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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C7CFB it is the complementary color #C38304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C7CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C7CFB shade: #417CF6, #528EFF, #63A0FF, #74B2FF and #85C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C7CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C7CFB shade: #3C7CFB, #2B6AE8, #1A58D5, #0946C2 and #0034AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C7CFB shade: #3C7CFB, #3C48FB, #633CFB, #963CFB and #CA3CFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C7CFB shade: #3C7CFB, #3C48FB and #3C3CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C7CFB shade matches the following richer shades: #3C7CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C7CFB shade: #3C7CFB, #4C81EA, #5C86DA, #6C8BCA and #7C91BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C7CFB shade: #3CE4FB, #3CB1FB, #3C7EFB, #3C4BFB and #5F3CFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C7CFB shade: #044EE0, #1360FA, #3C7CFB, #6497FB and #8CB2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C7CFB shade: #3C7CFB, #DE3CFB and #CBFB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C7CFB shade: #3C7CFB, #FB3C7E and #7EFB3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C7CFB shade: #3C7CFB, #DE3CFB, #FBB83C and #58FB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C7CFB shade: #3C7CFB, #FB3CDE, #FBB83C and #3CFB58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

Complementary color

CMYK 0 / 33 / 98 / 24

HEX #C38304

RGB 195 131 4

HSL 39.9, 0.96%, 0.39%

LAB 59.75, 16.35, 64.82

 

CMYK 74 / 50 / 0 / 4

HEX #417CF6

RGB 65 124 246

HSL 220.44, 0.91%, 0.61%

LAB 54.23, 21.95, -66.68

 

CMYK 68 / 44 / 0 / 0

HEX #528EFF

RGB 82 142 255

HSL 219.19, 1%, 0.66%

LAB 60.21, 16.42, -61.99

 

CMYK 61 / 37 / 0 / 0

HEX #63A0FF

RGB 99 160 255

HSL 216.54, 1%, 0.69%

LAB 65.76, 8.57, -53.1

 

CMYK 55 / 30 / 0 / 0

HEX #74B2FF

RGB 116 178 255

HSL 213.24, 1%, 0.73%

LAB 71.4, 1.59, -44.16

 

CMYK 48 / 23 / 0 / 0

HEX #85C4FF

RGB 133 196 255

HSL 209.02, 1%, 0.76%

LAB 77.09, -4.58, -35.24

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 81 / 54 / 0 / 9

HEX #2B6AE8

RGB 43 106 232

HSL 220, 0.8%, 0.54%

LAB 47.81, 25.84, -69.29

 

CMYK 88 / 59 / 0 / 16

HEX #1A58D5

RGB 26 88 213

HSL 220.11, 0.78%, 0.47%

LAB 41.22, 29.01, -69.25

 

CMYK 95 / 64 / 0 / 24

HEX #0946C2

RGB 9 70 194

HSL 220.22, 0.91%, 0.4%

LAB 34.67, 32.72, -68.99

 

CMYK 100 / 70 / 0 / 31

HEX #0034AF

RGB 0 52 175

HSL 222.17, 1%, 0.34%

LAB 28.25, 36.87, -68.31

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 76 / 71 / 0 / 2

HEX #3C48FB

RGB 60 72 251

HSL 236.23, 0.96%, 0.61%

LAB 42.09, 54.69, -89.29

 

CMYK 61 / 76 / 0 / 2

HEX #633CFB

RGB 99 60 251

HSL 252.25, 0.96%, 0.61%

LAB 42.54, 64.48, -88.48

 

CMYK 40 / 76 / 0 / 2

HEX #963CFB

RGB 150 60 251

HSL 268.27, 0.96%, 0.61%

LAB 47.86, 71.16, -79.54

 

CMYK 20 / 76 / 0 / 2

HEX #CA3CFB

RGB 202 60 251

HSL 284.61, 0.96%, 0.61%

LAB 54.82, 79.73, -67.91

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 76 / 71 / 0 / 2

HEX #3C48FB

RGB 60 72 251

HSL 236.23, 0.96%, 0.61%

LAB 42.09, 54.69, -89.29

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 68 / 45 / 0 / 8

HEX #4C81EA

RGB 76 129 234

HSL 219.87, 0.79%, 0.61%

LAB 55.25, 16.11, -58.34

 

CMYK 58 / 39 / 0 / 15

HEX #5C86DA

RGB 92 134 218

HSL 220, 0.63%, 0.61%

LAB 56.47, 10.49, -47.4

 

CMYK 47 / 31 / 0 / 21

HEX #6C8BCA

RGB 108 139 202

HSL 220.21, 0.47%, 0.61%

LAB 57.96, 6.11, -36

 

CMYK 33 / 22 / 0 / 27

HEX #7C91BA

RGB 124 145 186

HSL 219.68, 0.31%, 0.61%

LAB 59.96, 2.48, -23.78

 

CMYK 76 / 9 / 0 / 2

HEX #3CE4FB

RGB 60 228 251

HSL 187.23, 0.96%, 0.61%

LAB 83.66, -34.12, -23.24

 

CMYK 76 / 29 / 0 / 2

HEX #3CB1FB

RGB 60 177 251

HSL 203.25, 0.96%, 0.61%

LAB 69.02, -8.08, -45.87

 

CMYK 76 / 50 / 0 / 2

HEX #3C7EFB

RGB 60 126 251

HSL 219.27, 0.96%, 0.61%

LAB 54.91, 21.95, -68.35

 

CMYK 76 / 70 / 0 / 2

HEX #3C4BFB

RGB 60 75 251

HSL 235.29, 0.96%, 0.61%

LAB 42.7, 53.01, -88.29

 

CMYK 62 / 76 / 0 / 2

HEX #5F3CFB

RGB 95 60 251

HSL 250.99, 0.96%, 0.61%

LAB 42.2, 64.06, -89.04

 

CMYK 98 / 65 / 0 / 12

HEX #044EE0

RGB 4 78 224

HSL 219.82, 0.96%, 0.45%

LAB 39.34, 38.86, -78.64

 

CMYK 92 / 62 / 0 / 2

HEX #1360FA

RGB 19 96 250

HSL 220, 0.96%, 0.53%

LAB 46.19, 37.58, -82.05

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 60 / 40 / 0 / 2

HEX #6497FB

RGB 100 151 251

HSL 219.74, 0.95%, 0.69%

LAB 63.18, 12.7, -55.01

 

CMYK 44 / 29 / 0 / 1

HEX #8CB2FC

RGB 140 178 252

HSL 219.64, 0.95%, 0.77%

LAB 72.52, 6.11, -40.7

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 12 / 76 / 0 / 2

HEX #DE3CFB

RGB 222 60 251

HSL 290.89, 0.96%, 0.61%

LAB 57.78, 83.33, -62.99

 

CMYK 19 / 0 / 76 / 2

HEX #CBFB3C

RGB 203 251 60

HSL 75.08, 0.96%, 0.61%

LAB 92.58, -39.25, 79.63

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 0 / 76 / 50 / 2

HEX #FB3C7E

RGB 251 60 126

HSL 339.27, 0.96%, 0.61%

LAB 57.32, 74.16, 8.64

 

CMYK 50 / 0 / 76 / 2

HEX #7EFB3C

RGB 126 251 60

HSL 99.27, 0.96%, 0.61%

LAB 88.81, -65.21, 74.73

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 12 / 76 / 0 / 2

HEX #DE3CFB

RGB 222 60 251

HSL 290.89, 0.96%, 0.61%

LAB 57.78, 83.33, -62.99

 

CMYK 0 / 27 / 76 / 2

HEX #FBB83C

RGB 251 184 60

HSL 38.95, 0.96%, 0.61%

LAB 79.11, 13.51, 68.44

 

CMYK 65 / 0 / 76 / 2

HEX #58FB3C

RGB 88 251 60

HSL 111.2, 0.96%, 0.61%

LAB 87.68, -74.27, 73.25

 

CMYK 76 / 51 / 0 / 2

HEX #3C7CFB

RGB 60 124 251

HSL 219.9, 0.96%, 0.61%

LAB 54.39, 23.18, -69.2

 

CMYK 0 / 76 / 12 / 2

HEX #FB3CDE

RGB 251 60 222

HSL 309.11, 0.96%, 0.61%

LAB 60.79, 84.59, -41.7

 

CMYK 0 / 27 / 76 / 2

HEX #FBB83C

RGB 251 184 60

HSL 38.95, 0.96%, 0.61%

LAB 79.11, 13.51, 68.44

 

CMYK 76 / 0 / 65 / 2

HEX #3CFB58

RGB 60 251 88

HSL 128.8, 0.96%, 0.61%

LAB 87.32, -76.61, 62.84

 

Description

Color code: HEX #3C7CFB | qconv.com Color code: HEX #3C7CFB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 124 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 124 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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