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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C899E it is the complementary color #C37661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C899E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3C899E: #418999, #529BAC, #63ADBF, #74BFD2 and #85D1E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C899E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3C899E: #3C899E, #2B778B, #1A6578, #095365 and #004152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

Complementary color

CMYK 0 / 39 / 50 / 24

HEX #C37661

RGB 195 118 97

HSL 12.86, 0.45%, 0.57%

LAB 57.48, 27.95, 24.39

 

CMYK 58 / 10 / 0 / 40

HEX #418999

RGB 65 137 153

HSL 190.91, 0.4%, 0.43%

LAB 53.29, -17.65, -15.36

 

CMYK 52 / 10 / 0 / 33

HEX #529BAC

RGB 82 155 172

HSL 191.33, 0.35%, 0.5%

LAB 60.08, -17.96, -15.88

 

CMYK 48 / 9 / 0 / 25

HEX #63ADBF

RGB 99 173 191

HSL 191.74, 0.42%, 0.57%

LAB 66.75, -18.17, -16.36

 

CMYK 45 / 9 / 0 / 18

HEX #74BFD2

RGB 116 191 210

HSL 192.13, 0.51%, 0.64%

LAB 73.3, -18.32, -16.82

 

CMYK 42 / 9 / 0 / 10

HEX #85D1E5

RGB 133 209 229

HSL 192.5, 0.65%, 0.71%

LAB 79.75, -18.42, -17.26

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 69 / 14 / 0 / 45

HEX #2B778B

RGB 43 119 139

HSL 192.5, 0.53%, 0.36%

LAB 46.41, -16.41, -17.72

 

CMYK 78 / 16 / 0 / 53

HEX #1A6578

RGB 26 101 120

HSL 192.13, 0.64%, 0.29%

LAB 39.38, -15.39, -17.1

 

CMYK 91 / 18 / 0 / 60

HEX #095365

RGB 9 83 101

HSL 191.74, 0.84%, 0.22%

LAB 32.22, -13.82, -16.35

 

CMYK 100 / 21 / 0 / 68

HEX #004152

RGB 0 65 82

HSL 192.44, 1%, 0.16%

LAB 24.92, -11.42, -15.42

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 62 / 23 / 0 / 38

HEX #3C7A9E

RGB 60 122 158

HSL 202.04, 0.45%, 0.43%

LAB 48.7, -8.69, -25.34

 

CMYK 62 / 33 / 0 / 38

HEX #3C6A9E

RGB 60 106 158

HSL 211.84, 0.45%, 0.43%

LAB 43.85, 0.87, -32.89

 

CMYK 62 / 44 / 0 / 38

HEX #3C599E

RGB 60 89 158

HSL 222.24, 0.45%, 0.43%

LAB 38.85, 11.63, -40.81

 

CMYK 62 / 54 / 0 / 38

HEX #3C499E

RGB 60 73 158

HSL 232.04, 0.45%, 0.43%

LAB 34.38, 22.11, -47.99

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 62 / 13 / 0 / 18

HEX #4FB5D1

RGB 79 181 209

HSL 192.92, 0.59%, 0.56%

LAB 68.98, -21.16, -22.97

 

CMYK 60 / 20 / 0 / 98

HEX #020405

RGB 2 4 5

HSL 200, 0.43%, 0.01%

LAB 1, -0.38, -0.56

 

CMYK 63 / 13 / 0 / 78

HEX #153138

RGB 21 49 56

HSL 192, 0.45%, 0.15%

LAB 18.55, -8.13, -7.69

 

CMYK 62 / 13 / 0 / 58

HEX #295D6B

RGB 41 93 107

HSL 192.73, 0.45%, 0.29%

LAB 36.67, -12.74, -13.22

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 37 / 62 / 0 / 38

HEX #633C9E

RGB 99 60 158

HSL 263.88, 0.45%, 0.43%

LAB 34.71, 38.61, -47.29

 

CMYK 0 / 12 / 62 / 38

HEX #9E8B3C

RGB 158 139 60

HSL 48.37, 0.45%, 0.43%

LAB 58.09, -2.69, 43.87

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 0 / 62 / 12 / 38

HEX #9E3C8B

RGB 158 60 139

HSL 311.63, 0.45%, 0.43%

LAB 41.79, 50.15, -24.02

 

CMYK 12 / 0 / 62 / 38

HEX #8B9E3C

RGB 139 158 60

HSL 71.63, 0.45%, 0.43%

LAB 61.89, -21.05, 47.59

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 37 / 62 / 0 / 38

HEX #633C9E

RGB 99 60 158

HSL 263.88, 0.45%, 0.43%

LAB 34.71, 38.61, -47.29

 

CMYK 0 / 49 / 62 / 38

HEX #9E503C

RGB 158 80 60

HSL 12.24, 0.45%, 0.43%

LAB 43.26, 30.55, 26.44

 

CMYK 25 / 0 / 62 / 38

HEX #779E3C

RGB 119 158 60

HSL 83.88, 0.45%, 0.43%

LAB 60.52, -29.23, 45.7

 

CMYK 62 / 13 / 0 / 38

HEX #3C899E

RGB 60 137 158

HSL 192.86, 0.45%, 0.43%

LAB 53.3, -17.09, -18.26

 

CMYK 18 / 62 / 0 / 38

HEX #813C9E

RGB 129 60 158

HSL 282.24, 0.45%, 0.43%

LAB 38.49, 45.94, -41.01

 

CMYK 0 / 49 / 62 / 38

HEX #9E503C

RGB 158 80 60

HSL 12.24, 0.45%, 0.43%

LAB 43.26, 30.55, 26.44

 

CMYK 44 / 0 / 62 / 38

HEX #599E3C

RGB 89 158 60

HSL 102.24, 0.45%, 0.43%

LAB 58.89, -40.17, 43.42

 

Description

Color code: HEX #3C899E | qconv.com Color code: HEX #3C899E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 137 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 137 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 13 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 13% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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