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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C68C7 it is the complementary color #C39738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C68C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C68C7 shade: #4168C2, #527AD5, #638CE8, #749EFB and #85B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C68C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C68C7 shade: #3C68C7, #2B56B4, #1A44A1, #09328E and #00207B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C68C7 shade: #3D69C7, #3D44C7, #5C3DC7, #813DC7 and #A63DC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C68C7 shade: #3D69C7, #3D44C7 and #3D3DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C68C7 shade matches the following richer shades: #3D69C7, #2961DB and #155AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C68C7 shade: #3D69C7, #5270B3, #66789E, #7A7F8A and #8E8776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C68C7 shade: #3DB2C7, #3D8EC7, #3D69C7, #3D44C7 and #5B3DC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C68C7 shade: #28478A, #3157AA, #3D69C7, #5D82D0 and #7D9AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C68C7 shade: #3C68C7, #B73DC7 and #A0C73D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C68C7 shade: #3C68C7, #C73D69 and #69C73D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C68C7 shade: #3C68C7, #B73DC7, #C79B3D and #4DC73D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C68C7 shade: #3C68C7, #C73DAE, #C79B3D and #3DC757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

Complementary color

CMYK 0 / 23 / 71 / 24

HEX #C39738

RGB 195 151 56

HSL 41.01, 0.55%, 0.49%

LAB 64.98, 6.88, 54.14

 

CMYK 66 / 46 / 0 / 24

HEX #4168C2

RGB 65 104 194

HSL 221.86, 0.51%, 0.51%

LAB 45.52, 15.79, -51.28

 

CMYK 62 / 43 / 0 / 16

HEX #527AD5

RGB 82 122 213

HSL 221.68, 0.61%, 0.58%

LAB 52.42, 14.17, -51.07

 

CMYK 57 / 40 / 0 / 9

HEX #638CE8

RGB 99 140 232

HSL 221.5, 0.74%, 0.65%

LAB 59.19, 12.85, -50.88

 

CMYK 54 / 37 / 0 / 2

HEX #749EFB

RGB 116 158 251

HSL 221.33, 0.94%, 0.72%

LAB 65.85, 11.76, -50.73

 

CMYK 48 / 31 / 0 / 0

HEX #85B0FF

RGB 133 176 255

HSL 218.85, 1%, 0.76%

LAB 71.73, 6.43, -43.59

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

CMYK 76 / 52 / 0 / 29

HEX #2B56B4

RGB 43 86 180

HSL 221.17, 0.61%, 0.44%

LAB 38.66, 19.07, -54.22

 

CMYK 84 / 58 / 0 / 37

HEX #1A44A1

RGB 26 68 161

HSL 221.33, 0.72%, 0.37%

LAB 31.64, 21.93, -54.32

 

CMYK 94 / 65 / 0 / 44

HEX #09328E

RGB 9 50 142

HSL 221.5, 0.88%, 0.3%

LAB 24.62, 25.51, -54.21

 

CMYK 100 / 74 / 0 / 52

HEX #00207B

RGB 0 32 123

HSL 224.39, 1%, 0.24%

LAB 17.75, 29.76, -53.57

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 69 / 66 / 0 / 22

HEX #3D44C7

RGB 61 68 199

HSL 236.96, 0.55%, 0.51%

LAB 36.46, 39.81, -68.89

 

CMYK 54 / 69 / 0 / 22

HEX #5C3DC7

RGB 92 61 199

HSL 253.48, 0.55%, 0.51%

LAB 37.36, 48.29, -67.32

 

CMYK 35 / 69 / 0 / 22

HEX #813DC7

RGB 129 61 199

HSL 269.57, 0.55%, 0.51%

LAB 41.42, 54.92, -60.54

 

CMYK 17 / 69 / 0 / 22

HEX #A63DC7

RGB 166 61 199

HSL 285.65, 0.55%, 0.51%

LAB 46.4, 62.54, -52.25

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 69 / 66 / 0 / 22

HEX #3D44C7

RGB 61 68 199

HSL 236.96, 0.55%, 0.51%

LAB 36.46, 39.81, -68.89

 

CMYK 69 / 69 / 0 / 22

HEX #3D3DC7

RGB 61 61 199

HSL 240, 0.55%, 0.51%

LAB 34.91, 44, -71.44

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 81 / 56 / 0 / 14

HEX #2961DB

RGB 41 97 219

HSL 221.12, 0.71%, 0.51%

LAB 44.43, 26.54, -67.44

 

CMYK 91 / 62 / 0 / 6

HEX #155AEF

RGB 21 90 239

HSL 221.01, 0.87%, 0.51%

LAB 43.81, 37.34, -79.79

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 54 / 37 / 0 / 30

HEX #5270B3

RGB 82 112 179

HSL 221.44, 0.39%, 0.51%

LAB 47.8, 8.97, -38.91

 

CMYK 35 / 24 / 0 / 38

HEX #66789E

RGB 102 120 158

HSL 220.71, 0.22%, 0.51%

LAB 50.37, 3.01, -22.57

 

CMYK 12 / 8 / 0 / 46

HEX #7A7F8A

RGB 122 127 138

HSL 221.25, 0.06%, 0.51%

LAB 53.11, 0.49, -6.58

 

CMYK 0 / 5 / 17 / 44

HEX #8E8776

RGB 142 135 118

HSL 42.5, 0.1%, 0.51%

LAB 56.47, -0.4, 10.08

 

CMYK 69 / 11 / 0 / 22

HEX #3DB2C7

RGB 61 178 199

HSL 189.13, 0.55%, 0.51%

LAB 67.24, -25.51, -20.15

 

CMYK 69 / 29 / 0 / 22

HEX #3D8EC7

RGB 61 142 199

HSL 204.78, 0.55%, 0.51%

LAB 56.55, -6.14, -36.67

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 69 / 66 / 0 / 22

HEX #3D44C7

RGB 61 68 199

HSL 236.96, 0.55%, 0.51%

LAB 36.46, 39.81, -68.89

 

CMYK 54 / 69 / 0 / 22

HEX #5B3DC7

RGB 91 61 199

HSL 253.04, 0.55%, 0.51%

LAB 37.27, 48.13, -67.48

 

CMYK 71 / 49 / 0 / 46

HEX #28478A

RGB 40 71 138

HSL 221.02, 0.55%, 0.35%

LAB 31.33, 12.49, -40.78

 

CMYK 71 / 49 / 0 / 33

HEX #3157AA

RGB 49 87 170

HSL 221.16, 0.55%, 0.43%

LAB 38.5, 15.43, -48.56

 

CMYK 69 / 47 / 0 / 22

HEX #3D69C7

RGB 61 105 199

HSL 220.87, 0.55%, 0.51%

LAB 45.93, 16.33, -53.52

 

CMYK 55 / 38 / 0 / 18

HEX #5D82D0

RGB 93 130 208

HSL 220.7, 0.55%, 0.59%

LAB 54.91, 9.85, -44.24

 

CMYK 42 / 29 / 0 / 15

HEX #7D9AD9

RGB 125 154 217

HSL 221.09, 0.55%, 0.67%

LAB 63.74, 6.07, -35.3

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

CMYK 8 / 69 / 0 / 22

HEX #B73DC7

RGB 183 61 199

HSL 293.04, 0.55%, 0.51%

LAB 48.92, 66.21, -48.08

 

CMYK 20 / 0 / 69 / 22

HEX #A0C73D

RGB 160 199 61

HSL 76.96, 0.55%, 0.51%

LAB 75.24, -32.3, 61.63

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

CMYK 0 / 69 / 47 / 22

HEX #C73D69

RGB 199 61 105

HSL 340.87, 0.55%, 0.51%

LAB 47.62, 57.55, 6.21

 

CMYK 47 / 0 / 69 / 22

HEX #69C73D

RGB 105 199 61

HSL 100.87, 0.55%, 0.51%

LAB 72.35, -51.78, 57.75

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

CMYK 8 / 69 / 0 / 22

HEX #B73DC7

RGB 183 61 199

HSL 293.04, 0.55%, 0.51%

LAB 48.92, 66.21, -48.08

 

CMYK 0 / 22 / 69 / 22

HEX #C79B3D

RGB 199 155 61

HSL 40.87, 0.55%, 0.51%

LAB 66.46, 6.72, 53.64

 

CMYK 61 / 0 / 69 / 22

HEX #4DC73D

RGB 77 199 61

HSL 113.04, 0.55%, 0.51%

LAB 71.39, -59.24, 56.45

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C7

RGB 60 104 199

HSL 221.01, 0.55%, 0.51%

LAB 45.61, 16.81, -54.03

 

CMYK 0 / 69 / 13 / 22

HEX #C73DAE

RGB 199 61 174

HSL 310.87, 0.55%, 0.51%

LAB 50.14, 65.85, -31.43

 

CMYK 0 / 22 / 69 / 22

HEX #C79B3D

RGB 199 155 61

HSL 40.87, 0.55%, 0.51%

LAB 66.46, 6.72, 53.64

 

CMYK 69 / 0 / 56 / 22

HEX #3DC757

RGB 61 199 87

HSL 131.3, 0.55%, 0.51%

LAB 71.23, -59.67, 44.96

 

Description

Color code: HEX #3C68C7 | qconv.com Color code: HEX #3C68C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 104 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 104 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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