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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6F1E it is the complementary color #C390E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6F1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6F1E shade: #416F19, #52812C, #63933F, #74A552 and #85B765

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6F1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6F1E shade: #3C6F1E, #2B5D0B, #1A4B00, #093900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6F1E shade: #3D701F, #53701F, #69701F, #70621F and #704C1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6F1E shade: #3D701F, #27701F, #1F702C, #1F7042 and #1F7058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6F1E shade matches the following richer shades: #3D701F, #3A7C13 and #378708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6F1E shade: #3D701F, #40652A, #435936, #464D41 and #49424D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6F1E shade: #69701F, #54701F, #3E701F, #28701F and #1F702B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6F1E shade: #1A2F0D, #2B5016, #3D701F, #4E9028 and #60B130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6F1E shade: #3C6F1E, #1F7061 and #701F5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6F1E shade: #3C6F1E, #1F3E70 and #701F3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6F1E shade: #3C6F1E, #1F7061, #511F70 and #701F2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6F1E shade: #3C6F1E, #1F6770, #511F70 and #70281F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

Complementary color

CMYK 13 / 36 / 0 / 12

HEX #C390E1

RGB 195 144 225

HSL 277.78, 0.57%, 0.72%

LAB 67.27, 33.86, -33.81

 

CMYK 41 / 0 / 77 / 56

HEX #416F19

RGB 65 111 25

HSL 92.09, 0.63%, 0.27%

LAB 42.1, -30.93, 40.3

 

CMYK 36 / 0 / 66 / 49

HEX #52812C

RGB 82 129 44

HSL 93.18, 0.49%, 0.34%

LAB 49.1, -31.29, 39.8

 

CMYK 33 / 0 / 57 / 42

HEX #63933F

RGB 99 147 63

HSL 94.29, 0.4%, 0.41%

LAB 55.97, -31.41, 38.79

 

CMYK 30 / 0 / 50 / 35

HEX #74A552

RGB 116 165 82

HSL 95.42, 0.34%, 0.48%

LAB 62.7, -31.41, 37.61

 

CMYK 27 / 0 / 45 / 28

HEX #85B765

RGB 133 183 101

HSL 96.59, 0.36%, 0.56%

LAB 69.32, -31.33, 36.4

 

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

CMYK 54 / 0 / 88 / 64

HEX #2B5D0B

RGB 43 93 11

HSL 96.59, 0.79%, 0.2%

LAB 34.73, -31.7, 37.79

 

CMYK 65 / 0 / 100 / 71

HEX #1A4B00

RGB 26 75 0

HSL 99.2, 1%, 0.15%

LAB 27.44, -30.25, 35.03

 

CMYK 84 / 0 / 100 / 78

HEX #093900

RGB 9 57 0

HSL 110.53, 1%, 0.11%

LAB 19.98, -27.6, 27.4

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 46 / 0 / 72 / 56

HEX #3D701F

RGB 61 112 31

HSL 97.78, 0.57%, 0.28%

LAB 42.28, -32.38, 37.97

 

CMYK 26 / 0 / 72 / 56

HEX #53701F

RGB 83 112 31

HSL 81.48, 0.57%, 0.28%

LAB 43.55, -23.74, 39.68

 

CMYK 6 / 0 / 72 / 56

HEX #69701F

RGB 105 112 31

HSL 65.19, 0.57%, 0.28%

LAB 45.21, -13.92, 41.9

 

CMYK 0 / 13 / 72 / 56

HEX #70621F

RGB 112 98 31

HSL 49.63, 0.57%, 0.28%

LAB 41.66, -2.68, 38.53

 

CMYK 0 / 32 / 72 / 56

HEX #704C1F

RGB 112 76 31

HSL 33.33, 0.57%, 0.28%

LAB 35.42, 10.5, 32

 

CMYK 46 / 0 / 72 / 56

HEX #3D701F

RGB 61 112 31

HSL 97.78, 0.57%, 0.28%

LAB 42.28, -32.38, 37.97

 

CMYK 65 / 0 / 72 / 56

HEX #27701F

RGB 39 112 31

HSL 114.07, 0.57%, 0.28%

LAB 41.4, -39.07, 36.79

 

CMYK 72 / 0 / 61 / 56

HEX #1F702C

RGB 31 112 44

HSL 129.63, 0.57%, 0.28%

LAB 41.31, -39.33, 30.44

 

CMYK 72 / 0 / 41 / 56

HEX #1F7042

RGB 31 112 66

HSL 145.93, 0.57%, 0.28%

LAB 41.65, -35.53, 18.75

 

CMYK 72 / 0 / 21 / 56

HEX #1F7058

RGB 31 112 88

HSL 162.22, 0.57%, 0.28%

LAB 42.13, -30.34, 6.42

 

CMYK 46 / 0 / 72 / 56

HEX #3D701F

RGB 61 112 31

HSL 97.78, 0.57%, 0.28%

LAB 42.28, -32.38, 37.97

 

CMYK 53 / 0 / 85 / 51

HEX #3A7C13

RGB 58 124 19

HSL 97.71, 0.73%, 0.28%

LAB 46.13, -39.3, 46.02

 

CMYK 59 / 0 / 94 / 47

HEX #378708

RGB 55 135 8

HSL 97.8, 0.89%, 0.28%

LAB 49.69, -44.88, 51.58

 

CMYK 46 / 0 / 72 / 56

HEX #3D701F

RGB 61 112 31

HSL 97.78, 0.57%, 0.28%

LAB 42.28, -32.38, 37.97

 

CMYK 37 / 0 / 58 / 60

HEX #40652A

RGB 64 101 42

HSL 97.63, 0.41%, 0.28%

LAB 38.84, -24.94, 28.9

 

CMYK 25 / 0 / 39 / 65

HEX #435936

RGB 67 89 54

HSL 97.71, 0.24%, 0.28%

LAB 35.21, -15.71, 17.62

 

CMYK 9 / 0 / 16 / 70

HEX #464D41

RGB 70 77 65

HSL 95, 0.08%, 0.28%

LAB 31.79, -5.43, 6.17

 

CMYK 5 / 14 / 0 / 70

HEX #49424D

RGB 73 66 77

HSL 278.18, 0.08%, 0.28%

LAB 29.03, 5.39, -5.54

 

CMYK 6 / 0 / 72 / 56

HEX #69701F

RGB 105 112 31

HSL 65.19, 0.57%, 0.28%

LAB 45.21, -13.92, 41.9

 

CMYK 25 / 0 / 72 / 56

HEX #54701F

RGB 84 112 31

HSL 80.74, 0.57%, 0.28%

LAB 43.61, -23.31, 39.77

 

CMYK 45 / 0 / 72 / 56

HEX #3E701F

RGB 62 112 31

HSL 97.04, 0.57%, 0.28%

LAB 42.33, -32.02, 38.04

 

CMYK 64 / 0 / 72 / 56

HEX #28701F

RGB 40 112 31

HSL 113.33, 0.57%, 0.28%

LAB 41.44, -38.82, 36.83

 

CMYK 72 / 0 / 62 / 56

HEX #1F702B

RGB 31 112 43

HSL 128.89, 0.57%, 0.28%

LAB 41.3, -39.47, 30.93

 

CMYK 45 / 0 / 72 / 82

HEX #1A2F0D

RGB 26 47 13

HSL 97.06, 0.57%, 0.12%

LAB 16.9, -15.98, 18.54

 

CMYK 46 / 0 / 73 / 69

HEX #2B5016

RGB 43 80 22

HSL 98.28, 0.57%, 0.2%

LAB 30.18, -24.99, 29

 

CMYK 46 / 0 / 72 / 56

HEX #3D701F

RGB 61 112 31

HSL 97.78, 0.57%, 0.28%

LAB 42.28, -32.38, 37.97

 

CMYK 46 / 0 / 72 / 44

HEX #4E9028

RGB 78 144 40

HSL 98.08, 0.57%, 0.36%

LAB 53.73, -39.69, 46.34

 

CMYK 46 / 0 / 73 / 31

HEX #60B130

RGB 96 177 48

HSL 97.67, 0.57%, 0.44%

LAB 65.08, -46.82, 55.07

 

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

CMYK 72 / 0 / 13 / 56

HEX #1F7061

RGB 31 112 97

HSL 168.89, 0.57%, 0.28%

LAB 42.37, -27.86, 1.36

 

CMYK 0 / 72 / 16 / 56

HEX #701F5E

RGB 112 31 94

HSL 313.33, 0.57%, 0.28%

LAB 27.39, 42.49, -18.67

 

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

CMYK 72 / 45 / 0 / 56

HEX #1F3E70

RGB 31 62 112

HSL 217.04, 0.57%, 0.28%

LAB 26.47, 6.92, -32.33

 

CMYK 0 / 72 / 45 / 56

HEX #701F3E

RGB 112 31 62

HSL 337.04, 0.57%, 0.28%

LAB 26.08, 38.14, 0.67

 

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

CMYK 72 / 0 / 13 / 56

HEX #1F7061

RGB 31 112 97

HSL 168.89, 0.57%, 0.28%

LAB 42.37, -27.86, 1.36

 

CMYK 28 / 72 / 0 / 56

HEX #511F70

RGB 81 31 112

HSL 277.04, 0.57%, 0.28%

LAB 23.34, 38.1, -37.11

 

CMYK 0 / 72 / 59 / 56

HEX #701F2E

RGB 112 31 46

HSL 348.89, 0.57%, 0.28%

LAB 25.63, 36.59, 10.88

 

CMYK 46 / 0 / 73 / 56

HEX #3C6F1E

RGB 60 111 30

HSL 97.78, 0.57%, 0.28%

LAB 41.88, -32.37, 37.97

 

CMYK 72 / 8 / 0 / 56

HEX #1F6770

RGB 31 103 112

HSL 186.67, 0.57%, 0.28%

LAB 39.85, -18.56, -11.49

 

CMYK 28 / 72 / 0 / 56

HEX #511F70

RGB 81 31 112

HSL 277.04, 0.57%, 0.28%

LAB 23.34, 38.1, -37.11

 

CMYK 0 / 64 / 72 / 56

HEX #70281F

RGB 112 40 31

HSL 6.67, 0.57%, 0.28%

LAB 26.91, 31.29, 22.4

 

Description

Color code: HEX #3C6F1E | qconv.com Color code: HEX #3C6F1E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 111 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 111 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 73 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 73% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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