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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C72C8 it is the complementary color #C38D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C72C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C72C8 shade: #4172C3, #5284D6, #6396E9, #74A8FC and #85BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C72C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C72C8 shade: #3C72C8, #2B60B5, #1A4EA2, #093C8F and #002A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C72C8 shade: #3C72C8, #3C4CC8, #513CC8, #773CC8 and #9D3CC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C72C8 shade: #3C72C8, #3C4CC8 and #3C3CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C72C8 shade matches the following richer shades: #3C72C8, #276DDC and #1368F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C72C8 shade: #3C72C8, #5076B3, #647B9F, #787F8B and #8C8477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C72C8 shade: #3CBEC8, #3C99C8, #3C74C8, #3C4EC8 and #4E3CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C72C8 shade: #274D8A, #305FAA, #3C72C8, #5C89D1 and #7CA0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C72C8 shade: #3C72C8, #AC3CC8 and #ACC83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C72C8 shade: #3C72C8, #C83C74 and #74C83C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C72C8 shade: #3C72C8, #AC3CC8, #C8903C and #58C83C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C72C8 shade: #3C72C8, #C83CBA, #C8903C and #3CC84A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

Complementary color

CMYK 0 / 28 / 72 / 24

HEX #C38D37

RGB 195 141 55

HSL 36.86, 0.56%, 0.49%

LAB 62.45, 12.29, 51.98

 

CMYK 67 / 42 / 0 / 24

HEX #4172C3

RGB 65 114 195

HSL 217.38, 0.52%, 0.51%

LAB 48.38, 9.87, -47.28

 

CMYK 62 / 38 / 0 / 16

HEX #5284D6

RGB 82 132 214

HSL 217.27, 0.62%, 0.58%

LAB 55.23, 8.43, -47.16

 

CMYK 58 / 36 / 0 / 9

HEX #6396E9

RGB 99 150 233

HSL 217.16, 0.75%, 0.65%

LAB 61.95, 7.28, -47.06

 

CMYK 54 / 33 / 0 / 1

HEX #74A8FC

RGB 116 168 252

HSL 217.06, 0.96%, 0.72%

LAB 68.57, 6.32, -46.99

 

CMYK 48 / 27 / 0 / 0

HEX #85BAFF

RGB 133 186 255

HSL 213.93, 1%, 0.76%

LAB 74.4, 0.87, -39.42

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 76 / 47 / 0 / 29

HEX #2B60B5

RGB 43 96 181

HSL 216.96, 0.62%, 0.44%

LAB 41.56, 12.91, -50.14

 

CMYK 84 / 52 / 0 / 36

HEX #1A4EA2

RGB 26 78 162

HSL 217.06, 0.72%, 0.37%

LAB 34.55, 15.53, -50.19

 

CMYK 94 / 58 / 0 / 44

HEX #093C8F

RGB 9 60 143

HSL 217.16, 0.88%, 0.3%

LAB 27.5, 18.91, -50.11

 

CMYK 100 / 66 / 0 / 51

HEX #002A7C

RGB 0 42 124

HSL 219.68, 1%, 0.24%

LAB 20.48, 23.17, -49.7

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 70 / 62 / 0 / 22

HEX #3C4CC8

RGB 60 76 200

HSL 233.14, 0.56%, 0.51%

LAB 38.37, 35.06, -66.35

 

CMYK 60 / 70 / 0 / 22

HEX #513CC8

RGB 81 60 200

HSL 249, 0.56%, 0.51%

LAB 36.27, 47.47, -69.73

 

CMYK 41 / 70 / 0 / 22

HEX #773CC8

RGB 119 60 200

HSL 265.29, 0.56%, 0.51%

LAB 40.12, 53.75, -63.28

 

CMYK 22 / 70 / 0 / 22

HEX #9D3CC8

RGB 157 60 200

HSL 281.57, 0.56%, 0.51%

LAB 45.04, 61.25, -55.08

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 70 / 62 / 0 / 22

HEX #3C4CC8

RGB 60 76 200

HSL 233.14, 0.56%, 0.51%

LAB 38.37, 35.06, -66.35

 

CMYK 70 / 70 / 0 / 22

HEX #3C3CC8

RGB 60 60 200

HSL 240, 0.56%, 0.51%

LAB 34.73, 44.81, -72.33

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 82 / 50 / 0 / 14

HEX #276DDC

RGB 39 109 220

HSL 216.8, 0.72%, 0.51%

LAB 47.67, 19.06, -62.75

 

CMYK 92 / 57 / 0 / 6

HEX #1368F0

RGB 19 104 240

HSL 216.92, 0.88%, 0.51%

LAB 47.4, 28.72, -74.46

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 55 / 34 / 0 / 30

HEX #5076B3

RGB 80 118 179

HSL 216.97, 0.39%, 0.51%

LAB 49.4, 4.85, -36.4

 

CMYK 37 / 23 / 0 / 38

HEX #647B9F

RGB 100 123 159

HSL 216.61, 0.24%, 0.51%

LAB 51.13, 0.93, -22

 

CMYK 14 / 9 / 0 / 45

HEX #787F8B

RGB 120 127 139

HSL 217.89, 0.08%, 0.51%

LAB 52.99, 0.01, -7.37

 

CMYK 0 / 6 / 15 / 45

HEX #8C8477

RGB 140 132 119

HSL 37.14, 0.08%, 0.51%

LAB 55.49, 0.67, 8.09

 

CMYK 70 / 5 / 0 / 22

HEX #3CBEC8

RGB 60 190 200

HSL 184.29, 0.56%, 0.51%

LAB 70.84, -31.25, -15.26

 

CMYK 70 / 24 / 0 / 22

HEX #3C99C8

RGB 60 153 200

HSL 200.14, 0.56%, 0.51%

LAB 59.81, -12.15, -32.15

 

CMYK 70 / 42 / 0 / 22

HEX #3C74C8

RGB 60 116 200

HSL 216, 0.56%, 0.51%

LAB 49.03, 9.63, -49.13

 

CMYK 70 / 61 / 0 / 22

HEX #3C4EC8

RGB 60 78 200

HSL 232.29, 0.56%, 0.51%

LAB 38.86, 33.8, -65.55

 

CMYK 61 / 70 / 0 / 22

HEX #4E3CC8

RGB 78 60 200

HSL 247.71, 0.56%, 0.51%

LAB 36.03, 47.05, -70.14

 

CMYK 72 / 44 / 0 / 46

HEX #274D8A

RGB 39 77 138

HSL 216.97, 0.56%, 0.35%

LAB 33.08, 8.28, -37.98

 

CMYK 72 / 44 / 0 / 33

HEX #305FAA

RGB 48 95 170

HSL 216.89, 0.56%, 0.43%

LAB 40.76, 10.07, -44.93

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 56 / 34 / 0 / 18

HEX #5C89D1

RGB 92 137 209

HSL 216.92, 0.56%, 0.59%

LAB 56.85, 5.78, -41.75

 

CMYK 43 / 27 / 0 / 15

HEX #7CA0DA

RGB 124 160 218

HSL 217.02, 0.56%, 0.67%

LAB 65.35, 2.68, -33.35

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 14 / 70 / 0 / 22

HEX #AC3CC8

RGB 172 60 200

HSL 288, 0.56%, 0.51%

LAB 47.2, 64.4, -51.5

 

CMYK 14 / 0 / 70 / 22

HEX #ACC83C

RGB 172 200 60

HSL 72, 0.56%, 0.51%

LAB 76.32, -28.02, 63.34

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 0 / 70 / 42 / 22

HEX #C83C74

RGB 200 60 116

HSL 336, 0.56%, 0.51%

LAB 47.97, 59.26, 0.02

 

CMYK 42 / 0 / 70 / 22

HEX #74C83C

RGB 116 200 60

HSL 96, 0.56%, 0.51%

LAB 73.12, -48.8, 59.07

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 14 / 70 / 0 / 22

HEX #AC3CC8

RGB 172 60 200

HSL 288, 0.56%, 0.51%

LAB 47.2, 64.4, -51.5

 

CMYK 0 / 28 / 70 / 22

HEX #C8903C

RGB 200 144 60

HSL 36, 0.56%, 0.51%

LAB 63.8, 13.09, 51.33

 

CMYK 56 / 0 / 70 / 22

HEX #58C83C

RGB 88 200 60

HSL 108, 0.56%, 0.51%

LAB 72.03, -57, 57.61

 

CMYK 70 / 43 / 0 / 22

HEX #3C72C8

RGB 60 114 200

HSL 216.86, 0.56%, 0.51%

LAB 48.47, 10.87, -50.03

 

CMYK 0 / 70 / 7 / 22

HEX #C83CBA

RGB 200 60 186

HSL 306, 0.56%, 0.51%

LAB 50.75, 68.24, -37.47

 

CMYK 0 / 28 / 70 / 22

HEX #C8903C

RGB 200 144 60

HSL 36, 0.56%, 0.51%

LAB 63.8, 13.09, 51.33

 

CMYK 70 / 0 / 63 / 22

HEX #3CC84A

RGB 60 200 74

HSL 126, 0.56%, 0.51%

LAB 71.39, -61.75, 51

 

Description

Color code: HEX #3C72C8 | qconv.com Color code: HEX #3C72C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 114 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 114 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 43 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 43% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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