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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C66A8 it is the complementary color #C39957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C66A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C66A8 shade: #4166A3, #5278B6, #638AC9, #749CDC and #85AEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C66A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C66A8 shade: #3C66A8, #2B5495, #1A4282, #09306F and #001E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C66A8 shade: #3D67A9, #3D4AA9, #4D3DA9, #6A3DA9 and #873DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C66A8 shade: #3D67A9, #3D4AA9 and #3D3DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C66A8 shade matches the following richer shades: #3D67A9, #2A63BB, #185FCE and #055AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C66A8 shade: #3D67A9, #4F6B96, #626F84, #757371 and #87775E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C66A8 shade: #3DA1A9, #3D85A9, #3D68A9, #3D4BA9 and #4B3DA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C66A8 shade: #27426C, #32548A, #3D67A9, #4F7BC0 and #6D92CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C66A8 shade: #3C66A8, #933DA9 and #93A93D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C66A8 shade: #3C66A8, #A93D68 and #68A93D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C66A8 shade: #3C66A8, #933DA9, #A97E3D and #52A93D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C66A8 shade: #3C66A8, #A93D9E, #A97E3D and #3DA948

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

Complementary color

CMYK 0 / 22 / 55 / 24

HEX #C39957

RGB 195 153 87

HSL 36.67, 0.47%, 0.55%

LAB 65.81, 7.87, 40.32

 

CMYK 60 / 37 / 0 / 36

HEX #4166A3

RGB 65 102 163

HSL 217.35, 0.43%, 0.45%

LAB 43.17, 6.11, -36.92

 

CMYK 55 / 34 / 0 / 29

HEX #5278B6

RGB 82 120 182

HSL 217.2, 0.41%, 0.52%

LAB 50.22, 5.06, -36.83

 

CMYK 51 / 31 / 0 / 21

HEX #638AC9

RGB 99 138 201

HSL 217.06, 0.49%, 0.59%

LAB 57.12, 4.23, -36.79

 

CMYK 47 / 29 / 0 / 14

HEX #749CDC

RGB 116 156 220

HSL 216.92, 0.6%, 0.66%

LAB 63.88, 3.55, -36.78

 

CMYK 44 / 27 / 0 / 6

HEX #85AEEF

RGB 133 174 239

HSL 216.79, 0.77%, 0.73%

LAB 70.52, 2.98, -36.8

 

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

CMYK 71 / 44 / 0 / 42

HEX #2B5495

RGB 43 84 149

HSL 216.79, 0.55%, 0.38%

LAB 36.03, 8.51, -39.95

 

CMYK 80 / 49 / 0 / 49

HEX #1A4282

RGB 26 66 130

HSL 216.92, 0.67%, 0.31%

LAB 28.71, 10.72, -40.06

 

CMYK 92 / 57 / 0 / 56

HEX #09306F

RGB 9 48 111

HSL 217.06, 0.85%, 0.24%

LAB 21.28, 13.78, -40.08

 

CMYK 100 / 67 / 0 / 64

HEX #001E5C

RGB 0 30 92

HSL 220.43, 1%, 0.18%

LAB 13.83, 18.01, -39.77

 

CMYK 64 / 39 / 0 / 34

HEX #3D67A9

RGB 61 103 169

HSL 216.67, 0.47%, 0.45%

LAB 43.59, 6.8, -39.8

 

CMYK 64 / 56 / 0 / 34

HEX #3D4AA9

RGB 61 74 169

HSL 232.78, 0.47%, 0.45%

LAB 35.51, 25.54, -52.77

 

CMYK 54 / 64 / 0 / 34

HEX #4D3DA9

RGB 77 61 169

HSL 248.89, 0.47%, 0.45%

LAB 33.52, 36.62, -55.94

 

CMYK 37 / 64 / 0 / 34

HEX #6A3DA9

RGB 106 61 169

HSL 265, 0.47%, 0.45%

LAB 36.49, 42.58, -50.98

 

CMYK 20 / 64 / 0 / 34

HEX #873DA9

RGB 135 61 169

HSL 281.11, 0.47%, 0.45%

LAB 40.17, 49.33, -44.87

 

CMYK 64 / 39 / 0 / 34

HEX #3D67A9

RGB 61 103 169

HSL 216.67, 0.47%, 0.45%

LAB 43.59, 6.8, -39.8

 

CMYK 64 / 56 / 0 / 34

HEX #3D4AA9

RGB 61 74 169

HSL 232.78, 0.47%, 0.45%

LAB 35.51, 25.54, -52.77

 

CMYK 64 / 64 / 0 / 34

HEX #3D3DA9

RGB 61 61 169

HSL 240, 0.47%, 0.45%

LAB 32.24, 33.88, -58.07

 

CMYK 64 / 39 / 0 / 34

HEX #3D67A9

RGB 61 103 169

HSL 216.67, 0.47%, 0.45%

LAB 43.59, 6.8, -39.8

 

CMYK 78 / 47 / 0 / 27

HEX #2A63BB

RGB 42 99 187

HSL 216.41, 0.63%, 0.45%

LAB 42.77, 13.15, -51.69

 

CMYK 88 / 54 / 0 / 19

HEX #185FCE

RGB 24 95 206

HSL 216.59, 0.79%, 0.45%

LAB 42.51, 21.6, -63.13

 

CMYK 98 / 60 / 0 / 12

HEX #055AE0

RGB 5 90 224

HSL 216.71, 0.96%, 0.45%

LAB 42.35, 31.17, -73.7

 

CMYK 64 / 39 / 0 / 34

HEX #3D67A9

RGB 61 103 169

HSL 216.67, 0.47%, 0.45%

LAB 43.59, 6.8, -39.8

 

CMYK 47 / 29 / 0 / 41

HEX #4F6B96

RGB 79 107 150

HSL 216.34, 0.31%, 0.45%

LAB 44.77, 2.03, -26.64

 

CMYK 26 / 16 / 0 / 48

HEX #626F84

RGB 98 111 132

HSL 217.06, 0.15%, 0.45%

LAB 46.49, 0.18, -13.18

 

CMYK 0 / 2 / 3 / 54

HEX #757371

RGB 117 115 113

HSL 30, 0.02%, 0.45%

LAB 48.56, 0.37, 1.37

 

CMYK 0 / 12 / 30 / 47

HEX #87775E

RGB 135 119 94

HSL 36.59, 0.18%, 0.45%

LAB 50.87, 2.12, 16.04

 

CMYK 64 / 5 / 0 / 34

HEX #3DA1A9

RGB 61 161 169

HSL 184.44, 0.47%, 0.45%

LAB 61.09, -26.06, -12.74

 

CMYK 64 / 21 / 0 / 34

HEX #3D85A9

RGB 61 133 169

HSL 200, 0.47%, 0.45%

LAB 52.54, -11.14, -25.77

 

CMYK 64 / 38 / 0 / 34

HEX #3D68A9

RGB 61 104 169

HSL 216.11, 0.47%, 0.45%

LAB 43.88, 6.17, -39.34

 

CMYK 64 / 56 / 0 / 34

HEX #3D4BA9

RGB 61 75 169

HSL 232.22, 0.47%, 0.45%

LAB 35.77, 24.88, -52.34

 

CMYK 56 / 64 / 0 / 34

HEX #4B3DA9

RGB 75 61 169

HSL 247.78, 0.47%, 0.45%

LAB 33.35, 36.25, -56.23

 

CMYK 64 / 39 / 0 / 58

HEX #27426C

RGB 39 66 108

HSL 216.52, 0.47%, 0.29%

LAB 27.87, 4.19, -27.52

 

CMYK 64 / 39 / 0 / 46

HEX #32548A

RGB 50 84 138

HSL 216.82, 0.47%, 0.37%

LAB 35.7, 5.66, -33.78

 

CMYK 64 / 39 / 0 / 34

HEX #3D67A9

RGB 61 103 169

HSL 216.67, 0.47%, 0.45%

LAB 43.59, 6.8, -39.8

 

CMYK 59 / 36 / 0 / 25

HEX #4F7BC0

RGB 79 123 192

HSL 216.64, 0.47%, 0.53%

LAB 51.42, 5.9, -40.7

 

CMYK 46 / 28 / 0 / 20

HEX #6D92CB

RGB 109 146 203

HSL 216.38, 0.47%, 0.61%

LAB 60, 2.58, -33.38

 

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

CMYK 13 / 64 / 0 / 34

HEX #933DA9

RGB 147 61 169

HSL 287.78, 0.47%, 0.45%

LAB 41.85, 52.25, -42.08

 

CMYK 13 / 0 / 64 / 34

HEX #93A93D

RGB 147 169 61

HSL 72.22, 0.47%, 0.45%

LAB 65.68, -23.14, 51.42

 

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

CMYK 0 / 64 / 38 / 34

HEX #A93D68

RGB 169 61 104

HSL 336.11, 0.47%, 0.45%

LAB 42.42, 48.2, -1.37

 

CMYK 38 / 0 / 64 / 34

HEX #68A93D

RGB 104 169 61

HSL 96.11, 0.47%, 0.45%

LAB 63.06, -39.75, 47.81

 

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

CMYK 13 / 64 / 0 / 34

HEX #933DA9

RGB 147 61 169

HSL 287.78, 0.47%, 0.45%

LAB 41.85, 52.25, -42.08

 

CMYK 0 / 25 / 64 / 34

HEX #A97E3D

RGB 169 126 61

HSL 36.11, 0.47%, 0.45%

LAB 55.78, 9.53, 41.09

 

CMYK 51 / 0 / 64 / 34

HEX #52A93D

RGB 82 169 61

HSL 108.33, 0.47%, 0.45%

LAB 62.09, -46.77, 46.47

 

CMYK 64 / 39 / 0 / 34

HEX #3C66A8

RGB 60 102 168

HSL 216.67, 0.47%, 0.45%

LAB 43.2, 6.89, -39.84

 

CMYK 0 / 64 / 7 / 34

HEX #A93D9E

RGB 169 61 158

HSL 306.11, 0.47%, 0.45%

LAB 44.58, 55.81, -31.01

 

CMYK 0 / 25 / 64 / 34

HEX #A97E3D

RGB 169 126 61

HSL 36.11, 0.47%, 0.45%

LAB 55.78, 9.53, 41.09

 

CMYK 64 / 0 / 57 / 34

HEX #3DA948

RGB 61 169 72

HSL 126.11, 0.47%, 0.45%

LAB 61.51, -50.84, 40.55

 

Description

Color code: HEX #3C66A8 | qconv.com Color code: HEX #3C66A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 102 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 102 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 39 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 39% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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