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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C70AC it is the complementary color #C38F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C70AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C70AC shade: #4170A7, #5282BA, #6394CD, #74A6E0 and #85B8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C70AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C70AC shade: #3C70AC, #2B5E99, #1A4C86, #093A73 and #002860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C70AC shade: #3C6FAA, #3C51AA, #443CAA, #623CAA and #7F3CAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C70AC shade: #3C6FAA, #3C51AA and #3C3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C70AC shade matches the following richer shades: #3C6FAA, #296DBC, #176CCF and #046BE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C70AC shade: #3C6FAA, #4E7097, #617185, #737372 and #867460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C70AC shade: #3CAAAA, #3C8CAA, #3C6FAA, #3C52AA and #433CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C70AC shade: #26476D, #315B8B, #3C6FAA, #4E83C1 and #6C99CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C70AC shade: #3C70AC, #8C3CAA and #9BAA3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C70AC shade: #3C70AC, #AA3C6F and #6FAA3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C70AC shade: #3C70AC, #8C3CAA, #AA763C and #59AA3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C70AC shade: #3C70AC, #AA3CA6, #AA763C and #3CAA3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

Complementary color

CMYK 0 / 27 / 57 / 24

HEX #C38F53

RGB 195 143 83

HSL 32.14, 0.48%, 0.55%

LAB 63.24, 13.01, 39.28

 

CMYK 61 / 33 / 0 / 35

HEX #4170A7

RGB 65 112 167

HSL 212.35, 0.44%, 0.45%

LAB 46.31, 1.3, -34.31

 

CMYK 56 / 30 / 0 / 27

HEX #5282BA

RGB 82 130 186

HSL 212.31, 0.43%, 0.53%

LAB 53.28, 0.37, -34.33

 

CMYK 52 / 28 / 0 / 20

HEX #6394CD

RGB 99 148 205

HSL 212.26, 0.51%, 0.6%

LAB 60.11, -0.35, -34.37

 

CMYK 48 / 26 / 0 / 12

HEX #74A6E0

RGB 116 166 224

HSL 212.22, 0.64%, 0.67%

LAB 66.8, -0.94, -34.45

 

CMYK 45 / 24 / 0 / 5

HEX #85B8F3

RGB 133 184 243

HSL 212.18, 0.82%, 0.74%

LAB 73.38, -1.43, -34.54

 

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

CMYK 72 / 39 / 0 / 40

HEX #2B5E99

RGB 43 94 153

HSL 212.18, 0.56%, 0.38%

LAB 39.27, 3.54, -37.2

 

CMYK 81 / 43 / 0 / 47

HEX #1A4C86

RGB 26 76 134

HSL 212.22, 0.68%, 0.31%

LAB 32.06, 5.53, -37.18

 

CMYK 92 / 50 / 0 / 55

HEX #093A73

RGB 9 58 115

HSL 212.26, 0.85%, 0.24%

LAB 24.71, 8.32, -37.09

 

CMYK 100 / 58 / 0 / 62

HEX #002860

RGB 0 40 96

HSL 215, 1%, 0.19%

LAB 17.28, 12.24, -36.8

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 65 / 52 / 0 / 33

HEX #3C51AA

RGB 60 81 170

HSL 228.55, 0.48%, 0.45%

LAB 37.39, 21.15, -50.33

 

CMYK 60 / 65 / 0 / 33

HEX #443CAA

RGB 68 60 170

HSL 244.36, 0.48%, 0.45%

LAB 32.62, 35.97, -58.04

 

CMYK 42 / 65 / 0 / 33

HEX #623CAA

RGB 98 60 170

HSL 260.73, 0.48%, 0.45%

LAB 35.46, 41.67, -53.29

 

CMYK 25 / 65 / 0 / 33

HEX #7F3CAA

RGB 127 60 170

HSL 276.55, 0.48%, 0.45%

LAB 38.98, 48.15, -47.44

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 65 / 52 / 0 / 33

HEX #3C51AA

RGB 60 81 170

HSL 228.55, 0.48%, 0.45%

LAB 37.39, 21.15, -50.33

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 89 / 48 / 0 / 19

HEX #176CCF

RGB 23 108 207

HSL 212.28, 0.8%, 0.45%

LAB 46.19, 13.52, -57.74

 

CMYK 98 / 53 / 0 / 11

HEX #046BE2

RGB 4 107 226

HSL 212.16, 0.97%, 0.45%

LAB 47.02, 20.91, -67.23

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 48 / 26 / 0 / 41

HEX #4E7097

RGB 78 112 151

HSL 212.05, 0.32%, 0.45%

LAB 46.23, -0.95, -24.97

 

CMYK 27 / 15 / 0 / 48

HEX #617185

RGB 97 113 133

HSL 213.33, 0.16%, 0.45%

LAB 47.03, -1.08, -12.96

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 0 / 13 / 28 / 47

HEX #867460

RGB 134 116 96

HSL 31.58, 0.17%, 0.45%

LAB 49.98, 3.72, 13.64

 

CMYK 65 / 0 / 0 / 33

HEX #3CAAAA

RGB 60 170 170

HSL 180, 0.48%, 0.45%

LAB 63.85, -30.37, -9.17

 

CMYK 65 / 18 / 0 / 33

HEX #3C8CAA

RGB 60 140 170

HSL 196.36, 0.48%, 0.45%

LAB 54.68, -14.89, -23.06

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 65 / 52 / 0 / 33

HEX #3C52AA

RGB 60 82 170

HSL 228, 0.48%, 0.45%

LAB 37.66, 20.5, -49.89

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 65 / 35 / 0 / 57

HEX #26476D

RGB 38 71 109

HSL 212.11, 0.48%, 0.29%

LAB 29.47, 1.01, -25.64

 

CMYK 65 / 35 / 0 / 45

HEX #315B8B

RGB 49 91 139

HSL 212, 0.48%, 0.37%

LAB 37.84, 1.33, -31.01

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 60 / 32 / 0 / 24

HEX #4E83C1

RGB 78 131 193

HSL 212.35, 0.48%, 0.53%

LAB 53.71, 1.24, -37.67

 

CMYK 47 / 25 / 0 / 20

HEX #6C99CC

RGB 108 153 204

HSL 211.88, 0.48%, 0.61%

LAB 61.94, -1.38, -30.93

 

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

CMYK 18 / 65 / 0 / 33

HEX #8C3CAA

RGB 140 60 170

HSL 283.64, 0.48%, 0.45%

LAB 40.75, 51.22, -44.5

 

CMYK 9 / 0 / 65 / 33

HEX #9BAA3C

RGB 155 170 60

HSL 68.18, 0.48%, 0.45%

LAB 66.55, -20.36, 52.95

 

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

CMYK 0 / 65 / 35 / 33

HEX #AA3C6F

RGB 170 60 111

HSL 332.18, 0.48%, 0.45%

LAB 42.65, 49.77, -5.34

 

CMYK 35 / 0 / 65 / 33

HEX #6FAA3C

RGB 111 170 60

HSL 92.18, 0.48%, 0.45%

LAB 63.72, -37.8, 49.07

 

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

CMYK 18 / 65 / 0 / 33

HEX #8C3CAA

RGB 140 60 170

HSL 283.64, 0.48%, 0.45%

LAB 40.75, 51.22, -44.5

 

CMYK 0 / 31 / 65 / 33

HEX #AA763C

RGB 170 118 60

HSL 31.64, 0.48%, 0.45%

LAB 53.85, 14.41, 39.43

 

CMYK 48 / 0 / 65 / 33

HEX #59AA3C

RGB 89 170 60

HSL 104.18, 0.48%, 0.45%

LAB 62.68, -45.18, 47.63

 

CMYK 65 / 35 / 0 / 33

HEX #3C70AC

RGB 60 112 172

HSL 212.14, 0.48%, 0.45%

LAB 46.35, 2.08, -37.2

 

CMYK 0 / 65 / 2 / 33

HEX #AA3CA6

RGB 170 60 166

HSL 302.18, 0.48%, 0.45%

LAB 44.98, 57.82, -35.12

 

CMYK 0 / 31 / 65 / 33

HEX #AA763C

RGB 170 118 60

HSL 31.64, 0.48%, 0.45%

LAB 53.85, 14.41, 39.43

 

CMYK 65 / 0 / 63 / 33

HEX #3CAA3F

RGB 60 170 63

HSL 121.64, 0.48%, 0.45%

LAB 61.71, -52.51, 44.96

 

Description

Color code: HEX #3C70AC | qconv.com Color code: HEX #3C70AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 112 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 112 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 35 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 35% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - General Forums &...
Link: http://www.forumkorner.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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