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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C87FE it is the complementary color #C37801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C87FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C87FE shade: #4187F9, #5299FF, #63ABFF, #74BDFF and #85CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C87FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C87FE shade: #3C87FE, #2B75EB, #1A63D8, #0951C5 and #003FB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C87FE shade: #3E88FE, #3E55FE, #5B3EFE, #8F3EFE and #C33EFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C87FE shade: #3E88FE, #3E55FE and #3E3EFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C87FE shade matches the following richer shades: #3E88FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C87FE shade: #3E88FE, #4E8CEE, #5E8FDF, #6D93CF and #7D97BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C87FE shade: #3EF1FE, #3EBEFE, #3E8BFE, #3E58FE and #583EFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C87FE shade: #015BE9, #156FFE, #3E88FE, #67A2FE and #90BBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C87FE shade: #3C87FE, #D83EFE and #D8FE3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C87FE shade: #3C87FE, #FE3E8B and #8BFE3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C87FE shade: #3C87FE, #D83EFE, #FEB13E and #65FE3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C87FE shade: #3C87FE, #FE3EEB, #FEB13E and #3EFE51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

Complementary color

CMYK 0 / 38 / 99 / 24

HEX #C37801

RGB 195 120 1

HSL 36.8, 0.99%, 0.38%

LAB 57.11, 22.35, 63.57

 

CMYK 74 / 46 / 0 / 2

HEX #4187F9

RGB 65 135 249

HSL 217.17, 0.94%, 0.62%

LAB 57.36, 16.27, -63.3

 

CMYK 68 / 40 / 0 / 0

HEX #5299FF

RGB 82 153 255

HSL 215.38, 1%, 0.66%

LAB 63.17, 9.87, -57.26

 

CMYK 61 / 33 / 0 / 0

HEX #63ABFF

RGB 99 171 255

HSL 212.31, 1%, 0.69%

LAB 68.75, 2.26, -48.38

 

CMYK 55 / 26 / 0 / 0

HEX #74BDFF

RGB 116 189 255

HSL 208.49, 1%, 0.73%

LAB 74.4, -4.48, -39.48

 

CMYK 48 / 19 / 0 / 0

HEX #85CFFF

RGB 133 207 255

HSL 203.61, 1%, 0.76%

LAB 80.09, -10.44, -30.63

 

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

CMYK 82 / 50 / 0 / 8

HEX #2B75EB

RGB 43 117 235

HSL 216.88, 0.83%, 0.55%

LAB 50.96, 20.01, -65.87

 

CMYK 88 / 54 / 0 / 15

HEX #1A63D8

RGB 26 99 216

HSL 216.95, 0.79%, 0.47%

LAB 44.38, 23.02, -65.82

 

CMYK 95 / 59 / 0 / 23

HEX #0951C5

RGB 9 81 197

HSL 217.02, 0.91%, 0.4%

LAB 37.8, 26.61, -65.61

 

CMYK 100 / 65 / 0 / 30

HEX #003FB2

RGB 0 63 178

HSL 218.76, 1%, 0.35%

LAB 31.28, 30.79, -65.12

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 76 / 67 / 0 / 0

HEX #3E55FE

RGB 62 85 254

HSL 232.81, 0.99%, 0.62%

LAB 45.19, 48.4, -85.87

 

CMYK 64 / 76 / 0 / 0

HEX #5B3EFE

RGB 91 62 254

HSL 249.06, 0.99%, 0.62%

LAB 42.5, 63.56, -90.24

 

CMYK 44 / 76 / 0 / 0

HEX #8F3EFE

RGB 143 62 254

HSL 265.31, 0.99%, 0.62%

LAB 47.55, 70.04, -81.75

 

CMYK 23 / 76 / 0 / 0

HEX #C33EFE

RGB 195 62 254

HSL 281.56, 0.99%, 0.62%

LAB 54.24, 78.43, -70.56

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 76 / 67 / 0 / 0

HEX #3E55FE

RGB 62 85 254

HSL 232.81, 0.99%, 0.62%

LAB 45.19, 48.4, -85.87

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 67 / 41 / 0 / 7

HEX #4E8CEE

RGB 78 140 238

HSL 216.75, 0.82%, 0.62%

LAB 58.55, 11.15, -55.28

 

CMYK 58 / 36 / 0 / 13

HEX #5E8FDF

RGB 94 143 223

HSL 217.21, 0.67%, 0.62%

LAB 59.3, 7.17, -45.72

 

CMYK 47 / 29 / 0 / 19

HEX #6D93CF

RGB 109 147 207

HSL 216.73, 0.51%, 0.62%

LAB 60.45, 3.19, -34.92

 

CMYK 35 / 21 / 0 / 25

HEX #7D97BF

RGB 125 151 191

HSL 216.36, 0.34%, 0.62%

LAB 61.87, 0.67, -23.66

 

CMYK 76 / 5 / 0 / 0

HEX #3EF1FE

RGB 62 241 254

HSL 184.06, 0.99%, 0.62%

LAB 87.53, -39.07, -18.96

 

CMYK 76 / 25 / 0 / 0

HEX #3EBEFE

RGB 62 190 254

HSL 200, 0.99%, 0.62%

LAB 72.9, -13.9, -41.42

 

CMYK 76 / 45 / 0 / 0

HEX #3E8BFE

RGB 62 139 254

HSL 215.94, 0.99%, 0.62%

LAB 58.64, 15.28, -63.99

 

CMYK 76 / 65 / 0 / 0

HEX #3E58FE

RGB 62 88 254

HSL 231.88, 0.99%, 0.62%

LAB 45.85, 46.62, -84.78

 

CMYK 65 / 76 / 0 / 0

HEX #583EFE

RGB 88 62 254

HSL 248.13, 0.99%, 0.62%

LAB 42.27, 63.26, -90.62

 

CMYK 100 / 61 / 0 / 9

HEX #015BE9

RGB 1 91 233

HSL 216.72, 0.99%, 0.46%

LAB 43.32, 33.88, -77.21

 

CMYK 92 / 56 / 0 / 0

HEX #156FFE

RGB 21 111 254

HSL 216.82, 0.99%, 0.54%

LAB 50.32, 29.67, -77.52

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 59 / 36 / 0 / 0

HEX #67A2FE

RGB 103 162 254

HSL 216.56, 0.99%, 0.7%

LAB 66.43, 7.82, -51.49

 

CMYK 43 / 26 / 0 / 0

HEX #90BBFE

RGB 144 187 254

HSL 216.55, 0.98%, 0.78%

LAB 75.22, 2.66, -37.56

 

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

CMYK 15 / 76 / 0 / 0

HEX #D83EFE

RGB 216 62 254

HSL 288.13, 0.99%, 0.62%

LAB 57.27, 82.16, -65.52

 

CMYK 15 / 0 / 76 / 0

HEX #D8FE3E

RGB 216 254 62

HSL 71.88, 0.99%, 0.62%

LAB 94.24, -35.49, 80.88

 

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

CMYK 0 / 76 / 45 / 0

HEX #FE3E8B

RGB 254 62 139

HSL 335.94, 0.99%, 0.62%

LAB 58.4, 75.43, 2.58

 

CMYK 45 / 0 / 76 / 0

HEX #8BFE3E

RGB 139 254 62

HSL 95.94, 0.99%, 0.62%

LAB 90.19, -62.46, 75.63

 

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

CMYK 15 / 76 / 0 / 0

HEX #D83EFE

RGB 216 62 254

HSL 288.13, 0.99%, 0.62%

LAB 57.27, 82.16, -65.52

 

CMYK 0 / 30 / 76 / 0

HEX #FEB13E

RGB 254 177 62

HSL 35.94, 0.99%, 0.62%

LAB 77.79, 18.51, 66.54

 

CMYK 60 / 0 / 76 / 0

HEX #65FE3E

RGB 101 254 62

HSL 107.81, 0.99%, 0.62%

LAB 88.92, -72.39, 73.96

 

CMYK 76 / 47 / 0 / 0

HEX #3C87FE

RGB 60 135 254

HSL 216.8, 0.99%, 0.62%

LAB 57.51, 17.5, -65.83

 

CMYK 0 / 76 / 7 / 0

HEX #FE3EEB

RGB 254 62 235

HSL 305.94, 0.99%, 0.62%

LAB 62.1, 86.48, -46.91

 

CMYK 0 / 30 / 76 / 0

HEX #FEB13E

RGB 254 177 62

HSL 35.94, 0.99%, 0.62%

LAB 77.79, 18.51, 66.54

 

CMYK 76 / 0 / 68 / 0

HEX #3EFE51

RGB 62 254 81

HSL 125.94, 0.99%, 0.62%

LAB 88.21, -77.91, 66.5

 

Description

Color code: HEX #3C87FE | qconv.com Color code: HEX #3C87FE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 135 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 135 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 47 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 47% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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