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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8C7C it is the complementary color #C37383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8C7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8C7C shade: #418C77, #529E8A, #63B09D, #74C2B0 and #85D4C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8C7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8C7C shade: #3C8C7C, #2B7A69, #1A6856, #095643 and #004430

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8C7C shade: #3C8B7B, #3C8B66, #3C8B50, #3C8B3C and #528B3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8C7C shade: #3C8B7B, #3C868B, #3C708B, #3C5B8B and #3C458B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8C7C shade matches the following richer shades: #3C8B7B, #2C9B85, #1BAB8F and #0BBC98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8C7C shade: #3C8B7B, #4C7B72, #5C6B68, #6C5B5E and #7C4B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8C7C shade: #3C8B51, #3C8B66, #3C8B7B, #3C868B and #3C718B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8C7C shade: #235148, #2F6E62, #3C8B7B, #48A895 and #5FBAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8C7C shade: #3C8C7C, #3C3C8B and #8B5B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8C7C shade: #3C8C7C, #7B3C8B and #8B7B3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8C7C shade: #3C8C7C, #3C3C8B, #8B3C4C and #8B8B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8C7C shade: #3C8C7C, #543C8B, #8B3C4C and #738B3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

Complementary color

CMYK 0 / 41 / 33 / 24

HEX #C37383

RGB 195 115 131

HSL 348, 0.4%, 0.61%

LAB 57.56, 33.4, 4.9

 

CMYK 54 / 0 / 15 / 45

HEX #418C77

RGB 65 140 119

HSL 163.2, 0.37%, 0.4%

LAB 53.18, -28.67, 4.16

 

CMYK 48 / 0 / 13 / 38

HEX #529E8A

RGB 82 158 138

HSL 164.21, 0.32%, 0.47%

LAB 59.96, -28.58, 3.19

 

CMYK 44 / 0 / 11 / 31

HEX #63B09D

RGB 99 176 157

HSL 165.19, 0.33%, 0.54%

LAB 66.62, -28.45, 2.31

 

CMYK 40 / 0 / 9 / 24

HEX #74C2B0

RGB 116 194 176

HSL 166.15, 0.39%, 0.61%

LAB 73.17, -28.29, 1.5

 

CMYK 37 / 0 / 8 / 17

HEX #85D4C3

RGB 133 212 195

HSL 167.09, 0.48%, 0.68%

LAB 79.62, -28.13, 0.74

 

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

CMYK 65 / 0 / 14 / 52

HEX #2B7A69

RGB 43 122 105

HSL 167.09, 0.48%, 0.32%

LAB 46.25, -28.35, 2.24

 

CMYK 75 / 0 / 17 / 59

HEX #1A6856

RGB 26 104 86

HSL 166.15, 0.6%, 0.25%

LAB 39.23, -27.91, 3.46

 

CMYK 90 / 0 / 22 / 66

HEX #095643

RGB 9 86 67

HSL 165.19, 0.81%, 0.19%

LAB 32.08, -26.97, 4.93

 

CMYK 100 / 0 / 29 / 73

HEX #004430

RGB 0 68 48

HSL 162.35, 1%, 0.13%

LAB 24.79, -25.15, 6.74

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 57 / 0 / 27 / 45

HEX #3C8B66

RGB 60 139 102

HSL 151.9, 0.4%, 0.39%

LAB 52.27, -33.43, 12.62

 

CMYK 57 / 0 / 42 / 45

HEX #3C8B50

RGB 60 139 80

HSL 135.19, 0.4%, 0.39%

LAB 51.84, -37.86, 24.42

 

CMYK 57 / 0 / 57 / 45

HEX #3C8B3C

RGB 60 139 60

HSL 120, 0.4%, 0.39%

LAB 51.56, -40.97, 34.64

 

CMYK 41 / 0 / 57 / 45

HEX #528B3C

RGB 82 139 60

HSL 103.29, 0.4%, 0.39%

LAB 52.49, -34.17, 35.98

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 57 / 4 / 0 / 45

HEX #3C868B

RGB 60 134 139

HSL 183.8, 0.4%, 0.39%

LAB 51.7, -21.3, -9.66

 

CMYK 57 / 19 / 0 / 45

HEX #3C708B

RGB 60 112 139

HSL 200.51, 0.4%, 0.39%

LAB 44.82, -9.13, -20.1

 

CMYK 57 / 35 / 0 / 45

HEX #3C5B8B

RGB 60 91 139

HSL 216.46, 0.4%, 0.39%

LAB 38.39, 3.68, -30.11

 

CMYK 57 / 50 / 0 / 45

HEX #3C458B

RGB 60 69 139

HSL 233.16, 0.4%, 0.39%

LAB 31.99, 18.06, -40.27

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 72 / 0 / 14 / 39

HEX #2C9B85

RGB 44 155 133

HSL 168.11, 0.56%, 0.39%

LAB 57.72, -36.1, 2.63

 

CMYK 84 / 0 / 16 / 33

HEX #1BAB8F

RGB 27 171 143

HSL 168.33, 0.73%, 0.39%

LAB 62.8, -42.37, 4.31

 

CMYK 94 / 0 / 19 / 26

HEX #0BBC98

RGB 11 188 152

HSL 167.8, 0.89%, 0.39%

LAB 68.24, -48.02, 7.15

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 38 / 0 / 7 / 52

HEX #4C7B72

RGB 76 123 114

HSL 168.51, 0.24%, 0.39%

LAB 48.16, -18.25, -0.15

 

CMYK 14 / 0 / 3 / 58

HEX #5C6B68

RGB 92 107 104

HSL 168, 0.08%, 0.39%

LAB 43.93, -6.31, -0.23

 

CMYK 0 / 16 / 13 / 58

HEX #6C5B5E

RGB 108 91 94

HSL 349.41, 0.09%, 0.39%

LAB 40.37, 7.46, 0.84

 

CMYK 0 / 40 / 31 / 51

HEX #7C4B55

RGB 124 75 85

HSL 347.76, 0.25%, 0.39%

LAB 37.79, 22.18, 2.93

 

CMYK 57 / 0 / 42 / 45

HEX #3C8B51

RGB 60 139 81

HSL 135.95, 0.4%, 0.39%

LAB 51.86, -37.68, 23.89

 

CMYK 57 / 0 / 27 / 45

HEX #3C8B66

RGB 60 139 102

HSL 151.9, 0.4%, 0.39%

LAB 52.27, -33.43, 12.62

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 57 / 4 / 0 / 45

HEX #3C868B

RGB 60 134 139

HSL 183.8, 0.4%, 0.39%

LAB 51.7, -21.3, -9.66

 

CMYK 57 / 19 / 0 / 45

HEX #3C718B

RGB 60 113 139

HSL 199.75, 0.4%, 0.39%

LAB 45.13, -9.71, -19.62

 

CMYK 57 / 0 / 11 / 68

HEX #235148

RGB 35 81 72

HSL 168.26, 0.4%, 0.23%

LAB 31.14, -18.3, 0.5

 

CMYK 57 / 0 / 11 / 57

HEX #2F6E62

RGB 47 110 98

HSL 168.57, 0.4%, 0.31%

LAB 42.21, -23.42, 0.58

 

CMYK 57 / 0 / 12 / 45

HEX #3C8B7B

RGB 60 139 123

HSL 167.85, 0.4%, 0.39%

LAB 52.79, -28.3, 1.26

 

CMYK 57 / 0 / 11 / 34

HEX #48A895

RGB 72 168 149

HSL 168.13, 0.4%, 0.47%

LAB 62.97, -32.94, 1.33

 

CMYK 49 / 0 / 10 / 27

HEX #5FBAA8

RGB 95 186 168

HSL 168.13, 0.4%, 0.55%

LAB 69.74, -31.62, 0.76

 

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

CMYK 57 / 57 / 0 / 45

HEX #3C3C8B

RGB 60 60 139

HSL 240, 0.4%, 0.39%

LAB 29.55, 24.03, -44.2

 

CMYK 0 / 35 / 57 / 45

HEX #8B5B3C

RGB 139 91 60

HSL 23.54, 0.4%, 0.39%

LAB 43.21, 16.22, 25.81

 

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

CMYK 12 / 57 / 0 / 45

HEX #7B3C8B

RGB 123 60 139

HSL 287.85, 0.4%, 0.39%

LAB 36.57, 40.24, -32.58

 

CMYK 0 / 12 / 57 / 45

HEX #8B7B3C

RGB 139 123 60

HSL 47.85, 0.4%, 0.39%

LAB 51.82, -2.3, 36.22

 

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

CMYK 57 / 57 / 0 / 45

HEX #3C3C8B

RGB 60 60 139

HSL 240, 0.4%, 0.39%

LAB 29.55, 24.03, -44.2

 

CMYK 0 / 57 / 45 / 45

HEX #8B3C4C

RGB 139 60 76

HSL 347.85, 0.4%, 0.39%

LAB 36.45, 35.25, 6.99

 

CMYK 0 / 0 / 57 / 45

HEX #8B8B3C

RGB 139 139 60

HSL 60, 0.4%, 0.39%

LAB 56.37, -11.12, 41.46

 

CMYK 57 / 0 / 11 / 45

HEX #3C8C7C

RGB 60 140 124

HSL 168, 0.4%, 0.39%

LAB 53.14, -28.53, 1.19

 

CMYK 40 / 57 / 0 / 45

HEX #543C8B

RGB 84 60 139

HSL 258.23, 0.4%, 0.39%

LAB 31.76, 29.63, -40.53

 

CMYK 0 / 57 / 45 / 45

HEX #8B3C4C

RGB 139 60 76

HSL 347.85, 0.4%, 0.39%

LAB 36.45, 35.25, 6.99

 

CMYK 17 / 0 / 57 / 45

HEX #738B3C

RGB 115 139 60

HSL 78.23, 0.4%, 0.39%

LAB 54.49, -21.46, 38.81

 

Description

Color code: HEX #3C8C7C | qconv.com Color code: HEX #3C8C7C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 140 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 140 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 11 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 11% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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