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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C8BD6 it is the complementary color #C37429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C8BD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C8BD6 shade: #418BD1, #529DE4, #63AFF7, #74C1FF and #85D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C8BD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C8BD6 shade: #3C8BD6, #2B79C3, #1A67B0, #09559D and #00438A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C8BD6 shade: #3D8BD5, #3D62D5, #413DD5, #6A3DD5 and #933DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C8BD6 shade: #3D8BD5, #3D62D5 and #3D3DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C8BD6 shade matches the following richer shades: #3D8BD5, #2A8CE8 and #178CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C8BD6 shade: #3D8BD5, #508BC2, #638AAF, #768A9D and #89898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C8BD6 shade: #3DD5CE, #3DB4D5, #3D8CD5, #3D63D5 and #3F3DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C8BD6 shade: #21629F, #2877C1, #3D8BD5, #5F9FDD and #81B4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C8BD6 shade: #3C8BD6, #A53DD5 and #C9D53D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C8BD6 shade: #3C8BD6, #D53D8C and #8CD53D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C8BD6 shade: #3C8BD6, #A53DD5, #D5873D and #6DD53D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C8BD6 shade: #3C8BD6, #D33DD5, #D5873D and #3FD53D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

Complementary color

CMYK 0 / 41 / 79 / 24

HEX #C37429

RGB 195 116 41

HSL 29.22, 0.65%, 0.46%

LAB 56.34, 25.38, 51.96

 

CMYK 69 / 33 / 0 / 18

HEX #418BD1

RGB 65 139 209

HSL 209.17, 0.61%, 0.54%

LAB 56.28, -0.33, -42.72

 

CMYK 64 / 31 / 0 / 11

HEX #529DE4

RGB 82 157 228

HSL 209.18, 0.73%, 0.61%

LAB 62.94, -1.55, -42.8

 

CMYK 60 / 29 / 0 / 3

HEX #63AFF7

RGB 99 175 247

HSL 209.19, 0.9%, 0.68%

LAB 69.49, -2.54, -42.88

 

CMYK 55 / 24 / 0 / 0

HEX #74C1FF

RGB 116 193 255

HSL 206.76, 1%, 0.73%

LAB 75.5, -6.65, -37.78

 

CMYK 48 / 17 / 0 / 0

HEX #85D3FF

RGB 133 211 255

HSL 201.64, 1%, 0.76%

LAB 81.18, -12.53, -28.95

 

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

CMYK 78 / 38 / 0 / 24

HEX #2B79C3

RGB 43 121 195

HSL 209.21, 0.64%, 0.47%

LAB 49.65, 2.46, -45.31

 

CMYK 85 / 41 / 0 / 31

HEX #1A67B0

RGB 26 103 176

HSL 209.2, 0.74%, 0.4%

LAB 42.85, 4.71, -45.17

 

CMYK 94 / 46 / 0 / 38

HEX #09559D

RGB 9 85 157

HSL 209.19, 0.89%, 0.33%

LAB 35.96, 7.63, -44.93

 

CMYK 100 / 51 / 0 / 46

HEX #00438A

RGB 0 67 138

HSL 210.87, 1%, 0.27%

LAB 29.03, 11.37, -44.55

 

CMYK 71 / 35 / 0 / 16

HEX #3D8BD5

RGB 61 139 213

HSL 209.21, 0.64%, 0.54%

LAB 56.35, 0.48, -44.87

 

CMYK 71 / 54 / 0 / 16

HEX #3D62D5

RGB 61 98 213

HSL 225.39, 0.64%, 0.54%

LAB 44.99, 25.86, -63.07

 

CMYK 69 / 71 / 0 / 16

HEX #413DD5

RGB 65 61 213

HSL 241.58, 0.64%, 0.54%

LAB 36.49, 49.01, -76.95

 

CMYK 50 / 71 / 0 / 16

HEX #6A3DD5

RGB 106 61 213

HSL 257.76, 0.64%, 0.54%

LAB 39.92, 54.46, -71.18

 

CMYK 31 / 71 / 0 / 16

HEX #933DD5

RGB 147 61 213

HSL 273.95, 0.64%, 0.54%

LAB 44.72, 61.63, -63.16

 

CMYK 71 / 35 / 0 / 16

HEX #3D8BD5

RGB 61 139 213

HSL 209.21, 0.64%, 0.54%

LAB 56.35, 0.48, -44.87

 

CMYK 71 / 54 / 0 / 16

HEX #3D62D5

RGB 61 98 213

HSL 225.39, 0.64%, 0.54%

LAB 44.99, 25.86, -63.07

 

CMYK 71 / 71 / 0 / 16

HEX #3D3DD5

RGB 61 61 213

HSL 240, 0.64%, 0.54%

LAB 36.24, 48.6, -77.37

 

CMYK 71 / 35 / 0 / 16

HEX #3D8BD5

RGB 61 139 213

HSL 209.21, 0.64%, 0.54%

LAB 56.35, 0.48, -44.87

 

CMYK 82 / 40 / 0 / 9

HEX #2A8CE8

RGB 42 140 232

HSL 209.05, 0.81%, 0.54%

LAB 57.15, 4.63, -54.26

 

CMYK 91 / 44 / 0 / 2

HEX #178CFB

RGB 23 140 251

HSL 209.21, 0.97%, 0.54%

LAB 57.95, 10.54, -63.51

 

CMYK 71 / 35 / 0 / 16

HEX #3D8BD5

RGB 61 139 213

HSL 209.21, 0.64%, 0.54%

LAB 56.35, 0.48, -44.87

 

CMYK 59 / 28 / 0 / 24

HEX #508BC2

RGB 80 139 194

HSL 208.95, 0.48%, 0.54%

LAB 56.15, -2.72, -34.4

 

CMYK 43 / 21 / 0 / 31

HEX #638AAF

RGB 99 138 175

HSL 209.21, 0.32%, 0.54%

LAB 56.01, -3.53, -23.72

 

CMYK 25 / 12 / 0 / 38

HEX #768A9D

RGB 118 138 157

HSL 209.23, 0.17%, 0.54%

LAB 56.55, -2.74, -12.47

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 71 / 0 / 3 / 16

HEX #3DD5CE

RGB 61 213 206

HSL 177.24, 0.64%, 0.54%

LAB 77.9, -40.11, -7.96

 

CMYK 71 / 15 / 0 / 16

HEX #3DB4D5

RGB 61 180 213

HSL 193.03, 0.64%, 0.54%

LAB 68.34, -22.15, -26.18

 

CMYK 71 / 34 / 0 / 16

HEX #3D8CD5

RGB 61 140 213

HSL 208.82, 0.64%, 0.54%

LAB 56.64, -0.11, -44.42

 

CMYK 71 / 54 / 0 / 16

HEX #3D63D5

RGB 61 99 213

HSL 225, 0.64%, 0.54%

LAB 45.25, 25.22, -62.65

 

CMYK 70 / 71 / 0 / 16

HEX #3F3DD5

RGB 63 61 213

HSL 240.79, 0.64%, 0.54%

LAB 36.36, 48.8, -77.16

 

CMYK 79 / 38 / 0 / 38

HEX #21629F

RGB 33 98 159

HSL 209.05, 0.66%, 0.38%

LAB 40.51, 1.93, -38.84

 

CMYK 79 / 38 / 0 / 24

HEX #2877C1

RGB 40 119 193

HSL 209.02, 0.66%, 0.46%

LAB 48.88, 2.6, -45.4

 

CMYK 71 / 35 / 0 / 16

HEX #3D8BD5

RGB 61 139 213

HSL 209.21, 0.64%, 0.54%

LAB 56.35, 0.48, -44.87

 

CMYK 57 / 28 / 0 / 13

HEX #5F9FDD

RGB 95 159 221

HSL 209.52, 0.65%, 0.62%

LAB 63.71, -2.52, -37.67

 

CMYK 43 / 21 / 0 / 11

HEX #81B4E4

RGB 129 180 228

HSL 209.09, 0.65%, 0.7%

LAB 71.49, -4.39, -29.32

 

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

CMYK 23 / 71 / 0 / 16

HEX #A53DD5

RGB 165 61 213

HSL 281.05, 0.64%, 0.54%

LAB 47.16, 65.13, -59.1

 

CMYK 6 / 0 / 71 / 16

HEX #C9D53D

RGB 201 213 61

HSL 64.74, 0.64%, 0.54%

LAB 82.02, -22.35, 69.29

 

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

CMYK 0 / 71 / 34 / 16

HEX #D53D8C

RGB 213 61 140

HSL 328.82, 0.64%, 0.54%

LAB 51.13, 65.05, -9.56

 

CMYK 34 / 0 / 71 / 16

HEX #8CD53D

RGB 140 213 61

HSL 88.82, 0.64%, 0.54%

LAB 78.17, -45.99, 64.2

 

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

CMYK 23 / 71 / 0 / 16

HEX #A53DD5

RGB 165 61 213

HSL 281.05, 0.64%, 0.54%

LAB 47.16, 65.13, -59.1

 

CMYK 0 / 37 / 71 / 16

HEX #D5873D

RGB 213 135 61

HSL 29.21, 0.64%, 0.54%

LAB 63.19, 23.59, 50.69

 

CMYK 49 / 0 / 71 / 16

HEX #6DD53D

RGB 109 213 61

HSL 101.05, 0.64%, 0.54%

LAB 76.79, -55.98, 62.35

 

CMYK 72 / 35 / 0 / 16

HEX #3C8BD6

RGB 60 139 214

HSL 209.22, 0.65%, 0.54%

LAB 56.37, 0.7, -45.41

 

CMYK 1 / 71 / 0 / 16

HEX #D33DD5

RGB 211 61 213

HSL 299.21, 0.64%, 0.54%

LAB 54.02, 74.59, -47.73

 

CMYK 0 / 37 / 71 / 16

HEX #D5873D

RGB 213 135 61

HSL 29.21, 0.64%, 0.54%

LAB 63.19, 23.59, 50.69

 

CMYK 70 / 0 / 71 / 16

HEX #3FD53D

RGB 63 213 61

HSL 119.21, 0.64%, 0.54%

LAB 75.44, -66.73, 60.55

 

Description

Color code: HEX #3C8BD6 | qconv.com Color code: HEX #3C8BD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 139 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 139 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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