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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5E0B it is the complementary color #C3A1F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5E0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5E0B shade: #415E06, #527019, #63822C, #74943F and #85A652

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5E0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5E0B shade: #3C5E0B, #2B4C00, #1A3A00, #092800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5E0B shade: #3D600B, #54600B, #60550B, #603E0B and #60270B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5E0B shade: #3D600B, #26600B, #10600B, #0B601E and #0B6035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5E0B shade matches the following richer shades: #3D600B and #3F6903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5E0B shade: #3D600B, #3C5714, #3A4F1D, #384625 and #373D2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5E0B shade: #60550B, #55600B, #3E600B, #27600B and #11600B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5E0B shade: #0E1603, #263B07, #3D600B, #558510 and #6CAA14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5E0B shade: #3C5E0B, #0B603E and #600B60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5E0B shade: #3C5E0B, #0B3E60 and #600B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5E0B shade: #3C5E0B, #0B603E, #2D0B60 and #600B2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5E0B shade: #3C5E0B, #0B6057, #2D0B60 and #600B14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

Complementary color

CMYK 20 / 34 / 0 / 4

HEX #C3A1F4

RGB 195 161 244

HSL 264.58, 0.79%, 0.79%

LAB 71.98, 28.63, -36.91

 

CMYK 31 / 0 / 94 / 63

HEX #415E06

RGB 65 94 6

HSL 79.77, 0.88%, 0.2%

LAB 36.26, -23.8, 41.02

 

CMYK 27 / 0 / 78 / 56

HEX #527019

RGB 82 112 25

HSL 80.69, 0.64%, 0.27%

LAB 43.44, -24.57, 41.95

 

CMYK 24 / 0 / 66 / 49

HEX #63822C

RGB 99 130 44

HSL 81.63, 0.49%, 0.34%

LAB 50.45, -25.02, 41.57

 

CMYK 22 / 0 / 57 / 42

HEX #74943F

RGB 116 148 63

HSL 82.59, 0.4%, 0.41%

LAB 57.32, -25.28, 40.63

 

CMYK 20 / 0 / 51 / 35

HEX #85A652

RGB 133 166 82

HSL 83.57, 0.34%, 0.49%

LAB 64.05, -25.42, 39.5

 

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

CMYK 43 / 0 / 100 / 70

HEX #2B4C00

RGB 43 76 0

HSL 86.05, 1%, 0.15%

LAB 28.6, -24.61, 36.32

 

CMYK 55 / 0 / 100 / 77

HEX #1A3A00

RGB 26 58 0

HSL 93.1, 1%, 0.11%

LAB 21, -22.87, 28.71

 

CMYK 78 / 0 / 100 / 84

HEX #092800

RGB 9 40 0

HSL 106.5, 1%, 0.08%

LAB 13.08, -20.7, 18.86

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 36 / 0 / 89 / 62

HEX #3D600B

RGB 61 96 11

HSL 84.71, 0.79%, 0.21%

LAB 36.71, -26.27, 39.91

 

CMYK 13 / 0 / 89 / 62

HEX #54600B

RGB 84 96 11

HSL 68.47, 0.79%, 0.21%

LAB 38.33, -15.98, 41.95

 

CMYK 0 / 11 / 89 / 62

HEX #60550B

RGB 96 85 11

HSL 52.24, 0.79%, 0.21%

LAB 36, -3.81, 40.4

 

CMYK 0 / 35 / 89 / 62

HEX #603E0B

RGB 96 62 11

HSL 36, 0.79%, 0.21%

LAB 29.3, 10.32, 34.64

 

CMYK 0 / 59 / 89 / 62

HEX #60270B

RGB 96 39 11

HSL 19.76, 0.79%, 0.21%

LAB 23.55, 24.22, 29.36

 

CMYK 36 / 0 / 89 / 62

HEX #3D600B

RGB 61 96 11

HSL 84.71, 0.79%, 0.21%

LAB 36.71, -26.27, 39.91

 

CMYK 60 / 0 / 89 / 62

HEX #26600B

RGB 38 96 11

HSL 100.94, 0.79%, 0.21%

LAB 35.6, -34.54, 38.5

 

CMYK 83 / 0 / 89 / 62

HEX #10600B

RGB 16 96 11

HSL 116.47, 0.79%, 0.21%

LAB 35, -39.54, 37.73

 

CMYK 89 / 0 / 69 / 62

HEX #0B601E

RGB 11 96 30

HSL 133.41, 0.79%, 0.21%

LAB 35.06, -38.49, 30.19

 

CMYK 89 / 0 / 45 / 62

HEX #0B6035

RGB 11 96 53

HSL 149.65, 0.79%, 0.21%

LAB 35.39, -34.61, 18.02

 

CMYK 36 / 0 / 89 / 62

HEX #3D600B

RGB 61 96 11

HSL 84.71, 0.79%, 0.21%

LAB 36.71, -26.27, 39.91

 

CMYK 40 / 0 / 97 / 59

HEX #3F6903

RGB 63 105 3

HSL 84.71, 0.94%, 0.21%

LAB 39.86, -30.02, 44.74

 

CMYK 36 / 0 / 89 / 62

HEX #3D600B

RGB 61 96 11

HSL 84.71, 0.79%, 0.21%

LAB 36.71, -26.27, 39.91

 

CMYK 31 / 0 / 77 / 66

HEX #3C5714

RGB 60 87 20

HSL 84.18, 0.63%, 0.21%

LAB 33.62, -21.69, 33.79

 

CMYK 27 / 0 / 63 / 69

HEX #3A4F1D

RGB 58 79 29

HSL 85.2, 0.46%, 0.21%

LAB 30.83, -17.52, 26.42

 

CMYK 20 / 0 / 47 / 73

HEX #384625

RGB 56 70 37

HSL 85.45, 0.31%, 0.21%

LAB 27.72, -12.32, 18.05

 

CMYK 10 / 0 / 25 / 76

HEX #373D2E

RGB 55 61 46

HSL 84, 0.14%, 0.21%

LAB 24.79, -5.78, 8.43

 

CMYK 0 / 11 / 89 / 62

HEX #60550B

RGB 96 85 11

HSL 52.24, 0.79%, 0.21%

LAB 36, -3.81, 40.4

 

CMYK 11 / 0 / 89 / 62

HEX #55600B

RGB 85 96 11

HSL 67.76, 0.79%, 0.21%

LAB 38.41, -15.51, 42.05

 

CMYK 35 / 0 / 89 / 62

HEX #3E600B

RGB 62 96 11

HSL 84, 0.79%, 0.21%

LAB 36.77, -25.86, 39.98

 

CMYK 59 / 0 / 89 / 62

HEX #27600B

RGB 39 96 11

HSL 100.24, 0.79%, 0.21%

LAB 35.64, -34.24, 38.54

 

CMYK 82 / 0 / 89 / 62

HEX #11600B

RGB 17 96 11

HSL 115.76, 0.79%, 0.21%

LAB 35.02, -39.38, 37.75

 

CMYK 36 / 0 / 86 / 91

HEX #0E1603

RGB 14 22 3

HSL 85.26, 0.76%, 0.05%

LAB 6.09, -6.39, 7.77

 

CMYK 36 / 0 / 88 / 77

HEX #263B07

RGB 38 59 7

HSL 84.23, 0.79%, 0.13%

LAB 22.14, -17.69, 27.3

 

CMYK 36 / 0 / 89 / 62

HEX #3D600B

RGB 61 96 11

HSL 84.71, 0.79%, 0.21%

LAB 36.71, -26.27, 39.91

 

CMYK 36 / 0 / 88 / 48

HEX #558510

RGB 85 133 16

HSL 84.62, 0.79%, 0.29%

LAB 50.39, -33.74, 51.09

 

CMYK 36 / 0 / 88 / 33

HEX #6CAA14

RGB 108 170 20

HSL 84.8, 0.79%, 0.37%

LAB 63.33, -41.2, 61.76

 

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

CMYK 89 / 0 / 35 / 62

HEX #0B603E

RGB 11 96 62

HSL 156, 0.79%, 0.21%

LAB 35.57, -32.57, 12.89

 

CMYK 0 / 89 / 0 / 62

HEX #600B60

RGB 96 11 96

HSL 300, 0.79%, 0.21%

LAB 22.2, 45.48, -28.36

 

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

CMYK 89 / 35 / 0 / 62

HEX #0B3E60

RGB 11 62 96

HSL 204, 0.79%, 0.21%

LAB 24.83, -2.48, -24.68

 

CMYK 0 / 89 / 35 / 62

HEX #600B3E

RGB 96 11 62

HSL 324, 0.79%, 0.21%

LAB 20.34, 40.37, -8.22

 

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

CMYK 89 / 0 / 35 / 62

HEX #0B603E

RGB 11 96 62

HSL 156, 0.79%, 0.21%

LAB 35.57, -32.57, 12.89

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 0 / 89 / 53 / 62

HEX #600B2D

RGB 96 11 45

HSL 336, 0.79%, 0.21%

LAB 19.7, 38.53, 2.81

 

CMYK 36 / 0 / 88 / 63

HEX #3C5E0B

RGB 60 94 11

HSL 84.58, 0.79%, 0.21%

LAB 35.97, -25.72, 39.22

 

CMYK 89 / 0 / 9 / 62

HEX #0B6057

RGB 11 96 87

HSL 173.65, 0.79%, 0.21%

LAB 36.22, -25.56, -1.56

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 0 / 89 / 79 / 62

HEX #600B14

RGB 96 11 20

HSL 353.65, 0.79%, 0.21%

LAB 19.13, 36.81, 19.67

 

Description

Color code: HEX #3C5E0B | qconv.com Color code: HEX #3C5E0B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 94 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 94 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 88 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 88% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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