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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6AC04C it is the complementary color #C3953F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6AC04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6AC04C shade: #416ABB4C, #527CCE4C, #638EE14C, #74A0F44C and #85B2FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6AC04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6AC04C shade: #3C6AC04C, #2B58AD4C, #1A469A4C, #0934874C and #0022744C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6AC04C shade: #3C69BE, #3C46BE, #553CBE, #783CBE and #9B3CBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6AC04C shade: #3C69BE, #3C46BE and #3C3CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6AC04C shade matches the following richer shades: #3C69BE, #2863D2 and #145DE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6AC04C shade: #3C69BE, #506FAA, #647695, #797C81 and #8D826D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6AC04C shade: #3CAFBE, #3C8CBE, #3C69BE, #3C47BE and #543CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6AC04C shade: #28477F, #32589F, #3C69BE, #5980CA and #7898D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6AC04C shade: #3C6AC0, #AA3CBE and #9DBE3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6AC04C shade: #3C6AC0, #BE3C69 and #69BE3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6AC04C shade: #3C6AC0, #AA3CBE, #BE903C and #4FBE3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6AC04C shade: #3C6AC0, #BE3CAA, #BE903C and #3CBE4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 13 / 0 / 7

HEX #3C6AC04C

RGBA 60 106 192 0.3

HSLA 219.09, 0.52%, 0.49%, 0.3

LABA 45.74, 13, -49.8, 0.3

 

Complementary color

CMYK 0 / 7 / 20 / 7

HEX #C3953F4C

RGBA 195 149 63 0.3

HSLA 39.09, 0.52%, 0.51%, 0.3

LABA 64.53, 8.35, 50.57, 0.3

 

CMYK 20 / 13 / 0 / 8

HEX #416ABB4C

RGBA 65 106 187 0.3

HSLA 219.84, 0.48%, 0.49%, 0.3

LABA 45.66, 12.03, -47.01, 0.3

 

CMYK 18 / 12 / 0 / 6

HEX #527CCE4C

RGBA 82 124 206 0.3

HSLA 219.68, 0.56%, 0.56%, 0.3

LABA 52.58, 10.58, -46.84, 0.3

 

CMYK 17 / 11 / 0 / 4

HEX #638EE14C

RGBA 99 142 225 0.3

HSLA 219.52, 0.68%, 0.64%, 0.3

LABA 59.37, 9.41, -46.7, 0.3

 

CMYK 16 / 10 / 0 / 1

HEX #74A0F44C

RGBA 116 160 244 0.3

HSLA 219.38, 0.85%, 0.71%, 0.3

LABA 66.05, 8.45, -46.59, 0.3

 

CMYK 14 / 9 / 0 / 0

HEX #85B2FF4C

RGBA 133 178 255 0.3

HSLA 217.87, 1%, 0.76%, 0.3

LABA 72.26, 5.31, -42.76, 0.3

 

CMYK 21 / 13 / 0 / 7

HEX #3C6AC04C

RGBA 60 106 192 0.3

HSLA 219.09, 0.52%, 0.49%, 0.3

LABA 45.74, 13, -49.8, 0.3

 

CMYK 23 / 15 / 0 / 10

HEX #2B58AD4C

RGBA 43 88 173 0.3

HSLA 219.23, 0.6%, 0.42%, 0.3

LABA 38.74, 15.07, -49.96, 0.3

 

CMYK 25 / 16 / 0 / 12

HEX #1A469A4C

RGBA 26 70 154 0.3

HSLA 219.38, 0.71%, 0.35%, 0.3

LABA 31.65, 17.74, -50.06, 0.3

 

CMYK 28 / 18 / 0 / 14

HEX #0934874C

RGBA 9 52 135 0.3

HSLA 219.52, 0.88%, 0.28%, 0.3

LABA 24.52, 21.2, -50, 0.3

 

CMYK 30 / 21 / 0 / 16

HEX #0022744C

RGBA 0 34 116 0.3

HSLA 222.41, 1%, 0.23%, 0.3

LABA 17.48, 25.5, -49.52, 0.3

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 68 / 63 / 0 / 25

HEX #3C46BE

RGB 60 70 190

HSL 235.38, 0.52%, 0.49%

LAB 36.1, 35.34, -64.23

 

CMYK 55 / 68 / 0 / 25

HEX #553CBE

RGB 85 60 190

HSL 251.54, 0.52%, 0.49%

LAB 35.75, 45.05, -64.72

 

CMYK 37 / 68 / 0 / 25

HEX #783CBE

RGB 120 60 190

HSL 267.69, 0.52%, 0.49%

LAB 39.48, 51.42, -58.48

 

CMYK 18 / 68 / 0 / 25

HEX #9B3CBE

RGB 155 60 190

HSL 283.85, 0.52%, 0.49%

LAB 44.12, 58.78, -50.77

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 68 / 63 / 0 / 25

HEX #3C46BE

RGB 60 70 190

HSL 235.38, 0.52%, 0.49%

LAB 36.1, 35.34, -64.23

 

CMYK 68 / 68 / 0 / 25

HEX #3C3CBE

RGB 60 60 190

HSL 240, 0.52%, 0.49%

LAB 33.79, 41.48, -68

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 81 / 53 / 0 / 18

HEX #2863D2

RGB 40 99 210

HSL 219.18, 0.68%, 0.49%

LAB 44.27, 21.75, -62.55

 

CMYK 91 / 60 / 0 / 10

HEX #145DE6

RGB 20 93 230

HSL 219.14, 0.84%, 0.49%

LAB 43.79, 31.99, -74.74

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 53 / 35 / 0 / 33

HEX #506FAA

RGB 80 111 170

HSL 219.33, 0.36%, 0.49%

LAB 46.94, 6.19, -35.02

 

CMYK 33 / 21 / 0 / 42

HEX #647695

RGB 100 118 149

HSL 217.96, 0.2%, 0.49%

LAB 49.3, 1.14, -18.95

 

CMYK 6 / 4 / 0 / 49

HEX #797C81

RGB 121 124 129

HSL 217.5, 0.03%, 0.49%

LAB 51.91, -0.08, -3.11

 

CMYK 0 / 8 / 23 / 45

HEX #8D826D

RGB 141 130 109

HSL 39.38, 0.13%, 0.49%

LAB 54.8, 0.57, 12.89

 

CMYK 68 / 8 / 0 / 25

HEX #3CAFBE

RGB 60 175 190

HSL 186.92, 0.52%, 0.49%

LAB 66.01, -26.9, -17.05

 

CMYK 68 / 26 / 0 / 25

HEX #3C8CBE

RGB 60 140 190

HSL 203.08, 0.52%, 0.49%

LAB 55.52, -8.24, -33.18

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 68 / 63 / 0 / 25

HEX #3C47BE

RGB 60 71 190

HSL 234.92, 0.52%, 0.49%

LAB 36.34, 34.71, -63.84

 

CMYK 56 / 68 / 0 / 25

HEX #543CBE

RGB 84 60 190

HSL 251.08, 0.52%, 0.49%

LAB 35.66, 44.89, -64.87

 

CMYK 69 / 44 / 0 / 50

HEX #28477F

RGB 40 71 127

HSL 218.62, 0.52%, 0.33%

LAB 30.62, 8.24, -35.12

 

CMYK 69 / 45 / 0 / 38

HEX #32589F

RGB 50 88 159

HSL 219.08, 0.52%, 0.41%

LAB 38.13, 10.81, -42.6

 

CMYK 68 / 45 / 0 / 25

HEX #3C69BE

RGB 60 105 190

HSL 219.23, 0.52%, 0.49%

LAB 45.33, 12.91, -49.28

 

CMYK 56 / 37 / 0 / 21

HEX #5980CA

RGB 89 128 202

HSL 219.29, 0.52%, 0.57%

LAB 53.84, 8.26, -42.55

 

CMYK 43 / 28 / 0 / 17

HEX #7898D4

RGB 120 152 212

HSL 219.13, 0.52%, 0.65%

LAB 62.68, 4.51, -34.19

 

CMYK 69 / 45 / 0 / 25

HEX #3C6AC0

RGB 60 106 192

HSL 219.09, 0.52%, 0.49%

LAB 45.74, 13, -49.8

 

CMYK 11 / 68 / 0 / 25

HEX #AA3CBE

RGB 170 60 190

HSL 290.77, 0.52%, 0.49%

LAB 46.31, 62.09, -47.14

 

CMYK 17 / 0 / 68 / 25

HEX #9DBE3C

RGB 157 190 60

HSL 75.23, 0.52%, 0.49%

LAB 72.44, -29.32, 59.1

 

CMYK 69 / 45 / 0 / 25

HEX #3C6AC0

RGB 60 106 192

HSL 219.09, 0.52%, 0.49%

LAB 45.74, 13, -49.8

 

CMYK 0 / 68 / 45 / 25

HEX #BE3C69

RGB 190 60 105

HSL 339.23, 0.52%, 0.49%

LAB 45.91, 55.23, 3.53

 

CMYK 45 / 0 / 68 / 25

HEX #69BE3C

RGB 105 190 60

HSL 99.23, 0.52%, 0.49%

LAB 69.58, -48.29, 55.24

 

CMYK 69 / 45 / 0 / 25

HEX #3C6AC0

RGB 60 106 192

HSL 219.09, 0.52%, 0.49%

LAB 45.74, 13, -49.8

 

CMYK 11 / 68 / 0 / 25

HEX #AA3CBE

RGB 170 60 190

HSL 290.77, 0.52%, 0.49%

LAB 46.31, 62.09, -47.14

 

CMYK 0 / 24 / 68 / 25

HEX #BE903C

RGB 190 144 60

HSL 38.77, 0.52%, 0.49%

LAB 62.69, 8.73, 49.82

 

CMYK 58 / 0 / 68 / 25

HEX #4FBE3C

RGB 79 190 60

HSL 111.23, 0.52%, 0.49%

LAB 68.62, -55.64, 53.93

 

CMYK 69 / 45 / 0 / 25

HEX #3C6AC0

RGB 60 106 192

HSL 219.09, 0.52%, 0.49%

LAB 45.74, 13, -49.8

 

CMYK 0 / 68 / 11 / 25

HEX #BE3CAA

RGB 190 60 170

HSL 309.23, 0.52%, 0.49%

LAB 48.36, 63.41, -31.96

 

CMYK 0 / 24 / 68 / 25

HEX #BE903C

RGB 190 144 60

HSL 38.77, 0.52%, 0.49%

LAB 62.69, 8.73, 49.82

 

CMYK 68 / 0 / 58 / 25

HEX #3CBE4F

RGB 60 190 79

HSL 128.77, 0.52%, 0.49%

LAB 68.28, -57.73, 45.2

 

Description

Color code: HEX #3C6AC04C | qconv.com Color code: HEX #3C6AC04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 106 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 106 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 13 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 13% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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