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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8CCD it is the complementary color #C37332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8CCD shade: #418CC8, #529EDB, #63B0EE, #74C2FF and #85D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8CCD shade: #3C8CCD, #2B7ABA, #1A68A7, #095694 and #004481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8CCD shade: #3C8CCD, #3C65CD, #3C3ECD, #623CCD and #883CCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8CCD shade: #3C8CCD, #3C65CD, #3C3ECD and #3C3CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8CCD shade matches the following richer shades: #3C8CCD, #298EE1 and #1590F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8CCD shade: #3C8CCD, #508AB9, #6488A5, #788691 and #8C847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8CCD shade: #3CCDBE, #3CB5CD, #3C8ECD, #3C68CD and #3C41CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8CCD shade: #256191, #2E77B2, #3C8CCD, #5D9FD5 and #7EB3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8CCD shade: #3C8CCD, #983CCD and #C8CD3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8CCD shade: #3C8CCD, #CD3C8E and #8ECD3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8CCD shade: #3C8CCD, #983CCD, #CD7B3C and #71CD3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8CCD shade: #3C8CCD, #C33CCD, #CD7B3C and #46CD3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

Complementary color

CMYK 0 / 41 / 74 / 24

HEX #C37332

RGB 195 115 50

HSL 26.9, 0.59%, 0.48%

LAB 56.18, 26.3, 47.8

 

CMYK 68 / 30 / 0 / 22

HEX #418CC8

RGB 65 140 200

HSL 206.67, 0.55%, 0.52%

LAB 56.14, -4.02, -37.87

 

CMYK 63 / 28 / 0 / 14

HEX #529EDB

RGB 82 158 219

HSL 206.72, 0.66%, 0.59%

LAB 62.81, -5.07, -38.01

 

CMYK 58 / 26 / 0 / 7

HEX #63B0EE

RGB 99 176 238

HSL 206.76, 0.8%, 0.66%

LAB 69.38, -5.91, -38.15

 

CMYK 55 / 24 / 0 / 0

HEX #74C2FF

RGB 116 194 255

HSL 206.33, 1%, 0.73%

LAB 75.77, -7.19, -37.35

 

CMYK 48 / 17 / 0 / 0

HEX #85D4FF

RGB 133 212 255

HSL 201.15, 1%, 0.76%

LAB 81.45, -13.05, -28.53

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 77 / 34 / 0 / 27

HEX #2B7ABA

RGB 43 122 186

HSL 206.85, 0.62%, 0.45%

LAB 49.47, -1.49, -40.43

 

CMYK 84 / 38 / 0 / 35

HEX #1A68A7

RGB 26 104 167

HSL 206.81, 0.73%, 0.38%

LAB 42.63, 0.55, -40.22

 

CMYK 94 / 42 / 0 / 42

HEX #095694

RGB 9 86 148

HSL 206.76, 0.89%, 0.31%

LAB 35.7, 3.24, -39.93

 

CMYK 100 / 47 / 0 / 49

HEX #004481

RGB 0 68 129

HSL 208.37, 1%, 0.25%

LAB 28.69, 6.77, -39.51

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 71 / 51 / 0 / 20

HEX #3C65CD

RGB 60 101 205

HSL 223.03, 0.59%, 0.52%

LAB 45.19, 20.91, -58.17

 

CMYK 71 / 70 / 0 / 20

HEX #3C3ECD

RGB 60 62 205

HSL 239.17, 0.59%, 0.52%

LAB 35.62, 45.3, -73.76

 

CMYK 52 / 71 / 0 / 20

HEX #623CCD

RGB 98 60 205

HSL 255.72, 0.59%, 0.52%

LAB 38.26, 51.49, -69.31

 

CMYK 34 / 71 / 0 / 20

HEX #883CCD

RGB 136 60 205

HSL 271.45, 0.59%, 0.52%

LAB 42.57, 58.15, -62.1

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 71 / 51 / 0 / 20

HEX #3C65CD

RGB 60 101 205

HSL 223.03, 0.59%, 0.52%

LAB 45.19, 20.91, -58.17

 

CMYK 71 / 70 / 0 / 20

HEX #3C3ECD

RGB 60 62 205

HSL 239.17, 0.59%, 0.52%

LAB 35.62, 45.3, -73.76

 

CMYK 71 / 71 / 0 / 20

HEX #3C3CCD

RGB 60 60 205

HSL 240, 0.59%, 0.52%

LAB 35.2, 46.46, -74.45

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 82 / 37 / 0 / 12

HEX #298EE1

RGB 41 142 225

HSL 207.07, 0.75%, 0.52%

LAB 57.32, 0.77, -50.08

 

CMYK 91 / 41 / 0 / 4

HEX #1590F4

RGB 21 144 244

HSL 206.91, 0.91%, 0.52%

LAB 58.64, 5.39, -58.54

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 57 / 25 / 0 / 27

HEX #508AB9

RGB 80 138 185

HSL 206.86, 0.43%, 0.52%

LAB 55.47, -5.04, -30.36

 

CMYK 39 / 18 / 0 / 35

HEX #6488A5

RGB 100 136 165

HSL 206.77, 0.27%, 0.52%

LAB 55.11, -4.94, -19.37

 

CMYK 17 / 8 / 0 / 43

HEX #788691

RGB 120 134 145

HSL 206.4, 0.1%, 0.52%

LAB 55.16, -2.64, -7.62

 

CMYK 0 / 6 / 10 / 45

HEX #8C847E

RGB 140 132 126

HSL 25.71, 0.06%, 0.52%

LAB 55.67, 1.9, 4.31

 

CMYK 71 / 0 / 7 / 20

HEX #3CCDBE

RGB 60 205 190

HSL 173.79, 0.59%, 0.52%

LAB 75.04, -41.03, -3.57

 

CMYK 71 / 12 / 0 / 20

HEX #3CB5CD

RGB 60 181 205

HSL 189.93, 0.59%, 0.52%

LAB 68.33, -25.3, -21.81

 

CMYK 71 / 31 / 0 / 20

HEX #3C8ECD

RGB 60 142 205

HSL 206.07, 0.59%, 0.52%

LAB 56.8, -4.22, -39.67

 

CMYK 71 / 49 / 0 / 20

HEX #3C68CD

RGB 60 104 205

HSL 221.79, 0.59%, 0.52%

LAB 46, 19, -56.86

 

CMYK 71 / 68 / 0 / 20

HEX #3C41CD

RGB 60 65 205

HSL 237.93, 0.59%, 0.52%

LAB 36.27, 43.53, -72.7

 

CMYK 74 / 33 / 0 / 43

HEX #256191

RGB 37 97 145

HSL 206.67, 0.59%, 0.36%

LAB 39.56, -2.27, -31.96

 

CMYK 74 / 33 / 0 / 30

HEX #2E77B2

RGB 46 119 178

HSL 206.82, 0.59%, 0.44%

LAB 48.25, -2.24, -37.73

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 56 / 25 / 0 / 16

HEX #5D9FD5

RGB 93 159 213

HSL 207, 0.59%, 0.6%

LAB 63.28, -5.43, -33.91

 

CMYK 43 / 19 / 0 / 13

HEX #7EB3DE

RGB 126 179 222

HSL 206.88, 0.59%, 0.68%

LAB 70.84, -6.25, -27.07

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 26 / 71 / 0 / 20

HEX #983CCD

RGB 152 60 205

HSL 278.07, 0.59%, 0.52%

LAB 44.68, 61.28, -58.59

 

CMYK 2 / 0 / 71 / 20

HEX #C8CD3C

RGB 200 205 60

HSL 62.07, 0.59%, 0.52%

LAB 79.77, -18.9, 67.43

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 0 / 71 / 31 / 20

HEX #CD3C8E

RGB 205 60 142

HSL 326.07, 0.59%, 0.52%

LAB 49.69, 63.49, -13.04

 

CMYK 31 / 0 / 71 / 20

HEX #8ECD3C

RGB 142 205 60

HSL 86.07, 0.59%, 0.52%

LAB 75.91, -41.91, 62.32

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 26 / 71 / 0 / 20

HEX #983CCD

RGB 152 60 205

HSL 278.07, 0.59%, 0.52%

LAB 44.68, 61.28, -58.59

 

CMYK 0 / 40 / 71 / 20

HEX #CD7B3C

RGB 205 123 60

HSL 26.07, 0.59%, 0.52%

LAB 59.41, 26.65, 46.83

 

CMYK 45 / 0 / 71 / 20

HEX #71CD3C

RGB 113 205 60

HSL 98.07, 0.59%, 0.52%

LAB 74.51, -51.76, 60.45

 

CMYK 71 / 32 / 0 / 20

HEX #3C8CCD

RGB 60 140 205

HSL 206.9, 0.59%, 0.52%

LAB 56.21, -3.06, -40.59

 

CMYK 5 / 71 / 0 / 20

HEX #C33CCD

RGB 195 60 205

HSL 295.86, 0.59%, 0.52%

LAB 50.97, 70.2, -48.16

 

CMYK 0 / 40 / 71 / 20

HEX #CD7B3C

RGB 205 123 60

HSL 26.07, 0.59%, 0.52%

LAB 59.41, 26.65, 46.83

 

CMYK 66 / 0 / 71 / 20

HEX #46CD3C

RGB 70 205 60

HSL 115.86, 0.59%, 0.52%

LAB 73.08, -62.88, 58.53

 

Description

Color code: HEX #3C8CCD | qconv.com Color code: HEX #3C8CCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 140 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 140 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 32 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 32% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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