB 31.72, 23.35, -58.42

 

CMYK 74 / 42 / 0 / 5

HEX #3E8DF3

RGB 62 141 243

HSL 213.81, 0.88%, 0.6%

LAB 58.55, 10.12, -58.08

 

CMYK 74 / 62 / 0 / 5

HEX #3E5CF3

RGB 62 92 243

HSL 230.06, 0.88%, 0.6%

LAB 45.84, 40.41, -78.66

 

CMYK 67 / 74 / 0 / 5

HEX #513EF3

RGB 81 62 243

HSL 246.3, 0.88%, 0.6%

LAB 40.68, 59.36, -87.1

 

CMYK 47 / 74 / 0 / 5

HEX #823EF3

RGB 130 62 243

HSL 262.54, 0.88%, 0.6%

LAB 45.17, 65.46, -79.55

 

CMYK 26 / 74 / 0 / 5

HEX #B33EF3

RGB 179 62 243

HSL 278.78, 0.88%, 0.6%

LAB 51.27, 73.46, -69.35

 

CMYK 74 / 42 / 0 / 5

HEX #3E8DF3

RGB 62 141 243

HSL 213.81, 0.88%, 0.6%

LAB 58.55, 10.12, -58.08

 

CMYK 74 / 62 / 0 / 5

HEX #3E5CF3

RGB 62 92 243

HSL 230.06, 0.88%, 0.6%

LAB 45.84, 40.41, -78.66

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 74 / 42 / 0 / 5

HEX #3E8DF3

RGB 62 141 243

HSL 213.81, 0.88%, 0.6%

LAB 58.55, 10.12, -58.08

 

CMYK 74 / 42 / 0 / 5

HEX #3E8DF3

RGB 62 141 243

HSL 213.81, 0.88%, 0.6%

LAB 58.55, 10.12, -58.08

 

CMYK 66 / 37 / 0 / 11

HEX #4E8FE3

RGB 78 143 227

HSL 213.83, 0.73%, 0.6%

LAB 58.8, 5.58, -48.79

 

CMYK 55 / 31 / 0 / 18

HEX #5F91D2

RGB 95 145 210

HSL 213.91, 0.56%, 0.6%

LAB 59.28, 2.05, -38.47

 

CMYK 43 / 24 / 0 / 24

HEX #6F93C2

RGB 111 147 194

HSL 213.98, 0.4%, 0.6%

LAB 60.02, -0.09, -28.28

 

CMYK 28 / 16 / 0 / 31

HEX #8095B1

RGB 128 149 177

HSL 214.29, 0.24%, 0.6%

LAB 61.01, -0.89, -17.07

 

CMYK 74 / 1 / 0 / 5

HEX #3EF0F3

RGB 62 240 243

HSL 180.99, 0.88%, 0.6%

LAB 86.91, -41.76, -14.13

 

CMYK 74 / 21 / 0 / 5

HEX #3EC0F3

RGB 62 192 243

HSL 196.91, 0.88%, 0.6%

LAB 73.02, -18.58, -35.3

 

CMYK 74 / 41 / 0 / 5

HEX #3E8FF3

RGB 62 143 243

HSL 213.15, 0.88%, 0.6%

LAB 59.1, 8.92, -57.2

 

CMYK 74 / 61 / 0 / 5

HEX #3E5FF3

RGB 62 95 243

HSL 229.06, 0.88%, 0.6%

LAB 46.55, 38.57, -77.49

 

CMYK 68 / 74 / 0 / 5

HEX #4D3EF3

RGB 77 62 243

HSL 244.97, 0.88%, 0.6%

LAB 40.4, 58.98, -87.57

 

CMYK 94 / 54 / 0 / 17

HEX #0C62D3

RGB 12 98 211

HSL 214.07, 0.89%, 0.44%

LAB 43.53, 21.06, -64.35

 

CMYK 90 / 51 / 0 / 5

HEX #1776F1

RGB 23 118 241

HSL 213.85, 0.89%, 0.52%

LAB 51.26, 20.36, -68.76

 

CMYK 74 / 42 / 0 / 5

HEX #3E8DF3

RGB 62 141 243

HSL 213.81, 0.88%, 0.6%

LAB 58.55, 10.12, -58.08

 

CMYK 59 / 33 / 0 / 4

HEX #65A4F6

RGB 101 164 246

HSL 213.93, 0.89%, 0.68%

LAB 66.5, 3.73, -47.03

 

CMYK 44 / 25 / 0 / 3

HEX #8CBBF8

RGB 140 187 248

HSL 213.89, 0.89%, 0.76%

LAB 74.76, 0.02, -35.07

 

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

CMYK 19 / 74 / 0 / 5

HEX #C63EF3

RGB 198 62 243

HSL 285.08, 0.88%, 0.6%

LAB 53.94, 76.89, -64.89

 

CMYK 11 / 0 / 74 / 5

HEX #D8F33E

RGB 216 243 62

HSL 68.95, 0.88%, 0.6%

LAB 91.26, -30.46, 78.11

 

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

CMYK 0 / 74 / 41 / 5

HEX #F33E8F

RGB 243 62 143

HSL 333.15, 0.88%, 0.6%

LAB 56.57, 72.95, -2.69

 

CMYK 41 / 0 / 74 / 5

HEX #8FF33E

RGB 143 243 62

HSL 93.15, 0.88%, 0.6%

LAB 87.14, -57.05, 72.74

 

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

CMYK 19 / 74 / 0 / 5

HEX #C63EF3

RGB 198 62 243

HSL 285.08, 0.88%, 0.6%

LAB 53.94, 76.89, -64.89

 

CMYK 0 / 33 / 74 / 5

HEX #F3A23E

RGB 243 162 62

HSL 33.15, 0.88%, 0.6%

LAB 73.05, 21.8, 61.49

 

CMYK 56 / 0 / 74 / 5

HEX #6BF33E

RGB 107 243 62

HSL 105.08, 0.88%, 0.6%

LAB 85.79, -67.27, 70.97

 

CMYK 75 / 43 / 0 / 4

HEX #3C8CF4

RGB 60 140 244

HSL 213.91, 0.89%, 0.6%

LAB 58.27, 10.84, -59.08

 

CMYK 0 / 74 / 4 / 5

HEX #F33EEA

RGB 243 62 234

HSL 302.98, 0.88%, 0.6%

LAB 60.28, 84.11, -49.33

 

CMYK 0 / 33 / 74 / 5

HEX #F3A23E

RGB 243 162 62

HSL 33.15, 0.88%, 0.6%

LAB 73.05, 21.8, 61.49

 

CMYK 74 / 0 / 71 / 5

HEX #3EF347

RGB 62 243 71

HSL 122.98, 0.88%, 0.6%

LAB 84.78, -75.43, 66.56

 

Description

Color code: HEX #3C8CF4 | qconv.com Color code: HEX #3C8CF4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 140 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 140 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 43 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 43% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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