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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5FD4 it is the complementary color #C3A02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5FD4 shade: #415FCF, #5271E2, #6383F5, #7495FF and #85A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5FD4 shade: #3C5FD4, #2B4DC1, #1A3BAE, #09299B and #001788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5FD4 shade: #3A5ED4, #403AD4, #6A3AD4, #933AD4 and #BD3AD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5FD4 shade: #3A5ED4 and #3A3AD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5FD4 shade matches the following richer shades: #3A5ED4, #2753E7 and #1449FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5FD4 shade: #3A5ED4, #4E68C0, #6173AD, #757D9A and #888886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5FD4 shade: #3AB0D4, #3A87D4, #3A5ED4, #403AD4 and #683AD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5FD4 shade: #223D9A, #294BBC, #3A5ED4, #5C7ADB and #7E95E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5FD4 shade: #3C5FD4, #CF3AD4 and #9CD43A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5FD4 shade: #3C5FD4, #D43A5E and #5ED43A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5FD4 shade: #3C5FD4, #CF3AD4, #D4B03A and #40D43A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5FD4 shade: #3C5FD4, #D43AAB, #D4B03A and #3AD463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

Complementary color

CMYK 0 / 18 / 78 / 24

HEX #C3A02B

RGB 195 160 43

HSL 46.18, 0.64%, 0.47%

LAB 67.22, 1.44, 61.35

 

CMYK 69 / 54 / 0 / 19

HEX #415FCF

RGB 65 95 207

HSL 227.32, 0.6%, 0.53%

LAB 43.96, 26.17, -61.28

 

CMYK 64 / 50 / 0 / 11

HEX #5271E2

RGB 82 113 226

HSL 227.08, 0.71%, 0.6%

LAB 50.8, 24.16, -61

 

CMYK 60 / 47 / 0 / 4

HEX #6383F5

RGB 99 131 245

HSL 226.85, 0.88%, 0.67%

LAB 57.54, 22.48, -60.72

 

CMYK 55 / 42 / 0 / 0

HEX #7495FF

RGB 116 149 255

HSL 225.76, 1%, 0.73%

LAB 63.69, 18.25, -56.33

 

CMYK 48 / 35 / 0 / 0

HEX #85A7FF

RGB 133 167 255

HSL 223.28, 1%, 0.76%

LAB 69.36, 11.52, -47.31

 

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

CMYK 78 / 60 / 0 / 24

HEX #2B4DC1

RGB 43 77 193

HSL 226.4, 0.64%, 0.46%

LAB 37.25, 29.91, -64.14

 

CMYK 85 / 66 / 0 / 32

HEX #1A3BAE

RGB 26 59 174

HSL 226.62, 0.74%, 0.39%

LAB 30.41, 33.06, -64.14

 

CMYK 94 / 74 / 0 / 39

HEX #09299B

RGB 9 41 155

HSL 226.85, 0.89%, 0.32%

LAB 23.71, 36.64, -63.71

 

CMYK 100 / 83 / 0 / 47

HEX #001788

RGB 0 23 136

HSL 229.85, 1%, 0.27%

LAB 17.42, 40.14, -62.36

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 70 / 73 / 0 / 17

HEX #403AD4

RGB 64 58 212

HSL 242.34, 0.64%, 0.53%

LAB 35.73, 50.25, -77.62

 

CMYK 50 / 73 / 0 / 17

HEX #6A3AD4

RGB 106 58 212

HSL 258.7, 0.64%, 0.53%

LAB 39.32, 55.66, -71.6

 

CMYK 31 / 73 / 0 / 17

HEX #933AD4

RGB 147 58 212

HSL 274.68, 0.64%, 0.53%

LAB 44.21, 62.67, -63.42

 

CMYK 11 / 73 / 0 / 17

HEX #BD3AD4

RGB 189 58 212

HSL 291.04, 0.64%, 0.53%

LAB 50.21, 70.86, -53.43

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 73 / 73 / 0 / 17

HEX #3A3AD4

RGB 58 58 212

HSL 240, 0.64%, 0.53%

LAB 35.36, 49.67, -78.25

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 83 / 64 / 0 / 9

HEX #2753E7

RGB 39 83 231

HSL 226.25, 0.8%, 0.53%

LAB 41.83, 39.75, -78.51

 

CMYK 92 / 71 / 0 / 2

HEX #1449FB

RGB 20 73 251

HSL 226.23, 0.97%, 0.53%

LAB 41.02, 52.02, -91.1

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 59 / 46 / 0 / 25

HEX #4E68C0

RGB 78 104 192

HSL 226.32, 0.48%, 0.53%

LAB 46.08, 17.45, -49.2

 

CMYK 44 / 34 / 0 / 32

HEX #6173AD

RGB 97 115 173

HSL 225.79, 0.32%, 0.53%

LAB 49.28, 8.94, -33.04

 

CMYK 24 / 19 / 0 / 40

HEX #757D9A

RGB 117 125 154

HSL 227.03, 0.15%, 0.53%

LAB 52.71, 3.7, -16.56

 

CMYK 0 / 0 / 1 / 47

HEX #888886

RGB 136 136 134

HSL 60, 0.01%, 0.53%

LAB 56.65, -0.39, 1.06

 

CMYK 73 / 17 / 0 / 17

HEX #3AB0D4

RGB 58 176 212

HSL 194.03, 0.64%, 0.53%

LAB 67.05, -20.79, -27.62

 

CMYK 73 / 36 / 0 / 17

HEX #3A87D4

RGB 58 135 212

HSL 210, 0.64%, 0.53%

LAB 55.05, 2.09, -46.37

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 70 / 73 / 0 / 17

HEX #403AD4

RGB 64 58 212

HSL 242.34, 0.64%, 0.53%

LAB 35.73, 50.25, -77.62

 

CMYK 51 / 73 / 0 / 17

HEX #683AD4

RGB 104 58 212

HSL 257.92, 0.64%, 0.53%

LAB 39.11, 55.35, -71.95

 

CMYK 78 / 60 / 0 / 40

HEX #223D9A

RGB 34 61 154

HSL 226.5, 0.64%, 0.37%

LAB 29.44, 24.73, -53.65

 

CMYK 78 / 60 / 0 / 26

HEX #294BBC

RGB 41 75 188

HSL 226.12, 0.64%, 0.45%

LAB 36.24, 29.14, -62.86

 

CMYK 73 / 56 / 0 / 17

HEX #3A5ED4

RGB 58 94 212

HSL 225.97, 0.64%, 0.53%

LAB 43.74, 27.66, -64.53

 

CMYK 58 / 44 / 0 / 14

HEX #5C7ADB

RGB 92 122 219

HSL 225.83, 0.64%, 0.61%

LAB 53.29, 18.08, -53.04

 

CMYK 44 / 34 / 0 / 11

HEX #7E95E3

RGB 126 149 227

HSL 226.34, 0.64%, 0.69%

LAB 62.91, 12.07, -42.14

 

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

CMYK 2 / 73 / 0 / 17

HEX #CF3AD4

RGB 207 58 212

HSL 298.05, 0.64%, 0.53%

LAB 53, 74.55, -48.82

 

CMYK 26 / 0 / 73 / 17

HEX #9CD43A

RGB 156 212 58

HSL 81.82, 0.64%, 0.53%

LAB 78.73, -39.92, 66.09

 

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

CMYK 0 / 73 / 56 / 17

HEX #D43A5E

RGB 212 58 94

HSL 345.97, 0.64%, 0.53%

LAB 49.29, 61.58, 15.59

 

CMYK 56 / 0 / 73 / 17

HEX #5ED43A

RGB 94 212 58

HSL 105.97, 0.64%, 0.53%

LAB 75.93, -59.94, 62.38

 

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

CMYK 2 / 73 / 0 / 17

HEX #CF3AD4

RGB 207 58 212

HSL 298.05, 0.64%, 0.53%

LAB 53, 74.55, -48.82

 

CMYK 0 / 17 / 73 / 17

HEX #D4B03A

RGB 212 176 58

HSL 45.97, 0.64%, 0.53%

LAB 73.12, 0.99, 62.04

 

CMYK 70 / 0 / 73 / 17

HEX #40D43A

RGB 64 212 58

HSL 117.66, 0.64%, 0.53%

LAB 75.13, -66.47, 61.31

 

CMYK 72 / 55 / 0 / 17

HEX #3C5FD4

RGB 60 95 212

HSL 226.18, 0.64%, 0.53%

LAB 44.09, 27.28, -63.96

 

CMYK 0 / 73 / 19 / 17

HEX #D43AAB

RGB 212 58 171

HSL 315.97, 0.64%, 0.53%

LAB 51.8, 69.59, -26.92

 

CMYK 0 / 17 / 73 / 17

HEX #D4B03A

RGB 212 176 58

HSL 45.97, 0.64%, 0.53%

LAB 73.12, 0.99, 62.04

 

CMYK 73 / 0 / 53 / 17

HEX #3AD463

RGB 58 212 99

HSL 135.97, 0.64%, 0.53%

LAB 75.38, -63.02, 44.27

 

Description

Color code: HEX #3C5FD4 | qconv.com Color code: HEX #3C5FD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 95 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 95 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 55 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 55% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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